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1041:, and tells of the sadness and separation of the narrator from his lady, and of the false rumors that are spread about him. The narrative is stuffed with prose letters and lyric poems that the narrator claims were in truth exchanged by the unhappy lovers and put in the book at the behest of his lady. The work is, however, highly satirical, and mocks the conventional paradigm of medieval courtly literature by presenting himself as an old, ill, impotent poet who becomes the lover of a young and beautiful maiden, who falls in love with him from his reputation as a poet alone. Though the work is called a
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981:("Judgement of the King of Bohemia") (before 1346) â The narrator hears a debate between a lady (whose lover is dead) and a knight (betrayed by his lady); in order to proclaim one or the other the most unhappy, the narrator seeks out the advice of the King of Bohemia who consults allegories, and the unhappy knight is declared the winner.
689:
Machaut's motets often contain sacred texts in the tenor, such as in M12 "Corde mesto cantando/Helas! pour quoy virent/Libera me". The top two voices in these three-part compositions, in contrast, sing secular French texts, creating interesting concordances between the sacred and secular. In his
1718:. Jean Archimbaud, soprano; Pierre Deniau, haute-contre, Georges Cathelat, tenor; EugĂšne Bousquet, baritone; Marcel Vigneron, bass; l'Ensemble Vocal er Instrumental, Roger Blanchard, dir. LP recording, 1 disc: 33 rpm. 10 in., monaural. Ducretet Thomson 270C085. : Ducretet Thomson.
798:
Nevertheless, the mass can be said to be stylistically consistent, and certainly the chosen chants are all celebrations of Mary, the mother of Jesus. Also adding weight to the claim that the mass is cyclic is the possibility that the piece was written or assembled for performance at a specific
1657:
1938 â Guillaume de
Machaut. Hoquetus David. Jean Archimbaud (soprano); AndrĂ© Lafosse (bass trumpet); Tudesq (trombone); Guillaume de Van, dir. Standard-groove recording, 1 disc: 78 rpm; 12 in., monaural. Ăditions de l'Oiseau-Lyre OL 3; 1059; M6-91643; 1063. M6-91647. : Ăditions de
975:("The Cure of Ill Fortune") (c. 1340s, before 1357) â The narrator is asked by his lady whether the poem she has found is by him; the narrator flees from her and comes to a garden where "Hope" consoles him and teaches him how to be a good lover; he returns to his lady.
674:. A few works exist to commemorate a particular event, such as M18, "Bone Pastor/Bone Pastor/Bone Pastor." Machaut mostly composed in five genres: the lai, the virelai, the motet, the ballade, and the rondeau. In these genres, Machaut retained the basic
1673:(virelai). Henriette Guermant, soprano; La Société Pro Musica Antiqua de Bruxelles; Safford Cape, director. Standard-groove recording, 1 disc: 78 rpm, 12 in., monaural. (Anthologie sonore 67 (AS-140, AS-135). : L'Anthologie sonore, 1938.
726:
987:("Story of the Lion") (1342) â The narrator comes to a magical island and a lion guides him to a beautiful lady; an old knight comes to the narrator and reveals the meaning of what he sees and gives him advice for being a better lover.
1654:. Les Paraphonistes de St-Jean des Matines (choir and brass); Guillaume de Van, dir. Standard-groove recording, 2 discs: 78 rpm, 12 in., monaural. Anthologie sonore 31: AS 74; AS 75; AS 76; AS 77; : L'Anthologie Sonore.
767:
is earlier â it was the first by a single composer and conceived as a unit. Machaut was probably familiar with the
Tournai Mass since Machaut's Mass shares many stylistic features with it, including textless interludes.
893:), and of poetic works of consolation and moral philosophy. His unusual self-reflective usage of himself (as his lyrical persona) as the narrator of his dits yields some personal philosophical insights as well.
1031:("Story of the Amorous Fountain") (1361) â The narrator meets a hopeless lover who must separate from his lady; the two men come to a magical fountain and fall asleep, and in a dream the lady consoles her lover.
633:
Machaut's music comprises a wide variety, from complex masses to short songs, and despite the differences of genre, most still contain "typical
Machaut motifs". He lived after the flowering of both the secular
900:). This reflects on his conception of the organization of poetry into set genres and rhyme schemes, and the ordering of these genres into distinct sections of manuscripts. This preoccupation with ordering his
775:
is contested; after lengthy debate, musicologists are still deeply divided. However, there is a consensus that this mass is at best a forerunner to the later 15th-century cyclic masses by the likes of
724:
658:
and a few Latin motets, Machaut's surviving output is exclusively secular. Regardless, Reaney notes that his unique mastery of both secular and sacred
Western music is only precedented by the work of
846:, and involve statements of service to a lady and the poet's pleasure and pains. In technical terms, Machaut was a master of elaborate rhyme schemes, and this concern makes him a precursor to the
1051:(c. 1372) â written at the end of his life as a preface to his collected works, this allegory describes Machaut's principles of poetry, music and rhetoric, as imparted to him by Nature and Love.
1906:
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notes that "before , composers either wrote songs or church music. Machaut did both, though it could be said that he neglected the area of liturgical church music." Besides his mass, Hoquetus
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technique; (3) there is considerable evidence that this mass was not composed in one creative act. The fact that the movements were placed together does not mean they were conceived as such.
