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126:, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same name The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" also means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain".
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complain that her husband hasn't yet moved a clock into her bedroom. After
Torquemada has left, she takes advantage of his absence to plan assignations with gentleman friends. However, the presence of Ramiro is initially a hindrance. So she asks him to move a grandfather clock to her bedroom, which he agrees to do.
357:
With
Gonzalve now downstairs, ConcepciĂłn tries to turn him away from poetry towards her, but Gonzalve is too absorbed to follow her lead. Ramiro returns, and Gonzalve must conceal himself again. He offers to take the second clock up again. Impressed by how easily Ramiro carries the clocks (and their
353:
On his own, Don Iñigo conceals himself in another clock. Ramiro enters, asked to watch the shop, and musing on how little he understands of women. Concepción then summons him back upstairs, saying that the clock's hands are running backwards. She and Don Iñigo try to communicate, but Ramiro arrives
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Meanwhile, she waits for
Gonzalve, a poet. He arrives, and is inspired to poetry, but not to lovemaking, where ConcepciĂłn would prefer the latter. When Ramiro is about to return, she sends him back saying that she chose the wrong clock. She then has the idea of having Gonzalve hide in one clock so
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Torquemada is at work in his shop when the muleteer Ramiro stops by to have his watch fixed, so that he can fulfill his duties at collecting the town's post. It is
Thursday, the day that Torquemada goes out to tend the municipal clocks, so Ramiro must wait. Torquemada's wife, ConcepciĂłn, enters to
361:
With
Gonzalve and Don Iñigo now each stuck in clocks, Torquemada returns from his municipal duties. Both Gonzalve and Don Inigo eventually escape their respective clock enclosures, the latter with more difficulty. To save face, they each have to purchase a clock. Concepción is now left without a
188:
wrote "The language of the music is linked up as naturally as possible with the music of the language". In an interview published two days before the premiere, Ravel explained his approach to his new opera. "I have written an opéra-bouffe. Apart from who sings sérénades and cavatines with
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was first seen at Covent Garden in 1919, Chicago and New York in 1920, Brussels in 1921, followed by Basel and
Rotterdam (1923), Prague (1924), Hamburg, Stockholm (1925), reaching Buenos Aires in 1932 and Cairo in 1934. The opera was performed for the first time in Canada at the 1961
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that Ramiro can carry him upstairs. After
Gonzalve is concealed, Don Iñigo, a banker and another of Concepción's gentleman friends, arrives. When Ramiro returns, she persuades him to carry up the clock with Gonzalve concealed in it, and she accompanies him.
362:
clock, but she muses that she can wait for the muleteer to appear regularly with his watch repaired. The opera ends with a quintet finale, as the singers step out of character to intone the moral of the tale, paraphrasing
207:
is full of charming music", while Grove notes that the opera is one of a group of
Spanish influenced works that span Ravel’s career and that in it he employed "a virtuouso use of the modern orchestra".
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Fra Musica (DVD), Glyndebourne
Festival Opera (2012): Stéphanie d'Oustrac (Concepción), Alek Shrader (Gonzalve), Francois Piolino (Torquemada), Elliot Madore (Ramiro), Paul Gay (Don Inigo Gomez);
167:
presented it on 5 December 1921 with Fanny Heldy as
Concepción, and it enjoyed more success. The opera returned to the Opéra-Comique in 1945 where it continued in the repertoire. Outside France,
980:
Roland-Manuel, p. 52: When Franc-Nohain heard Ravel play the work through to him for the first time, he apparently looked at his watch and said to Ravel "56 minutes".
762:(Gonzalve); Jean Mollien (Torquemada); Jean Hoffman (Ramiro); Lucien Mans (Don Iñigo Gomez), L'Orchestre Radio-Symphonique de Paris de la Radiodiffusion Française;
893:
BR Klassik 900317: Gaelle Arquez (ConcepciĂłn), Julien Behr (Gonzalve), Mathias Vidal (Torquemada), Alexandre Duhamel (Ramiro), Lionel Lhote (Don Inigo Gomez);
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deliberately exaggerated melodies, the other rĂ´les will give, I think, the impression of being spoken." Ravel also cited Mussorgsky's
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Naxos 8.660337: Isabelle Druet (Concepción), Frédéric Antoun (Gonzalve), Luca Lombardo (Torquemada), Marc Barrard (Ramiro),
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back with the other clock. Don Iñigo has hidden himself again, and Ramiro now carries up the clock with Don Iñigo upstairs.
