193:. The insistent demands of his colleagues forced him first to fabricate a hundred copies and later, to patent the machine which launched, in the early sixties, the mass production of the film splicer, something that gradually drew him away from his activity as an editor. In 1989 he received the
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in Rome. He entered the film industry in the early 1940s as a screenwriter and later assistant director for several
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85:(10 December 1912 – 4 March 1997) was an Italian award-winning film editor. He was often credited as
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was listed as the 41st best-edited film of all time in a 2012 survey of members of the
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whose films he edited during the fifties and sixties, most notably
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Nel buio della moviola: introduzione alla storia del montaggio
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in Venice, and finally in set design and directing at the
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Catozzo debuted as a film editor in 1951 for
Mattoli's
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Cinema
Italian Style: Italians at the Academy Awards
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183:, Catozzo projected and developed an innovative
427:Academy Award for Technical Achievement winners
283:. La Lanterna magica, 1985. pp. 142–149.
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345:Silvia Bizio, Claudia Laffranchi (2002).
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294:Peter Bondanella (17 January 2002).
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162:. In 1956 Catozzo received the
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330:(3). May 2012. Archived from
296:The Films of Federico Fellini
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164:American Cinema Editors Award
160:Motion Picture Editors Guild
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432:Italian male screenwriters
320:"The 75 Best Edited Films"
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130:, and later worked with
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243:(1959) - also as actor
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201:Selected filmography
224:Anything for a Song
16:Italian film editor
197:for his creation.
179:Being allergic to
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417:People from Adria
349:. Gremese, 2002.
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397:1997 deaths
392:1912 births
373:Leo Catozzo
208:Sealed Lips
91:CIR-Catozzo
83:Leo Catozzo
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386:Categories
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305:0521575737
256:References
168:King Vidor
35:1912-12-10
101:Born in
251:(1963).
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235:(1954)
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