997:("Story of the 4 Birds") (before 1349) â A symbolic tale of love: the narrator raises four different birds, but each one flees him; one day the second (and preferred) bird comes back to him.
619:(probably 1361â1365) purports to recount a late love affair with a 19-year-old girl, PĂ©ronne d'ArmentiĂšres, although the accuracy of the work as autobiography is contested. He died in 1377.
839:. That the majority of his lyrics are not set to music (in manuscripts, music and non-music sections are separate) suggests that he normally wrote the text before setting some to music.
725:
466:, in part due to his own involvement in his manuscripts' creation and preservation. Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of
1711:. Simone Gebelin, voice; H. Akoka, clarinet; G. Bon, flute; P. Hongne, bassoon. Standard-groove recording, 1 disc: 78 rpm; 312 in., monaural. BAM 44. : BoĂźte Ă Musique, 1948.
1101:, among many others. There exists the hypothetical (though improbable) possibility that Chaucer and Machaut could have met when Chaucer was taken prisoner near Reims in 1359, or in
615:
Machaut survived the Black Death that devastated Europe, and spent his later years living in Reims composing and supervising the creation of his complete-works manuscripts. His poem
3583:
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Other than his Latin motets of a religious nature and some poems invoking the horrors of war and captivity, the vast majority of
Machaut's lyric poems reflect the conventions of
904:
is reflected in an index to MS A entitled "Vesci l'ordonance que G. de
Machaut veut qu'il ait en son livre" ("Here is the order that G. de Machaut wants his book to have").
1287:
1688:. Pierre Deniau, tenor; instrumental accompaniment. Standard-groove recording, 1 disc, 78 rpm, 10 in., monaural. Lumen XC 462; XC 463; 33405; France: Lumen.
803:, which was once widely accepted, is thought unlikely in modern scholarship. The composer's intention that the piece be performed as one entire mass setting makes the
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attributable to a single composer. Other notable works include the rondeaux "Ma fin est mon commencement" and "Rose, liz, printemps, verdure" as well as the virelai "
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movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading
European composer.
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Weaver, William Woys (2017). "The Court
Cuisine of Medieval Cyprus: Food as Table Theater". In Pomeranz, Maurice A.; Vitz, Evelyn Birge (eds.).
823:, and Machaut did much to perfect and codify these fixed forms. Some of his lyric output is embedded in his narrative poems or "dits", such as
3868:
853:
Guillaume de
Machaut's narrative output is dominated by the "dit" (literally "spoken", i.e. a poem not meant to be sung). These first-person
592:, and Machaut, who was famous and much in demand, entered the service of various other aristocrats and rulers, including King John's daughter
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on the penultimate syllable. However, a few of
Machaut's rondeaux, such as R18 "Puis qu'en oubli", are mostly syllabic in treatment.
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in 1332, and Reims in 1337. By 1340, Machaut was living in Reims, having relinquished his other canonic posts at the request of
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1939:
Daniel Leech-Wilkinson (1993). "Le Voir Dit and La Messe de Nostre Dame: aspects of genre and style in late works of Machaut".
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Guillaume de Machaut's lyric output comprises around 400 poems, including 235 ballades, 76 rondeaux, 39 virelais, 24 lais, 10
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1007:, a lady blames the narrator for awarding the prize to the knight: the King of Navarre is consulted and condemns the poet.
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572:(1337). He often accompanied King John on his various trips, many of them military expeditions around Europe (including
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787:(one for the Kyrie, Gloria, and Credo, another for Sanctus, Agnus and Ite missa est); (2) there is no extended melodic
3447:
Reaney, Gilbert (1953). "Fourteenth Century Harmony and the Ballades, Rondeaux and Virelais of Guillaume de Machaut".
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or true story, Machaut includes many inconsistencies which force the reader to question the truthfulness of his story.
3597:
5575:
3420:
Reaney, Gilbert (1952). "A Chronology of the Ballades, Rondeaux and Virelais Set to Music by Guillaume de Machaut".
882:), allegorical characters, and the situation of the narrator-lover attempting to return toward or satisfy his lady.
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Machaut, one of the earliest European composers on whom considerable biographical information is available, has an
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3801:
3235:(February 2010). "Guillaume de Machaut, royal almoner: Honte, paour (B25) and Donnez, signeurs (B26) in context".
2933:
Keitel, Elizabeth A. (1982). "The So-Called Cyclic Mass of Guillaume de Machaut: New Evidence for an Old Debate".
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43:
Machaut (right) receiving Nature and three of her children. From an illuminated Parisian manuscript of the 1350s
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Reaney, Gilbert (1959). "The Poetic Form of Machaut's Musical Works: I: The Ballades, Rondeaux and Virelais".
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1037:("A True Story") (c. 1362â65) â Often seen as Machaut's masterpiece, this poem is an early example of
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Although some albums contain works by composers other than Machaut, only works by Machaut are listed.
1109:(Machaut with his patron Jean de Berry, who was departing for England, and Chaucer as a messenger to
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figures, reinforced the self-image that Lusignan courtiers cultivated as long-distance claimants to
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Guillaume de Machaut was born around 1300, one of seven children, and educated in the region around
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According to food historian William Woys Weaver, fourteenth century nobles at the French-speaking
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Hanly, Michael (2008). "France: Jean Froissart and Guillaume de Machaut". In Brown, Peter (ed.).
