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Léonide Moguy

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Mohylevskyi did not become a doctor, however, graduating from Odesa Institute of National Economy in 1924, he became a lawyer. Soon, he was invited to work as a VUFKU legal advisor at Odesa Film Studio. Mohylevskyi showed interest not only in the letter of the law, but also in laws and principles of
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he initiated the creation of the first library of Ukrainian films. The department headed by Mohylevskyi began to issue Kinotyzhden, and later, Kinozhurnal VUFKU, a collection of fresh newsreels, “timely and urgent,” that became nearly the only source of news at that time.
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An active member of the society Friends of Soviet Cinema, Mohylevskyi edited 16 short films for them, such as Now! and Peak ticket (Піковий квиток) filmed by amateur Experimental Film Studio headed by Hlib Zatvornytskyi.
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family. He lived in Soviet Ukraine until 1929, in the United States in the 1940s, and in Italy from 1949 until his death. He was active in film between 1927 and 1961. His work has influenced American director
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Leonid Mohylevskyi used archive materials (“some positive fragments” and pre-revolutionary “rubbish”) stored in VUFKU archives or bought from other film studios or private persons as the basis for his film.
374:; in her brief contribution to his biography's preface, Farner describes Moguy as "l'ami sublime," citing his humanity, charisma and intelligence, as well as his benevolent gaze. 210:(1928), in collaboration with the director Ya. Habovych. The latter was the most popular VUFKU mashup film based on 150,000 meters of newsreels dating back to 1917-1922. 384: 207: 244: 1188: 552: 321: 1276: 1086: 1306: 1296: 902: 1301: 1014: 988: 911: 656: 618: 879: 1271: 1281: 888: 175:. After the war, he was a medical student and worked part-time at the film studio of Dmytro Kharytonov who came from 1286: 1108: 464: 226:
He moved to France and developed a reputation as a "play doctor" of films. He started directing and had a hit with
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Moskowitz, Gene (8 September 1971). "Will Valenti Beat Nixon to Peking? U.S.-China Film Talk Starts in Venice".
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Scheuer, P. K. (7 September 1950). "'Size 12' fits at RKO; 'new stars' vote told; rettig possible peter".
400: 1196: 682: 560: 370:, a sometime actor who appeared in an early Moguy film. Later in life, Moguy befriended German actress 1212: 576: 342: 1072: 1164: 520: 281: 959: 1132: 448: 239: 646: 613:
Lebon, Éric Antoine. Léonide Moguy. Un citoyen du monde au pays du cinéma. L’Harmattan, 2018.
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Frank Daugherty (26 November 1943). "Damascus setting for film in which sanders will star".
1256: 1251: 1180: 1124: 1116: 544: 480: 472: 311: 141: 8: 1291: 1001: 424: 199: 302:(1947). In 1947 he announced he would direct the first Belgian-Hollywood co production, 440: 408: 330: 1228: 1220: 1053: 907: 884: 652: 614: 592: 584: 488: 354: 348: 136: 1204: 1156: 1148: 568: 512: 504: 336: 306:, a story of the Belgian refugees who established New York. The film was not made. 260: 254: 249: 147: 1064: 924: 1035: 980: 951: 195: 864: 841: 818: 795: 772: 749: 726: 703: 190:, Mohylevskyi was the head of the Newsreel Department VUFKU, was a colleague of 456: 432: 127: 57: 809:
Aneta, B. (21 August 1947). "Belgians claim founding of new york in picture".
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Collectible Names and Designs in Women's Fashion : Past and Present
1049: 172: 536: 298: 288:"I didn't do the pictures I wanted to", he later said of this time. 167:, he was a soldier of the 51st Lithuanian infantry regiment of the 97:(14 July 1899 – 21 April 1976) was a Ukrainian, French and Italian 644: 206:
Then, Mohylevskyi made two mashup films, How It Was (1927) and
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F. S. (12 December 1943). "HOLLYWOOD FOLLOWS THE HEADLINES".
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film editing as he assisted the director Mykola Saltykov.
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One of Moguy's early companions was the fashion designer
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Scheuer, P. K. (14 September 1943). "SCREEN AND STAGE".
989:"Moguy Emphasizes France's Need for a Foreign Market" 903:
Léonide Moguy: Un Citoyen du Monde au Pays du Cinéma
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A.H. WEILER. (2 November 1947). "BY WAY OF REPORT".
