La dolce vita - Knowledge

1445:

of Marcello's world; Chicago's North Avenue was not the Via Veneto, but at 3 a.m. the denizens were just as colorful, and I was about Marcello's age. When I saw the movie around 1980, Marcello was the same age, but I was 10 years older, had stopped drinking, and saw him not as a role model but as a victim, condemned to an endless search for happiness that could never be found, not that way. By 1991, when I analyzed the film a frame at a time at the University of Colorado, Marcello seemed younger still, and while I had once admired and then criticized him, now I pitied and loved him. And when I saw the movie right after Mastroianni died, I thought that Fellini and Marcello had taken a moment of discovery and made it immortal.

1315: 708:. With Paparazzo, they go to the "Cha-Cha" Club, where Marcello introduces his father to Fanny, a beautiful dancer and one of his past girlfriends (he had promised to get her picture in the paper but failed to do it). Fanny takes a liking to his father. Marcello tells Paparazzo that as a child he had never seen much of his father, who would spend weeks away from home. Fanny invites Marcello's father back to her flat, and two other dancers invite the two younger men to go with them. Marcello leaves the others when they get to the dancers' neighborhood. Fanny comes out of her house, upset that Marcello's father has become ill. 759:: Marcello and Emma are alone in his sports car on an isolated road. Emma continues an argument by professing her love and tries to get out of the car; Marcello pleads with her not to get out. Emma says that Marcello will never find another woman who loves him the way she does. Marcello becomes enraged, telling her that he cannot live with her smothering, maternal love. He now wants her to get out of the car, but she refuses. With some violence (a bite from her and a slap from him), he throws her out of the car and drives off, leaving her alone on a deserted road at night. 1145: 3749: 3733: 3717: 3701: 3685: 1376:, Fellini is unquestionably an author rather than a director. The film is therefore his and his alone... The camera moves and fixes the image in such a way as to create a sort of diaphragm around each object, thus making the object’s relationship to the world appear as irrational and magical. As each new episode begins, the camera is already in motion using complicated movements. Frequently, however, these sinuous movements are brutally punctuated by a very simple documentary shot, like a quotation written in everyday language. 1199:

and literature. Marcello leads a lifestyle of excess, fame and pleasure amongst Rome's thriving popular culture, depicting the confusion and frequency with which Marcello gets distracted by women and power. A more sensitive Marcello aspires to become a writer, of leading an intellectual life amongst the elites, the poets, writers and philosophers of the time. Marcello eventually chooses neither journalism, nor literature. Thematically he opted for the life of excess and popularity by officially becoming a publicity agent.

827:: Paola, the adolescent waitress from the seaside restaurant in Fregene, calls to Marcello from across an estuary, but the words they exchange are lost on the wind, drowned out by the crashing waves. He signals his inability to understand what she is saying or interpret her gestures. He shrugs and returns to the partygoers; one of the women joins him and they hold hands as they walk away from the beach. In a long final close-up, Paola waves to Marcello and then stands watching him with an enigmatic smile. 1052:, Pinelli had closely followed the writer's career and felt that his over-intellectualism had become emotionally sterile, leading to his suicide in a Turin hotel in 1950. This idea of a "burnt-out existence" is carried over to Steiner in the party episode where the sounds of nature are not to be experienced first-hand by himself and his guests but in the virtual world of tape recordings. 1416:

for finding the offbeat and grotesque incident, the gross and bizarre occurrence that exposes a glaring irony. He has, too, a splendid sense of balance and a deliciously sardonic wit that not only guided his cameras but also affected the writing of the script. In sum, it is an awesome picture, licentious in content but moral and vastly sophisticated in its attitude and what it says.

1469:“La Dolce Vita” is also one of the triumphs of have-it-both-ways filmmaking: Fellini reveals the emptiness, boredom and destructiveness of the Via Veneto existence while at the same time making it highly glamorous and seductive...“La Dolce Vita” (Times-rated Mature for adult themes and situations) reminds us just how enduring and intuitively cinematic a storyteller Fellini is. 594:. Sylvia's natural sensuality triggers raucous partying while Robert, her bored fiancé, draws caricatures and reads a newspaper. His humiliating remark to her causes Sylvia to leave the group, eagerly followed by Marcello and his paparazzi colleagues. Finding themselves alone, Marcello and Sylvia spend the rest of the evening in the alleys of Rome, where they wade into the 1344:. In general, the tendency to caricature is greater the more severe the film's moral judgement although this is never totally contemptuous, there being always a touch of complacence and participation, as in the final orgy scene or the episode at the aristocrats' castle outside Rome, the latter being particularly effective for its descriptive acuteness and narrative rhythm. 670:, whose poetry Marcello has read and admired, recommends that Marcello avoid the "prisons" of commitment: "Stay free, available, like me. Never get married. Never choose. Even in love, it's better to be chosen." Emma appears enchanted with Steiner's home and children, telling Marcello that one day he will have a home like Steiner's, but he turns away moodily. 1833:. Charlotte and Bob later meet in the middle of the night and watch the famous Trevi Fountain sequence while drinking sake. Coppola said, "I saw that movie on TV when I was in Japan. It's not plot-driven, it's about them wandering around. And there was something with the Japanese subtitles and them speaking Italian—it had a truly enchanting quality". 1214:. Journalist Marcello and a photographer named Paparazzo follow in a second helicopter. The symbolism of Jesus, arms outstretched as if blessing all of Rome as it flies overhead, is soon replaced by the profane life and neo-modern architecture of the "new" Rome, founded on the economic miracle of the late 1950s. (Much of this was filmed in 604:: Like a magic spell that has suddenly been broken, dawn arrives at the very moment Sylvia playfully "anoints" Marcello's head with fountain water. They drive back to Sylvia's hotel to find an enraged Robert waiting for her in his car. Robert slaps Sylvia, orders her to go to bed, and then assaults Marcello, who takes it in stride. 806:”. Riccardo shows up at the house and tells the partiers to leave. The drunken Marcello attempts to provoke the other partygoers into an orgy. However, their inebriation causes the party to descend into mayhem, with Marcello riding a young woman crawling on her hands and knees and throwing pillow feathers around the room. 557:: Marcello returns to his apartment to find that his fiancée, Emma, has overdosed. On the way to the hospital, he declares his everlasting love to her and again as she lies in a semiconscious state in the emergency room. While waiting frantically for her recovery, however, he tries to make a phone call to Maddalena. 673:

Outside on the terrace, Marcello confesses to Steiner his admiration for all he stands for, but Steiner admits he is torn between the security that a materialistic life affords and his longing for a more spiritual albeit insecure way of life. Steiner philosophizes about the need for love in the world

1198:

Marcello is a journalist in Rome during the late 1950s who covers tabloid news of movie stars, religious visions and the self-indulgent aristocracy while searching for a more meaningful way of life. Marcello faces the existential struggle of having to choose between two lives, depicted by journalism

1116:

palace north of Rome. (Some of the servants, waiters, and guests were played by real aristocrats.) Fellini combined constructed sets with location shots, depending on script requirements—a real location often "gave birth to the modified scene and, consequently, the newly constructed set." The film's

1690:

to date, concluding "What’s eternal is Fellini’s melancholy realization that behind modern-day sin, redemption, distraction and the come-hither facade of the sweet life, there lurks only emptiness." The film ranked 10th in BBC's 2018 list of The 100 greatest foreign language films voted by 209 film

1460:

Federico Fellini’s 1960 “La Dolce Vita" is one of the key works of the modern cinema. A brilliantly conceived epic fable about a scandal reporter (Marcello Mastroianni) adrift in Rome’s high life, it introduced the term paparazzi into the vocabulary, and depicted, with a judicious mixture of satire

1444:

Movies do not change, but their viewers do. When I saw "La Dolce Vita" in 1960, I was an adolescent for whom "the sweet life" represented everything I dreamed of: sin, exotic European glamour, the weary romance of the cynical newspaperman. When I saw it again, around 1970, I was living in a version

1415:

brilliantly graphic estimation of a whole swath of society in sad decay and, eventually, a withering commentary on the tragedy of the over-civilized… Fellini is nothing if not fertile, fierce and urbane in calculating the social scene around him and packing it onto the screen. He has an uncanny eye

768:

Later, they are asleep in bed, tenderly intertwined, when Marcello receives a phone call. He rushes to the Steiners' apartment and learns that Steiner has killed his two children and himself. Marcello is interrogated by the police and afterwards volunteers to accompany an officer on his way to meet

1305:

In a device used earlier in his films, Fellini orders the disparate succession of sequences as movements from evening to dawn. Also employed as an ordering device is the image of a downward spiral that Marcello sets in motion when descending the first of several staircases (including ladders) that

742:. As a disembodied voice, Maddalena asks him to marry her; Marcello professes his love for her, avoiding answering her proposal. Another man kisses and embraces Maddalena, who loses interest in Marcello. He rejoins the group, and eventually spends the night with Jane, a British artist and heiress. 1135:

was shot over a week in winter: in March according to the BBC, in late January according to Anita Ekberg. Fellini claimed that Ekberg stood in the cold water in her dress for hours without any trouble while Mastroianni had to wear a wetsuit beneath his clothes - to no avail. It was only after the

737:

outside Rome. There is already a party long in progress, and the party-goers are bleary-eyed and intoxicated. By chance, Marcello meets Maddalena again. The two of them explore a suite of ruins annexed to the castle. Maddalena seats Marcello in a vast room and then closets herself in another room

535:

outside Rome while a second, Marcello Rubini's news helicopter, follows it into the city. The news helicopter is momentarily sidetracked by a group of bikini-clad women sunbathing on the rooftop of a high-rise apartment building. Hovering above, Marcello uses gestures to elicit phone numbers from

1433:

Greatest Films poll every ten years. Ebert's first review for the film, published in October 1961, was nearly the first film review he wrote, before he began his career as a film critic in 1967. The film was a touchstone for Ebert, as his perspective on the movie and his life evolved over time,

1035:

In various interviews, Fellini said that the film's initial inspiration was the fashionable ladies' sack dress because of what the dress could hide beneath it. Brunello Rondi, Fellini's co-screenwriter and long-time collaborator, confirmed this view explaining that "the fashion of women's sack

575:

During Sylvia's press conference, Marcello calls home to ensure Emma has taken her medication while reassuring her that he is not alone with Sylvia. After the film star confidently replies to the barrage of journalists' questions, her boyfriend Robert enters the room late and drunk. Marcello

1086:

I said, "Well, ok, I would like to read the script please." He said, "Why not? Ennio, come with the script"...I opened the script and there was nothing written...blank pages...then I saw a sketch of the sea and a man swimming with an enormous......and around his element there was a dance of

1272:

Interrupting the seven episodes is the restaurant sequence with the angelic Paola. The episodes are also framed by a prologue (Jesus over Rome) and epilogue (the monster fish), giving the film its innovative and symmetrically symbolic structure. The evocations are: seven deadly sins, seven

1036:

dresses which possessed that sense of luxurious butterflying out around a body that might be physically beautiful but not morally so; these sack dresses struck Fellini because they rendered a woman very gorgeous who could, instead, be a skeleton of squalor and solitude inside."

579:

Inside St Peter's dome, a news reporter complains that Sylvia is "an elevator" because none of them can match her energetic climb up the numerous flights of stairs. Inspired, Marcello maneuvers forward to be alone with her when they finally reach the balcony overlooking

1128:. If the director's dealings with Rainer "who used to involve Fellini in futile discussion" were problematic, biographer Kezich argues that while rewriting the screenplay, the Dolores character grew "hyperbolic" and Fellini decided to jettison "the entire story line." 666:: One evening, Marcello and Emma attend a gathering at Steiner's luxurious home, where they are introduced to a group of intellectuals who recite poetry, strum the guitar, offer philosophical ideas, and listen to sounds of nature recorded on tape. The British poet 551:: Marcello meets Maddalena by chance in an exclusive nightclub. A beautiful and wealthy heiress, Maddalena is tired of Rome, while Marcello finds it suits him. They have sex in the bedroom of a prostitute whom they had given a ride home in Maddalena's Cadillac. 1222:, the Mussolini-style area south of Rome.) The delivery of the statue is the first of many scenes placing religious icons in the midst of characters demonstrating their "modern" morality, influenced by the booming economy and the emerging mass-consumer life. 1903:

The fish is not specified in the film script nor identified by critics or biographers. Set designer Piero Gherardi described his creation as "a kind of huge beast with blobs of plaster all over it like veal tripe. For eyes I gave it convex enlarging

714:: Marcello's father has suffered what seems to be a mild heart attack. Marcello wants him to stay with him in Rome so they can get to know each other, but his father, weakened, wants to go home and gets in a taxi to catch the first train to 1117:

last scenes where the monster fish is pulled out of the sea and Marcello waves goodbye to Paola (the teenage "Umbrian angel") were shot on location at Passo Oscuro, a small resort town situated on the Italian coast 30 kilometers from Rome.

5367: 1301:

and an underworld of 120 characters. The encounters build up a cumulative impression on the viewer that finds resolution in an "overpowering sense of the disparity between what life has been or could be, and what it actually is".

1510:

The film earned $ 6 million in rentals in the United States and Canada in its original release and was the highest-grossing foreign language film at the US box office. The film was re-released in North America in 1966 by

648:

to be given sole possession of Marcello's heart. Blindly following the two children from corner to corner in a downpour, the crowd tears a small tree apart for its branches and leaves said to have sheltered the Madonna.