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for the effect he was aiming to achieve in the word setting, and underlined the Spanish elements of the score in his use of
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VAI VAIA CD 1073: Jeanne Krieger (ConcepciĂłn); Louis Arnoult (Gonzalve); Raoul Gilles (Torquemada); Jean Aubert (Ramiro);
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and malagueñas. Kobbé commented that from "the delightful clock noises of the opening to the Habanera quintet of the end,
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1082:, 17 May 1911. Reproduced in L'Avant Scène Opéra. L'Enfant et les sortilèges & L'Heure espagnole. January 1990, p86.
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on 28 October 1904. Ravel began working on the music as early as 1907, and the opera was first performed at the
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678:(Don Iñigo Gomez), Orchestra; Georges Truc, conductor (1929, recorded under the supervision of the composer)
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Ravel was closely involved in every aspect of the production as it was prepared for its premiere by the
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in Paris. The opera was first performed by the Opéra-Comique on 19 May 1911, in a double-bill with
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on Ravel's operas has a reproduction of the original playbill with Delvoye (p116).
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Kilpatrick E. The Carbonne Copy : tracing the première of L’Heure espagnole.
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1223:: Genesis, Sources, Analysis." Ph.D. dissertation, Northwestern University, 1998.
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Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
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load) upstairs, ConcepciĂłn begins to be physically attracted to him.
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1147:, 1938/47, English edition, Dennis Dobson Ltd, p62). In addition,
908:(ConcepciĂłn), Thierry Dran (Gonzalve), Remy Corazza (Torquemada),
688:(ConcepciĂłn); Louis Arnoult (Gonzalve); Jean Planel (Torquemada);
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1095:, ed Harewood. Putnam, London & New York, 1954, p1060.
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The opera takes place in 21 scenes, with an introduction.
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Hill, Edward Burlingame (January 1927). "Maurice Ravel".
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792:(Don Iñigo Gomez); Orchestre National de l'ORTF, Paris;
692:(Ramiro); Charles Paul (Don Iñigo Gomez), Orchestra;
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Place: The workshop of the clockmaker Torquemada in
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L'Enfant et les sortilèges & L'Heure espagnole.
184:In relation to Ravel's vocal writing in the opera,
904:Kultur (DVD), Glyndebourne Festival Opera (1987):
129:The original play had first been performed at the
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1129:Although Grove lists Dufranne, Stéphane Wolff (
1117:In fact designated as 'trial' after the singer
387:"Among all lovers, only the efficient succeed,
378:Il arrive un moment, dans les déduits d'amour,
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744:(Ramiro); André Vessières (Don Iñigo Gomez),
375:"Entre tous les amants, seul amant efficace,
912:(Ramiro), François Loup (Don Inigo Gomez);
810:(Ramiro), François Loup (Don Iñigo Gomez);
389:The moment arrives, in the pursuit of love,
1777:Opera world premieres at the Opéra-Comique
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878:(Torquemada), Alexandre Duhamel (Ramiro),
832:(Gonzalve), Georges Gautier (Torquemada),
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1266:International Music Score Library Project
1023:Un demi-siècle d'Opéra-Comique 1900–1950.
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1143:lists Delvoye among the premiere cast (
1108:Macmillan, London & New York, 1997.
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971:Librairie Paul Ollendorff, Paris, 1905.
967:Les Annales du Théâtre et de la Musique
740:(Gonzalve); Michel Hamel (Torquemada);
391:When the muleteer has his turn!"
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758:PL7880. Janine Linda (ConcepciĂłn);
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1169:L'heure espagnole (Ravel, Maurice)
1106:The New Grove Dictionary of Opera.
1104:Nichols R. L'Heure espagnole. In:
884:Stuttgart Radio Symphony Orchestra
696:, conductor (1944 radio broadcast)
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1606:Valses nobles et sentimentales
1458:Valses nobles et sentimentales
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1240:Warrack, John and West, Ewan,
1131:Un demi-siècle d’Opéra-Comique
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1676:Pierre-Joseph Ravel (father)
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1513:Sonata for Violin and Cello
1093:Kobbé's Complete Opera Book
381:OĂą le muletier a son tour!"
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1338:L'enfant et les sortilèges
857:Orchestre National de Lyon
684:, mémoire vive CD IMV027:
110:from 1911, described as a
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1580:Menuet sur le nom d'Haydn
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1230:Dover Publications, 1972
1047:Roland-Manuel, p. ??
1025:André Bonne, Paris, 1953.