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17:
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3501:(1955). "The Ballades, Rondeaux and Virelais of Guillaume de Machaut: Melody, Rhythm and Form".
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1017:(who was a prisoner in France), this poetic consolation gives biblical and classical examples (
4422:
3102:; Chandler, Bruce, eds. (1978). "Machaut's World: Science and Art in the Fourteenth Century".
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Ma fin est mon commencement...: polyphonies des XIVe et XVe siĂšcles: transcriptions pour orgue
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Song, Landscape, and Identity in Medieval Northern France: Toward an Environmental History
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Machaut composed in a wide range of styles and forms and was crucial in developing the
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Machaut and the Medieval Apprenticeship Tradition: Truth, Fiction and Poetic Craft
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Bowers, Roger (2004). "Guillaume de Machaut and His Canonry of Reims, 1338-1377".
833:("A True Story"), but most are included in a separate, unordered section entitled
829:("The Cure of Ill Fortune") which includes one of each genre of lyric poetry, and
779:. Machaut's mass differs from these in the following ways: (1) he does not hold a
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3185:. The Norton Introduction to Music History (1st ed.). New York, New York:
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429:â April 1377) was a French composer and poet who was the central figure of the
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59:
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1952:
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Reaney notes that although some of his motets could have been for worshipping
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In the Presence of Power: Court and Performance in the Pre-Modern Middle East
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163:
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Selected recordings of arrangements of compositions by Guillaume de Machaut
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for entertainment during royal banquets. Tales like Machaut's, about heroic
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Machaut is also the author of a poetic chronicle of the chivalric deeds of
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843:
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that clearly runs through all the movements, and the mass does not use the
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in 1360, with both poets on official business for the ratification of the
896:
At the end of his life, Machaut wrote a poetic treatise on his craft (his
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2182:
1601:
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792:
772:
646:
597:
122:
4701:
3635:(1963). "Chronologie und Stil der Kompositionen Guillaume de Machauts".
3560:
Guillaume de Machaut and Reims: Context and Meaning in His Musical Works
3549:
3490:
3466:
3439:
3292:
3258:
3250:
2866:(1989). "Machaut's Role in the Production of Manuscripts of His Works".
2076:
1831:
640:
472:
140:
5223:
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4589:
4555:
4550:
4095:
3846:
3401:. Brill's Companions to the Christian Tradition. Vol. 33. Leiden:
3039:
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1075:
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635:
561:
467:
135:
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3269:(July 2010). "Music and Verbal Meaning: Machaut's Polytextual Songs".
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Machaut's cyclic setting of the Mass, identified in one source as the
477:
His poetry was greatly admired and imitated by other poets, including
209:
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269:
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4630:
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3514:
3343:. The Norton Introduction to Music History (1st ed.). Oxford:
2881:
2643:
2608:
2573:
2538:
2503:
2468:
2433:
2398:
2363:
2328:
2293:
2258:
2223:
2188:
2153:
2118:
1133:
1018:
875:
553:
432:
410:
337:
151:
1920:
1003:("Judgement of the King of Navarre") (1349) â Following up on the
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331:
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116:
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The Monstrous New Art: Divided Forms in the Late Medieval Motet
1125:
1102:
919:
799:
celebration. The possibility that it was for the coronation of
577:
573:
515:
3163:. Music Literature Outlines (3rd ed.). Frangipani Press.
2765:
Machaut: Le Jugement du roy de Behaingne and RemĂšde de Fortune
5783:
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5429:
1320:
581:
545:
489:
326:
1154:
Selected recordings of compositions by Guillaume de Machaut
39:
4048:
2032:"A Love Affair That Burned for Centuries, at Least in Song"
2995:. The New Oxford History of Music. Vol. III. Oxford:
868:
of the same period) follow many of the conventions of the
783:
throughout the entire work, as the mass uses two distinct
548:. His surname most likely derives from the nearby town of
3068:
1221:
1195:
2049:
690:
other genres, though, he does not utilize sacred texts.
670:
The lyrics of Machaut's works almost always dealt with
3477:(1954). "The Manuscript Chantilly, Musée Condé 1047".
3080:. Collection Musiques/Ăcritures: SĂ©rie Ătudes. Paris:
1989:
1987:
1974:
1972:
1970:
1938:
1061:") (after 1369) â poetic retelling of the exploits of
5713:
1081:
Machaut's poetry had a direct effect on the works of
2762:
1926:
682:. For example, most rondeau phrases end with a long
2011:
1984:
1967:
1804:
2901:
2831:
2787:"Machaut [Machau, Machault], Guillaume de"
2785:
1872:
1851:
1849:
1063:Peter of Lusignan, King of Jerusalem and of Cyprus
732:By Guillaume de Machaut, midi instrumental version
3060:: CS1 maint: DOI inactive as of September 2024 (
1716:Messe de Notre Dame: dite "du Sacre de Charles V"
958:To a love life, and to happiness, I bid goodbye.
441:. His dominance of the genre is such that modern
5869:
3674:(1st ed.). Upper Saddle River, New Jersey:
946:To a love life, and to happiness, I bid goodbye.
759:), was composed in the early 1360s probably for
588:. In 1346, King John was killed fighting at the
27:Medieval French composer and poet (c. 1300â1377)
3395:McGrady, Deborah; Bain, Jennifer, eds. (2012).
