25:
747:
447:
300:
65:
He told critics that his usual practice with triptychs was to begin with the left panel and work across. Typically he completed each frame before beginning the next. As the work as a whole progressed, he would sometimes return to an earlier panel to make revisions, though this practice was generally
53:
between 1944 and 1985â86. He began working in the format in the mid-1940s with a number of smaller scale works before graduating to large examples in 1962. He followed the larger style for 30 years, although he painted a number of smaller scale triptychs of friend's heads, and after the death of his
61:
Bacon was a highly mannered artist and often became preoccupied with forms, themes, images and modes of expression that he would rework for sustained periods, often for six or seven-year periods. When asked about his tendency for sequential or repetitive paintings, he explained how, in his mind,
315:
466:
961:
532:
1065:
441:
266:
2113:
2039:
361:
2207:
37:, London. This work was the first painting Bacon was happy with and was an instant critical success. The themes it explores reoccur and are re-examined in many of his later panels and triptychs.
2031:
1820:
1521:
654:
946:
Features Bacon's lover George Dyer "writhing and struggling on a near-deserted beach watched by two disconcerting figures". Sold in
February 2008 to currency trader and businessman
2215:
1828:
813:
62:
images revealed themselves "in series. And I suppose I could go long beyond the triptych and do five or six together, but I find the triptych is a more balanced unit."
2188:
1761:
1946:
2290:
921:
837:
for $ 6.3 million ($ 15.5 million as of 2023), then a record for a Bacon painting. Grether is believed to own three other Bacon triptychs from the 1970s.
1999:
1223:
86:
29:
1836:
848:
2231:
1106:
1136:
1599:
2172:
1720:
1166:
1031:
562:
2180:
2055:
998:
1525:
1404:
2137:
1978:
827:, on 24 October 1971, the triptych is a portrait of the moments before Dyer's death from an overdose of pills in their hotel room.
2223:
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334:
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1017:
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395:
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229:
2153:
1573:
2319:
2121:
2063:
2007:
1844:
1706:
1196:
983:
Central panel marks final appearance of figures inspired by wrestlers from the photographs of
Muybridge. Sold by
947:
941:
391:
152:
137:
1227:(1944). Painted by Bacon after the 1944 triptych was deemed too fragile to travel to New York for an exhibition.
1852:
500:
2145:
2129:
1860:
581:
413:
294:
175:
1547:
1463:
2324:
2266:
2094:
781:
732:
639:
24:
2254:
1990:
1499:
1285:
455:
in New York on 13 November 2013, at $ 142m (ÂŁ89m), it became the most expensive artwork ever auctioned.
19:
950:
for ÂŁ26.3 million (ÂŁ44.3 million as of 2023), then a record for postwar artwork bought in Europe.
1769:
1373:
2086:
1804:
819:
726:
695:
633:
602:
1938:
823:). Painted in memory of Dyer who committed suicide on the eve of Bacon's retrospective at Paris's
2015:
212:
189:
867:
748:
Three
Portraits: Posthumous Portrait of George Dyer, Self-portrait, and Portrait of Lucian Freud
448:
Three
Portraits: Posthumous Portrait of George Dyer, Self-portrait, and Portrait of Lucian Freud
301:
Three
Portraits: Posthumous Portrait of George Dyer, Self-portrait, and Portrait of Lucian Freud
1729:
252:
43:
987:
for $ 8.6m in 2001 ($ 14.8 million as of 2023), then a record price for a Bacon painting.
1970:
1788:
906:
Sold in May 2008 for $ 86.3 million ($ 122 million as of 2023), to
Russian businessman
1257:
8:
2260:
2075:
1480:
1347:
808:
721:
628:
55:
519:
2314:
1812:
1753:
1430:
1328:
681:
621:
588:
1689:
1675:
1661:
1647:
1633:
1619:
1409:
984:
591:'s photograph of wrestlers. Left and right panels feature Bacon's lover, George Dyer.
342:
1522:"Triptych, 1983, exhibited in Dallas' Meadow Museum's 50th Anniversary Celebrations"
910:, holds the record for the highest price paid for a post-war work of art at auction.
1954:
907:
901:
451:(1973). Freud was also the subject of numerous smaller portraits by Bacon. Sold by
1962:
1436:
2047:
1578:
1441:
1437:"The Annual RPI and Average Earnings for Britain, 1209 to Present (New Series)"
881:
834:
801:
767:
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486:
1268:
1051:
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1333:
1264:
824:
436:
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131:
34:
304:(1973). Freud was also the subject of numerous smaller portraits by Bacon.
