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in Seoul, who also makes her own ceramic wares, is considered one of the greatest living developers of this art, and hosts quarterly displays of flower arrangements. There are at least a dozen schools of traditional flower arrangements, and the art is considered to be in revival.
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was not documented before the 14th century as a distinct art. Votive altar arrangements of flowers for
Buddhist temples were precursors. But it was under Confucian hands, in
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Yi dynasty times, that arrangements can be said definitely to have begun and were known, and included in illustrations by artists of that time.
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Arrangements were primarily done by women in tea-houses and in the greater houses. Confucian male masters may have done this as well.
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638:"Oriental Flower Arrangement" in three volumes and "Oriental Flower Arrangement 100" in four volumes by Im Wha-Kong, Seoul, 1995
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Formal flower arrangements were closely allied to the development of the
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flowers and tree branches in elegant and unforced natural arrangements.
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Leaves, blossoms, ferns, and grasses were also used.
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41:Relevant discussion may be found on the
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652:"Korean Flower Arranging"
535:Korean flower arrangement
551:Ewha Woman's University
541:whiteware to highlight
16:Korean traditional art
486:Emblem of South Korea
481:Emblem of North Korea
491:World Heritage Sites
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191:Arts and literature
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36:single source
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685:. Retrieved
681:the original
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660:. Retrieved
658:. 2008-10-14
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568:celadon ware
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558:Introduction
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