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Stravinsky, with
Diaghilev's blessing, uses Russian folk customs in order to mock at them in the interests of European audiences, which he does by emphasizing Asiatic primitivism, coarseness, and animal instincts, and deliberately introducing sexual motives. Ancient folk melodies are intentionally
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deserts the upbeat nature of a typical wedding, and instead brings to life the restrictive nature of a woman's duty to marry. The dark and somber set provides the backdrop to the simple costuming and rigid movements. The individuality of the dancer is stripped away in
Nijinska's choreography,
498:
received a mixed reception to its early performances. While its premiere in Paris in 1923 was welcomed with enthusiasm, the London performance three years later received such a negative response from critics that, according to Eric Walter White, "The virulence of this attack so exasperated
507:... That ballet is a rendering in sound and vision of the peasant soul, in its gravity, in its deliberate and simple-minded intricacy, in its subtly varied rhythms and deep undercurrents of excitement, that will astonish and delight every intelligent man or woman who goes to see it."
583:
In her memoir of working as
Stravinsky's agent during the final decade of his life, Lilian Libman recalls the composer's particular fondness for the work: "Still, did he have a favorite as a father has a favorite son?... I think it was
745:
with other instruments is erroneous. There have been hundreds of concerts in which the pianola has accompanied chamber music or been used as the solo instrument in concertos, beginning in 1900, when Luigi Kunits, concertmaster of the
687:
recorded the work in 2011 on a SACD, with
Virginie Pesch, Katalin Varkonyi, Pierre Vaello, and Vincent Menez; Percussions de l'Orchestre National de France & de la SMCQ de Montréal; Chœur de Radio France; René Bosc, conductor;
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therefore displaying actors on a predetermined path, as marriage was regarded as the way to maintain and grow the community. The choreography exudes symbolism as, huddled together, the women repeatedly strike the floor with their
162:
was completed in 1917 but was then subjected to a series of changes of heart by
Stravinsky regarding its scoring; he settled on the above forces only in 1923, in time for the premiere in Paris on 13 June that year under conductor
781:"Why Is Bronislava Nijinska Still Waiting in the Wings? - With a new biography and a production of "Les Noces," the time has come to reconsider the choreographer, whose work and reputation have languished in the shadows"
368:. The work is usually performed in Russian or French; English translations are sometimes used, and Stravinsky used the English one on the recordings he conducted for Columbia Records in 1934 and 1959.
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with rigid intensity, as if to tell the tale of their struggle and ultimate reverence. The
Russian peasant culture and the dutifulness it evokes in its people is represented in Nijinska's piece.
604:
Stravinsky conducted a second recording, also in
English, in 1959, with soloists Mildred Allen (s); Regina Sarfaty (m-s); Loren Driscoll (t); Robert Oliver (b); American Concert Choir; pianists
568:
is, quite simply, the most imitated of all twentieth-century combinations outside the fields of jazz and popular music." Goodall lists composers that have fallen under its influence such as
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that on June 18, 1926, he wrote an open letter." Wells' letter, quoted by White, said: "I do not know of any other ballet so interesting, so amusing, so fresh or nearly so exciting as
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Stravinsky settled only in 1923, six years after his short score, on the following forces: soprano, mezzo-soprano, tenor and bass vocal soloists; mixed chorus;
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A 1934 recording conducted by
Stravinsky using the English libretto has been reissued on CD by EMI as part of their "Composers in Person" series.
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239:, notably four pianos. The decision exemplified his growing penchant for stripped down, clear and mechanistic sound-groups in the decade after
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152:, the composer described it in French as "choreographed Russian scenes with singing and music" , and it remains known by its French name of
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468:
The version including pianola that
Stravinsky left unfinished was completed with permission from Stravinsky's heirs by the Dutch composer
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175:. Several versions of the score have been performed over the years, substituting an orchestra for the percussion and pianos or using
73:
1310:
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1007:
692:– Musicora; ASIN: B00699QPNM. This recording includes both the 1923 and the 1919 versions by Stravinsky, the latter featuring two
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During this long gestation its orchestration changed dramatically. Stravinsky at first planned to use forces similar to those of
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an inexhaustible fountain of music and of new methods of musical formulation – a veritable primer of technical mastery."
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2001:
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651:'s recommended recording is that made in 1990 by the Voronezh Chamber Choir, New London Chamber Choir, Ensemble,
232:
465:. The arrangement retains Stravinsky's percussion parts while replacing the four pianos with a large orchestra.
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scored unusually for four vocal soloists, chorus, percussion and four pianos. Dedicating the work to impresario
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2006:
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588:... It drew him, it would seem, as no other work of his had done. During the time I knew him, the mention of
391:. When Stravinsky conducted a recording using the English libretto in 1959, the four pianists were composers
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254:… he wept and said it was the most beautiful and most purely Russian creation of our . I think he did love
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never failed to produce the same smile with which he greeted those for whom he felt great affection."