135:, donated to the Tate in 1953 by Bacon's lover, Eric Hall. Bacon painted
1698:
1088:
347:
107:
103:
126:
99:
1895:
1351:
736:), painted by Bacon following the death of his lover, George Dyer.
49:
1919:
1903:
1887:
643:) painted by Bacon following the death of his lover, George Dyer.
122:
1087:
Features Bacon's companion and sole heir, John
Edwards. Sold by
1911:
1879:
1149:
Oil, Pastel, Aerosol Paint and Dry
Transfer Lettering on Canvas
398:. Remained in storage for nearly two decades before display at
1548:"Francis Bacon - Three Studies for a Portrait of John Edwards"
551:
Private collection (Possibly owned by
Jacques Hachuel, Paris)
1829:
Study for
Portrait II (After the Life Mask of William Blake)
1376:". National Gallery of Australia. Retrieved on 20 June 2010.
1215:
714:
587:
Purchased 1973, central panel features figures inspired by
166:
115:
2189:
Portrait of Isabel Rawsthorne Standing in a Street in Soho
2032:
Triptych Inspired by T.S. Eliot's Poem "Sweeney Agonistes"
316:
Triptych Inspired by T.S Elliot's Poem "Sweeney Agoniste"
2292:
Love Is the Devil: Study for a Portrait of Francis Bacon
833:
was purchased at auction in 1989 by Swiss businesswoman
1405:
Francis Bacon claims his place at the top of the market
218:
Has been described as Bacon's first "secular triptych".
54:
former lover George Dyer in 1971, the three acclaimed "
2000:
Three Studies for Figures at the Base of a Crucifixion
1224:
Three Studies for Figures at the Base of a Crucifixion
87:
Three Studies for Figures at the Base of a Crucifixion
30:
Three Studies for Figures at the Base of a Crucifixion
1837:
Version No. 2 of Lying Figure with Hypodermic Syringe
1947:
Study after VelĂĄzquez's Portrait of Pope Innocent X
1399:
1397:
1395:
1263:Bacon's last triptych, features formula one driver
66:carried out late in the overall work's completion.
2306:
2173:Three Studies for a Portrait of Henrietta Moraes
1392:
894:Oil, Pastel and Dry Transfer Lettering on Canvas
1185:Private collection, The Estate of Francis Bacon
2181:Three Studies for a Portrait of Muriel Belcher
2056:Triptych Inspired by the Oresteia of Aeschylus
1656:Farr, Dennis; Peppiatt, Michael; Yard, Sally.
1425:
1423:
1421:
1419:
999:Triptych Inspired by the Oresteia of Aeschylus
435:The second of three large triptychs depicting
1714:
1571:
1540:
1489:, 8 February 2008. Retrieved on 20 June 2010.
467:Triptych â Studies from the Human Body (1970)
350:, first triptych to feature figures on a bed.
288:The first of three large triptychs depicting
1470:, 16 November 2000. Retrieved on 7 May 2007.
1413:, 29 August 2008. Retrieved on 10 June 2010.
1329:Bacon triptych emerges from Tehran storeroom
1066:Three Studies for a Portrait of John Edwards
442:Three Studies for a Portrait of Lucian Freud
267:Three Studies for a Portrait of Lucian Freud
2232:Study for a Self-PortraitâTriptych, 1985â86
2114:Three Studies for a Portrait of George Dyer
1514:
1416:
1107:Study for a Self-PortraitâTriptych, 1985â86
962:Triptych â Studies of the Human Body (1979)
533:Triptych â Studies of the Human Body (1970)
245:197.2 cm Ă 147 cm (78 in Ă 58 in)
2040:Two Figures Lying on a Bed with Attendants
1728:
1721:
1707:
1337:, 18 June 2004. Retrieved on 20 June 2010.
362:Two Figures Lying on a Bed with Attendants
69:
1433:inflation figures are based on data from
2250:List of large triptychs by Francis Bacon
2138:Portrait of George Dyer and Lucian Freud
1979:Study of Red Pope 1962. 2nd version 1971
934:Oil and Dry Transfer Lettering on Canvas
615:Oil and Dry Transfer Lettering on Canvas
479:Oil and Dry Transfer Lettering on Canvas
23:
1492:
1385:TĂłibĂn, Colm. "Such a Grip and Twist".
1179:Oil, Pastel and Aerosol Paint on Canvas
1044:Oil, Pastel and Aerosol Paint on Canvas
112:94 cm Ă 74 cm (37 in Ă 29 in)
2307:
1646:. London: Thames & Hundson, 2002.