3335:
3314:Guillaume de Machaut: Secretary, Poet, Musician
1846:
1652:Messe de Notre-Dame, dite du sacre de Charles V
678:, but often utilized creative text setting and
3610:Music and Performance in the Later Middle Ages
3098:
1074:When he died in 1377, other composers such as
954:Which is that never will I have another lover.
30:"Machaut" redirects here. For the crater, see
4315:
4064:
3862:
3153:
2987:
2869:Journal of the American Musicological Society
2763:Wimsatt, James, and Kibler, Williams (eds.).
1755:
1753:
374:
3793:List of compositions by Guillaume de Machaut
3784:List of compositions by Guillaume de Machaut
2767:(Athens: University of Georgia Press, 1988).
1699:. Anon (Montpellier no. 184, 13th century).
1695:; Anon (Montpellier no. 189, 13th century).
1128:, often listened to narrations of Machaut's
834:
824:
629:List of compositions by Guillaume de Machaut
4965:
3692:
3394:
807:generally considered a cyclic composition.
452:
446:
430:
4322:
4308:
4071:
4057:
3869:
3855:
3581:
3104:Annals of the New York Academy of Sciences
1750:
1469:Guillaume de Machaut: Messe de Nostre Dame
956:Since I am forgotten by you, sweet friend,
950:Since I am forgotten by you, sweet friend.
944:Since I am forgotten by you, sweet friend,
381:
367:
3806:International Music Score Library Project
3556:
3132:Guillaume de Machaut: A Guide to Research
2716:The Cambridge Companion to Medieval Music
2029:
952:Yet I will keep what I have promised you,
948:Unlucky was the day I put my love in you,
931:C'est que ja mais n'aray nul autre amant.
763:. While not the first cyclic mass â the
492:and secular song forms (particularly the
3876:
3842:Guillaume de Machaut FAQ and discography
3160:Music in the Middle Ages and Renaissance
2030:Oestreich, James R. (17 November 2013).
1402:
1314:
1261:
933:Puis qu'en oubli sui de vous, dous amis,
927:Puis qu'en oubli sui de vous, dous amis.
921:Puis qu'en oubli sui de vous, dous amis,
771:Whether or not Machaut's mass is indeed
608:, Duke of Normandy), and others such as
556:region. He was employed as secretary to
38:
4956:
4860:List of Galician-Portuguese troubadours
3788:Digital Image Archive of Medieval Music
3631:
2806:10.1093/gmo/9781561592630.article.51865
2324:Dreams in the Pleasure Garden: Chansons
2072:. New York: NYU Press. pp. 179â95.
1893:10.1093/gmo/9781561592630.article.10117
1867:
1522:
1477:
1428:
1331:Dreams in the Pleasure Garden: Chansons
1266:
1215:
1189:
925:Mar vi le jour que m'amour en vous mis,
552:, 30 km northeast of Reims in the
464:unprecedented amount of surviving music
14:
5870:
3833:Works by or about Guillaume de Machaut
3669:
3529:
3497:
3473:
3446:
3419:
3177:
3082:Presses de l'université Paris-Sorbonne
3013:
2993:Ars Nova and the Renaissance 1300-1540
2932:
2736:
2067:
2005:
1993:
1978:
1909:from the original on 15 November 2020.
1498:
1451:
1363:
1230:
1148:
409:
4303:
4052:
3850:
3606:
3461:Verlag Corpusmusicae, GmbH: 129â146.
3365:
3307:
3265:
3231:
3203:
2975:
2829:
2710:(2011). "The Fourteenth Century". In
2706:
2681:
2289:La Messe de Nostre Dame.: Le Voir Dit
2099:
2055:
1840:
1810:
1407:
1386:
1339:
1306:La Messe de Nostre Dame / Le Voir Dit
1291:
935:Vie amoureuse et joie a Dieu commant.
929:Mais ce tenray que je vous ay promis,
923:Vie amoureuse et joie a Dieu commant.
568:from 1323 to 1346, and also became a
400:
5790:
3210:Machaut's Music: New Interpretations
3128:
2979:
2896:
2862:
2780:
2017:
1855:
1825:
1240:
913:
5913:Medieval writers about the Crusades
4686:Other troubadours and trobairitz...
3812:Free scores by Guillaume de Machaut
3647:International Musicological Society
3544:Verlag Corpusmusicae, GmbH: 25â41.
3434:Verlag Corpusmusicae, GmbH: 33â38.
3398:A Companion to Guillaume de Machaut
2991:; Hughes, Dom Anselm, eds. (1960).
1644:
1078:wrote elegies lamenting his death.
24:
4329:
3802:Free scores by Guillame de Machaut
3795:at the Medieval Music Database of
2969:
966:
700:
25:
5944:
3719:
3607:Upton, Elizabeth Randell (2013).
524:, is the earliest known complete
5928:French composers of sacred music
5850:
5833:
5816:
5799:
5771:
5759:
5747:
5735:
5723:
5696:
5687:
5686:
4283:
4282:
4147:
4033:
4032:
3557:Robertson, Anne Walters (2002).
3542:American Institute of Musicology
3459:American Institute of Musicology
3432:American Institute of Musicology
1380:Guillaume de Machaut: Unrequited
740:Problems playing this file? See
722:
665:
5898:French male classical composers
3341:Machaut's Mass: An Introduction
3078:Guillaume de Machaut, 1300-2000
2630:
2595:
2560:
2525:
2490:
2455:
2420:
2385:
2350:
2315:
2280:
2245:
2210:
2175:
2140:
2105:
2061:
2023:
1762:
1733:
1537:
693:
650:church style. The musicologist
3070:Cerquiglini-Toulet, Jacqueline
3034:(inactive 12 September 2024).