786:: An unspecified amount of time later, an older Marcello—now with gray in his hair—has quit journalism and abandoned his attempt at writing a book to become a publicist. He and a group of partygoers break into a 775:: After waiting at the bus stop, Marcello identifies Steiner's wife when she arrives. He and the officer escort her to the car to break the terrible news, while the paparazzi swarm around them snapping pictures. 5360: 1082:

for the lead role, but that Fellini considered Newman too beautiful, while Mastroianni was "the face of normal." Mastroianni, somewhat embarrassed, requested to read the script before agreeing to the role:

1758:(1988) include a helicopter suspending a statue of Jesus over the city and scenes in which the Trevi Fountain is used as a backdrop while Toto, the main character, grows up to be a famous film director. 5353: 748:: Burnt out and bleary-eyed, the group returns at dawn to the main section of the castle, to be met by the matriarch of the castle, who is on her way to mass, accompanied by priests in a procession. 49: 1776:(2003) also includes a reference to the scene of Jesus suspended over the city of Rome, replacing it with a statue of Lenin being carried over East Berlin after the fall of the Berlin wall. 3384: 1394:

lacks is the structure of a masterpiece. In fact, the film has no proper structure: it is a succession of cinematic moments, some more convincing than others… In the face of criticism,

5376: 1493:

The film was a big hit in Europe with 13,617,148 admissions in Italy and 2,956,094 admissions in France, for a combined 16,573,242 tickets sold in both countries. The film had the

3760: 1289:

lies in a new form of film narrative that mines "an aesthetic of disparity". Abandoning traditional plot and conventional "character development", Fellini and co-screenwriters

6239: 1112:

with the staircase leading up to it, and various nightclubs. However, other sequences were shot on location such as the party at the aristocrats' castle filmed in the real

1494: 1297:

forged a cinematic narrative that rejected continuity, unnecessary explanations and narrative logic in favour of seven non-linear encounters between Marcello, a kind of

1656:

ranked 39th in critics' poll and 37th in directors' poll. In January 2002, the film was voted at No. 28 on the list of the "Top 100 Essential Films of All Time" by the

1477:

gives the film a 95% approval score based on 81 reviews, with an average rating of 9.10/10. The consensus states: "An epic, breathtakingly stylish cinematic landmark,

3094: 1557:, the film took ten years to pass through its censors and be released in the country (this was due to the censorship that the country suffered during the years of 508: 1120:

Fellini scrapped a major sequence that would have involved the relationship of Marcello with Dolores, an older writer living in a tower, to be played by 1930s

3279: 1649: 634:: Late afternoon, Marcello, his photographer friend Paparazzo, and Emma drive to the outskirts of Rome to cover the story of the purported sighting of the 1886:. Junior references the opening scene, in which the statue of Jesus is flown across Rome by helicopter, with the comment: "You could tell it was a dummy!" 6244: 2028: 3435: 3138: 243: 3026: 2621: 655:: The gathering ends at dawn with the crowd mourning a sick child, a pilgrim brought by his mother to be healed, but trampled to death in the melee. 1230:

The most common interpretation of the film is a mosaic, its parts linked by the protagonist, Marcello Rubini, a journalist. The seven episodes are:

1210:

the Labourer suspended by cables from a helicopter, flies past the ruins of an ancient Roman aqueduct. The statue is being taken to the Pope at the

765:: Emma hears Marcello's car returning as she holds wildflowers picked from the roadside. She gets into the car with neither of them saying a word. 3398: 2419: 2118: 2086: 1504: 1306:

open and close episodes. The upshot is that the film's aesthetic form, rather than its content, embodies the theme of Rome as a moral wasteland.

1206:, the diverse and glittery world rebuilt upon the ruins and poverty" of the Italian postwar period. In the opening sequence, a plaster statue of 2590: 3108: 1277:

not mesmerized by the magic number seven will find it almost impossible to organize the numerous sequences on a strictly numerological basis".

2709: 1624:

ranked the film at number 112 in its Top 250 "Best Films of the Century" list in 1999, based on a poll of critics. The film was included in "

1252:). Their relationship is divided into three sequences spread over the film: a) Initial encounter, b) Steiner's party and c) Steiner's tragedy 496:. Its success proved a watershed moment for Italian cinema and European cinema-at-large, and it has come to be regarded as a masterpiece of 2450: 2322: 821:, a bloated, sea ray-like creature, caught in the fishermen's nets. In his stupor, Marcello comments on how its eyes stare even in death. 685:: Marcello spends the afternoon working on his novel at a seaside restaurant, where he meets Paola, a young waitress from Perugia playing 6214: 5196: 2974: 2643: 1787:" contains a reference to the film with the lyrics, "Then in comes his daughter whose name was Rita, she looked like she stepped out of 3810: 493: 6219: 5778: 1398:

disintegrates, leaving behind little more than a sequence of events with no common denominator linking them into a meaningful whole".

693:” on the jukebox and then humming its tune. He asks her if she has a boyfriend, then describes her as an angel in Umbrian paintings. 1842:(2013) features a former writer who wanders through the parties of the Roman high society trying to decide what to do with his life. 1059:

in a farm at Maratta Alta, near Terni. The "dead sea monster" alludes to the Montesi affair, in which the dead body of 21 year old

638:

by two children. Although the Catholic Church is officially skeptical, a huge crowd of devotees and reporters gathers at the site.

1044:

Credit for the creation of Steiner, the intellectual who commits suicide after shooting his two children, goes to co-screenwriter

6209: 4259: 2368: 2277: 1087:

mermaids. I became green, red, yellow. I said, "Well, it seems very interesting...Where do I sign? And that's how I met Fellini."

6279: 6264: 5156: 1170:, used in many languages to describe intrusive photographers. As to the origin of the character's name itself, Fellini scholar 3754: 6249: 6189: 3581: 3555: 3185: 3056: 2682: 2070: 1336:

Highly expressive throughout, Fellini seems to change the tone according to the subject matter of each episode, ranging from

481: 6289: 6119: 4659: 3086: 2830: 2800: 1273:

sacraments, seven virtues, seven days of creation. Other critics disagree, as Peter Bondanella argues that "any critic of

6284: 6269: 4142: 2764: 2937: 1720: 6254: 6224: 5758: 4895: 4094: 3306: 1767:

opens with an homage to the helicopter scene. In this version, the helicopter carries a giant hot dog over Los Angeles.

3931: 3564: 1427:

as Fellini’s best film, as well as his favorite film of all, and listed it consistently in his top ten films for the

1055:

The “false miracle” alludes to the 1958 investigation discounting the claims of two children to have been visited by

501: 5345: 1182:, the film's co-screenwriter and creator of Paparazzo, reports that he took the name from a character in a novel by 6274: 6204: 6174: 4915: 4734: 4207: 1657: 1078:, Mastroianni recalled their first encounter. According to Mastroianni, Fellini told him that the producer wanted 6259: 4559: 2484:"At a villa on the coast near Fregene, Marcello presides over what passed for an "orgy" in 1959." Bondanella, 144 1800: 1512: 489: 6294: 3004: 615:: Marcello meets Steiner, his distinguished intellectual friend, inside a church. Steiner shows off his book of 6194: 4774: 4649: 3803: 3362: 1812:

takes place during the filming of the Fontana di Trevi scene with Fellini and Mastroianni acting as themselves.

1745:

the night her husband, Marcello Mastroianni, their relatives and neighbors are all at the opening screening of

449:

as Marcello Rubini, a tabloid journalist who, over seven days and nights, journeys through the "sweet life" of

3226: 2020: 4935: 4399: 3773: 1749:. In a packed cinema hall, an ecstatic audience watches Anita Ekberg performing her famous rock'n'roll dance. 17: 3421: 3146: 6184: 5989: 5828: 5166: 4995: 4150: 3859: 3034: 1942: 1587: 512: 423: 2613: 619:

grammar. The two go up to play the organ, offering up a jazz piece for the watching priest before playing

6234: 6179: 5652: 5642: 4309: 4252: 4202: 4194: 1915: 1865: 1595: 1174:

argues that although "it is indeed an Italian family name, the word is probably a corruption of the word

803: 690: 468:

was both a critical success and worldwide commercial hit, despite censorship in some regions. It won the

31: 2096: 6229: 6039: 5422: 5226: 4714: 4639: 4186: 4118: 4038: 3522: 1821: 1449: 1136:

actor "polished off a bottle of vodka" and "was completely pissed" that Fellini could shoot the scene.

2732: 2411: 1074:

marks the first collaboration between Fellini and Mastroianni. On November 4, 1977 in an interview on

515:, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." 5949: 3796: 2582: 1599: 1583: 1499: 1314: 1160:

The character of Paparazzo, the news photographer (Walter Santesso), was inspired by photojournalist

473: 3116: 1660:. The film was Voted at No. 59 on the list of "100 Greatest Films" by the prominent French magazine 5718: 5688: 5035: 4955: 4815: 4359: 4086: 3783: 3260: 2705: 1591: 909: 568:: That day, he goes on assignment for the arrival of Sylvia, a famous Swedish-American actress, at 6199: 5939: 5738: 5632: 5206: 5116: 5025: 4925: 4629: 4509: 4449: 3512: 3332: 2933: 1850: 1537: 1109: 537: 2201:

The Montesi Scandal: The Death of Wilma Montesi and the Birth of the Paparazzi in Fellini's Rome

6079: 5929: 5266: 4619: 4489: 4429: 4409: 4245: 3655:

Ricciardi, Alessia (2000). "The Spleen of Rome: Mourning Modernism in Fellini's 'La Dolce Vita

3430: 3284: 2442: 1946: 1680: 1635: 1558: 635: 2960: 2651: 733:, and other friends meet on the Via Veneto and are driven to a castle owned by aristocrats at 5818: 5622: 5392: 5176: 4754: 4569: 4019: 3995: 3971: 3915: 3744: 3177: 1733: 1461:

and compassion, the glitter world of celebrity now avidly chronicled in supermarket tabloids.

1056: 581: 569: 3707: 1541:

in 1960. Subject to widespread censorship, the film was banned in Spain, until the death of

6099: 6089: 6059: 5919: 5286: 5126: 4965: 4845: 4284: 4237: 4062: 3607: 1784: 1614: 1075: 837: 446: 157: 1662: 1382: 644:: That night, the event is broadcast over Italian radio and television. Emma prays to the 8: 6169: 6009: 5979: 5888: 5728: 5678: 5577: 5517: 5412: 5311: 5236: 4985: 4945: 4905: 4875: 4835: 4529: 4499: 4389: 3979: 3923: 3393: 1692: 1573: 1353: 975: 963: 903: 485: 477: 100: 4329: 1144: 5838: 5402: 5276: 5146: 5085: 5065: 4110: 4070: 3748: 3732: 3716: 3700: 2969: 2905: 2888: 2871: 2854: 1805: 1628:

Guide to the Best 1,000 Movies Ever Made" in 2002. In 2010, the film was ranked #11 in

1403: 591: 3684: 2360: 2269: 6139: 6029: 5858: 5698: 5612: 5477: 5375: 5321: 5216: 5106: 4724: 4669: 4519: 4339: 4158: 4078: 3939: 3883: 3679: 3577: 3560: 3181: 3170: 2066: 1630: 1620: 1550: 1453: 1369: 1161: 1005: 981: 532: 48: 2822: 1969: 1691:

critics from 43 countries around the world. In 2021 the film was ranked at No. 6 on

1485:, the film has a 95/100 rating based on 13 critics, indicating "universal acclaim". 576:

casually recommends to Sylvia's producer that she be taken on a tour of St Peter's.

536:

them but fails in his attempt. He then shrugs and continues following the statue to

5768: 5487: 5447: 5186: 4764: 4599: 4549: 4479: 4419: 4319: 4176: 3955: 3899: 3819: 3550: 3064: 1882:

2004 episode titled, “Marco Polo", Bobby enters Junior’s room to find him watching

1838: 1742: 1640: 1542: 1436: 1429: 1341: 1171: 1153: 734: 453:

in a fruitless search for love and happiness. The screenplay can be divided into a

430: 419: 414: 64: 3478: 2674: 2215:

Cavett, Dick (host) (4 November 1977). “Sophia Loren & Marcello Mastroianni”.

5969: 5547: 5507: 5497: 5467: 5437: 5256: 5136: 5055: 4379: 4369: 4299: 4046: 4003: 3843: 3764: 3728: 3722: 3240: 2796: 2786: 2755: 2060: 1754: 1670:'s readers poll on the list of "40 greatest foreign films of all time". In 2010, 1524: 1474: 1408: 1373: 1365: 1329: 1298: 1149: 915: 897: 855: 215: 182: 172: 1869:

has a female character wading into the Trevi Fountain to reenact the scene from

1203: 5798: 5788: 5075: 5045: 4825: 4704: 3835: 3788: 2760: 2506:

Richardson, Robert, 'Waste Lands: The Breakdown of Order' in Bondanella (ed.),

2298:

Interview with Anita Ekberg by Roberta Licurgo included in 2004 DVD edition of

1772: 1546: 1294: 1183: 1132: 1113: 1101: 1045: 987: 885: 595: 497: 442: 438: 197: 141: 136: 90: 85: 2929: 1235: 939: 867: 849: 187: 167: 6163: 5808: 5567: 4805: 4579: 4464: 4268: 4134: 3987: 3738: 3617: 3569: 3380: 2750: 2335: 1816: 1809: 1738: 1686: 1612:

as "one of the most widely seen and acclaimed European movies of the 1960s".