842:London Symphony Orchestra
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1652:Trois poèmes de Mallarmé
1638:Don Quichotte à Dulcinée
1175:, accessed 17 April 2019
1139:as the premiere singer.
1038:, Tome 95/1. Année 2009.
866:SWR Classic SWR19016CD:
211:
1742:Operas by Maurice Ravel
1226:Roland-Manuel, Alexis,
1157:L'Avant Scène Opera 127
415:Le Tombeau de Couperin
1747:French-language operas
1686:Impressionism in music
1681:Close and open harmony
1566:Le Tombeau de Couperin
1395:Le Tombeau de Couperin
1185:Murphy, Duff (1988). "
1069:Roland-Manuel, p. 120.
969:, 30eme edition, 1904.
895:Munich Radio Orchestra
16:Opera by Maurice Ravel
1508:Piano Trio in A minor
1381:Alborada del gracioso
1149:Vladimir Jankélévitch
1056:L'Avant Scène Opéra.
1004:10.1093/mq/XIII.1.130
992:The Musical Quarterly
876:Jean-Paul Fouchécourt
80:19 May 1911
1645:Histoires naturelles
1346:L'Ă©ventail de Jeanne
1313:List of compositions
1036:Revue de Musicologie
838:David Wilson-Johnson
106:is a French one-act
1772:Operas set in Spain
1624:Chansons madécasses
1528:String Quartet in F
1523:Violin Sonata No. 2
1518:Violin Sonata No. 1
1480:Piano Concerto in G
1219:Clifton, Keith E.,
1191:The Opera Quarterly
882:(Don Inigo Gomez);
868:Stéphanie d'Oustrac
855:(Don Inigo Gomez);
840:(Don Inigo Gomez),
822:Deutsche Grammophon
818:, conductor (1987)
770:Deutsche Grammophon
141:Performance history
71:Franc-Nohain's play
1552:Gaspard de la nuit
1444:Rapsodie espagnole
1203:10.1093/oq/6.2.135
1189:. Maurice Ravel".
931:, stage director;
916:, stage director;
804:Elizabeth Laurence
796:, conductor (1963)
766:, conductor (1953)
752:, conductor (1953)
726:, conductor (1953)
329:Time: 18th century
249:Maurice Cazeneuve
180:Musical background
174:Montreal Festivals
131:Théâtre de l'Odéon
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1354:L'heure espagnole
1262:L’heure espagnole
1236:978-0-486-20695-0
1187:L'heure espagnole
1021:Wolff, Stéphane.
830:John Mark Ainsley
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256:Torquemada's wife
231:François Ruhlmann
205:L'Heure Espagnole
169:L’heure espagnole
103:L'heure espagnole
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1431:
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1413:
1411:
1410:
1409:Ma mère l'Oye
1406:
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1399:
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1389:
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1383:
1382:
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1364:
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1362:Ma mère l'Oye
1359:
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1302:Maurice Ravel
1296:
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1250:0-19-869164-5
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1188:
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1158:
1154:
1150:
1146:
1142:
1141:Roland-Manuel
1138:
1137:
1132:
1126:
1120:
1119:Antoine Trial
1114:
1107:
1101:
1094:
1088:
1081:
1075:
1066:
1060:January 1990.
1059:
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1016:
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986:
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938:
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930:
929:Laurent Pelly
926:
923:
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915:
914:Frank Corsaro
911:
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783:
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771:
768:
765:
761:
757:
754:
751:
747:
743:
742:Heinz Rehfuss
739:
735:
734:Suzanne Danco
731:
728:
725:
721:
720:Opéra Comique
717:
716:Jean Vieuille
713:
709:
705:
701:
698:
695:
691:
690:Roger Bourdin
687:
683:
680:
677:
673:
672:
661:
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650:
649:Double basses
647:
645:
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640:
637:
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632:
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623:
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619:
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592:Tubular bells
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467:Bass clarinet
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458:
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451:
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433:
429:
428:
422:Orchestration
419:
417:
416:
411:
410:Louise Cruppi
407:
392:
385:
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367:
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336:Toledo, Spain
333:
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280:
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271:
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267:
266:Geneviève Vix
264:
262:
261:mezzo-soprano
259:
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253:
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237:
236:
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224:
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193:
187:
186:Roland-Manuel
177:
175:
170:
166:
162:
158:
157:
152:
148:
147:Opéra-Comique
138:
136:
135:Opéra-Comique
132:
127:
125:
121:
117:
116:Maurice Ravel
113:
109:
105:
104:
92:
91:Opéra-Comique
78:
74:
70:
66:
62:
58:
55:
52:
48:
44:Ravel in 1913
41:
36:
33:
32:Maurice Ravel
29:
25:
20:
1695:
1657:
1650:
1643:
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1629:
1622:
1604:
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1065:
1057:
1052:
1043:
1035:
1030:
1022:
995:
991:
985:
976:
965:
964:Stoullig E.