1094: 279:at RKO but the film was not made. Instead he made 139:, who discovered him while writing the script for 638: 1243: 717:Schallert, E. (11 June 1943). "DRAMA AND FILM". 629: 1025: 1012: 693: 117: 999: 854: 739: 1080: 786:A. H. W. (6 April 1952). "BY WAY OF REPORT". 716: 831: 163:in a family of a merchandise worker. During 645:Александр Васильев; Людмила Лопато (2011). 1087: 1073: 28: 808: 883:. Barnsley: Remember When. p. 124. 785: 81: 377: 296:Moguy returned to France where he made 1244: 1068: 762: 623: 145:, and named a character after him in 548:(1950) – director, writer, producer 13: 935: 14: 1318: 1277:20th-century French screenwriters 1043: 1013:Moskowitz, Gene (30 March 1955). 651:. Альпина Паблишер. p. 157. 1307:20th-century French male writers 1297:French people of Russian descent 1000:Lyons, Leonard (6 August 1951). 971:"Advertisement: Leonide Moguy". 361: 1302:French male non-fiction writers 975:. 9 November 1943. p. 12. 946:. 19 January 1939. p. 43. 917: 894: 871: 848: 825: 802: 671:Quentin Tarantino interview at 779: 756: 733: 710: 687: 665: 607: 1: 995:. 27 August 1947. p. 18. 966:. 25 August 1941. p. 17. 696:The Christian Science Monitor 600: 900:Lebon, Eric Antoine (2018). 233: 7: 960:"Crime Studied by Film Man" 252:. He stayed at Fox to make 10: 1323: 1197:One Hundred Little Mothers 561:One Hundred Little Mothers 388:(1928) – director, editor 242:in 1940. He made the film 1272:French male screenwriters 1213:The Width of the Pavement 1103: 1006:The Philadelphia Inquirer 630:Joseph F. Clarke (1977). 596:(1961) – director, writer 588:(1957) – director, writer 580:(1956) – director, writer 577:The Width of the Pavement 572:(1953) – director, writer 564:(1952) – writer, producer 556:(1951) – director, writer 484:(1938) – director, writer 476:(1938) – director, writer 468:(1936) – director, writer 343:The Width of the Pavement 291: 258:then went to RKO to make 221: 154: 118: 64: 39: 27: 20: 1282:Ukrainian film directors 319:. They were reunited in 315:(1950) which introduced 159:Mohylevskyi was born in 1287:Ukrainian screenwriters 1189:Tomorrow Is Another Day 648:Царица парижских кабаре 553:Tomorrow Is Another Day 322:Tomorrow Is Another Day 267:He was meant to follow 88:Tomorrow Is Another Day 1002:"Gossip of the Nation" 973:The Hollywood Reporter 925:"Documents of the Era" 877:Martin, Tracy (2011). 91: 1262:French film directors 169:Imperial Russian Army 85: 1181:Tomorrow Is Too Late 1117:Prison sans barreaux 1109:Forty Little Mothers 944:Kinematograph Weekly 942:"Reviews: Conflit". 545:Tomorrow Is Too Late 473:Prison sans barreaux 465:Forty Little Mothers 401:Theodore and Company 385:Documents of the Era 378:Selected filmography 312:Tomorrow Is Too Late 285:for United Artists. 208:Documents of the Era 142:Inglourious Basterds 1267:French film editors 634:. BCA. p. 116. 449:The Squadron's Baby 328:He went on to make 273:Experiment Perilous 245:The Night is Ending 200:Oleksandr Dovzhenko 119:Леонід Могилевський 1095:Films directed by 1030:. pp. 1, 56. 331:100 Little Mothers 114:Leonid Mohylevskyi 92: 1239: 1238: 1229:Man Wants to Live 1221:Give Me My Chance 964:Los Angeles Times 912:978-2-343-15364-3 857:Los Angeles Times 742:Los Angeles Times 719:Los Angeles Times 658:978-5-9614-2277-1 619:978-2-343-15364-3 593:Man Wants To Live 585:Give Me My Chance 540:(1947) – director 516:(1944) – director 508:(1943) – director 500:(1940) – director 492:(1939) – director 393:The Wonderful Day 355:Man Wants To Live 349:Give Me My Chance 304:New York's Origin 228:40 Little Mothers 137:Quentin Tarantino 80: 79: 1314: 1205:Children of Love 1157:Action in Arabia 1149:Paris After Dark 1089: 1082: 1075: 1066: 1065: 1039: 1022: 1015:"Chatter: Paris" 1009: 996: 984: 967: 955: 929: 928: 921: 915: 898: 892: 875: 869: 868: 852: 846: 845: 829: 823: 822: 806: 800: 799: 783: 