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have been the creative consultants for the BLMC and BSMC, respectively, since their inception. In
February 2015, Live Design announced it was rebranding the Broadway Master Classes as the New York Master Classes (NYMC). This training series expands the curriculum to include all aspects of lighting,
569:
Envision
Symposium was held in Monterey, California in September 2013. The conference sought to explore the idea of storytelling and how it is presented and transformed in today’s world of technology and design. It considered the future of various areas, such as, concerts, theme parks, gaming, and
528:
Since then, LDI has continued to grow, receiving over 9,700 attendees, working in theatre, concerts, houses of worship, corporate presentations, clubs, theme parks, and any other live venue, from 88 countries. Over 350 companies exhibit and provide live demos and gear showcases. The trade show is
524:
LDI is an annual trade show for live event professionals, which debuted in Dallas, Texas in 1988 with over a hundred exhibitors and 3,000 attendees. It has been to various locations from
Nashville, Tennessee to Orlando and Miami, FL, to Reno, Lake Tahoe, and Las Vegas, Nevada.
540:’s master classes feature top designers from their respective disciplines. The Broadway Master Classes (BMC) originated as Broadway Lighting Master Classes (BLMC), run by Sonny Sonnenfeld, who started it with nine-time Tony Award-winning lighting designer, Jules Fisher.
560:
The
Electronic Dance Music Master Classes (EDMMC): Lighting + Projection focus on the aesthetic and technical components of designing and programming for EDM. EDMMC Sound focuses on the technical and practical considerations in designing sound for festivals and clubs.
570:
digital environments. The conference was geared towards an expansive creative audience, including designers, writers, artists, technicians, engineers, programmers, manufacturers, distributors, and inventors. Bran Ferren and Bob
Bonniol were the creative consultants.
544:
purchased the BLMC from
Sonnenfeld and expanded into Broadway Projection Master Classes (BPMC) and Broadway Sound Master Classes (BSMC). Hosted in New York, BMC is geared towards both students and professionals. Fisher and sound designer,
692:
401:
began with a free circulation to high school and college drama instructors. Geared towards the offstage performers, the magazine featured “how-to” articles from theatre designers of costumes, lighting, sets, and more.
556:
The
Projection Master Classes (PMC) focus on the technical and creative obstacles in programming and projection mapping. It is concerned with gear such as playback software, surfaces, projectors, and networking.
380:
also presents awards and scholarships to younger designers, including the Pat MacKay
Diversity In Design Scholarships for undergraduates and the Rising Star Award to early career professional designers.
442:
MacKay organized a trade show for the entertainment industry called LDI. It made its debut in Dallas, Texas in 1988 with over a hundred exhibitors and 3,000 attendees. It has run each year ever since.
684:
1043:
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closed its print publication and converted to a digital, interactive app and magazine for Apple products in
December 2013, and implemented an Android version in October 2014.
352:'s Theatre Department cites it for providing "comprehensive coverage for professionals in the fields of lighting, sound, staging, and projection." It originated as
75:
368:
is geared towards aspiring and established designers in the disciplines of lighting, audio, projection, and scenery. The magazine also manages its own website.
278:
376:, Lawrence Stern recommends subscribing to the magazine and attending LDI as way for professional stage managers to keep current on theater technology.
155:
of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
1051:
372:
is affiliated with the LDI trade show, and hosts the Live Design Master
Classes and Envision Symposium. In his undergraduate textbook on
364:. Until December 2013, it was a print magazine, but has since converted to a free app with monthly issues for Apple and Android devices.
90:
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and shaped it into a more professional magazine for the theatre industry. In January 1970, Patricia MacKay joined the editors.
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grew from strictly theatre, to covering film, concerts, theme parks, retail shops, television, opera, and architecture.
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released its first issue. The magazine focused on lighting and design in concerts, theatre, film, and architecture.
344:, that covers the latest projects and gear in live entertainment, including theatre, film, concerts, opera, ballet,
186:
886:
264:
94:
685:"Columbia College Chicago Theatre Department Faculty Member Heather Gilbert Profiled in 'Live Design' Magazine"
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was published by Emmaus, PA-based Rodale Press, which was owned by J. I. Rodale. Marshall Ackerman was
148:
926:
Cashill, Robert (October 1997). "Our 20th Anniversary". Vol. 21, no. 9. Lighting Dimensions.
915:
Ackerman, Marshall (September 1997). "Special Report: 30 Years of TCI". Vol. 31, no. 7. TCI.
164:
991:
860:
349:
274:
940:
Lampert-Greaux, Ellen (October 1997). "LDI at 10". Vol. 21, no. 9. Lighting Dimensions.
260:
861:"LDI Announces the Second Annual Pat MacKay Diversity in Design Scholarships for Undergraduates"
505:
341:
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projection, and sound design in not only theater, but also concerts, dance, and opera.
160:
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397:’ first publisher. The magazine focused on news of theatre design and its technology.
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concerned with lighting, sound, projection, staging and truss, and special effects.
629:
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In January 1996, Intertec Publishing of Overland Park, KS, which eventually became
373:
43:
1074:"EDM @ LDi 2014 – Workshops on VDMX, Maschine, Ableton Live, Traktor, Komplete +"
820:
722:"Special Report: 30 Years at TCI". Vol. 31, no. 7. TCI. September 1997.