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is in many respects the most radical, the most original and conceivably the greatest of them all."
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243:(although he was never again to produce such an extreme sonic effect solely with percussion).
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he himself had written using
Russian wedding lyrics taken mainly from songs collected by
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said, "Although others among Stravinsky's theatre works have enjoyed greater prestige …
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1038:"'Why don't we know more of her? It's upsetting': dance genius Bronislava Nijinska"
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to be one of Stravinsky's finest and most original achievements. Writing in 1988,
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Khrennikov, T. (1948, pp. 58–59) “Za tvorchestvo, dostoinoe sovetskogo naroda” ,
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212:. A later idea was to use synchronised roll-operated instruments, including the
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conducted the English Bach Festival Orchestra and Chorus on a recording for
531:" made a shrewd prediction: "The young generation will find in the score of
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more than any other work of mine. That is why it is dedicated to him."
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in the early 1970s on a Columbia LP, with pianos instead of pianolas.
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990:, vol. 19, no. 1/2 (Autumn 1980 – Summer 1981), pp. 464–477
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issued a recording with much of the piano writing sequenced via
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has pointed out the influence of the distinctive sonorities of
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The idea that it is impossible or difficult to synchronise a
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distorted as if seen in a crooked mirror." However, in 1929,
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for symphony orchestra and premiered it under the baton of
442:, and pianola, took place in 1981 in Paris, conducted by
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Antolini Electrifies Stravinsky's Multimedia Masterpiece
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René Bosc conducts "Les Noces" by Igor Stravinsky (1923)
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Les Noces: scènes chorégraphiques Russes [score]
696:, a harmonium and a pianola, instead of the four pianos.
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in versions by different choreographers and ensembles.
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758:, with newly arranged rolls perforated in March 2007.
487:in September 2023, choreographed by Andrea Miller.
179:in accordance with a version Stravinsky abandoned.
1205:in Full Score. Dover Publications (June 25, 1998)
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1288:. November 2, 2001. Retrieved September 26, 2015.
1231:The Journal of the American Musicological Society
2408:
935:Jerome Robbins: His Life, His Theater, His Dance
527:, a musicologist less inclined to stick to the "
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191:in 1913. By October 1917 he had completed it in
1152:And Music at the Close, Stravinsky's Last Years
900:. University of California Press. p. 260.
865:The New Grove Dictionary of Music and Musicians
352:The work was premiered on 13 June 1923 at the
1357:
1224:Mazo, Margarita (Spring 1990). "Stravinsky's
510:The pious reaction of Soviet critics such as
246:He reminisced in 1962: "When I first played
1322:. Bowdoin College. Retrieved July 13, 2007.
772:
580:and many others, including film composers.
375:, the piano parts were played by composers
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1350:
1193:, 15 May 2013. Retrieved 10 December 2014.
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472:and performed in the Netherlands in 2009.
371:At the London premiere on 14 June 1926 at
220:was late in constructing the two-keyboard
1106:Asaf'yev, B. (1929, trans. 1982, p. 153)
407:. At a revival of the ballet in London's
1188:Dance Kaleidoscope on same-sex marriage.
1698:Concerto for Piano and Wind Instruments
14:
2409:
927:
897:Stravinsky, the Composer and His Works
854:. "Stravinsky, Igor (Fyodorovich)" in
2437:Piano compositions by Igor Stravinsky
2048:Double Canon (in Memoriam Raoul Dufy)
1677:Variations: Aldous Huxley in memoriam
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1228:and Russian Village Wedding Ritual".
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538:The passage of time has indeed shown
1334:completion) for solo voices, choir,
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807:History of the Pianola – Pianolists.
754:with the Flemish Radio Orchestra in
430:The premiere of the 1919 version of
1852:A Sermon, a Narrative, and a Prayer
1371:
1311:Stravinsky and the Pianola, on the
708:'s choreographic interpretation of
411:on 23 March 1962, four composers –
24:
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1069:Igor Stravinsky, a Creative Spring
868:, 2nd edition. London: Macmillan.
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2278:Coco Chanel & Igor Stravinsky
1703:Capriccio for Piano and Orchestra
1671:Movements for Piano and Orchestra
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1110:. Ann Arbor, UMI Research Press.
939:. Simon & Schuster. p.
779:Harss, Marina (March 14, 2023).
2002:Three Pieces for String Quartet
1682:Canon on a Russian Popular Tune
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1080:White, E. W. (1947, pp. 74–75)
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626:recorded the early versions of
453:commissioned an arrangement by
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2065:Symphonies of Wind Instruments
2007:Three Pieces for Solo Clarinet
1949:Three Movements from Petrushka
1271:. Retrieved September 5, 2005.
