295:." This is the main message of the movie, to have the options to educate and to make a life is as important as hard work, that without a chance, people stagnate, even great people. Hidir is the symbol of that stagnation while his son shows hope of the future, a way out of the cycle. It also shows the great divide of the haves and have nots, an old way of life fighting to survive while the new way comes along too late to save any but the children. The film shows the violence of this system and the manipulation of the corrupt, as it also shows the good intentions of authority misused by the wealthy to hurt the poor. The film repeatedly shows the inability of people to get past social structures and economics and almost pleads with the viewer to think about the plight of the villagers and give them a chance to let them grow as humans. Yet in the end reality crashes in while duty, survival, and emotions take over nobility, and people revert to what they know, be it teacher, commander, smuggler, or profiteer. Other themes like a horse,
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While the main story is about smuggling and a father Hidir (played by Yilmaz Güney) without a future fighting to give a future to his young son Yusuf (played by Hikmet Olgun), it is as much about the forces that push Hidir and his fellow villagers to smuggle and a telling of the plight of the poor
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was the beginning of "New Cinema" in Turkey; it was realistic, and focused on social and economic problems and was a 180 turn from the non-realistic movies made in Turkey before it. While not to be placed in the Euro western or
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and alienated group of people struggling to survive the only way they ever knew, from father to son. Faith Akin states that "
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culture are explored to lesser degrees, yet are very deliberate and help symbolize the divide in society.
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Laboratory. Unfortunately only one copy of the film survived the
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Law of the Border: Breaking
Boundaries and Building Bridges
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32:This article includes a list of general
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299:vs. a car
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227:76 minutes
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