1578: 1481:

remains riveting in spite of—or perhaps because of—its sprawling length". On

1337: 1324: 1290: 1179: 1121: 1060: 1049: 993: 945: 933: 469: 434: 80: 6069: 6019: 5999: 5331: 5015: 4744: 4539: 4349: 4221: 4126: 4102: 3779: 3245: 3000: 1878: 1857: 1846: 1795: 1728: 1671: 1667: 1576:, and won one for Best Costume Design: Black-and-White. It also earned the 1242: 1211: 1125: 969: 843: 790:

beach house owned by Riccardo, a friend of Marcello's. Many of the men are

739: 426: 162: 1919:, shows many of these real locations used throughout the director's films. 1215: 1097: 5959: 4975: 4865: 4795: 3851: 3768: 3457: 1420: 1079: 891: 799: 686: 645: 225: 3690: 3673: 1360:

was too important to be discussed as one would normally discuss a film.

6049: 5848: 5748: 5527: 4885: 4011: 3712: 2791: 1763: 1515:

and earned $ 1.5 million in rentals. The total gross was $ 19,516,348.

1482: 1249: 1219: 1186:." Gissing's character, Signor Paparazzo, is found in his travel book, 1105: 951: 879: 873: 861: 817:: The party proceeds to the beach at dawn where they find a modern-day 795: 791: 705: 202: 192: 177: 3363:"Berlin's giant Lenin statue may have been lost, say city authorities" 3208: 718:. He leaves Marcello forlorn, on the street, watching the taxi leave. 6129: 5557: 5537: 5005: 4855: 4609: 4181: 3875: 3867: 3172:

The A List: The National Society of Film Critics' 100 Essential Films

2996: 2903:

Klady, Leonard (20 February 1995). "Top Grossing Independent Films".

1973: 1780: 1724:

is a 1961 Italian film parodying Fellini's and shot on the same sets.

1713: 1708:

One of the characters, Paparazzo, is the inspiration for the popular

1166: 1011: 921: 818: 667: 238: 3109:"Sight & Sound Top Ten Poll 2002: The rest of the critics' list" 1853:

mentions the line "living la dolce vita" as a reference to the film.

3963: 3947: 3696: 1928:

An alternative Italian spelling and description of the mosquito as

1675: 1554: 1532: 616: 531:: A helicopter transports a statue of Christ over an ancient Roman 458: 454: 794:. To celebrate her recent divorce from Riccardo, Nadia performs a 590:: That evening, the infatuated Marcello dances with Sylvia in the 267: 6109: 5868: 5377:

New York Film Critics Circle Award for Best Foreign Language Film

5246: 3483: 3139:"Sight & Sound Top Ten Poll 2002 The Rest of Director's List" 1860:

uses the slogan "la nuova Dolce Vita" as a reference to the film.

1709: 1648:

ranked 24th in critics' poll and 14th in directors' poll. In the

1156:

with a famous and controversial scene from the film La dolce vita

957: 787: 287: 5878: 5708: 5457: 5301: 4694: 4679: 4054: 1207: 715: 1285:

The critic Robert Richardson suggests that the originality of

1241:

His long, frustrating night with the American actress Sylvia (

5898: 4439: 3209:"100 Essential Films by The National Society of Film Critics" 3027:"Take One: The First Annual Village Voice Film Critics' Poll" 1528: 5602: 4267: 3907: 3345: 2197:

Death and the Dolce Vita: The Dark Side of Rome in the 1950s

457:, seven major episodes interrupted by an intermezzo, and an 3241:"As chosen by you...the greatest foreign films of all time" 2119:"Ecco i cento film italiani da salvare Corriere della Sera" 1265: 999: 730: 620: 450: 27:

1960 Italian comedy-drama film directed by Federico Fellini

3620:(2005). "Federico Fellini and the Making of 'La Dolce Vita 2270:"BBC NEWS - Europe - La Dolce Vita, 50 years and counting" 2059:

Bondanella, Peter; Pacchioni, Federico (19 October 2017).

2091: 674:

and fears what his children may grow up to face one day.

2997:"Entertainment Weekly's 100 Greatest Movies of All Time" 1634:

magazine's "The 100 Best Films of World Cinema". In the

2733:"MOVIE REVIEW:Rereleased 'Vita' Affirms Fellini Genius" 2519:

Richardson, 'Waste Lands: The Breakdown of Order', 111.

1531:, the opening scene and the film were condemned by the 1380:

Jacques Doniol-Valcroze, film critic and co-founder of

2706:"La Dolce Vita Movie Review & Film Summary (1960)" 2675:"La Dolce Vita Movie Review & Film Summary (1960)" 2327:

ha 50 anni ma sembra scritta oggi - Dopo mezzo secolo

3261:"La Dolce Vita: No 23 best arthouse film of all time" 2869:"Can 'Curious' U.S. Gross Top $ 7,500,000 'Dolce'?". 2015: 2013: 1804:(1974), the accidental meeting between former lovers 6240:

Films that won the Best Costume Design Academy Award

2142:

Alpert, 141. Cf. Kezich, 204-205 and Bondanella, 144

1684:

ranked the film 2nd among 69 counted winners of the

1618:

voted it the 6th Greatest film of all time in 1999.