1502:. The Financial Times. 24 January 2014
1481:What recession? Bacon sells for ÂŁ26.3m
1271:, as well as a self-portrait of Bacon.
2284:Francis Bacon: The Logic of Sensation
1702:
1632:. New York: Cross River Press, 1986.
1500:"The collections of Stanley J Seeger"
1434:
1379:
1348:"Bacon painting fetches record price"
335:Hirshhorn Museum and Sculpture Garden
1018:Astrup Fearnley Museum of Modern Art
1688:. London: Thames and Hudson, 2000.
1642:Dawson, Barbara; Sylvester, David.
1524:. Francis Bacon.com. Archived from
1312:
1303:
47:(1909â1992) painted 28 known large
13:
1464:Post-War Works Shine at Christie's
1291:List of paintings by Francis Bacon
249:Bayerische StaatsgemÀldesammlungen
14:
2336:
1821:Three Studies from the Human Head
396:Tehran Museum of Contemporary Art
381:Tehran Museum of Contemporary Art
655:Three Studies of Figures on Beds
331:198 x 147.5cm (78.25 x 57.25 in)
2224:Three Studies for Self-Portrait
2208:Three Studies for Self Portrait
2122:Portrait of George Dyer Talking
2064:Second Version of Triptych 1944
2008:Three Studies for a Crucifixion
1845:Study for a Bullfight, Number 2
1608:
1593:
1565:
1473:
1251:Oil and Aerosol Paint on Canvas
1248:Catalogue Raisonné Number 91-02
1209:Oil and Aerosol Paint on Canvas
1206:Catalogue Raisonné Number 88-05
1197:Second Version of Triptych 1944
1176:Catalogue Raisonné Number 87-05
1155:Private collection, Switzerland
1146:Catalogue Raisonné Number 87-01
1119:Oil and Aerosol Paint on Canvas
1116:Catalogue Raisonné Number 86-02
1078:Oil and Aerosol Paint on Canvas
1075:Catalogue Raisonné Number 84-05
1041:Catalogue Raisonné Number 83-07
1008:Catalogue Raisonné Number 81-03
971:Catalogue Raisonné Number 79-01
931:Catalogue Raisonné Number 77-05
891:Catalogue Raisonné Number 76-05
858:Catalogue Raisonné Number 74-02
791:Catalogue Raisonné Number 73-03
757:Catalogue Raisonné Number 73-01
705:Catalogue Raisonné Number 72-07
664:Catalogue Raisonné Number 72-01
612:Catalogue Raisonné Number 71-09
572:Catalogue Raisonné Number 70-10
542:Catalogue Raisonné Number 70-09
510:Catalogue Raisonné Number 70-06
476:Catalogue Raisonné Number 70-04
423:Catalogue Raisonné Number 69-07
371:Catalogue Raisonné Number 68-08
325:Catalogue Raisonné Number 67-16
276:Catalogue Raisonné Number 66-05
239:Catalogue Raisonné Number 65-01
199:Catalogue Raisonné Number 64-10
162:Catalogue Raisonné Number 62-04
153:Three Studies for a Crucifixion
138:Second Version of Triptych 1944
96:Catalogue Raisonné Number 44-01
1853:Three Studies of the Male Back
1658:Francis Bacon: A Retrospective
1572:Scott Rayburn (4 April 2014).
1456:
1366:
1340:
1321:
501:Three Studies of the Male Back
41:The Irish-born British artist
33:, C 1944. 94 cm x 74 cm (ea),
1:
2146:Three Studies of Lucian Freud
2130:Three Studies for George Dyer
1686:Looking back at Francis Bacon
1296:
582:National Gallery of Australia
414:Three Studies of Lucian Freud
295:Three Studies of Lucian Freud
1672:Francis Bacon (World of Art)
1374:Bacon, Francis Triptych 1970
680:The figures are inspired by
548:197 x 147.8cm (78 x 58.5 in)
209:Musée National d'Art Moderne
190:Three Figures in a Room 1964
176:Solomon R. Guggenheim Museum
172:198.1 x 144.8cm (78 x 57 in)
7:
2267:Influences on Francis Bacon
1628:Davies, Hugh; Yard, Sally.
1279:
1095:in 2014 for $ 80.8 million.