2923:10.1093/OBO/9780199757824-0030
2853:10.1093/OBO/9780195396584-0049
2184:The Mirror of Narcissus: songs
1932:
1861:
1570:Early Music (LachrymĂŠ AntiquĂŠ)
485:, well into the 15th century.
445:use his death to separate the
411:[ÉĄiËÊawmÉdÉmaËtÊaw(Ξ)]
13:
1:
5888:14th-century French composers
4681:William IX, Duke of Aquitaine
4014:Art of Love: Music of Machaut
3582:Saltzstein, Jennifer (2023).
2982:for extensive bibliographies
2639:Art of Love: Music of Machaut
2569:Early Music: LachrymĂŠ AntiquĂŠ
1722:
1714:1956 â Guillaume de Machaut.
1676:1943 â Guillaume de Machaut.
1661:1938 â Guillaume de Machaut.
1650:1936 â Guillaume de Machaut.
1623:Art of Love: Music of Machaut
1143:
576:). He was named the canon of
423:
4078:
3816:Choral Public Domain Library
3774:Resources in other libraries
3750:Resources in other libraries
3112:New York Academy of Sciences
2823:UK public library membership
1941:Plainsong and Medieval Music
1914:UK public library membership
1797:
1422:Je, Guillaumes dessus nommez
1025:Dit de la fontaine amoureuse
857:(all but one are written in
514:). Among his only surviving
7:
4352:List of musical instruments
1768:Including contributions by
1597:Ma fin est mon commencement
1297:New Albion Records NA068CD
1005:Jugement du roy de Behainge
979:Jugement du roy de Behaigne
10:
5949:
5893:French classical composers
3701:Cambridge University Press
3693:Zayaruznaya, Anna (2015).
3565:Cambridge University Press
3187:W. W. Norton & Company
3024:Cambridge University Press
2720:Cambridge University Press
2669:
1001:Jugement du roy de Navarre
626:
29:
5903:14th-century French poets
5668:
5620:
5589:
5526:
5395:
5324:
5265:
5214:Matheus de Sancto Johanne
5209:Johannes Symonis Hasprois
5144:
5140:
5066:
5020:
4985:
4952:
4883:
4879:
4870:
4855:Galician-Portuguese lyric
4800:Jehan le Cuvelier d'Arras
4715:Andrieu Contredit d'Arras
4700:
4549:
4491:
4487:
4478:
4360:
4337:
4242:
4204:
4172:
4156:
4145:
4088:
4028:
3964:
3918:
3893:
3884:
3769:Resources in your library
3745:Resources in your library
3285:10.1017/S0038713410001302
3157:; Becker, Warren (1981).
3032:10.1017/S0261127904000038
1953:10.1017/S0961137100000413
1927:Wimsatt & Kibler 1988
1705:Amour que vous ai-je fait
1559:
1556:
1553:
1550:
1547:
1520:Ensemble Gilles Binchois
1426:Ensemble Gilles Binchois
1288:Ensemble Project Ars Nova
1170:
1167:
1164:
1161:
1158:
1069:
1059:The Capture of Alexandria
810:
5244:Antonio Zacara da Teramo
3823:free recordings of songs
3672:Music in Medieval Europe
3319:Cornell University Press
3100:Cosman, Madeleine Pelner
2830:Clark, Alice V. (2012).
2534:Sacred and Secular music
1727:
1671:De tout sui si confortée
1516:Sacred and Secular music
622:
5923:Medieval male composers
4770:Gillebert de Berneville
4347:List of music theorists
3758:By Guillaume de Machaut
3670:Yudkin, Jeremy (1989).
3590:Oxford University Press
3378:Oxford University Press
3366:Kelly, Douglas (2014).
3349:Oxford University Press
3337:Leech-Wilkinson, Daniel
3129:Earp, Lawrence (1995).
2997:Oxford University Press
2953:10.1093/mq/LXVIII.3.307
2945:Oxford University Press
2928:(subscription required)
2915:Oxford University Press
2858:(subscription required)
2845:Oxford University Press
2798:Oxford University Press
2746:Oxford University Press
2688:. Hoboken, New Jersey:
1885:Oxford University Press
1707:. Anon (15th century).
1703:. Anon (14th century).
1232:The Mirror of Narcissus
1212:Studio der FrĂŒhen Musik
1186:Studio der FrĂŒhen Musik
920:
911:, is his 18th rondeau.
874:, including the use of
644:song movements and the
539:
5043:Gherardello da Firenze
4730:Le Chastelain de Couci
4523:Philippe le Chancelier
3951:Daniel Leech-Wilkinson
3699:. Cambridge, England:
3563:. Cambridge, England:
2903:"Guillaume de Machaut"
2833:"Guillaume de Machaut"
2685:A Companion to Chaucer
1874:"Franciscus, Magister"
1691:Guillaume de Machaut.
1013:(1357) â Dedicated to
995:Dit des quatre oiseaux
942:
917:
835:
825:
705:
453:
447:
431:
44:
5352:Johannes de Garlandia
4666:Raimbaut de Vaqueiras
4212:Music of the Trecento
2936:The Musical Quarterly
2909:Oxford Bibliographies
2839:Oxford Bibliographies
1686:He! Dame de vaillance
1404:The Hilliard Ensemble
1263:The Hilliard Ensemble
1015:Charles II of Navarre
850:of the 15th century.