922:Sian Edwards
906:Anna Steiger
874:(Gonzalve),
846:André Previn
834:Kurt Ollmann
816:Armin Jordan
808:Gino Quilico
794:Lorin Maazel
790:José van Dam
780:(Gonzalve),
738:Paul Derenne
710:(Gonzalve);
704:Denise Duval
659:
627:
626:
615:
614:
597:Glockenspiel
586:Sleigh bells
521:
520:
486:
485:
479:Sarrusophone
455:English horn
431:
430:
413:
405:
403:
386:
360:
356:
352:
348:
344:
341:
305:
287:
273:
255:
254:ConcepciĂłn,
240:a clockmaker
239:
238:Torquemada,
229:(Conductor:
204:
192:The Marriage
190:
183:
168:
154:
151:Salle Favart
144:
128:
124:Franc-Nohain
118:to a French
111:
102:
101:
100:
54:Franc-Nohain
1767:1911 operas
1752:Opera buffa
1703:Les Apaches
1468:Concertante
1451:Shéhérazade
939:, conductor
937:Kazushi Ono
924:, conductor
901:, conductor
899:Asher Fisch
890:, conductor
872:Yann Beuron
863:, conductor
848:, conductor
802:ECD 75318:
774:Jane Berbié
712:René Hérent
298:Jean PĂ©rier
227:19 May 1911
222:Voice type
165:Paris Opéra
1736:Categories
1697:The Bolero
1691:Ravel Peak
1559:Jeux d'eau
1544:Solo piano
1373:Orchestral
944:References
836:(Ramiro),
788:(Ramiro),
760:André Dran
686:Géori Boué
669:Recordings
576:(Crécelle)
554:Tambourine
533:Snare drum
522:Percussion
400:Dedication
288:a muleteer
272:Gonzalve,
84:1911-05-19
50:Librettist
602:Xylophone
588:(Grelots)
569:Castanets
550:(Ressort)
538:Bass drum
508:Trombones
469:in B-flat
461:Clarinets
432:Woodwinds
364:Boccaccio
201:habaneras
1721:Category
1600:Sonatine
1402:La valse
1365:(ballet)
1349:(ballet)
1333:(ballet)
1244:, 1992.
880:Paul Gay
616:Keyboard
564:Triangle
501:Trumpets
474:Bassoons
324:Synopsis
306:a banker
293:baritone
286:Ramiro,
120:libretto
76:Premiere
68:Based on
60:Language
1669:Related
1587:Miroirs
1534:Tzigane
1496:Chamber
1486:Tzigane
1423:Miroirs
1357:(opera)
1341:(opera)
1214:Sources
1136:Delvoye
634:Violins
628:Strings
622:Celesta
582:(Fouet)
574:Ratchet
543:Cymbals
528:Timpani
438:Piccolo
156:Thérèse
149:at the
93:, Paris
82: (
1757:Operas
1388:Boléro
1248:
1234:
660:
644:Cellos
639:Violas
559:Tamtam
548:Spring
444:Flutes
278:tenor
63:French
1616:Vocal
1322:Stage
1153:Ravel
1145:Ravel
949:Notes
800:Erato
730:Decca
655:Harps
494:Horns
487:Brass
450:Oboes
245:tenor
219:Role
212:Roles
197:jotas
108:opera
28:Opera
1246:ISBN
1232:ISBN
580:Whip
515:in C
503:in C
496:in F
463:in A
311:bass
1199:doi
1000:doi
756:Vox
700:HMV
682:INA
408:to
159:by
122:by
30:by
1738::
1193:.
1171:,
1012:^
996:13
994:.
957:^
935:;
920:;
897:;
886:;
859:;
844:;
814:;
748:;
732:.
722:;
702:.
653:2
606:3
506:3
499:2
492:4
472:2
459:2
448:2
442:2
418:.
366::
233:)
199:,
176:.
1294:e
1287:t
1280:v
1205:.
1201::
1195:6
1151:(
1006:.
1002::
338:.
86:)
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