553:
The Concert Master Classes (CMC) focus on lighting and projection for concerts.
86:
733:
1141:
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345:
846:
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Stern, Lawrence; Gold, Jill (2016). "Chapter 19. Organizing Information".
457:) to include international coverage, and also redesigned to tablet size.
951:"Remembering Print" Davi Napoleon recalls the transitions at Live Design
633:
592:"Questex Acquires Multiple Trade Shows and B2B Brands from Informa Plc"
546:
244:
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1044:"BlackTrax at Ninth Annual Projection Master Classes at LDI 2014"
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Please help to demonstrate the notability of the topic by citing
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Donahue, Tim (2013). "Chapter 8. Find Current Facts".
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93:, and by adding encyclopedic content written from a
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259:, potentially preventing the article from being
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1018:"Live Design Rebrands New York Master Classes"
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340:is a monthly digital trade magazine, owned by
1100:"Live Design Launches the Envision Symposium"
706:
585:
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768:"Download the November Issue of Live Design"
405:In 1969, C. Ray Smith became the editor for
762:
760:
726:
52:Learn how and when to remove these messages
580:
279:reliable, independent, third-party sources
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315:Learn how and when to remove this message
297:Learn how and when to remove this message
227:Learn how and when to remove this message
113:Learn how and when to remove this message
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273:by replacing them with more appropriate
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256:too closely associated with the subject
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74:contains content that is written like
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464:after numerous transitions, acquired
887:"USITT Announces 2020 Award Winners"
589:
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1106:(Press release). Animation Magazine
734:"Key Journals about Theatre Topics"
13:
689:Theatre Department: The Green Room
626:University of South Carolina Press
621:Theater Careers: A Realistic Guide
389:In March 1967, the first issue of
14:
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1122:
1097:
1050:. CAST Group, Ltd. Archived from
445:On its 25th anniversary in 1992,
33:This article has multiple issues.
431:from Rodale Publishing in 1982.
362:Entertainment Design (1999-2005)
254:may rely excessively on sources
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746:from the original on 2020-12-20
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683:Williams, Albert (2016-06-05).
41:or discuss these issues on the
1:
1148:Entertainment trade magazines
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895:Theatre Communications Group
866:Lighting & Sound America
455:Theatre Crafts International
142:general notability guideline
7:
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533:Live Design Master Classes
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149:reliable secondary sources
138:The topic of this article
998:. Timeless Communications
590:Dool, Greg (2020-12-05).
140:may not meet Knowledge's
1022:www.livedesignonline.com
992:"The Godfather of Sound"
350:Columbia College Chicago
427:Patricia MacKay bought
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420:’ sister publication,
356:, which combined with
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95:neutral point of view
827:Taylor & Francis
485:Entertainment Design
481:Entertainment Design
634:10.2307/j.ctv6wgjdx
489:Lighting Dimensions
470:Lighting Dimensions
437:Lighting Dimensions
422:Lighting Dimensions
354:Lighting Dimensions
87:promotional content
1104:Animation Magazine
1054:on 8 December 2014
897:. 28 February 2020
798:Live Design Online
772:Live Design Online
565:Envision Symposium
495:in December 2005.
439:in February 1986.
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825:(11th ed.).
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418:Theatre Crafts
416:In June 1977,
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176:"Live Design"
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1056:. Retrieved
1052:the original
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864:
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847:Google Books
845:– via
840:. Retrieved
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737:
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670:Project MUSE
668:– via
663:. Retrieved
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348:, and more.
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287:January 2016
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269:Please help
253:
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217:January 2016
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103:January 2016
100:
85:by removing
81:Please help
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1110:30 December
1083:30 December
1058:30 December
1002:30 December
976:30 December
804:30 December
794:"Home Page"
778:30 December
652:j.ctv6wgjdx
542:Live Design
538:Live Design
514:Informa plc
510:Live Design
499:Live Design
493:Live Design
472:, and LDI.
378:Live Design
370:Live Design
366:Live Design
337:Live Design
153:independent
901:2020-12-20
872:2020-12-19
842:2020-12-20
750:2020-12-20
699:2020-12-20
665:2020-12-20
601:2020-12-20
574:References
508:purchased
271:improve it
261:verifiable
187:newspapers
161:redirected
83:improve it
38:improve it
660:854585697
547:Abe Jacob
275:citations
151:that are
44:talk page
1142:Category
1028:10 March
972:. Penton
970:LDI Show
800:. Penton
774:. Penton
744:Archived
693:Archived
1078:Dubspot
966:"About"
506:Questex
479:became
449:became
385:History
342:Questex
265:neutral
201:scholar
165:deleted
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157:merged
648:JSTOR
596:Folio
512:from
208:JSTOR
194:books
163:, or
1112:2014
1085:2014
1060:2014
1030:2015
1004:2014
978:2014
831:ISBN
806:2014
780:2014
656:OCLC
638:ISBN
487:and
360:and
331:Logo
263:and
180:news
630:doi
520:LDI
477:TCI
466:TCI
451:TCI
277:to
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