2058: 1941:The aqueduct can be seen from the railway south of 1666:in 2008. In 2007, the film was ranked at No. 19 by 1586:. The film won best foreign language film award at 1152:'s striptease at Rugantino in 1958, which inspired 422:for 'the sweet life' or 'the good life') is a 1960 3169: 2697: 2545:(Rome), February 1960. In Fava and Vigano, 104–105 2314: 2010: 2532:(Rome), 14 February 1960. Fava and Vigano, p. 104 704:: Marcello meets his father visiting Rome on the 6161: 3818: 2558:(Paris), 19 May 1960. In Fava and Vigano, p. 104 1932:and "tiny with large wings" are also referenced. 1674:ranked the film 23rd in its list of 25 greatest 2320: 1752:Tributes to Fellini in the "Director's Cut" of 1741:chooses to flee the little town with her lover 1234:Marcello's evening with the heiress Maddalena ( 1193: 572:where she is met by a horde of news reporters. 461:, according to the most common interpretation. 2007:Cf. Bondanella 1994, p. 143 and Kezich, p. 203 1048:. Having gone to school with Italian novelist 5361: 4253: 3804: 1994: 1992: 1990: 1104:created over eighty locations, including the 4226: 3280:"Cannes: All the Palme d'Or Winners, Ranked" 2554:Doniol-Valcroze's review first published in 1280: 5197:Uncle Boonmee Who Can Recall His Past Lives 4688:Festival cancelled while in progress (1968) 2571:, 20 April 1961. In Fava and Vigano, p. 105 1553:censored it and other "shameful films". In 1332:highlighted the film's variations in tone, 1248:His reunion with the intellectual Steiner ( 6245:Films with screenplays by Federico Fellini 5368: 5354: 4260: 4246: 3811: 3797: 3747: 3731: 3715: 3699: 3683: 3663:, Volume 7, no. 2, 2000, pp. 201–219. 3339: 2815: 2184:Divi e paparazzi: la dolce vita di Fellini 1987: 1970:"La Dolce Vita de Federico Fellini (1960)" 1495:second most admissions for an Italian film 47: 5779:Women on the Verge of a Nervous Breakdown 3360: 3307:"The 100 Greatest Foreign Language Films" 3277: 2405: 2403: 2401: 2399: 1716:", a word for intrusive photojournalists. 1564: 1258:Marcello's father's visit/Steiner's Party 1245:) that ends in the Trevi fountain at dawn 1063:was discovered on a beach in April 1953. 1017:Winie Vagliani, singer at Steiner's party 3628:, Volume 31, no. 1, 2005, pp. 8–14. 3227:"Cahiers du cinéma's 100 Greatest Films" 3115:. British Film Institute. Archived from 1313: 1261:The aristocrat's party/Steiner's tragedy 1202:The theme of the film "is predominantly 1143: 3650:Su 'La Dolce Vita' con Federico Fellini 3535:Fava, Claudio, and Aldo Vigano (1985). 3379: 2440: 2355: 2353: 2199:(Canongate Books, 2012). Karen Pinkus, 1829:resembles Sylvia's interview scenes in 1644:polls of the greatest films ever made, 1465:Praising Fellini's direction he wrote 14: 6162: 3640:Fellini Federico: dal soggetto al Film 3614:. Paris: Jean-Jacques Pauvert Editeur. 3161: 2730: 2409: 2396: 2280:from the original on 13 September 2017 1873:with the landlord of an Italian villa. 1318:U.S theatrical advertisement from 1961 1148:One of Secchiaroli's famous photos of 507:In 2008, the film was included on the 464:Released in Italy on 5 February 1960, 5349: 4241: 4225: 3792: 3638:. Bologna: Cappelli editore, collana 3509:Federico Fellini: Essays in Criticism 3419: 3097:from the original on 2 December 2011. 2940:from the original on 19 February 2007 2902: 2896: 2703: 2672: 2611: 2580: 2567:Crowther’s review first published in 2541:Pasolini's review first published in 2508:Federico Fellini: Essays in Criticism 2422:from the original on 20 February 2008 2211: 2209: 1702: 1309: 509:Italian Ministry of Cultural Heritage 413: 4660:The Birds, the Bees and the Italians 3438:from the original on 6 November 2013 3361:Oltermann, Philip (21 August 2014). 3167: 3087:"The 100 Best Films Of World Cinema" 2803:from the original on 20 January 2015 2528:Moravia's review first published in 2371:from the original on 21 October 2012 2350: 2031:from the original on 18 January 2012 1594:awards. It was also nominated for a 1527:as a parody of the second coming of 4143:Cameriera bella presenza offresi... 3574:Federico Fellini: His Life and Work 3479:"Ferrari Roma, la nuova Dolce Vita" 2977:from the original on 4 October 2003 2862: 2833:from the original on 28 August 2016 2767:from the original on 3 January 2015 2410:French, Philip (17 February 2008). 2321:Aspesi, Natalia (7 February 2010). 2203:(University of Chicago Press, 2003) 2021:"Festival de Cannes: La Dolce Vita" 1945:station in Rome or by visiting the 1178:, a large and bothersome mosquito. 395:16.6 million tickets (Italy/France) 24: 6215:Films directed by Federico Fellini 5759:The Decline of the American Empire 3636:La Dolce Vita' di Federico Fellini 3600:. Lindau: collana Universale film. 3587: 3559:. New York: Harry N. Abrams, Inc. 3556:I'm a Born Liar: A Fellini Lexicon 3528:Costantini, Costanzo (ed.)(1994). 3346:Enrico Giacovelli, Enrico Lancia. 3007:from the original on 31 March 2014 2574: 2453:from the original on 14 March 2016 2206: 1505:top 10 most watched films in Italy 484:. It was nominated for three more 25: 6306: 3667: 3598:Federico Fellini. 'La dolce vita' 3333:"The 100 best movies of all time" 3057:"The Best 1,000 Movies Ever Made" 2958: 2685:from the original on 12 June 2016 2581:Ebert, Roger (4 September 2008). 2001: 1549:, the Minister of Culture of the 1352:, Italian poet and film director 1225: 1096:Most of the film was shot at the 1020:Desmond O'Grady, Poet, as himself 53:Italian theatrical release poster 6220:Films produced by Angelo Rizzoli 4916:When Father Was Away on Business 4735:The Working Class Goes to Heaven 4209:How Strange to Be Named Federico 2712:from the original on 1 June 2016 2624:from the original on 25 May 2016 2614:"Ten Greatest Films of All Time" 2593:from the original on 3 June 2016 2412:"Italian cinema's sweet success" 1721:Totò, Peppino e... la dolce vita 1658:National Society of Film Critics 5157:The Wind That Shakes the Barley 4269:Cannes Film Festival Palme d'Or 3501: 3471: 3450: 3413: 3373: 3354: 3325: 3299: 3271: 3253: 3233: 3219: 3201: 3131: 3101: 3079: 3049: 3019: 2989: 2952: 2922: 2913: 2886:"Big Rental Pictures of 1966". 2879: 2845: 2779: 2743: 2731:Thomas, Kevin (10 April 1992). 2724: 2704:Ebert, Roger (5 January 1997). 2673:Ebert, Roger (4 October 1961). 2666: 2636: 2605: 2561: 2548: 2535: 2522: 2513: 2500: 2487: 2478: 2465: 2434: 2383: 2305: 2292: 2262: 2253: 2244: 2231: 2222: 2189: 2176: 2167: 2154: 2145: 1935: 1922: 1907: 1897: 1801:We All Loved Each Other So Much 1697:The 100 best movies of all time 1513:American International Pictures 6210:Films about tabloid journalism 4775:Chronicle of the Years of Fire 4650:The Knack ...and How to Get It 3932:Fellini: A Director's Notebook 3775:La dolce vita: Tuxedos at Dawn 3519:The Cinema of Federico Fellini 3420:Young, Deborah (21 May 2013). 2495:The Cinema of Federico Fellini 2473:The Cinema of Federico Fellini 2391:The Cinema of Federico Fellini 2239:The Cinema of Federico Fellini 2162:The Cinema of Federico Fellini 2136: 2111: 2079: 2052: 2043: 1962: 1825:(2003), Kelly's interview for 1164:and is the origin of the word 1100:Studios in Rome. Set designer 13: 1: 6280:Italian-language French films 6265:Italian black-and-white films 6120:The Worst Person in the World 4082:("The Miracle" segment, 1948) 3576:. New York: Faber and Faber. 3537:The Films of Federico Fellini 2858:. 8 January 1964. p. 69. 2612:Ebert, Roger (1 April 1991). 2065:. Bloomsbury Publishing USA. 1956: 1518: 1488: 1025: 751: 677: 658: 513:100 Italian films to be saved 433:. It was written by Fellini, 6250:French black-and-white films 6190:1960s Italian-language films 5990:4 Months, 3 Weeks and 2 Days 5167:4 Months, 3 Weeks and 2 Days 4293:No festival held (1940–1945) 4151:The Bandit of Tacca Del Lupo 3348:I film di Peppino De Filippo 2892:. 4 January 1967. p. 8. 2583:"What's Your Favorite Movie" 1588:New York Film Critics Circle 1194:Themes, motifs and structure 1139: 930:Alain Dijon as Frankie Stout 778: 721: 696: 626: 607: 560: 543: 502:the greatest films ever made 7: 2875:. 23 April 1969. p. 1. 2186:(Genoa: Le mani, 2009), p34 2062:A History of Italian Cinema 1030: 809: 523: 10: 6311: 6285:Marian apparitions in film 6270:Italian comedy-drama films 6040:Blue Is the Warmest Colour 5227:Blue Is the Warmest Colour 4640:The Umbrellas of Cherbourg 4119:The Flowers of St. Francis 3542:Fellini, Federico (1976). 3539:. New York: Citadel Press. 3532:. London: Faber and Faber. 3523:Princeton University Press 3517:Bondanella, Peter (1992). 3507:Bondanella, Peter (1978). 2930:"Awards for La Dolce Vita" 1473:Review aggregator website 1091: 1066: 1039: 492:for Federico Fellini, and 29: 6255:French comedy-drama films 6225:Films scored by Nino Rota 5910: 5669: 5383: 5097: 4786: 4275: 4235: 4188:E il Casanova di Fellini? 4169: 4030: 3827: 3278:THR Staff (10 May 2016). 3176:. Da Capo Press. p. 2852:"All-Time Top Grossers". 1913:The feature documentary, 1761:Steve Martin’s 1991 film 1600:best film from any source 1584:1960 Cannes Film Festival 1281:An aesthetic of disparity 474:1960 Cannes Film Festival 415:[laˈdoltʃeˈviːta] 385: 362: 345: 335: 309:5 February 1960 300: 280: 252: 231: 221: 211: 150: 129: 109: 70: 60: 46: 41: 5689:The Tree of Wooden Clogs 4956:Sex, Lies, and Videotape 4816:The Tree of Wooden Clogs 4196:Fellini: I'm a Born Liar 3784:The Criterion Collection 3397:. London. Archived from 3350:. Gremese Editore, 1992. 1916:Fellini: I'm a Born Liar 1890: 1592:National Board of Review 924:as Debutante of the Year 494:Best Original Screenplay 6290:Murder–suicide in films 6275:Italian satirical films 6205:Films about journalists 6175:1960 comedy-drama films 5739:A Sunday in the Country 5633:The Shop on Main Street 5295:No festival held (2020) 4510:Two Cents Worth of Hope 4473:No festival held (1950) 4458:No festival held (1948) 4177:Giulietta Masina (wife) 3606:Fellini, Federico, and 3596:Costa, Antonio (2010). 3546:. London: Eyre Methuen. 3513:Oxford University Press 3458:"MARINA – Froot Lyrics" 2934:Internet Movie Database 1851:Marina and the Diamonds 1572:was nominated for four 1434:summarized in his 1997 1364:Though not as great as 1328:, the Italian novelist 948:as Don Giulio Mascalchi 927:Audrey McDonald as Jane 830: 518: 268:Pathé Consortium Cinéma 6260:French satirical films 6080:BPM (Beats per Minute) 4936:Under the Sun of Satan 4896:The Ballad of Narayama 4620:O Pagador de Promessas 4410:Antoine and Antoinette 4095:In the Name of the Law 3763:7 October 2012 at the 3431:The Hollywood Reporter 3285:The Hollywood Reporter 3063:. 