684:'s photographs of wrestlers
10:
2341:
2255:Triptychs by Francis Bacon
1286:Triptychs by Francis Bacon
1254:198 x 147.5cm (78 x 57 in)
1212:198 x 147.5cm (78 x 58 in)
1182:198 x 147.5cm (78 x 58 in)
1152:198 x 147.5cm (78 x 58 in)
1122:198 x 147.5cm (78 x 58 in)
1081:198.3 x 148cm (78 x 58 in)
1047:198 x 147.5cm (78 x 58 in)
1014:198 x 147.5cm (78 x 58 in)
977:198 x 147.5cm (78 x 58 in)
937:198 x 147.5cm (78 x 58 in)
897:198 x 147.5cm (78 x 58 in)
864:198 x 147.5cm (78 x 58 in)
797:198 x 147.5cm (78 x 58 in)
763:198 x 147.5cm (78 x 58 in)
670:198 x 147.5cm (78 x 58 in)
618:198 x 147.5cm (78 x 58 in)
578:198 x 147.5cm (78 x 58 in)
516:198 x 147.5cm (78 x 58 in)
482:198 x 147.5cm (78 x 58 in)
429:198 x 147.5cm (78 x 57 in)
377:198 x 147.5cm (78 x 57 in)
282:198 x 147.5cm (78 x 57 in)
20:Triptychs of Francis Bacon
17:
2275:
2242:
2199:
2164:
2154:Portrait of Michel Leiris
2105:
2074:
1989:
1930:
1871:
1780:
1770:Fragment of a Crucifixion
1745:
1736:
1805:Study for Crouching Nude
1660:. Harry N Abrams, 1999.
1574:"Francis Bacon's Moment"
820:In Memory of George Dyer
804:Family Collection, Basel
770:Family Collection, Basel
727:In Memory of George Dyer
677:Family Collection, Basel
667:Oil and Pastel on Canvas
603:In Memory of George Dyer
489:Family Collection, Basel
439:. Freud also appears in
374:Oil and pastel on canvas
328:Oil and pastel on canvas
292:. Freud also appears in
205:198 x 147cm (78 x 58 in)
2095:Triptych, MayâJune 1973
2016:Three Figures in a Room
1762:Wound for a Crucifixion
1644:Francis Bacon in Dublin
1435:Clark, Gregory (2017).
831:Triptych, MayâJune 1973
782:Triptych, MayâJune 1973
733:Triptych, MayâJune 1973
640:Triptych, MayâJune 1973
432:Private collection, USA
213:Centre Georges Pompidou
70:List of large triptychs
2320:Francis Bacon (artist)
1730:Francis Bacon (artist)
1221:The second version of
1050:Private collection of
940:Private collection of
928:1974 (Altered in 1977)
900:Private collection of
814:Triptych â August 1972
708:Oil and Sand on Canvas
253:Pinakothek der Moderne
38:
1971:Study from Innocent X
1939:Study after VelĂĄzquez
1789:Figure in a Landscape
392:the last Shah of Iran
386:Purchased in 1972 by
340:Inspired by the poem
27:
2087:TriptychâAugust 1972
1618:. Flammarion, 2005.
1258:Museum of Modern Art
868:FundaciĂłn Juan March
696:TriptychâAugust 1972
634:TriptychâAugust 1972
624:, Riehen, near Basel
2261:The Black Triptychs
849:Triptych March 1974
711:198 x 147.5 cm
2325:Lists of paintings
1861:Blood on the Floor
1684:Sylvester, David.
1614:Baldassari, Anne.
1431:Retail Price Index
1403:Thornton, Sarah. "
1354:. 13 November 2013
1125:Private Collection
1084:Private collection
980:Private collection
922:Triptych 1974â1977
807:One of the three "
682:Eadweard Muybridge
622:Beyeler Foundation
589:Eadweard Muybridge
337:, Washington, D.C.
285:Private collection
230:Crucifixion (1965)
39:
2302:
2301:
1739:List of paintings
1694:978-0-500-01994-8
1680:978-0-500-20169-5
1666:978-0-8109-2925-8
1652:978-0-500-28254-0
1638:978-0-89659-447-0
1624:978-2-08-030486-5
1616:Bacon and Picasso
1410:The Art Newspaper
1387:The Dublin Review
1277:
1276:
985:Stanley J. Seeger
720:One of the three
627:One of the three
343:Sweeney Agonistes
2332:
2243:Summary articles
2165:Female portraits
1955:Figure with Meat
1723:
1716:
1709:
1700:
1699:
1674:. Norton, 1971.
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1137:Triptych 1986-87
908:Roman Abramovich
902:Roman Abramovich
520:Kunsthaus ZĂŒrich
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2077:Black Triptychs
2070:
1985:
1963:Untitled (Pope)
1926:
1867:
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1670:Russell, John.
