239:, Friar Miguel de Bulhões, replacing Governor Mendonça Furtado, requested an inspection of the Government Palace, which indicated the need to use propping to prevent it from collapsing. In 1757, unable to remain in the building, the administration of the captaincy reports to the Court the relocation to a rented house. In 1759, Governor Manuel Bernardo Mello de Castro communicates to the Court the situation of the palace and requests an inspection by the Kingdom's technicians, of which the architect Antônio Landi and the engineers Galluzie and Manuel Mendes were part. The commission certifies the state of ruin in which the building was in and suggests its demolition with the use of some tiles and pieces of wood.
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With the project's approval, Captain-General
Fernando da Costa Athaide Teive asked Landi for a new project with more "impact" so that the house could be up to the level of the governors and captains who lived there. Faced with such a request, in 1767, the project was reformulated aiming at the large
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The governor then asks Landi for a project of a "decent house without superfluities", stating that the building must not be at great expense, and submits it to the Court. In 1761, still without a reply, the governor addressed the king, sending a new floor plan elaborated by Landi. The first proposal
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In 1768, construction began under the direction of the mason Jerônimo da Silva. It was necessary to purchase three adjacent lots for the building to achieve the desired size. The work on the palace was completed in 1771, but it was only occupied the following year by João
Pereira Caldas.
252:. The second project shows a floor plan, the main facade, identical to the previous project, and a longitudinal section. In this version, the floor plan shows a central inner courtyard, surrounded by arcades in the Italian cortile style.
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with an upper terrace behind the facade, a main access atrium with vaulted roof and a staircase developed in a vaulted space. The facade, horizontal and symmetrical, shows two floors and an exposed roof with eaves, set on a
203:(MEP), housing several forms of artistic manifestations, from visual arts exhibitions to video-mapping projections on its facade. It is also called the King's Palace, due to rumors that it was made to house King
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289:, the rebels stormed the government palace in Belém, where they remained in control until 1837, when they abandoned the city and fled to the interior of Pará to continue fighting.
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The palace where the museum is located is a beautiful example of Landi's architecture, and was built to house the seat of the State of Grão-Pará and Maranhão, which had moved from
369:(IPHAN), located on Portugal Avenue, next to the headquarters of the Judiciary and Legislative Power of the state, where there are also other buildings listed as heritage: the
267:, there was a movement to remove symbols that marked the monarchy, so the building was redecorated in the republican manner and received its current name in honor of Governor
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Mendonça, Emília Isabel Mayer
Godinho (1999). "Antônio José Landi (1713-1791): Um artista entre dois continentes".
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consisted of a drawing with a facade and a cross section. In the cross section are identified: an entrance
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to be the headquarters of the
Portuguese government as the palace of the governors of the
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The palace was modified over the years, but the structure remained the same. After the
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437:"DIÁRIO traz a série 'Casarões', com a história de importantes espaços arquitetônicos"
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to Belém, in the 18th century, when the State capital of Brazil was also moving from
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Carvalho, Luciana; Campos, Marcelos; Oliveira, Thiago da Costa (2018).
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It was designed in the classical
Italian style by the
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Patrimônios do Norte: Homenagem aos 81 anos do IPHAN
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National
Institute of Historic and Artistic Heritage
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320:/ Museum of Sacred Art (former Episcopal Palace);
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568:. Rio de Janeiro: IPHAN.
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397:References
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281:Cabanagem
275:Cabanagem
178:Bolognese
163:Brazilian
161:, in the
385:See also
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217:São Luis
205:Joseph I
165:city of
57:Location
600:Portals
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211:History
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