836:Les loanges des dames
704:
610:Charles II of Navarre
402:[ÉĄijomdÉmaÊo]
100:Movements and schools
42:
5878:Guillaume de Machaut
5786:Guillaume de Machaut
5673:Also music theorist*
5357:Johannes de Grocheio
5174:Conradus de Pistoria
5161:Philippus de Caserta
5110:Philippus de Caserta
5079:Antonello da Caserta
5028:Andreas de Florentia
4919:Guillaume de Machaut
4580:Bernart de Ventadorn
4565:Aimeric de Peguilhan
4508:Albertus Parisiensis
4458:Adam of Saint Victor
4418:Saint Martial school
4375:Notker the Stammerer
4267:Also music theorist*
4121:Guillaume de Machaut
3909:Messe de Nostre Dame
3887:List of compositions
3878:Guillaume de Machaut
3731:Guillaume de Machaut
3372:. Suffolk, England:
3317:. Ithaca, New York:
3309:Leach, Elizabeth Eva
3267:Leach, Elizabeth Eva
3233:Leach, Elizabeth Eva
3213:. Suffolk, England:
3205:Leach, Elizabeth Eva
3137:Taylor & Francis
2742:Guillaume de Machaut
2708:Leach, Elizabeth Eva
1747:songs at their core.
1495:Ensemble Musica Nova
1448:Ensemble Musica Nova
1360:Ensemble Musica Nova
973:Le remĂšde de fortune
848:Grands Rhétoriqueurs
826:Le remĂšde de fortune
805:Messe de Nostre Dame
752:Messe de Nostre Dame
717:Messe de Nostre Dame
530:Ordinary of the Mass
521:Messe de Nostre Dame
451:from the subsequent
394:Guillaume de Machaut
5284:Contenance angloise
5074:Bartolino da Padova
4973:Marchetto da Padova
4904:Magister Franciscus
4780:Guillaume le Vinier
4775:Gontier de Soignies
4720:Audefroi le Bastart
4606:Folquet de Marselha
4463:Wulfstan the Cantor
4453:Hildegard of Bingen
4423:Adémar de Chabannes
4408:Fulbert of Chartres
4370:Abbey of Saint Gall
4362:Early (before 1150)
4222:Old Hall Manuscript
4106:Magister Franciscus
3941:Elizabeth Eva Leach
3827:UmeÄ Akademiska Kör
3797:La Trobe University
3613:. London, England:
3588:. Oxford, England:
3016:Early Music History
2219:Messe de Notre Dame
2058:, pp. 153â154.
1544:
1258:Messe de Notre Dame
1155:
1149:Selected recordings
866:romance, or "roman"
604:and Charles (later
600:in 1349), her sons
354:Renaissance music â
5933:Ars nova composers
5612:Neo-Medieval music
5602:Medieval folk rock
5382:Berno of Reichenau
5362:Iacobus de Ispania
5204:Petrus de Goscalch
5105:NiccolĂČ da Perugia
5100:Grazioso da Padova
5048:Lorenzo da Firenze
5008:Vincenzo da Rimini
4993:Giovanni da Cascia
4825:Other trouvĂšres...
4810:Perrin d'Angicourt
4760:Gautier de Dargies
4735:Chrétien de Troyes
4671:Raimon de Miravalh
4661:Raimbaut d'Aurenga
3615:Palgrave Macmillan
2841:: Medieval Studies
2793:Grove Music Online
2149:Chansons. / Vol. 2
2114:Chansons. / Vol. 1
2036:The New York Times
1880:Grove Music Online
1665:(double ballade);
1542:
1529:Brilliant Classics
1474:Diabolus in Musica
1153:
1130:Prise dâAlexandrie
1107:Treaty of Brétigny
1091:Christine de Pizan
1083:Eustache Deschamps
1055:Prise d'Alexandrie
891:Prise d'Alexandrie
706:
483:Eustache Deschamps
45:
5918:French male poets
5711:
5710:
5679:Renaissance music
5387:Aurelian of RĂ©ĂŽme
5372:Johannes de Muris
5342:Franco of Cologne
5320:
5319:
5302:Arnold de Lantins
5261:
5260:
5257:
5256:
5184:Johannes Cuvelier
5136:
5135:
5132:
5131:
5128:
5127:
5095:Giovanni Mazzuoli
5090:Matteo da Perugia
5062:
5061:
5038:Francesco Landini
5016:
5015:
4998:Jacopo da Bologna
4981:
4980:
4948:
4947:
4944:
4943:
4935:Philippe de Vitry
4914:Jehan de Lescurel
4835:
4834:
4820:Raoul de Soissons
4765:Gautier d'Espinal
4755:Gautier de Coincy
4696:
4695:
4616:Giraut de Bornelh
4595:CerverĂ de Girona
4575:Arnaut de Mareuil
4545:
4544:
4541:
4540:
4503:Notre-Dame school
4413:Heriger of Lobbes
4342:List of composers
4297:
4296:
4164:Johannes de Muris
4137:Philippe de Vitry
4116:Jehan de Lescurel
4046:
4045:
3726:Library resources
3710:978-1-107-03966-7
3685:978-0-13-608192-0
3638:Acta Musicologica
3624:978-1-137-27770-1
3574:978-0-521-41876-8
3533:Musica Disciplina
3503:Acta Musicologica
3479:Musica Disciplina
3450:Musica Disciplina
3423:Musica Disciplina
3412:978-90-04-22819-1
3387:978-1-84384-372-6
3358:978-0-19-816306-0
3328:978-1-5017-0486-4
3251:10.1093/em/caq006
3224:978-1-84383-016-0
3196:978-0-393-09090-1
3170:978-0-88284-379-7
3146:978-0-8240-2323-2
3121:978-0-89072-072-1
3091:978-2-84050-217-3
3006:978-0-19-316303-4
2821:(subscription or
2815:978-1-56159-263-0
2755:978-0-19-315218-2
2729:978-0-19-316303-4
2699:978-0-470-69274-5
2254:Remede de Fortune
1912:(subscription or
1902:978-1-56159-263-0
1843:, "Introduction".
