114:
stated that she possessed "perfect domination in the art of movement". In her twenties, she received critical acclaim on the continent, including Paris, Florence, Rome, Milan, Turin, Budapest, Nice, Warsaw, Bratislava, Amsterdam, Venice, Prague, Saltzburg, Geneva and Zurich. The Nuovo
Gionale wrote
181:, her Hampstead classes accepted students of all abilities, both amateurs and professionals, so long as they shared her passion for individual development. To celebrate her forty years of teaching, in 1978, at the age of 70, she performed a final solo dance at the
153:. By 1957, her classes had over 25 young children and 25 teenage and adult students. She had originally intended to teach children temporarily, but was persuaded to continue after Hampstead parents had told her "they think it is most necessary in Hampstead."
123:
wrote: "the technique of this dancer is perfect, there is true precision of form, absolute ability of means, sureness in balance, the gifts of musicality and a complete power of expression." She moved to
78:. By the beginning of the 1930s, she had performed to critical acclaim in the major artistic centres of continental Europe. She wrote choreographic compositions for a soloist to works by
189:
wrote: "she enriched generations of children and dance students through her concern for the artistic development of the individual... she and her work were a beacon".
119:
stated: "Lilian Harmel is a true artist, who expresses with her perfect technique the pictures of her fantasy, the sentiments of her soul and the spirit of ballet."
128:
in 1936, where she was filmed for an early French television broadcast. She subsequently moved to
England with her fiancé in 1938. On her arrival in England,
177:. In her teaching, she came to conceive of dance as a process of personal discovery, rather than mere performance. To this end, in the tradition of the
161:
on
Christmas Day 1967. Harmel was an early pioneer in the setting of electronic and contemporary music to dance, choreographing performances to
134:
wrote "she has a very personable appearance and possesses imagination and intelligence... she is both interesting and striking", while the
642:
632:
549:
209:
627:
617:
657:
647:
652:
140:
described her as "an original and gifted exponent of pure dancing both in technique and interpretation", and
622:
201:
116:
213:
107:
637:
217:
111:
221:
166:
612:
607:
71:
8:
130:
63:
567:
182:
55:
162:
375:
99:
103:
601:
592:
572:
197:
174:
170:
27:
582:
313:
225:
193:
587:
577:
205:
178:
158:
75:
110:
as "a very remarkable talent" with "perfect technical mastery"; and the
403:
389:
341:
142:
136:
120:
67:
47:
530:
249:
150:
91:
87:
83:
31:
20:
95:
536:
255:
79:
361:, ALSERSTRASSE 26, Vienna IX, Austria, (Original Programme 1936).
331:, ALSERSTRASSE 26, Vienna IX, Austria, (Original Programme 1936).
43:
59:
23:
149:
After the war, she opened a dance studio inside her house in
125:
51:
66:
at the State
Academy. She later studied choreography from
106:
described her as an "artist of genius and soul"; the
54:, where she first began to dance. She was trained in
294:Dancing in utopia: Dartington Hall and its dancers
282:Art without boundaries: the world of modern dance
599:
62:. In Vienna, she subsequently became a pupil of
393:, Ballet Review, Lilian Harmel, June 17th, 1938
371:A Dancing Recital: Lilian Harmel's London Debut
284:, Jack Anderson, (Dance Books 1997), page 257.
272:, (Volumes 1-5), Volume 3, Our Contributors.
146:welcomed her as "a brilliant young dancer".
115:of "this refined and elegant dancer", while
46:on May 5, 1908. Her childhood was spent in
19:(May 5, 1908 – August 9, 1982) was an
157:, her children's ballet, was performed on
455:, August 4th, 1971, (Folge 178), Selte 7.
552:Hilde Holger’s Artistic Circle in Vienna
471:, Vol. 37, No.3, March 1956, pages 86-7.
600:
296:, Larraine Nicholas, (2007), page 136.
540:, Saturday, August 14, 1982, page 10.
481:Kaleidoscope at the Hampstead Theatre
433:The Times Higher Education Supplement
417:The Times Higher Education Supplement
259:, Saturday, August 14, 1982, page 10.
312:. v 1, no 1, Summer 1983, p 26, by
192:Friends and collaborators included
13:
37:
14:
669:
643:Contemporary dance choreographers
58:(in the Preobrajenska method) in
465:The Child's Feeling for Movement
543:
519:
506:
490:
474:
458:
442:
426:
410:
396:
382:
514:The Stage and Television Today
469:The New Era in Home and School
364:
348:
334:
318:
299:
287:
275:
262:
238:
1:
633:Austrian women choreographers
231:
7:
561:
202:Marie-Louise von Motesiczky
10:
674:
42:Lilian Harmel was born in
214:Georges-Emmanuel Clancier
210:Charles Philips Trevelyan
628:Austrian choreographers
618:Austrian female dancers
516:, June 8, 1978, page 11
512:Anne Morley-Priestman,
449:Saltzburger Volksblatt
407:, June 1938, page 547.
379:, Friday 17 June 1938.
345:, June 1938, page 547.