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1260:, New York City
809:Black triptychs
629:Black Triptychs
178:, New York City
72:
56:Black Triptychs
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2200:Self-portraits
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2161:
2159:
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2106:Male portraits
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2091:
2082:
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2072:
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2069:
2068:
2060:
2052:
2048:Triptych, 1976
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1579:New York Times
1564:
1539:
1528:on 25 May 2015
1513:
1491:
1479:Brown, Mark. "
1472:
1455:
1442:MeasuringWorth
1415:
1391:
1378:
1372:Brown, Mark. "
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1327:Brown, Mark. "
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1318:Sylvester, 100
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1309:Sylvester, 107
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835:Esther Grether
828:
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768:Esther Grether
764:
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722:Black Triptych
718:
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1609:Bibliography
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1583:. Retrieved
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1567:
1555:. Retrieved
1542:
1530:. Retrieved
1526:the original
1516:
1504:. Retrieved
1494:
1486:The Guardian
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1356:. Retrieved
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1265:Ayrton Senna
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437:Lucian Freud
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400:Tate Britain
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299:
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290:Lucian Freud
265:
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132:The Oresteia
130:
106:on Sundeala
85:
84:
64:
60:
48:
42:
40:
35:Tate Britain
28:
15:
2294:(1998 film)
2286:(1981 book)
2024:Crucifixion
1872:Head series
1813:Two Figures
1754:Crucifixion
1506:11 February
1468:Artnet News
1358:13 November
1269:José Capelo
1089:Pierre Chen
1052:Juan AbellĂł
445:(1966) and
348:T. S. Eliot
298:(1969) and
2309:Categories
1552:Christie's
1297:References
1093:Christie's
584:, Canberra
453:Christie's
2315:Triptychs
2235:(1985â86)
1991:Triptychs
1966:(c. 1954)
1143:1986-1987
1113:1985-1986
1054:, Madrid.
948:Joe Lewis
942:Joe Lewis
811:" (with
724:'s (with
169:on canvas
127:Aeschylus
123:Eumenides
50:triptychs
1896:Head III
1352:BBC News
1280:See also
1218:, London
870:, Madrid
717:, London
402:in 2004.
394:for the
383:, Tehran
255:, Munich
165:Oil and
141:in 1988.
118:, London
77:Details
2276:Related
1920:Head VI
1904:Head IV
1888:Head II
1781:Figures
1585:4 April
1389:, 2000.
215:, Paris
2227:(1979)
2219:(1973)
2211:(1973)
2192:(1967)
2184:(1966)
2176:(1963)
2157:(1976)
2149:(1969)
2141:(1967)
2133:(1967)
2125:(1966)
2117:(1964)
2098:(1973)
2090:(1972)
2067:(1988)
2059:(1981)
2051:(1976)
2043:(1968)
2035:(1967)
2027:(1965)
2019:(1964)
2011:(1962)
2003:(1944)
1982:(1971)
1974:(1962)
1958:(1954)
1950:(1953)
1942:(1950)
1923:(1949)
1915:(1949)
1912:Head V
1907:(1949)
1899:(1949)
1891:(1949)
1883:(1949)
1880:Head I
1864:(1986)
1856:(1970)
1848:(1969)
1840:(1968)
1832:(1955)
1824:(1953)
1816:(1953)
1808:(1952)
1800:(1946)
1792:(1945)
1773:(1950)
1765:(1933)
1757:(1933)
1692:
1678:
1664:
1650:
1636:
1622:
1557:11 May
1532:22 May
1020:, Oslo
631:(with
104:pastel
1931:Popes
1448:7 May
108:board
1690:ISBN
1676:ISBN
1662:ISBN
1648:ISBN
1634:ISBN
1620:ISBN
1587:2014
1559:2015
1534:2015
1508:2014
1450:2024
1360:2013
1245:1991
1216:Tate
1203:1988
1173:1987
1072:1984
1038:1983
1005:1981
968:1979
888:1976
855:1974
817:and
800:The
788:1973
766:The
754:1973
730:and
715:Tate
702:1972
673:The
661:1972
637:and
609:1971
569:1970
539:1970
507:1970
485:The
473:1970
420:1969
368:1968
322:1967
273:1966
236:1965
196:1964
167:sand
159:1962
116:Tate
102:and
93:1944
1483:".
1429:UK
1407:".
1331:".
1091:at
346:by
100:Oil
58:".
2311::
1576:.
1550:.
1466:"
1439:.
1418:^
1394:^
1350:.
1267:,
251:,
211:,
129:'
1722:e
1715:t
1708:v
1589:.
1561:.
1536:.
1510:.
1462:"
1452:.
1362:.
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