1828:, "Introduction".
1790:Milton Nascimento
1667:Je puis trop bien
1642:
1641:
1535:
1534:
1524:Dominique Vellard
1430:Dominique Vellard
1283:Remede de Fortune
1029:Livre de Morpheus
964:
963:
887:Peter I of Cyprus
727:
596:(who died of the
586:Pope Benedict XII
391:
390:
129:Notre-Dame school
16:(Redirected from
5940:
5908:Canons (priests)
5863:
5855:
5854:
5853:
5846:
5838:
5837:
5836:
5829:
5821:
5820:
5819:
5812:
5804:
5803:
5802:
5792:
5776:
5775:
5764:
5763:
5762:
5752:
5751:
5740:
5739:
5738:
5728:
5727:
5726:
5719:
5700:
5690:
5689:
5496:Liturgical drama
5263:
5262:
5170:
5167:Johannes Ciconia
5142:
5141:
5138:
5137:
5120:Zacara da Teramo
5084:Johannes Ciconia
5064:
5063:
5054:Paolo da Firenze
5033:Donato da Cascia
5018:
5017:
4983:
4982:
4963:
4962:
4954:
4953:
4950:
4949:
4938:
4881:
4880:
4877:
4876:
4872:Late (1300â1400)
4815:Philippe de RĂ©mi
4745:Conon de BĂ©thune
4725:Blondel de Nesle
4710:Adam de la Halle
4698:
4697:
4636:Peire d'Alvernha
4547:
4546:
4534:
4489:
4488:
4485:
4484:
4480:High (1150â1300)
4469:Wipo of Burgundy
4434:
4404:
4396:
4387:Stephen of LiĂšge
4324:
4317:
4310:
4301:
4300:
4286:
4285:
4151:
4140:
4073:
4066:
4059:
4050:
4049:
4036:
4035:
4020:Machaut (crater)
3902:Douce Dame Jolie
3871:
3864:
3857:
3848:
3847:
3837:Internet Archive
3714:
3689:
3666:
3628:
3603:
3578:
3553:
3526:
3494:
3470:
3443:
3416:
3391:
3362:
3332:
3304:
3262:
3228:
3200:
3174:
3150:
3125:
3095:
3065:
3059:
3051:
3010:
2964:
2929:
2926:
2905:
2893:
2859:
2856:
2835:
2826:
2819:
2789:
2768:
2759:
2733:
2703:
2663:
2662:
2660:
2658:
2634:
2628:
2627:
2625:
2623:
2599:
2593:
2592:
2590:
2588:
2564:
2558:
2557:
2555:
2553:
2529:
2523:
2522:
2520:
2518:
2499:Messe Notre-Dame
2494:
2488:
2487:
2485:
2483:
2459:
2453:
2452:
2450:
2448:
2424:
2418:
2417:
2415:
2413:
2389:
2383:
2382:
2380:
2378:
2354:
2348:
2347:
2345:
2343:
2319:
2313:
2312:
2310:
2308:
2284:
2278:
2277:
2275:
2273:
2249:
2243:
2242:
2240:
2238:
2214:
2208:
2207:
2205:
2203:
2179:
2173:
2172:
2170:
2168:
2144:
2138:
2137:
2135:
2133:
2109:
2103:
2102:, "Discography".