984:. "Stravinsky Pre-Centenary."
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841:. London: J. & W. Chester.
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655:(director) Hyperion CDA 66410.
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1082:Stravinsky, a Critical Survey
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748:Pittsburgh Symphony Orchestra
491:Critical reception and legacy
1178:. Retrieved 28 January 2012.
1141:. London, Chatto and Windus.
823:Expositions and Developments
295:(i.e. braiding of her hair)
266:The ballet-cantata has four
261:
7:
2432:Cantatas by Igor Stravinsky
1636:The Song of the Nightingale
1591:Symphony in Three Movements
1298:. Retrieved 9 November 2005
1296:and its performance history
1123:. London, Routledge, p. 84.
894:White, Eric Walter (1966).
862:; executive editor (2001).
270:performed without a break:
10:
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2427:Ballets by Igor Stravinsky
2417:Ballets Russes productions
1150:Libman, L. (1972, p. 227)
427:– played the piano parts.
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2117:
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2072:Fanfare for a New Theatre
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1983:Two Sketches for a Sonata
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1789:The Owl and the Pussy Cat
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1119:Walsh, S. (1988, p. 84),
987:Perspectives of New Music
835:Stravinsky, Igor (1922).
635:Dmitri Pokrovsky Ensemble
325:
277:
136:), is a Russian-language
131:
102:
92:
82:
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27:Ballet by Igor Stravinsky
1071:. London, Jonathan Cape.
728:
463:Walt Disney Concert Hall
451:Los Angeles Philharmonic
187:Stravinsky conceived of
2335:Charles Ferdinand Ramuz
2305:Monday Evening Concerts
2108:Monumentum pro Gesualdo
1965:Concerto for Two Pianos
1338:, harmonium, percussion
1121:The Music of Stravinsky
1108:A Book about Stravinsky
1084:. London, John Lehmann.
481:English National Ballet
203:and published in 1911.
156:despite being Russian.
83:Original ballet company
61:Russian peasant wedding
421:Richard Rodney Bennett
2422:1923 ballet premieres
1977:Sonata for Two Pianos
1008:"The Village Wedding"
514:was no surprise: "In
479:was performed by the
373:His Majesty's Theatre
360:with choreography by
321:The Bride's Send-Off
308:At the Groom's House
2310:New York City Ballet
2206:Named for Stravinsky
2090:Bluebird Pas de Deux
1708:Violin Concerto in D
1382:List of compositions
1154:. London, MacMillan.
971:John Gardner website
752:Third Piano Concerto
461:on May 29, 2008, at
233:unpitched percussion
2231:Stravinsky Fountain
2226:Stravinsky (crater)
2222:(river cruise ship)
2177:Théodore Strawinsky
2100:The Sleeping Beauty
1608:Scherzo fantastique
1531:Danses concertantes
1445:The Rake's Progress
1313:Pianola Institute's
1046:. 19 September 2023
817:Stravinsky, I. and
706:Bronislava Nijinska
663:Deutsche Grammophon
362:Bronislava Nijinska
354:Théâtre de la Gaîté
173:Bronislava Nijinska
171:to choreography by
74:Théâtre de la Gaîté
42:Bronislava Nijinska
2172:Soulima Stravinsky
2149:Yekaterina Nosenko
1657:Scherzo à la russe
1580:Symphony of Psalms
1484:The Rite of Spring
1417:The Soldier's Tale
1291:Brendan McCarthy.
1274:Clements, Andrew.
1201:Stravinsky, Igor.
1164:Building a Library
1138:The Story of Music
1018:on August 28, 2010
786:The New York Times
596:Notable recordings
417:Malcolm Williamson
339:The Wedding Feast
237:pitched percussion
209:The Rite of Spring
167:and danced by the
97:Natalia Goncharova
2442:1923 compositions
2382:
2381:
2262:George Balanchine
2252:Earnest Andersson
2201:
2200:
2132:Fyodor Stravinsky
1928:Étude for Pianola
1914:Three Easy Pieces
1890:Piano Sonata in F
1859:Requiem Canticles
1775:Abraham and Isaac
1768:Berceuses du chat
1095:Sovetskaia Muzyka
950:978-0-684-86985-8
907:978-0-520-03985-8
874:978-1-56159-239-5
671:Krystian Zimerman
659:Leonard Bernstein
512:Tikhon Khrennikov
475:A new version of
459:Esa-Pekka Salonen
356:in Paris, by the
343:
342:
224:, later known as
110:
109:
16:(Redirected from
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2290:Sergei Diaghilev
2236:Stravinsky Inlet
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1921:Five Easy Pieces
1907:Valse des fleurs
1895:
1894:
1782:Elegy for J.F.K.
