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168:"Madame de Boinville and Mrs. Turner were very busy in getting deputies to sign a paper to the Chambers to buy a certain pictures of Rubio's. It will most likely not succeed because the French only encourage their own artists of which they have a clamorous multitude. And then Rubio is not such a painter of the first talent, and has no right to expect such a favor."
164:, a well-connected widow who frequently hosted social gatherings for Italian revolutionaries and intellectuals. She attempted, unsuccessfully, to use her social influence to convince the French government to commission a painting by Rubio. A letter written by Claire Clairmont - stepsister to Mary Shelley - unfavorably mentions Rubio:
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also introduced Rubio to Vera de
Kolgrivoff. The Russian pianist had studied under Frederic Chopin from 1842 to 1846; yet, she struggled to make ends meet and depended on de Boinville's aid. In 1846, Rubio married de Kolgrivoff, with a wedding feast at Madame de Boinville's house.
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Giovanni
Ruffini, Letter to Violet Paget about Vera de Kologrivoff. Quoted in Beatrice Corrigan, ed., Giovanni Ruffini's Letters to Vernon Lee, 1875-1879," English Miscellany, 13 (1962), 216.
149:. At Paris, in addition to portraits, he painted canvases for the Russian Chapel, and a canvas for the church of the contessa Malacoska; another for the Catholic Church of Moscow, a
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of 1833, whose colours harked back to those of the turn of the 19th century. Its composition owes much to other depictions of the episode, such as
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won the Pio
Clementine Prize, two gold medals, and granted him a pension of 15 scudi monthly for three years, paid by the papal government under
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The painter Rubens persuades young Van Dyck to leave the
Flemish village of Saventhem, where he had stayed for the love of a young woman
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styles, painting mainly historic-mythologic canvases, as well as some genre subjects, and portraits. His works harked back to the
101:. In 1827 he was nominated honorary academic at the Academy in Rome. From 1827-1830, he was commissioned to work for the Count
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Volume 2: 1835-1879. Edited by Marion
Kingston Stocking. Baltimore and London: The Johns Hopkins University Press, 1995.
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In 1849, Pope Pius IX raised him to equestrian rank in the order of San
Silvestro. In 1862 named knight of the
138:; and he won a gold medal a number of commissions for the Museum of Versailles, which was being opened by King
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Corrigan, Beatrice. "Giovanni
Ruffini's Letters to Vernon Lee, 1875-1879." English Miscellany vol. 13 (1962).
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The
Clairmont Correspondence: Letters of Claire Clairmont, Charles Clairmont, and Fanny Imlay Godwin.
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and in 1862, his self-portrait was added to the hall of painters at the Uffizi
Gallery in Florence.
194:, for whom Rubio crafted a portrait while in Istanbul. In 1853 he was elected professor at the
134:) and 19th-century engravings. At the 1836 Exposition there, he displayed a canvas depicting
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157:. In 1843, he won the silver medal at the Exhibition of Boulogne sur-Mer for his portraits.
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Dizionario degli
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sent to Tsar Alexander II, after decorating the Russian church in Geneva.
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prize. In 1823 he moves to study at the Institute of Fine Arts of
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He was a resident of Rome. He studied as a young man at the
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was a highly finished and detailed canvas exhibited at the
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57:, 2 August 1882) was an Italian painter, active in both
263:"Luigi Rubio – Vera Kologrivov – Amici degli Allori"
153:. In 1842, he won silver medal at the Exposition at
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In 1830-1848, he moved to Paris. His major painting
331:. Tipe dei Successori Le Monnier, 1889, page 438.
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245:(1870), the famous classical music composer.
183:. In 1870 he was nominated professor of the
136:Marriage of Salvator Rosa on his Deathbed
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215:Costumes from the surroundings of Rome
239:Episode from the 1174 Siege of Ancona
198:. In 1867 he made painted an icon of
196:Academy of Fine Arts of St Petersburg
181:Order of Saints Maurizio and Lazzaro
28:by Louis Rubio - oil on canvas, 1833
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447:19th-century Italian male artists
93:. In 1824 at Rome, his canvas of
207:Donna che attinge acqua al fonte
185:Academy of Fine Arts of Florence
130:'s painting (1812, purchased by
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223:Shepherds of the Roman Campagna
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89:: here he won a prize for his
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405:Istituto Matteucci biography.
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151:Christ, Saints Peter and Paul
144:portrait of Parisian composer
105:, President of the Senate at
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354:"Louis Rubio | Artnet"
205:Among his later works are:
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160:While in Paris, Rubio met
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437:Italian male painters
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128:Coupin de la Couperie
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329:Angelo de Gubernatis
243:Portrait of Marcello
235:Neapolitan Fishermen
173:Harriet de Boinville
162:Harriet de Boinville
81:, and there won the
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115:Paolo and Francesca
79:Academy of San Luca
37:Louis II of Bourbon
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231:The Charity
120:Paris Salon
47:Louis Rubio
416:Categories
343:biography.
288:RKDartists
269:2024-05-13
249:References
61:but later
73:Biography
237:(1863);
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103:Zamoyski
63:Romantic
55:Florence
155:Alençon
124:Ingres
83:Canova
327:, by
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87:Parma
43:Luigi
295:2017
51:Rome
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