658:People from Hampstead
648:Expressionist dancers
439:, Friday May 24, 1957
423:, Friday May 24, 1957
310:Dance theatre journal
268:Dorathi Bock Pierre,
167:Karlheinz Stockhausen
108:Neues Wiener Tagblatt
70:and, in the style of
653:Contemporary dancers
359:Lilian Harmel Studio
329:Lilian Harmel Studio
218:Felix Albrecht Harta
117:Il Giornale d'Italia
112:Neues Wiener Journal
72:German Expressionism
623:Dancers from Vienna
131:The Daily Telegraph
64:Gertrud Bodenwieser
568:Contemporary dance
467:, Lilian Harmel,
270:Educational dance
183:Hampstead Theatre
665:
555:
547:
541:
523:
517:
510:
504:
494:
488:
478:
472:
462:
456:
453:Junge Tanzgruppe
446:
440:
430:
424:
414:
408:
400:
394:
386:
380:
368:
362:
352:
346:
338:
332:
322:
316:
303:
297:
291:
285:
279:
273:
266:
260:
242:
185:. On her death,
56:classical ballet
673:
672:
668:
667:
666:
664:
663:
662:
598:
597:
564:
559:
558:
548:
544:
524:
520:
511:
507:
495:
491:
485:Daily Telegraph
479:
475:
463:
459:
447:
443:
431:
427:
415:
411:
401:
397:
387:
383:
376:Daily Telegraph
369:
365:
353:
349:
339:
335:
323:
319:
304:
300:
292:
288:
280:
276:
267:
263:
243:
239:
234:
40:
38:Life and career
12:
11:
5:
671:
661:
660:
655:
650:
645:
640:
638:Dance teachers
635:
630:
625:
620:
615:
610:
596:
595:
590:
585:
580:
575:
570:
563:
560:
557:
556:
542:
518:
505:
489:
487:, July 5, 1975
473:
457:
441:
425:
409:
395:
381:
363:
347:
333:
317:
298:
286:
274:
261:
236:
235:
233:
230:
104:Wiener Zeitung
39:
36:
9:
6:
4:
3:
2:
670:
659:
656:
654:
651:
649:
646:
644:
641:
639:
636:
634:
631:
629:
626:
624:
621:
619:
616:
614:
611:
609:
606:
605:
603:
594:
593:Ausdruckstanz
591:
589:
586:
584:
581:
579:
576:
574:
573:Expressionism
571:
569:
566:
565:
553:
550:
546:
539:
538:
533:
532:
527:
526:Lilian Harmel
522:
515:
509:
502:
501:Dancing Times
498:
497:Lilian Harmel
493:
486:
482:
477:
470:
466:
461:
454:
450:
445:
438:
437:Dance Theatre
434:
429:
422:
421:Dance Theatre
418:
413:
406:
405:
399:
392:
391:
385:
378:
377:
372:
367:
360:
356:
355:Lilian Harmel
351:
344:
343:
337:
330:
326:
325:Lilian Harmel
321:
315:
311:
307:
306:Lilian Harmel
302:
295:
290:
283:
278:
271:
265:
258:
257:
252:
251:
246:
245:Lilian Harmel
241:
237:
229:
227:
223:
222:Adrian Stokes
219:
215:
211:
207:
203:
199:
198:Cesar Bresgen
195:
190:
188:
184:
180:
176:
175:Cesar Bresgen
172:
171:Pierre Boulez
168:
164:
163:Edgard Varèse
160:
156:
152:
147:
145:
144:
139:
138:
133:
132:
127:
122:
118:
113:
109:
105:
101:
97:
93:
89:
85:
81:
77:
73:
69:
65:
61:
57:
53:
49:
45:
35:
33:
29:
28:choreographer
25:
22:
18:
17:Lilian Harmel
583:Rudolf Laban
551:
545:
535:
529:
525:
521:
513:
508:
500:
496:
492:
484:
480:
476:
468:
464:
460:
452:
448:
444:
436:
432:
428:
420:
416:
412:
402:
398:
388:
384:
374:
370:
366:
358:
354:
350:
340:
336:
328:
324:
320:
314:Lisa Ullmann
309:
305:
301:
293:
289:
281:
277:
269:
264:
254:
248:
244:
240:
226:Hilde Holger
194:Rudolf Laban
191:
186:
154:
148:
141:
135:
129:
41:
16:
15:
613:1982 deaths
608:1908 births
588:Tanztheater
578:Mary Wigman
554:, 1905–2001
503:, June 1978
206:Mary Wigman
179:Tanztheater
76:Mary Wigman
602:Categories
404:The Sketch
390:Daily Mail
342:The Sketch
232:References
155:Many Moons
143:The Sketch
137:Daily Mail
121:La Nazione
68:Kurt Jooss
48:Alexandria
531:The Times
250:The Times
187:The Times
151:Hampstead
92:Hindemith
88:Karl Orff
84:Prokofiev
32:pedagogue
562:See also
537:obituary
256:obituary
80:Scriabin
74:, under
21:Austrian
102:. The
44:England
173:, and
100:Mompou
98:, and
96:BartĂłk
60:Vienna
24:dancer
126:Paris
52:Egypt
30:and
159:ITV
604::
534:,
528:,
499:,
483:,
451:,
373:,
357:,
327:,
308:,
253:,
247:,
228:.
224:,
220:,
216:,
212:,
208:,
204:,
200:,
196:,
169:,
165:,
94:,
90:,
86:,
82:,
50:,
34:.
26:,
435:,
419:,
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.