2002. Archived from 3033:. 1999. Archived from 2823:"La Dolce Vita (1960)" 1947:Parco degli Acquedotti 1681:The Hollywood Reporter 1636:British Film Institute 1565:Awards and recognition 1471: 1463: 1447: 1418: 1400: 1378: 1346: 1319: 1157: 1089: 6195:1960s satirical films 5829:Farewell My Concubine 5819:Raise the Red Lantern 5623:Juliet of the Spirits 4996:Farewell My Concubine 4570:The Cranes Are Flying 4020:The Voice of the Moon 3996:And the Ship Sails On 3916:Juliet of the Spirits 2681:. Ebert Digital LLC. 2620:. Ebert Digital LLC. 2589:. Ebert Digital LLC. 2217:The Dick Cavett Show. 1785:Motorpsycho Nightmare 1734:Divorce Italian Style 1582:(Golden Palm) at the 1467: 1458: 1442: 1413: 1388: 1362: 1334: 1317: 1147: 1110:dome of Saint Peter's 1084: 584:. They share a kiss. 320:11 May 1960 5920:In the Mood for Love 5661:No Award (1969–1977) 5431:No Award (1941–1945) 4063:Flesh Will Surrender 3608:Joseph-Marie Lo Duca 1866:Under the Tuscan Sun 1615:Entertainment Weekly 1538:L'Osservatore Romano 1268:" at the beach house 1076:The Dick Cavett Show 936:as News Photographer 918:as Marcello's father 838:Marcello Mastroianni 538:Saint Peter's Square 500:, as well as one of 447:Marcello Mastroianni 158:Marcello Mastroianni 30:For other uses, see 6185:1960s Italian films 5980:The Lives of Others 5930:And Your Mother Too 5889:All About My Mother 5729:Fanny and Alexander 5679:Bread and Chocolate 5312:Triangle of Sadness 4986:The Best Intentions 4946:Pelle the Conqueror 4560:Friendly Persuasion 3980:Orchestra Rehearsal 3924:Spirits of the Dead 3661:Modernism/Modernity 3652:. Venice: Marsilio. 3401:on 5 September 2013 3394:The Daily Telegraph 3229:. 23 November 2008. 3067:on 11 December 2013 2365:at Merriam-Webster" 2331:fa ancora scandalo" 2160:Bondanella, Peter, 2025:festival-cannes.com 1822:Lost in Translation 1695:magazine's list of 1551:Tambroni government 1503:and was one of the 1354:Pier Paolo Pasolini 1340:caricature to pure 976:Harriet White Medin 964:Ferdinand Guillaume 904:Valeria Ciangottini 392:$ 19.5 million (US) 101:Pier Paolo Pasolini 55:by Giorgio Olivetti 6295:Palme d'Or winners 6235:Films shot in Rome 6180:1960s French films 5839:Three Colours: Red 5086:Dancer in the Dark 5066:Eternity and a Day 5036:Secrets & Lies 4211:(2013 documentary) 4190:(1975 documentary) 4111:The Mill on the Po 4071:Bullet for Stefano 3745:TCM Movie Database 3544:Fellini on Fellini 3530:Fellini on Fellini 3267:. 20 October 2010. 3168:Carr, Jay (2002). 3149:on 1 February 2017 3061:The New York Times 2970:The New York Times 2708:. RogerEbert.com. 2654:on 22 January 2016 2569:The New York Times 2556:France observateur 2099:on 7 February 2016 2087:"Critics' top 100" 1849:" by Welsh singer 1806:Stefania Sandrelli 1703:In popular culture 1626:The New York Times 1606:The New York Times 1411:praised Fellini’s 1404:The New York Times 1320: 1310:Critical reception 1158: 840:as Marcello Rubini 784:8th Night Sequence 757:7th Night Sequence 727:6th Night Sequence 702:5th Night Sequence 664:4th Night Sequence 642:3rd Night Sequence 592:Baths of Caracalla 588:2nd Night Sequence 582:St. Peter's Square 549:1st Night Sequence 6230:Films set in Rome 6157: 6156: 6151: 6150: 6140:Anatomy of a Fall 5859:The White Balloon 5719:Time Stands Still 5699:My American Uncle 5613:That Man from Rio 5578:Hiroshima My Love 5343: 5342: 5322:Anatomy of a Fall 4725:The Mattei Affair 4670:A Man and a Woman 4520:The Wages of Fear 4400:The Turning Point 4360:Pastoral Symphony 4340:Men Without Wings 4219: 4218: 4198:(2002 documentary 3940:Fellini Satyricon 3884:Nights of Cabiria 3582:978-0-571-21168-5 3313:. 29 October 2018 3187:978-0-306-81096-1 3113:Sight & Sound 3037:on 26 August 2007 3031:The Village Voice 2737:Los Angeles Times 2072:978-1-5013-0765-2 1836:The Italian film 1663:Cahiers du cinéma 1641:Sight & Sound 1621:The Village Voice 1523:Perceived by the 1454:Los Angeles Times 1430:Sight & Sound 1383:Cahiers du cinéma 1299:Dantesque Pilgrim 1188:By the Ionian Sea 1162:Tazio Secchiaroli 1131:The scene in the 1124:-winning actress 1006:Adriano Celentano 982:John Francis Lane 815:8th Dawn Sequence 769:Steiner's wife. 763:7th Dawn Sequence 746:6th Dawn Sequence 712:5th Dawn Sequence 653:3rd Dawn Sequence 602:2nd Dawn Sequence 555:1st Dawn Sequence 445:. The film stars 429:film directed by 402: 401: 16:(Redirected from 6302: 6144: 6134: 6124: 6114: 6104: 6094: 6084: 6074: 6064: 6054: 6044: 6034: 6024: 6014: 6004: 5994: 5984: 5974: 5964: 5954: 5944: 5934: 5924: 5903: 5893: 5883: 5873: 5863: 5853: 5843: 5833: 5823: 5813: 5803: 5793: 5783: 5773: 5769:My Life as a Dog 5763: 5753: 5743: 5733: 5723: 5713: 5703: 5693: 5683: 5662: 5657: 5647: 5637: 5627: 5617: 5607: 5597: 5592: 5582: 5572: 5562: 5552: 5542: 5532: 5522: 5512: 5502: 5492: 5488:Miracle in Milan 5482: 5472: 5462: 5452: 5448:To Live in Peace 5442: 5432: 5427: 5423:The Baker's Wife 5417: 5407: 5397: 5370: 5363: 5356: 5347: 5346: 5336: 5326: 5316: 5306: 5296: 5291: 5281: 5271: 5261: 5251: 5241: 5231: 5221: 5211: 5207:The Tree of Life 5201: 5191: 5187:The White Ribbon 5181: 5171: 5161: 5151: 5141: 5131: 5121: 5111: 5090: 5080: 5070: 5060: 5050: 5040: 5030: 5020: 5010: 5000: 4990: 4980: 4970: 4960: 4950: 4940: 4930: 4920: 4910: 4900: 4890: 4880: 4870: 4860: 4850: 4840: 4830: 4820: 4810: 4800: 4779: 4769: 4765:The Conversation 4759: 4749: 4739: 4729: 4719: 4709: 4699: 4689: 4684: 4674: 4664: 4654: 4644: 4634: 4624: 4614: 4604: 4600:The Long Absence 4594: 4584: 4574: 4564: 4554: 4550:The Silent World 4544: 4534: 4524: 4514: 4504: 4494: 4484: 4480:Miracle in Milan 4474: 4469: 4459: 4454: 4450:Ziegfeld Follies 4444: 4434: 4424: 4414: 4404: 4394: 4384: 4374: 4364: 4354: 4344: 4334: 4330:María Candelaria 4324: 4320:The Lost Weekend 4314: 4304: 4294: 4289: 4262: 4255: 4248: 4239: 4238: 4223: 4222: 3860:Love in the City 3820:Federico Fellini 3813: 3806: 3799: 3790: 3789: 3751: 3735: 3719: 3703: 3687: 3658: 3647: 3633: 3623: 3605: 3595: 3551:Damian Pettigrew 3496: 3495: 3493: 3491: 3475: 3469: 3468: 3466: 3464: 3454: 3448: 3447: 3445: 3443: 3426:: Cannes Review" 3424:The Great Beauty 3417: 3411: 3410: 3408: 3406: 3387:The Great Beauty 3377: 3371: 3370: 3358: 3352: 3351: 3343: 3337: 3336: 3329: 3323: 3322: 3320: 3318: 3303: 3297: 3296: 3294: 3292: 3275: 3269: 3268: 3257: 3251: 3250: 3237: 3231: 3230: 3223: 3217: 3216: 3205: 3199: 3198: 3196: 3194: 3175: 3165: 3159: 3158: 3156: 3154: 3145:. Archived from 3135: 3129: 3128: 3126: 3124: 3105: 3099: 3098: 3083: 3077: 3076: 3074: 3072: 3053: 3047: 3046: 3044: 3042: 3023: 3017: 3016: 3014: 3012: 2993: 2987: 2986: 2984: 2982: 2956: 2950: 2949: 2947: 2945: 2926: 2920: 2917: 2911: 2910: 2900: 2894: 2893: 2883: 2877: 2876: 2866: 2860: 2859: 2849: 2843: 2842: 2840: 2838: 2819: 2813: 2812: 2810: 2808: 2783: 2777: 2776: 2774: 2772: 2747: 2741: 2740: 2728: 2722: 2721: 2719: 2717: 2701: 2695: 2694: 2692: 2690: 2670: 2664: 2663: 2661: 2659: 2650:. Archived from 2640: 2634: 2633: 2631: 2629: 2609: 2603: 2602: 2600: 2598: 2578: 2572: 2565: 2559: 2552: 2546: 2539: 2533: 2526: 2520: 2517: 2511: 2504: 2498: 2491: 2485: 2482: 2476: 2469: 2463: 2462: 2460: 2458: 2438: 2432: 2431: 2429: 2427: 2407: 2394: 2387: 2381: 2380: 2378: 2376: 2357: 2348: 2347: 2345: 2343: 2318: 2312: 2309: 2303: 2296: 2290: 2289: 2287: 2285: 2276:. 5 March 2009. 2266: 2260: 2259:Kezich, 199, 241 2257: 2251: 2248: 2242: 2235: 2229: 2226: 2220: 2213: 2204: 2195:Stephen Gundle, 2193: 2187: 2180: 2174: 2171: 2165: 2158: 2152: 2149: 2143: 2140: 2134: 2133: 2131: 2129: 2115: 2109: 2108: 2106: 2104: 2095:. Archived from 2083: 2077: 2076: 2056: 2050: 2047: 2041: 2040: 2038: 2036: 2017: 2008: 2005: 1999: 1996: 1985: 1984: 1982: 1980: 1966: 1950: 1939: 1933: 1926: 1920: 1911: 1905: 1901: 1839:The Great Beauty 1770:The German film 1743:Leopoldo Trieste 1255:The fake miracle 1172:Peter Bondanella 1154:Federico Fellini 1114:Bassano di Sutri 990:as man in Shades 910:Riccardo Garrone 825:9th Day Sequence 773:8th Day Sequence 738:connected by an 735:Bassano di Sutri 683:5th Day Sequence 632:3rd Day Sequence 613:3rd Day Sequence 570:Ciampino airport 566:2nd Day Sequence 529:1st Day Sequence 431:Federico Fellini 417: 412: 327: 325: 316: 314: 244:Italo Delle Cese 116:Federico Fellini 77:Federico Fellini 65:Federico Fellini 51: 39: 38: 21: 6310: 6309: 6305: 6304: 6303: 6301: 6300: 6299: 6160: 6159: 6158: 6153: 6152: 6147: 6137: 6127: 6117: 6107: 6097: 6087: 6077: 6067: 6057: 6047: 6037: 6027: 6017: 6007: 5997: 5987: 5977: 5970:Army of Shadows 5967: 5957: 5947: 5937: 5927: 5917: 5906: 5896: 5886: 5879:The Celebration 5876: 5866: 5856: 5846: 5836: 5826: 5816: 5806: 5796: 5786: 5776: 5766: 5756: 5746: 5736: 5726: 5716: 5706: 5696: 5686: 5676: 5665: 5660: 5650: 5643:The War Is Over 5640: 5630: 5620: 5610: 5600: 5596:No Award (1962) 5595: 5585: 5575: 5565: 5555: 5545: 5535: 5525: 5515: 5508:Justice Is Done 5505: 5498:Forbidden Games 5495: 5485: 5475: 5468:Bicycle Thieves 5465: 5455: 5445: 5438:Rome, Open City 5435: 5430: 5420: 5410: 5400: 5390: 5379: 5374: 5344: 5339: 5329: 5319: 5309: 5299: 5294: 5284: 5274: 5264: 5257:I, Daniel Blake 5254: 5244: 5234: 5224: 5214: 5204: 5194: 5184: 5174: 5164: 5154: 5144: 5137:Fahrenheit 9/11 5134: 5124: 5114: 5104: 5093: 5083: 5073: 5063: 5056:Taste of Cherry 5053: 5043: 5033: 5023: 5013: 5003: 4993: 4983: 4973: 4963: 4953: 4943: 4933: 4923: 4913: 4903: 4893: 4883: 4873: 4863: 4853: 4843: 4833: 4823: 4813: 4803: 4793: 4782: 4772: 4762: 4752: 4742: 4732: 4722: 4712: 4702: 4692: 4687: 4677: 4667: 4657: 4647: 4637: 4627: 4617: 4607: 4597: 4587: 4577: 4567: 4557: 4547: 4537: 4527: 4517: 4507: 4497: 4487: 4477: 4472: 4462: 4457: 4447: 4437: 4427: 4417: 4407: 4397: 4387: 4380:Rome, Open City 4377: 4370:The Red Meadows 4367: 4357: 4347: 4337: 4327: 4317: 4310:The Last Chance 4307: 4300:Brief Encounter 4297: 4292: 4282: 4271: 4266: 4231: 4220: 4215: 4165: 4047:Rome, Open City 4026: 4004:Ginger and Fred 3844:The White Sheik 3823: 3817: 3765:Wayback Machine 3729:Rotten Tomatoes 3670: 3656: 3645: 3631: 3621: 3603: 3593: 3590: 3588:Further reading 3504: 3499: 3489: 3487: 3477: 3476: 3472: 3462: 3460: 3456: 3455: 3451: 3441: 3439: 3418: 3414: 3404: 3402: 3383:(22 May 2013). 3381:Collins, Robbie 3378: 3374: 3359: 3355: 3344: 3340: 3335:. 8 April 2021. 