1721:"Dumbarton Oaks"
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1664:Greeting Prelude
1600:Orchestral music
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1538:Scènes de ballet
1517:The Fairy's Kiss
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825:. London, Faber.
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712:has been called
681:as the pianists.
679:Homero Francesch
675:Cyprien Katsaris
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150:Sergei Diaghilev
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2325:Petrushka chord
2272:Nadia Boulanger
2257:Ernest Ansermet
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2213:4382 Stravinsky
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1218:Further reading
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366:Ernest Ansermet
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317:Проводы невесты
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228:, he required.
201:Pyotr Kireevsky
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165:Ernest Ansermet
146:Igor Stravinsky
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52:Igor Stravinsky
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1016:the original
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790:. Retrieved
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723:pointe shoes
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701:Choreography
685:Radio France
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624:Robert Craft
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348:Performances
335:Красный стол
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70:13 June 1923
2095:Tchaikovsky
1901:Four Études
1629:Four Études
1489:discography
1431:Oedipus rex
1386:Discography
1302:Reviews of
1133:Goodall, H.
649:BBC Radio 3
548:The Wedding
501:H. G. Wells
470:Theo Verbey
389:Vernon Duke
256:The Wedding
248:The Wedding
193:short score
189:The Wedding
183:Composition
160:The Wedding
114:The Wedding
2411:Categories
2186:Amanuensis
2042:Epitaphium
1879:Tarantella
1807:Zvezdoliki
1761:Pribaoutki
1562:Symphonies
1503:Pulcinella
1438:Perséphone
1393:Operas and
1050:19 October
858:, editor;
766:References
653:James Wood
645:computers.
614:Lukas Foss
529:party line
401:Lukas Foss
2345:Serialism
1869:Piano and
1814:Ave Maria
1754:Pastorale
1691:Concertos
1615:Fireworks
1496:Les noces
1477:Petrushka
1452:The Flood
1327:Les Noces
1304:Les Noces
1294:Les Noces
1278:Les Noces
1268:Les Noces
1226:Les Noces
1203:Les Noces
882:419285866
819:Craft, R.
792:March 14,
718:Les Noces
710:Les Noces
694:cimbaloms
643:Macintosh
628:Les Noces
590:Les Noces
586:Les Noces
566:Les Noces
562:Les Noces
558:Les Noces
540:Les Noces
520:Les Noces
516:Petrushka
505:Les Noces
496:Les Noces
477:Les noces
440:harmonium
436:cimbaloms
432:Les Noces
262:Structure
252:Diaghilev
222:cimbaloms
154:Les noces
124:‹See Tfd›
119:Svadebka
33:Les Noces
18:Les Noces
2364:Category
2165:Children
2157:(second)
2134:(father)
1893:♯
1716:♭
1572:♭
1315:website.
1012:Svadebka
931:(2004).
884:(eBook).
756:Brussels
641:through
578:Messiaen
304:У жениха
241:The Rite
226:luthéals
197:libretto
177:pianolas
132:Свадебка
66:Premiere
58:Based on
2245:Related
2151:(first)
2125:Parents
1993:Chamber
1885:Scherzo
1871:pianola
1832:Cantata
1545:Orpheus
1462:Ballets
1336:pianola
1022:June 2,
956:June 2,
913:June 2,
743:pianola
434:, with
326:Part 2
293:Tresses
278:Part 1
214:pianola
142:cantata
128:Russian
76:, Paris
2387:Portal
2362:
2281:(film)
2118:Family
2093:(from
2036:Septet
1845:Threni
1799:Choral
1510:Apollo
1410:Renard
1332:Verbey
1252:831407
1250:
1209:
947:
904:
880:
872:
677:, and
574:Bartók
403:, and
268:scenes
235:; and
138:ballet
93:Design
2374:Audio
2142:Wives
2057:Other
2030:Elegy
2019:Octet
1995:music
1971:Tango
1896:minor
1821:Babel
1746:vocal
1424:Mavra
1248:JSTOR
1065:Walsh
729:Notes
533:Noces
195:to a
117:, or
48:Music
1827:Mass
1744:Solo
1552:Agon
1207:ISBN
1191:Nuvo
1052:2023
1024:2015
958:2015
945:ISBN
915:2015
902:ISBN
878:OCLC
870:ISBN
794:2023
639:MIDI
633:The
570:Orff
518:and
449:The
423:and
387:and
291:The
287:Коса
103:Type
2097:'s
1650:Ode
1240:doi
992:doi
941:362
483:at
250:to
144:by
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283:1
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1365:e
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994::
960:.
917:.
796:.
140:-
121:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.