777: 776: 760: 754: 753: 737: 731: 730: 714: 708: 707: 691: 685: 679: 669: 663: 662: 642: 636: 635: 627: 621: 611: 569:Children of Love 513:Action in Arabia 505:Paris After Dark 337:Children of Love 309:Instead he made 269:Action in Arabia 261:Action in Arabia 255:Paris After Dark 250:20th Century Fox 198:. Together with 148:Django Unchained 121: 120: 86:Moguy on set of 71: 49: 47: 32: 18: 17: 1322: 1321: 1317: 1316: 1315: 1313: 1312: 1311: 1242: 1241: 1240: 1235: 1099: 1093: 1061:at Film Comment 1046: 987: 970: 958: 941: 938: 936:Further reading 933: 932: 923: 922: 918: 899: 895: 876: 872: 853: 849: 830: 826: 807: 803: 784: 780: 761: 757: 738: 734: 715: 711: 692: 688: 677: 670: 666: 659: 643: 639: 628: 624: 612: 608: 603: 452:(1935) – editor 444:(1935) – editor 436:(1935) – editor 428:(1934) – editor 412:(1933) – editor 404:(1933) – editor 396:(1932) – editor 380: 364: 294: 238:Moguy moved to 236: 224: 196:Mikhail Kaufman 157: 112:Moguy was born 76: 73: 69: 60: 51: 45: 43: 35: 23: 12: 11: 5: 1320: 1310: 1309: 1304: 1299: 1294: 1289: 1284: 1279: 1274: 1269: 1264: 1259: 1254: 1237: 1236: 1234: 1233: 1225: 1217: 1209: 1201: 1193: 1185: 1177: 1169: 1161: 1153: 1145: 1137: 1129: 1121: 1113: 1104: 1101: 1100: 1092: 1091: 1084: 1077: 1069: 1063: 1062: 1059:Essay on Moguy 1056: 1045: 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430: 427: 426: 422: 420:(1934) – film 419: 418: 414: 411: 410: 406: 403: 402: 398: 395: 394: 390: 387: 386: 382: 381: 375: 373: 369: 362:Personal life 359: 357: 356: 351: 350: 345: 344: 339: 338: 333: 332: 326: 324: 323: 318: 314: 313: 307: 305: 301: 300: 289: 286: 284: 283: 278: 274: 270: 265: 263: 262: 257: 256: 251: 247: 246: 241: 231: 229: 219: 215: 211: 209: 204: 201: 197: 193: 189: 184: 180: 178: 174: 170: 166: 162: 152: 150: 149: 144: 143: 138: 133: 130:in 1899 in a 129: 125: 115: 110: 108: 104: 100: 99:film director 96: 95:Léonide Moguy 89: 84: 75:Paris, France 68:21 April 1976 67: 63: 59: 55: 42: 38: 34:Moguy in 1955 31: 26: 22:Léonide Moguy 19: 16: 1227: 1219: 1211: 1203: 1195: 1187: 1179: 1171: 1165:Whistle Stop 1163: 1155: 1147: 1139: 1131: 1123: 1115: 1107: 1096: 1027: 1018: 1005: 992: 972: 963: 943: 919: 901: 896: 878: 873: 856: 850: 833: 827: 810: 804: 787: 781: 764: 758: 741: 735: 718: 712: 695: 689: 672: 667: 647: 640: 631: 625: 609: 591: 583: 575: 567: 559: 551: 543: 535: 524:(1946) with 521:Whistle Stop 519: 511: 503: 495: 487: 479: 471: 463: 455: 447: 439: 431: 423: 415: 407: 399: 391: 383: 372:Ellen Farner 368:Jacques Fath 365: 353: 347: 341: 335: 329: 327: 320: 310: 308: 303: 297: 295: 287: 282:Whistle Stop 280: 277:Paul Henreid 272: 268: 266: 259: 253: 243: 237: 227: 225: 216: 212: 205: 192:Dziga Vertov 185: 181: 158: 146: 140: 113: 111: 103:screenwriter 94: 93: 87: 70:(1976-04-21) 50:14 July 1899 15: 1257:1976 deaths 1252:1899 births 1133:Three Hours 673:Times Talks 530:Ava Gardner 526:George Raft 417:The Scandal 409:Charlemagne 352:(1957) and 317:Pier Angeli 165:World War I 107:film editor 1292:Odesa Jews 1246:Categories 1036:1017163834 981:2298619596 952:2339708814 632:Pseudonyms 601:References 532:– director 248:(1943) at 179:to Odesa. 173:Simferopol 46:1899-07-14 1173:Bathsheba 1141:Two Women 865:166143653 842:108048548 819:107811127 796:112527520 773:106648562 750:165450660 727:165454619 704:514427000 537:Bethsabee 497:Two Women 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Index


Odessa
Russian Empire

film director
screenwriter
film editor
Odesa
Russian Empire
Jewish
Quentin Tarantino
Inglourious Basterds
Django Unchained
Odesa
World War I
Imperial Russian Army
Simferopol
Moscow
1927
Dziga Vertov
Mikhail Kaufman
Oleksandr Dovzhenko
Documents of the Era
Hollywood
The Night is Ending
20th Century Fox
Paris After Dark
Action in Arabia
Paul Henreid
Whistle Stop

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