3331: 3330: 3326: 3316: 3314: 3305: 3304: 3300: 3290: 3288: 3276: 3272: 3259: 3258: 3254: 3239: 3238: 3234: 3225: 3224: 3220: 3207: 3206: 3202: 3192: 3190: 3188: 3166: 3162: 3152: 3150: 3137: 3136: 3132: 3122: 3120: 3107: 3106: 3102: 3085: 3084: 3080: 3070: 3068: 3055: 3054: 3050: 3040: 3038: 3025: 3024: 3020: 3010: 3008: 2995: 2994: 2990: 2980: 2978: 2957: 2953: 2943: 2941: 2928: 2927: 2923: 2918: 2914: 2901: 2897: 2885: 2884: 2880: 2868: 2867: 2863: 2851: 2850: 2846: 2836: 2834: 2827:JP's Box-Office 2821: 2820: 2816: 2806: 2804: 2797:CBS Interactive 2787:"La Dolce Vita" 2785: 2784: 2780: 2770: 2768: 2756:Rotten Tomatoes 2751:"La Dolce Vita" 2749: 2748: 2744: 2729: 2725: 2715: 2713: 2702: 2698: 2688: 2686: 2671: 2667: 2657: 2655: 2642: 2641: 2637: 2627: 2625: 2610: 2606: 2596: 2594: 2579: 2575: 2566: 2562: 2553: 2549: 2540: 2536: 2527: 2523: 2518: 2514: 2505: 2501: 2492: 2488: 2483: 2479: 2470: 2466: 2456: 2454: 2439: 2435: 2425: 2423: 2408: 2397: 2388: 2384: 2374: 2372: 2361:"Definition of 2359: 2358: 2351: 2341: 2339: 2319: 2315: 2310: 2306: 2297: 2293: 2283: 2281: 2268: 2267: 2263: 2258: 2254: 2249: 2245: 2236: 2232: 2228:Fellini, 67-83. 2227: 2223: 2214: 2207: 2194: 2190: 2181: 2177: 2172: 2168: 2159: 2155: 2150: 2146: 2141: 2137: 2127: 2125: 2123:www.corriere.it 2117: 2116: 2112: 2102: 2100: 2085: 2084: 2080: 2073: 2057: 2053: 2048: 2044: 2034: 2032: 2019: 2018: 2011: 2006: 2002: 1997: 1988: 1978: 1976: 1968: 1967: 1963: 1959: 1954: 1953: 1940: 1936: 1927: 1923: 1912: 1908: 1902: 1898: 1893: 1755:Cinema Paradiso 1705: 1567: 1525:Catholic Church 1521: 1491: 1475:Rotten Tomatoes 1409:Bosley Crowther 1330:Alberto Moravia 1312: 1283: 1228: 1196: 1142: 1094: 1069: 1042: 1033: 1028: 1023: 916:Annibale Ninchi 898:Walter Santesso 856:Yvonne Furneaux 833: 812: 781: 754: 724: 699: 680: 661: 629: 610: 563: 546: 526: 521: 410: 398: 381: 358: 338: 331: 323: 321: 312: 310: 303: 296: 276: 275: 257: 255: 248: 216:Otello Martelli 207: 183:Annibale Ninchi 173:Yvonne Furneaux 146: 125: 105: 56: 54: 35: 28: 23: 22: 15: 12: 11: 5: 6308: 6298: 6297: 6292: 6287: 6282: 6277: 6272: 6267: 6262: 6257: 6252: 6247: 6242: 6237: 6232: 6227: 6222: 6217: 6212: 6207: 6202: 6200:Censored films 6197: 6192: 6187: 6182: 6177: 6172: 6155: 6154: 6149: 6148: 6146: 6145: 6135: 6125: 6115: 6105: 6095: 6085: 6075: 6065: 6055: 6045: 6035: 6025: 6015: 6005: 5995: 5985: 5975: 5965: 5955: 5945: 5935: 5925: 5914: 5912: 5908: 5907: 5905: 5904: 5894: 5884: 5874: 5864: 5854: 5844: 5834: 5824: 5814: 5804: 5799:The Nasty Girl 5794: 5789:Story of Women 5784: 5774: 5764: 5754: 5744: 5734: 5724: 5714: 5704: 5694: 5684: 5673: 5671: 5667: 5666: 5664: 5663: 5658: 5648: 5638: 5628: 5618: 5608: 5598: 5593: 5588:The Sweet Life 5583: 5573: 5563: 5553: 5543: 5533: 5523: 5513: 5503: 5493: 5483: 5473: 5463: 5453: 5443: 5433: 5428: 5418: 5408: 5403:Grand Illusion 5398: 5387: 5385: 5381: 5380: 5373: 5372: 5365: 5358: 5350: 5341: 5340: 5338: 5337: 5327: 5317: 5307: 5297: 5292: 5282: 5272: 5262: 5252: 5242: 5232: 5222: 5212: 5202: 5192: 5182: 5172: 5162: 5152: 5142: 5132: 5122: 5112: 5107:The Son's Room 5101: 5099: 5095: 5094: 5092: 5091: 5081: 5071: 5061: 5051: 5041: 5031: 5021: 5011: 5001: 4991: 4981: 4971: 4961: 4951: 4941: 4931: 4921: 4911: 4901: 4891: 4881: 4871: 4861: 4851: 4841: 4831: 4826:Apocalypse Now 4821: 4811: 4801: 4790: 4788: 4784: 4783: 4781: 4780: 4770: 4760: 4750: 4740: 4730: 4720: 4715:The Go-Between 4710: 4700: 4690: 4685: 4675: 4665: 4655: 4645: 4635: 4625: 4615: 4605: 4595: 4585: 4575: 4565: 4555: 4545: 4535: 4525: 4515: 4505: 4495: 4485: 4475: 4470: 4460: 4455: 4445: 4435: 4425: 4415: 4405: 4395: 4385: 4375: 4365: 4355: 4345: 4335: 4325: 4315: 4305: 4295: 4290: 4279: 4277: 4273: 4272: 4265: 4264: 4257: 4250: 4242: 4236: 4233: 4232: 4217: 4216: 4214: 4213: 4205: 4200: 4192: 4184: 4179: 4173: 4171: 4167: 4166: 4164: 4163: 4155: 4147: 4139: 4131: 4123: 4115: 4107: 4099: 4091: 4083: 4075: 4067: 4059: 4051: 4043: 4039:The Last Wagon 4034: 4032: 4031:As writer only 4028: 4027: 4025: 4024: 4016: 4008: 4000: 3992: 3984: 3976: 3968: 3960: 3952: 3944: 3936: 3928: 3920: 3912: 3904: 3896: 3888: 3880: 3872: 3864: 3856: 3848: 3840: 3836:Variety Lights 3831: 3829: 3825: 3824: 3816: 3815: 3808: 3801: 3793: 3787: 3786: 3778:– an essay by 3771: 3752: 3736: 3720: 3704: 3688: 3669: 3668:External links 3666: 3665: 3664: 3653: 3643: 3629: 3618:Kezich, Tullio 3615: 3601: 3589: 3586: 3585: 3584: 3570:Kezich, Tullio 3567: 3547: 3540: 3533: 3526: 3515: 3503: 3500: 3498: 3497: 3470: 3449: 3412: 3372: 3353: 3338: 3324: 3298: 3270: 3252: 3249:. 11 May 2007. 3232: 3218: 3200: 3186: 3160: 3143:old.bfi.org.uk 3130: 3119:on 15 May 2012 3100: 3078: 3048: 3018: 2988: 2951: 2921: 2912: 2909:. p. A84. 2895: 2878: 2861: 2844: 2814: 2778: 2742: 2723: 2696: 2679:RogerEbert.com 2665: 2635: 2618:RogerEbert.com 2604: 2587:RogerEbert.com 2573: 2560: 2547: 2543:Filmcritica XI 2534: 2521: 2512: 2499: 2486: 2477: 2464: 2447:mosquitoweb.it 2433: 2395: 2382: 2349: 2313: 2311:Costantini, 47 2304: 2291: 2261: 2252: 2243: 2230: 2221: 2205: 2188: 2175: 2166: 2153: 2151:Pettigrew, 57. 2144: 2135: 2110: 2078: 2071: 2051: 2049:Pettigrew, 169 2042: 2009: 2000: 1986: 1960: 1958: 1955: 1952: 1951: 1934: 1921: 1906: 1895: 1894: 1892: 1889: 1888: 1887: 1874: 1863:The 2003 film 1861: 1854: 1843: 1834: 1813: 1792: 1777: 1773:Good bye Lenin 1768: 1759: 1750: 1725: 1717: 1704: 1701: 1676:arthouse films 1574:Academy Awards 1566: 1563: 1547:Umberto Tupini 1520: 1517: 1490: 1487: 1350:Filmcritica XI 1311: 1308: 1295:Tullio Pinelli 1282: 1279: 1270: 1269: 1262: 1259: 1256: 1253: 1246: 1239: 1227: 1226:Seven episodes 1224: 1195: 1192: 1184:George Gissing 1141: 1138: 1133:Trevi Fountain 1102:Piero Gherardi 1093: 1090: 1068: 1065: 1046:Tullio Pinelli 1041: 1038: 1032: 1029: 1027: 1024: 1022: 1021: 1018: 1015: 1009: 1003: 997: 991: 988:Umberto Orsini 985: 979: 973: 967: 961: 955: 949: 943: 937: 931: 928: 925: 919: 913: 907: 901: 895: 889: 886:Jacques Sernas 883: 877: 871: 865: 859: 853: 847: 846:as Sylvia Rank 841: 834: 832: 829: 811: 808: 780: 777: 753: 750: 723: 720: 698: 695: 679: 676: 660: 657: 628: 625: 609: 606: 596:Trevi Fountain 562: 559: 545: 542: 525: 522: 520: 517: 498:Italian cinema 443:Brunello Rondi 439:Tullio Pinelli 400: 399: 397: 396: 393: 389: 387: 383: 382: 380: 379: 376: 373: 370: 366: 364: 360: 359: 357: 356: 353: 349: 347: 343: 342: 339: 336: 333: 332: 330: 329: 318: 306: 304: 301: 298: 297: 295: 294: 293:Pathé (France) 291: 284: 282: 281:Distributed by 278: 277: 274: 273: 270: 265: 261: 260: 258: 253: 250: 249: 247: 246: 241: 235: 233: 229: 228: 223: 219: 218: 213: 212:Cinematography 209: 208: 206: 205: 200: 198:Jacques Sernas 195: 190: 185: 180: 175: 170: 165: 160: 154: 152: 148: 147: 145: 144: 142:Angelo Rizzoli 139: 137:Giuseppe Amato 133: 131: 127: 126: 124: 123: 122:Tullio Pinelli 120: 117: 113: 111: 107: 106: 104: 103: 98: 93: 91:Brunello Rondi 88: 86:Tullio Pinelli 83: 78: 74: 72: 68: 67: 62: 58: 57: 52: 44: 43: 26: 9: 6: 4: 3: 2: 6307: 6296: 6293: 6291: 6288: 6286: 6283: 6281: 6278: 6276: 6273: 6271: 6268: 6266: 6263: 6261: 6258: 6256: 6253: 6251: 6248: 6246: 6243: 6241: 6238: 6236: 6233: 6231: 6228: 6226: 6223: 6221: 6218: 6216: 6213: 6211: 6208: 6206: 6203: 6201: 6198: 6196: 6193: 6191: 6188: 6186: 6183: 6181: 6178: 6176: 6173: 6171: 6168: 6167: 6165: 6142: 6141: 6136: 6132: 6131: 6126: 6122: 6121: 6116: 6112: 6111: 6106: 6102: 6101: 6096: 6092: 6091: 6086: 6082: 6081: 6076: 6072: 6071: 6066: 6062: 6061: 6056: 6052: 6051: 6046: 6042: 6041: 6036: 6032: 6031: 6026: 6022: 6021: 6016: 6012: 6011: 6006: 6002: 6001: 5996: 5992: 5991: 5986: 5982: 5981: 5976: 5972: 5971: 5966: 5962: 5961: 5956: 5952: 5951: 5950:Bad Education 5946: 5942: 5941: 5936: 5932: 5931: 5926: 5922: 5921: 5916: 5915: 5913: 5909: 5901: 5900: 5895: 5891: 5890: 5885: 5881: 5880: 5875: 5871: 5870: 5865: 5861: 5860: 5855: 5851: 5850: 5845: 5841: 5840: 5835: 5831: 5830: 5825: 5821: 5820: 5815: 5811: 5810: 5809:Europa Europa 5805: 5801: 5800: 5795: 5791: 5790: 5785: 5781: 5780: 5775: 5771: 5770: 5765: 5761: 5760: 5755: 5751: 5750: 5745: 5741: 5740: 5735: 5731: 5730: 5725: 5721: 5720: 5715: 5711: 5710: 5705: 5701: 5700: 5695: 5691: 5690: 5685: 5681: 5680: 5675: 5674: 5672: 5668: 5659: 5655: 5654: 5653:War and Peace 5649: 5645: 5644: 5639: 5635: 5634: 5629: 5625: 5624: 5619: 5615: 5614: 5609: 5605: 5604: 5599: 5594: 5590: 5589: 5584: 5580: 5579: 5574: 5570: 5569: 5568:The 400 Blows 5564: 5560: 5559: 5554: 5550: 5549: 5544: 5540: 5539: 5534: 5530: 5529: 5524: 5520: 5519: 5514: 5510: 5509: 5504: 5500: 5499: 5494: 5490: 5489: 5484: 5480: 5479: 5474: 5470: 5469: 5464: 5460: 5459: 5454: 5450: 5449: 5444: 5440: 5439: 5434: 5429: 5425: 5424: 5419: 5415: 5414: 5409: 5405: 5404: 5399: 5395: 5394: 5389: 5388: 5386: 5382: 5378: 5371: 5366: 5364: 5359: 5357: 5352: 5351: 5348: 5334: 5333: 5328: 5324: 5323: 5318: 5314: 5313: 5308: 5304: 5303: 5298: 5293: 5289: 5288: 5283: 5279: 5278: 5273: 5269: 5268: 5263: 5259: 5258: 5253: 5249: 5248: 5243: 5239: 5238: 5233: 5229: 5228: 5223: 5219: 5218: 5213: 5209: 5208: 5203: 5199: 5198: 5193: 5189: 5188: 5183: 5179: 5178: 5173: 5169: 5168: 5163: 5159: 5158: 5153: 5149: 5148: 5143: 5139: 5138: 5133: 5129: 5128: 5123: 5119: 5118: 5113: 5109: 5108: 5103: 5102: 5100: 5096: 5088: 5087: 5082: 5078: 5077: 5072: 5068: 5067: 5062: 5058: 5057: 5052: 5048: 5047: 5042: 5038: 5037: 5032: 5028: 5027: 5022: 5018: 5017: 5012: 5008: 5007: 5002: 4998: 4997: 4992: 4988: 4987: 4982: 4978: 4977: 4972: 4968: 4967: 4966:Wild at Heart 4962: 4958: 4957: 4952: 4948: 4947: 4942: 4938: 4937: 4932: 4928: 4927: 4922: 4918: 4917: 4912: 4908: 4907: 4902: 4898: 4897: 4892: 4888: 4887: 4882: 4878: 4877: 4872: 4868: 4867: 4862: 4858: 4857: 4852: 4848: 4847: 4846:All That Jazz 4842: 4838: 4837: 4832: 4828: 4827: 4822: 4818: 4817: 4812: 4808: 4807: 4806:Padre Padrone 4802: 4798: 4797: 4792: 4791: 4789: 4785: 4777: 4776: 4771: 4767: 4766: 4761: 4757: 4756: 4751: 4747: 4746: 4741: 4737: 4736: 4731: 4727: 4726: 4721: 4717: 4716: 4711: 4707: 4706: 4701: 4697: 4696: 4691: 4686: 4682: 4681: 4676: 4672: 4671: 4666: 4662: 4661: 4656: 4652: 4651: 4646: 4642: 4641: 4636: 4632: 4631: 4626: 4622: 4621: 4616: 4612: 4611: 4606: 4602: 4601: 4596: 4592: 4591: 4590:La dolce vita 4586: 4582: 4581: 4580:Black Orpheus 4576: 4572: 4571: 4566: 4562: 4561: 4556: 4552: 4551: 4546: 4542: 4541: 4536: 4532: 4531: 4526: 4522: 4521: 4516: 4512: 4511: 4506: 4502: 4501: 4496: 4492: 4491: 4486: 4482: 4481: 4476: 4471: 4467: 4466: 4465:The Third Man 4461: 4456: 4452: 4451: 4446: 4442: 4441: 4436: 4432: 4431: 4426: 4422: 4421: 4416: 4412: 4411: 4406: 4402: 4401: 4396: 4392: 4391: 4386: 4382: 4381: 4376: 4372: 4371: 4366: 4362: 4361: 4356: 4352: 4351: 4346: 4342: 4341: 4336: 4332: 4331: 4326: 4322: 4321: 4316: 4312: 4311: 4306: 4302: 4301: 4296: 4291: 4287: 4286: 4285:Union Pacific 4281: 4280: 4278: 4274: 4270: 4263: 4258: 4256: 4251: 4249: 4244: 4243: 4240: 4234: 4230: 4229:La dolce vita 4224: 4212: 4210: 4206: 4204: 4201: 4199: 4197: 4193: 4191: 4189: 4185: 4183: 4180: 4178: 4175: 4174: 4172: 4168: 4161: 4160: 4156: 4153: 4152: 4148: 4145: 4144: 4140: 4137: 4136: 4135:Four Ways Out 4132: 4129: 4128: 4124: 4121: 4120: 4116: 4113: 4112: 4108: 4105: 4104: 4100: 4097: 4096: 4092: 4089: 4088: 4084: 4081: 4080: 4076: 4073: 4072: 4068: 4065: 4064: 4060: 4057: 4056: 4052: 4049: 4048: 4044: 4041: 4040: 4036: 4035: 4033: 4029: 4022: 4021: 4017: 4014: 4013: 4009: 4006: 4005: 4001: 3998: 3997: 3993: 3990: 3989: 3988:City of Women 3985: 3982: 3981: 3977: 3974: 3973: 3969: 3966: 3965: 3961: 3958: 3957: 3953: 3950: 3949: 3945: 3942: 3941: 3937: 3934: 3933: 3929: 3926: 3925: 3921: 3918: 3917: 3913: 3910: 3909: 3905: 3902: 3901: 3900:Boccaccio '70 3897: 3894: 3893: 3892:La dolce vita 3889: 3886: 3885: 3881: 3878: 3877: 3873: 3870: 3869: 3865: 3862: 3861: 3857: 3854: 3853: 3849: 3846: 3845: 3841: 3838: 3837: 3833: 3832: 3830: 3826: 3821: 3814: 3809: 3807: 3802: 3800: 3795: 3794: 3791: 3785: 3781: 3777: 3776: 3772: 3770: 3766: 3762: 3759: 3757: 3756:La Dolce Vita 3753: 3750: 3746: 3742: 3741: 3740:La dolce vita 3737: 3734: 3730: 3726: 3725: 3724:La dolce vita 3721: 3718: 3714: 3710: 3709: 3708:La dolce vita 3705: 3702: 3698: 3694: 3693: 3692:La dolce vita 3689: 3686: 3681: 3677: 3676: 3675:La dolce vita 3672: 3671: 3662: 3654: 3651: 3644: 3641: 3637: 3630: 3627: 3619: 3616: 3613: 3612:La dolce vita 3609: 3602: 3599: 3592: 3591: 3583: 3579: 3575: 3571: 3568: 3566: 3565:0-8478-3135-3 3562: 3558: 3557: 3552: 3548: 3545: 3541: 3538: 3534: 3531: 3527: 3524: 3521:. Princeton: 3520: 3516: 3514: 3510: 3506: 3505: 3486: 3485: 3480: 3474: 3459: 3453: 3437: 3433: 3432: 3427: 3425: 3416: 3400: 3396: 3395: 3390: 3388: 3382: 3376: 3368: 3364: 3357: 3349: 3342: 3334: 3328: 3312: 3308: 3302: 3287: 3286: 3281: 3274: 3266: 3262: 3256: 3248: 3247: 3242: 3236: 3228: 3222: 3214: 3210: 3204: 3189: 3183: 3179: 3174: 3173: 3164: 3148: 3144: 3140: 3134: 3118: 3114: 3110: 3104: 3096: 3092: 3088: 3082: 3066: 3062: 3058: 3052: 3036: 3032: 3028: 3022: 3006: 3002: 2998: 2992: 2976: 2972: 2971: 2966: 2964: 2963:La Dolce Vita 2959:Scott, A. O. 2955: 2939: 2935: 2931: 2925: 2916: 2908: 2907: 2899: 2891: 2890: 2882: 2874: 2873: 2865: 2857: 2856: 2848: 2832: 2828: 2824: 2818: 2802: 2798: 2794: 2793: 2788: 2782: 2766: 2762: 2758: 2757: 2752: 2746: 2738: 2734: 2727: 2711: 2707: 2700: 2684: 2680: 2676: 2669: 2653: 2649: 2645: 2644:"Roger Ebert" 2639: 2623: 2619: 2615: 2608: 2592: 2588: 2584: 2577: 2570: 2564: 2557: 2551: 2544: 2538: 2531: 2525: 2516: 2509: 2503: 2496: 2490: 2481: 2474: 2468: 2452: 2448: 2444: 2441:Mario Burgo. 2437: 2421: 2417: 2413: 2406: 2404: 2402: 2400: 2392: 2386: 2370: 2366: 2364: 2356: 2354: 2338: 2337: 2336:La Repubblica 2332: 2330: 2329:La Dolce Vita 2326: 2325:La Dolce Vita 2317: 2308: 2301: 2300:La dolce vita 2295: 2279: 2275: 2271: 2265: 2256: 2247: 2240: 2234: 2225: 2218: 2212: 2210: 2202: 2198: 2192: 2185: 2182:G. Bertelli, 2179: 2170: 2163: 2157: 2148: 2139: 2124: 2120: 2114: 2098: 2094: 2093: 2088: 2082: 2074: 2068: 2064: 2063: 2055: 2046: 2030: 2026: 2022: 2016: 2014: 2004: 1995: 1993: 1991: 1975: 1971: 1965: 1961: 1948: 1944: 1938: 1931: 1925: 1918: 1917: 1910: 1900: 1896: 1885: 1884:La dolce vita 1881: 1880: 1875: 1872: 1871:La dolce vita 1868: 1867: 1862: 1859: 1855: 1852: 1848: 1844: 1841: 1840: 1835: 1832: 1831:La dolce vita 1828: 1824: 1823: 1818: 1817:Sofia Coppola 1814: 1811: 1810:Nino Manfredi 1807: 1803: 1802: 1797: 1793: 1790: 1789:La dolce vita 1786: 1782: 1778: 1775: 1774: 1769: 1766: 1765: 1760: 1757: 1756: 1751: 1748: 1747:La dolce vita 1744: 1740: 1739:Daniela Rocca 1736: 1735: 1730: 1726: 1723: 1722: 1718: 1715: 1711: 1707: 1706: 1700: 1698: 1694: 1689: 1688: 1683: 1682: 1677: 1673: 1669: 1665: 1664: 1659: 1655: 1654:La dolce vita 1651: 1647: 1646:La dolce vita 1643: 1642: 1637: 1633: 1632: 1627: 1623: 1622: 1617: 1616: 1611: 1610:La dolce vita 1607: 1603: 1601: 1597: 1593: 1589: 1585: 1581: 1580: 1575: 1571: 1570:La Dolce Vita 1562: 1560: 1556: 1552: 1548: 1544: 1540: 1539: 1534: 1530: 1526: 1516: 1514: 1508: 1506: 1502: 1501: 1500:War and Peace 1496: 1486: 1484: 1480: 1479:La dolce vita 1476: 1470: 1466: 1462: 1457: 1455: 1451: 1446: 1441: 1439: 1438: 1432: 1431: 1426: 1425:La dolce vita 1422: 1417: 1412: 1410: 1406: 1405: 1399: 1397: 1396:La Dolce Vita 1393: 1392:La Dolce Vita 1387: 1385: 1384: 1377: 1375: 1371: 1367: 1361: 1359: 1358:La dolce vita 1356:argued that " 1355: 1351: 1345: 1343: 1339: 1338:expressionist 1333: 1331: 1327: 1326: 1316: 1307: 1303: 1300: 1296: 1292: 1291:Ennio Flaiano 1288: 1287:La dolce vita 1278: 1276: 1275:La dolce vita 1267: 1263: 1260: 1257: 1254: 1251: 1247: 1244: 1240: 1237: 1233: 1232: 1231: 1223: 1221: 1217: 1213: 1209: 1205: 1200: 1191: 1189: 1185: 1181: 1180:Ennio Flaiano 1177: 1173: 1169: 1168: 1163: 1155: 1151: 1146: 1137: 1134: 1129: 1127: 1123: 1122:Academy Award 1118: 1115: 1111: 1107: 1103: 1099: 1088: 1083: 1081: 1077: 1073: 1072:La dolce vita 1064: 1062: 1061:Wilma Montesi 1058: 1053: 1051: 1050:Cesare Pavese 1047: 1037: 1019: 1016: 1013: 1010: 1007: 1004: 1001: 998: 995: 994:Archie Savage 992: 989: 986: 983: 980: 977: 974: 971: 968: 966:as Pagliaccio 965: 962: 960:as Drag Queen 959: 956: 953: 950: 947: 946:Giulio Questi 944: 941: 938: 935: 934:Enzo Cerusico 932: 929: 926: 923: 920: 917: 914: 911: 908: 905: 902: 899: 896: 893: 890: 887: 884: 881: 878: 875: 872: 869: 866: 863: 860: 857: 854: 851: 848: 845: 842: 839: 836: 835: 828: 826: 822: 820: 816: 807: 805: 801: 797: 793: 789: 785: 776: 774: 770: 766: 764: 760: 758: 749: 747: 743: 741: 736: 732: 728: 719: 717: 713: 709: 707: 703: 694: 692: 688: 684: 675: 671: 669: 665: 656: 654: 650: 647: 643: 639: 637: 633: 624: 622: 618: 614: 605: 603: 599: 597: 593: 589: 585: 583: 577: 573: 571: 567: 558: 556: 552: 550: 541: 539: 534: 530: 516: 514: 510: 505: 503: 499: 495: 491: 490:Best Director 487: 483: 482:Best Costumes 479: 478:Academy Award 475: 471: 467: 466:La dolce vita 462: 460: 456: 452: 448: 444: 440: 436: 435:Ennio Flaiano 432: 428: 425: 421: 416: 408: 407: 406:La dolce vita 394: 391: 390: 388: 384: 377: 374: 371: 368: 367: 365: 361: 354: 351: 350: 348: 344: 340: 334: 328: (France) 319: 308: 307: 305: 302:Release dates 299: 292: 289: 286: 285: 283: 279: 271: 269: 266: 263: 262: 259: 251: 245: 242: 240: 237: 236: 234: 230: 227: 224: 220: 217: 214: 210: 204: 201: 199: 196: 194: 191: 189: 186: 184: 181: 179: 176: 174: 171: 169: 166: 164: 161: 159: 156: 155: 153: 149: 143: 140: 138: 135: 134: 132: 128: 121: 119:Ennio Flaiano 118: 115: 114: 112: 108: 102: 99: 97: 94: 92: 89: 87: 84: 82: 81:Ennio Flaiano 79: 76: 75: 73: 71:Screenplay by 69: 66: 63: 59: 50: 45: 42:La dolce vita 40: 37: 33: 19: 18:La Dolce Vita 6138: 6128: 6118: 6108: 6098: 6088: 6078: 6070:Toni Erdmann 6068: 6058: 6048: 6038: 6028: 6020:A Separation 6018: 6008: 6000:Summer Hours 5998: 5988: 5978: 5968: 5958: 5948: 5938: 5928: 5918: 5911:2001–present 5897: 5887: 5877: 5867: 5857: 5847: 5837: 5827: 5817: 5807: 5797: 5787: 5777: 5767: 5757: 5747: 5737: 5727: 5717: 5707: 5697: 5687: 5677: 5651: 5641: 5631: 5621: 5611: 5601: 5587: 5586: 5576: 5566: 5556: 5546: 5536: 5526: 5518:Gate of Hell 5516: 5506: 5496: 5486: 5476: 5466: 5456: 5446: 5436: 5421: 5411: 5401: 5391: 5330: 5320: 5310: 5300: 5285: 5275: 5265: 5255: 5245: 5237:Winter Sleep 5235: 5225: 5215: 5205: 5195: 5185: 5175: 5165: 5155: 5145: 5135: 5125: 5115: 5105: 5098:2001–present 5084: 5074: 5064: 5054: 5044: 5034: 5024: 5016:Pulp Fiction 5014: 5004: 4994: 4984: 4974: 4964: 4954: 4944: 4934: 4924: 4914: 4906:Paris, Texas 4904: 4894: 4884: 4874: 4864: 4854: 4844: 4836:The Tin Drum 4834: 4824: 4814: 4804: 4794: 4773: 4763: 4753: 4745:The Hireling 4743: 4733: 4723: 4713: 4703: 4693: 4678: 4668: 4658: 4648: 4638: 4628: 4618: 4608: 4598: 4589: 4588: 4578: 4568: 4558: 4548: 4538: 4530:Gate of Hell 4528: 4518: 4508: 4498: 4488: 4478: 4463: 4448: 4438: 4428: 4418: 4408: 4398: 4388: 4378: 4368: 4358: 4350:Neecha Nagar 4348: 4338: 4328: 4318: 4308: 4298: 4283: 4228: 4208: 4195: 4187: 4157: 4149: 4141: 4133: 4127:Path of Hope 4125: 4117: 4109: 4103:City of Pain 4101: 4093: 4087:Without Pity 4085: 4077: 4069: 4061: 4053: 4045: 4037: 4018: 4010: 4002: 3994: 3986: 3978: 3970: 3962: 3954: 3946: 3938: 3930: 3922: 3914: 3906: 3898: 3891: 3890: 3882: 3874: 3866: 3858: 3850: 3842: 3834: 3780:Gary Giddins 3774: 3755: 3739: 3723: 3706: 3691: 3674: 3660: 3649: 3646:(in Italian) 3639: 3635: 3632:(in Italian) 3625: 3611: 3604:(in Italian) 3597: 3594:(in Italian) 3573: 3554: 3543: 3536: 3529: 3518: 3511:. New York: 3508: 3502:Bibliography 3488:. Retrieved 3482: 3473: 3461:. Retrieved 3452: 3440:. Retrieved 3429: 3423: 3415: 3403:. Retrieved 3399:the original 3392: 3386: 3375: 3367:The Guardian 3366: 3356: 3347: 3341: 3327: 3315:. Retrieved 3310: 3301: 3291:20 September 3289:. Retrieved 3283: 3273: 3264: 3255: 3246:The Guardian 3244: 3235: 3221: 3213:filmsite.org 3212: 3203: 3191:. Retrieved 3171: 3163: 3151:. Retrieved 3147:the original 3142: 3133: 3121:. Retrieved 3117:the original 3112: 3103: 3090: 3081: 3069:. Retrieved 3065:the original 3060: 3051: 3039:. Retrieved 3035:the original 3030: 3021: 3009:. Retrieved 3001:Filmsite.org 2991: 2979:. Retrieved 2968: 2962: 2954: 2942:. Retrieved 2924: 2915: 2904: 2898: 2887: 2881: 2870: 2864: 2853: 2847: 2835:. Retrieved 2826: 2817: 2805:. Retrieved 2790: 2781: 2771:20 September 2769:. Retrieved 2754: 2745: 2736: 2726: 2714:. Retrieved 2699: 2687:. Retrieved 2678: 2668: 2656:. Retrieved 2652:the original 2647: 2638: 2626:. Retrieved 2617: 2607: 2595:. Retrieved 2586: 2576: 2568: 2563: 2555: 2550: 2542: 2537: 2529: 2524: 2515: 2507: 2502: 2494: 2493:Bondanella, 2489: 2480: 2472: 2471:Bondanella, 2467: 2455:. Retrieved 2446: 2436: 2424:. Retrieved 2416:The Observer 2415: 2390: 2389:Bondanella, 2385: 2373:. Retrieved 2362: 2340:. Retrieved 2334: 2328: 2324: 2316: 2307: 2299: 2294: 2282:. Retrieved 2273: 2264: 2255: 2246: 2238: 2237:Bondanella, 2233: 2224: 2216: 2200: 2196: 2191: 2183: 2178: 2169: 2161: 2156: 2147: 2138: 2126:. Retrieved 2122: 2113: 2101:. Retrieved 2097:the original 2090: 2081: 2061: 2054: 2045: 2033:. Retrieved 2024: 2003: 1977:. Retrieved 1964: 1937: 1929: 1924: 1914: 1909: 1899: 1883: 1879:The Sopranos 1877: 1870: 1864: 1858:Ferrari Roma 1837: 1830: 1826: 1820: 1799: 1796:Ettore Scola 1788: 1771: 1762: 1753: 1746: 1732: 1729:Pietro Germi 1719: 1696: 1685: 1679: 1672:The Guardian 1668:The Guardian 1661: 1653: 1652:of the list 1650:2012 version 1645: 1639: 1629: 1625: 1619: 1613: 1609: 1605: 1604: 1577: 1569: 1568: 1536: 1522: 1509: 1498: 1492: 1478: 1472: 1468: 1464: 1459: 1450:Kevin Thomas 1448: 1443: 1435: 1428: 1424: 1419: 1414: 1407:film critic 1402: 1401: 1395: 1391: 1389: 1386:, felt that 1381: 1379: 1363: 1357: 1349: 1347: 1335: 1323: 1322:Writing for 1321: 1304: 1286: 1284: 1274: 1271: 1243:Anita Ekberg 1229: 1204:café society 1201: 1197: 1187: 1175: 1165: 1159: 1130: 1126:Luise Rainer 1119: 1095: 1085: 1071: 1070: 1054: 1043: 1034: 970:Oretta Fiume 954:as Ballerina 900:as Paparazzo 852:as Maddalena 844:Anita Ekberg 824: 823: 814: 813: 802:'s cha-cha “ 783: 782: 772: 771: 767: 762: 761: 756: 755: 745: 744: 740:echo chamber 729:: Marcello, 726: 725: 711: 710: 701: 700: 689:'s cha-cha “ 682: 681: 672: 663: 662: 652: 651: 641: 640: 631: 630: 612: 611: 601: 600: 587: 586: 578: 574: 565: 564: 554: 553: 548: 547: 528: 527: 506: 488:, including 465: 463: 427:comedy-drama 405: 404: 403: 337:Running time 317: (Italy) 163:Anita Ekberg 95: 36: 5940:City of God 5277:Shoplifters 5117:The Pianist 5026:Underground 4976:Barton Fink 4926:The Mission 4866:Man of Iron 4796:Taxi Driver 4630:The Leopard 4227:Awards for 3852:I Vitelloni 3828:As director 3822:filmography 3769:Roger Ebert 3634:— (1960). ' 3490:5 September 3463:5 September 3265:theguardian 2919:Kezich, 209 2443:"Pappataci" 2426:19 February 2250:Kezich, 199 2173:Kezich, 198 2103:5 September 2035:15 February 1998:Kezich, 203 1979:19 November 1678:. In 2016, 1596:BAFTA award 1590:awards and 1559:Estado Novo 1437:Great Movie 1423:considered 1421:Roger Ebert 1342:neo-realism 1236:Anouk Aimée 1080:Paul Newman 1057:the Madonna 940:Giò Stajano 912:as Riccardo 892:Laura Betti 868:Magali Noël 850:Anouk Aimée 800:Perez Prado 687:Perez Prado 646:Virgin Mary 341:174 minutes 226:Leo Catozzo 188:Magali Noël 168:Anouk Aimée 130:Produced by 96:Uncredited: 61:Directed by 6170:1960 films 6164:Categories 5849:Wild Reeds 5528:Umberto D. 5267:The Square 4490:Miss Julie 4430:The Damned 4203:2003 book) 4159:Fortunella 4012:Intervista 3948:The Clowns 3713:Metacritic 3648:— (1996). 3442:1 November 3405:1 November 3317:10 January 3071:7 December 3011:19 January 2981:3 February 2944:3 February 2807:15 January 2792:Metacritic 2648:bfi.org.uk 2530:L'Espresso 2418:. London. 1957:References 1930:pappatacio 1845:The song " 1764:L.A. Story 1687:Palme d'Or 1608:described 1602:category. 1579:Palme d'Or 1535:newspaper 1519:Censorship 1489:Box office 1483:Metacritic 1370:Eisenstein 1325:L'Espresso 1250:Alain Cuny 1150:Aïché Nana 1106:Via Veneto 1026:Production 1014:as herself 1008:as himself 1002:as herself 952:Sondra Lee 942:as Pierone 880:Nadia Gray 876:as Steiner 874:Alain Cuny 862:Lex Barker 796:striptease 792:homosexual 752:Episode 3c 706:Via Veneto 678:Intermezzo 659:Episode 3b 470:Palme d'Or 386:Box office 324:1960-05-11 313:1960-02-05 272:Gray Films 264:Riama Film 254:Production 203:Nadia Gray 193:Lex Barker 178:Alain Cuny 32:Dolce Vita 5670:1978–2000 5393:Mayerling 5384:1937–1977 5177:The Class 5006:The Piano 4856:Kagemusha 4787:1976–2000 4755:Scarecrow 4610:Viridiana 4420:Crossfire 4276:1939–1975 4182:Paparazzi 3876:Il bidone 3868:La Strada 3389:, review" 2363:paparazzi 2274:bbc.co.uk 1974:UniFrance 1856:The 2019 1798:'s movie 1781:Bob Dylan 1779:The 1964 1714:paparazzi 1545:in 1975. 1374:Mizoguchi 1216:Cinecittà 1176:papataceo 1167:paparazzi 1140:Paparazzo 1098:Cinecittà 1012:Iris Tree 996:as Dancer 922:Ida Galli 864:as Robert 819:leviathan 779:Episode 7 722:Episode 6 697:Episode 5 668:Iris Tree 627:Episode 4 608:Episode 3 561:Episode 2 544:Episode 1 424:satirical 363:Languages 346:Countries 256:companies 239:Nino Rota 222:Edited by 6100:Parasite 6090:Cold War 6060:Timbuktu 5558:My Uncle 5548:Gervaise 5538:The Road 5287:Parasite 5147:L'Enfant 5127:Elephant 3972:Casanova 3964:Amarcord 3761:Archived 3697:AllMovie 3626:Cineaste 3610:(1960). 3572:(2006). 3553:(2003). 3436:Archived 3123:24 April 3095:Archived 3005:Archived 2975:Archived 2938:Archived 2831:Archived 2801:Archived 2765:Archived 2761:Fandango 2710:Archived 2683:Archived 2658:14 March 2622:Archived 2591:Archived 2457:14 March 2451:Archived 2420:Archived 2375:3 August 2369:Archived 2342:3 August 2284:14 March 2278:Archived 2128:11 March 2029:Archived 1904:lenses". 1819:'s film 1737:(1961), 1693:Time Out 1638:'s 2002 1555:Portugal 1440:review: 1190:(1901). 1031:Costumes 906:as Paola 894:as Laura 882:as Nadia 870:as Fanny 810:Epilogue 804:Patricia 691:Patricia 617:Sanskrit 533:aqueduct 524:Prologue 476:and the 459:epilogue 455:prologue 411:Italian: 232:Music by 151:Starring 110:Story by 6110:Bacurau 5869:Ponette 5478:L'Amore 5413:Harvest 5247:Dheepan 5076:Rosetta 5046:The Eel 4876:Missing 4705:M*A*S*H 4500:Othello 4390:Torment 4170:Related 4079:L'Amore 3743:at the 3642:, 1960. 3549:—, and 3484:Ferrari 3193:27 July 3041:27 July 2906:Variety 2889:Variety 2872:Variety 2855:Variety 1943:Termini 1710:metonym 1533:Vatican 1497:behind 1366:Chaplin 1212:Vatican 1092:Filming 1067:Casting 1040:Writing 984:as John 978:as Edna 972:as Lisa 958:Dominot 888:as Divo 858:as Emma 788:Fregene 636:Madonna 472:at the 420:Italian 372:English 369:Italian 322: ( 311: ( 290:(Italy) 288:Cineriz 6143:(2023) 6133:(2022) 6123:(2021) 6113:(2020) 6103:(2019) 6093:(2018) 6083:(2017) 6073:(2016) 6063:(2015) 6053:(2014) 6043:(2013) 6033:(2012) 6023:(2011) 6013:(2010) 6010:Carlos 6003:(2009) 5993:(2008) 5983:(2007) 5973:(2006) 5963:(2005) 5953:(2004) 5943:(2003) 5933:(2002) 5923:(2001) 5902:(2000) 5892:(1999) 5882:(1998) 5872:(1997) 5862:(1996) 5852:(1995) 5842:(1994) 5832:(1993) 5822:(1992) 5812:(1991) 5802:(1990) 5792:(1989) 5782:(1988) 5772:(1987) 5762:(1986) 5752:(1985) 5742:(1984) 5732:(1983) 5722:(1982) 5712:(1981) 5709:Pixote 5702:(1980) 5692:(1979) 5682:(1978) 5656:(1968) 5646:(1967) 5636:(1966) 5626:(1965) 5616:(1964) 5606:(1963) 5591:(1961) 5581:(1960) 5571:(1959) 5561:(1958) 5551:(1957) 5541:(1956) 5531:(1955) 5521:(1954) 5511:(1953) 5501:(1952) 5491:(1951) 5481:(1950) 5471:(1949) 5461:(1948) 5458:Paisan 5451:(1947) 5441:(1946) 5426:(1940) 5416:(1939) 5406:(1938) 5396:(1937) 5335:(2024) 5325:(2023) 5315:(2022) 5305:(2021) 5302:Titane 5290:(2019) 5280:(2018) 5270:(2017) 5260:(2016) 5250:(2015) 5240:(2014) 5230:(2013) 5220:(2012) 5210:(2011) 5200:(2010) 5190:(2009) 5180:(2008) 5170:(2007) 5160:(2006) 5150:(2005) 5140:(2004) 5130:(2003) 5120:(2002) 5110:(2001) 5089:(2000) 5079:(1999) 5069:(1998) 5059:(1997) 5049:(1997) 5039:(1996) 5029:(1995) 5019:(1994) 5009:(1993) 4999:(1993) 4989:(1992) 4979:(1991) 4969:(1990) 4959:(1989) 4949:(1988) 4939:(1987) 4929:(1986) 4919:(1985) 4909:(1984) 4899:(1983) 4889:(1982) 4879:(1982) 4869:(1981) 4859:(1980) 4849:(1980) 4839:(1979) 4829:(1979) 4819:(1978) 4809:(1977) 4799:(1976) 4778:(1975) 4768:(1974) 4758:(1973) 4748:(1973) 4738:(1972) 4728:(1972) 4718:(1971) 4708:(1970) 4698:(1969) 4695:if.... 4683:(1967) 4680:Blowup 4673:(1966) 4663:(1966) 4653:(1965) 4643:(1964) 4633:(1963) 4623:(1962) 4613:(1961) 4603:(1961) 4593:(1960) 4583:(1959) 4573:(1958) 4563:(1957) 4553:(1956) 4543:(1955) 4533:(1954) 4523:(1953) 4513:(1952) 4503:(1951) 4493:(1951) 4483:(1951) 4468:(1949) 4453:(1947) 4443:(1947) 4433:(1947) 4423:(1947) 4413:(1947) 4403:(1946) 4393:(1946) 4383:(1946) 4373:(1946) 4363:(1946) 4353:(1946) 4343:(1946) 4333:(1946) 4323:(1946) 4313:(1946) 4303:(1946) 4288:(1939) 4162:(1958) 4154:(1952) 4146:(1951) 4138:(1951) 4130:(1950) 4122:(1950) 4114:(1949) 4106:(1949) 4098:(1949) 4090:(1948) 4074:(1947) 4066:(1947) 4058:(1946) 4055:Paisan 4050:(1945) 4042:(1943) 4023:(1990) 4015:(1987) 4007:(1986) 3999:(1983) 3991:(1980) 3983:(1979) 3975:(1976) 3967:(1973) 3959:(1972) 3951:(1970) 3943:(1969) 3935:(1969) 3927:(1968) 3919:(1965) 3911:(1963) 3903:(1962) 3895:(1960) 3887:(1957) 3879:(1955) 3871:(1954) 3863:(1953) 3855:(1953) 3847:(1952) 3839:(1950) 3682: 3659:". in 3624:". in 3580: 3563: 3184: 3153:12 May 3091:Empire 2716:28 May 2689:28 May 2628:28 May 2597:28 May 2069: 1783:song " 1631:Empire 1543:Franco 1456:wrote 1390:"what 1218:or in 1108:, the 716:Cesena 486:Oscars 441:, and 378:German 375:French 355:France 6030:Amour 5899:Yi Yi 5332:Anora 5217:Amour 4540:Marty 4440:Dumbo 2837:5 May 2510:, 111 2497:, 145 2475:, 143 2393:, 136 2241:, 142 2164:, 134 1891:Notes 1847:Froot 1529:Jesus 1264:The " 1208:Jesus 352:Italy 5960:2046 3956:Roma 3758:text 3680:IMDb 3578:ISBN 3561:ISBN 3492:2020 3465:2020 3444:2013 3407:2013 3319:2021 3293:2016 3195:2012 3182:ISBN 3155:2021 3125:2009 3073:2013 3043:2006 3013:2009 2983:2007 2946:2007 2839:2018 2809:2015 2773:2023 2718:2016 2691:2016 2660:2016 2630:2016 2599:2016 2459:2016 2428:2008 2377:2012 2344:2012 2286:2016 2219:PBS. 2130:2021 2105:2020 2067:ISBN 2037:2009 1981:2019 1808:and 1293:and 1266:orgy 1000:Nico 831:Cast 731:Nico 621:Bach 519:Plot 480:for 451:Rome 6050:Ida 5749:Ran 4886:Yol 3782:at 3767:by 3727:at 3711:at 3695:at 3678:at 3311:bbc 2092:BFI 1876:In 1827:LIT 1815:In 1794:In 1731:'s 1727:In 1598:in 1561:). 1452:of 1372:or 1348:In 1220:EUR 798:to 511:’s 6166:: 6130:EO 5603:8½ 3908:8½ 3481:. 3434:. 3428:. 3391:. 3365:. 3309:. 3282:. 3263:. 3243:. 3211:. 3180:. 3178:81 3141:. 3111:. 3093:. 3089:. 3059:. 3029:. 3003:. 2999:. 2973:. 2967:. 2936:. 2932:. 2829:. 2825:. 2799:. 2795:. 2789:. 2763:. 2759:. 2753:. 2735:. 2677:. 2646:. 2616:. 2585:. 2449:. 2445:. 2414:. 2398:^ 2367:. 2352:^ 2333:. 2272:. 2208:^ 2121:. 2089:. 2027:. 2023:. 2012:^ 1989:^ 1972:. 1791:." 1699:. 1507:. 1368:, 623:. 598:. 540:. 504:. 437:, 418:; 5369:e 5362:t 5355:v 4261:e 4254:t 4247:v 3812:e 3805:t 3798:v 3657:' 3622:' 3525:. 3494:. 3467:. 3446:. 3422:" 3409:. 3385:" 3369:. 3321:. 3295:. 3215:. 3197:. 3157:. 3127:. 3075:. 3045:. 3015:. 2985:. 2965:" 2961:" 2948:. 2841:. 2811:. 2775:. 2739:. 2720:. 2693:. 2662:. 2632:. 2601:. 2461:. 2430:. 2379:. 2346:. 2323:" 2302:. 2288:. 2132:. 2107:. 2075:. 2039:. 1983:. 1949:. 1712:" 1238:) 409:( 326:) 315:) 34:. 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index