2097:
2074:
2073:
2065:
2059:
2053:
2047:
2046:
2044:
2042:
2027:
2021:
2015:
2009:
2003:
1997:
1991:
1982:
1976:
1965:
1964:
1936:
1930:
1924:
1918:
1917:
1910:
1876:
1865:
1859:
1853:
1844:
1838:
1829:
1823:
1814:
1808:
1792:
1766:
1760:
1757:
1748:
1737:
1682:Douce dame jolie
1645:Early recordings
1545:
1541:
1490:Messe Notre-Dame
1478:Antoine Guerber
1434:Cantus C 9804â6
1384:Liber UnUsualis
1242:Christopher Page
1156:
1152:
1099:Geoffrey Chaucer
991:Dit de l'Alérion
937:
914:
909:Puis qu'en oubli
907:The poem below,
871:Roman de la rose
838:
828:
821:chansons royales
777:Josquin des Prez
761:Rheims Cathedral
757:Mass of Our Lady
729:
728:
703:
660:Adam de la Halle
534:Douce Dame Jolie
479:Geoffrey Chaucer
458:
450:
436:
428:
425:
413:
408:
404:
399:
383:
376:
369:
317:Liturgical drama
215:Adam de la Halle
47:
46:
32:Machaut (crater)
21:
5948:
5947:
5943:
5942:
5941:
5939:
5938:
5937:
5868:
5867:
5866:
5856:
5851:
5849:
5845:from Wikisource
5839:
5834:
5832:
5822:
5817:
5815:
5805:
5800:
5798:
5795:
5791:sister projects
5788:at Knowledge's
5782:
5770:
5760:
5758:
5746:
5742:Classical music
5736:
5734:
5724:
5722:
5714:
5712:
5707:
5706:
5683:
5664:
5616:
5585:
5522:
5472:Gregorian chant
5391:
5377:Walter Odington
5337:Guido of Arezzo
5316:
5273:Johannes Alanus
5253:
5229:Jacob Senleches
5165:
5124:
5058:
5012:
4977:
4940:
4933:
4866:
4831:
4692:
4621:Guiraut Riquier
4600:Comtessa de Dia
4585:Bertran de Born
4553:
4537:
4531:Petrus de Cruce
4529:
4474:
4438:Notker Physicus
4429:
4399:
4391:
4356:
4333:
4328:
4298:
4293:
4292:
4279:
4264:
4254:
4238:
4200:
4195:Roman de Fauvel
4181:Chantilly Codex
4168:
4152:
4143:
4135:
4084:
4077:
4047:
4042:
4024:
3960:
3914:
3889:
3880:
3875:
3780:
3779:
3778:
3755:
3754:
3734:
3733:
3729:
3722:
3717:
3711:
3686:
3633:GĂŒnther, Ursula
3625:
3600:
3575:
3499:Reaney, Gilbert
3475:Reaney, Gilbert
3413:
3388:
3359:
3345:Clarendon Press
3329:
3225:
3197:
3179:Hoppin, Richard
3171:
3155:Gleason, Harold
3147:
3122:
3092:
3076:, eds. (2002).
3053:
3052:
3007:
2989:Abraham, Gerald
2972:
2970:Further reading
2967:
2927:
2857:
2820:
2816:
2771:
2756:
2738:Reaney, Gilbert
2730:
2700:
2690:Wiley-Blackwell
2672:
2667:
2666:
2656:
2654:
2636:
2635:
2631:
2621:
2619:
2601:
2600:
2596:
2586:
2584:
2566:
2565:
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2551:
2549:
2531:
2530:
2526:
2516:
2514:
2496:
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2391:
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2341:
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2321:
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2286:
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2271:
2269:
2251:
2250:
2246:
2236:
2234:
2216:
2215:
2211:
2201:
2199:
2181:
2180:
2176:
2166:
2164:
2146:
2145:
2141:
2131:
2129:
2111:
2110:
2106:
2098:
2077:
2066:
2062:
2054:
2050:
2040:
2038:
2028:
2024:
2016:
2012:
2004:
2000:
1992:
1985:
1977:
1968:
1937:
1933:
1925:
1921:
1911:
1903:
1869:GĂŒnther, Ursula
1866:
1862:
1854:
1847:
1839:
1832:
1824:
1817:
1809:
1805:
1800:
1795:
1767:
1763:
1758:
1751:
1738:
1734:
1730:
1725:
1647:
1612:Ăditions Hortus
1540:
1336:Orlando Consort
1316:Jeremy Summerly
1311:Oxford Camerata
1151:
1146:
1072:
1021:) of fortitude.
969:
967:Principal works
960:
957:
955:
953:
951:
949:
947:
945:
939:
934:
932:
930:
928:
926:
924:
922:
862:rhymed couplets
855:narrative poems
813:
747:
746:
738:
736:
735:
734:
733:
730:
723:
720:
707:
701:
696:
668:
631:
625:
590:Battle of Crécy
542:
426:
406:
397:
387:
345:
344:
343:
302:Gregorian chant
259:
251:
250:
249:
179:
171:
170:
169:
101:
91:
90:
35:
28:
23:
22:
15:
12:
11:
5:
5946:
5936:
5935:
5930:
5925:
5920:
5915:
5910:
5905:
5900:
5895:
5890:
5885:
5880:
5865:
5864:
5847:
5830:
5828:from Wikiquote
5813:
5784:
5781:
5780:
5768:
5756:
5744:
5732:
5709:
5708:
5705:
5704:
5694:
5676:
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5674:
5670:
5669:
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5663:
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5661:
5660:
5655:
5650:
5645:
5640:
5630:
5624:
5622:
5618:
5617:
5615:
5614:
5609:
5607:Medieval metal
5604:
5599:
5593:
5591:
5587:
5586:
5584:
5583:
5578:
5573:
5568:
5563:
5558:
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5513:
5508:
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5498:
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5480:
5479:
5477:Pope Gregory I
5469:
5464:
5463:
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5457:
5452:
5442:
5437:
5432:
5427:
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5425:
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5384:
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5374:
5369:
5364:
5359:
5354:
5349:
5347:Johannes Cotto
5344:
5339:
5334:
5328:
5326:
5322:
5321:
5318:
5317:
5315:
5314:
5309:
5304:
5299:
5294:
5289:
5288:
5287:
5278:John Dunstaple
5275:
5269:
5267:
5259:
5258:
5255:
5254:
5252:
5251:
5246:
5241:
5239:Johannes Susay
5236:
5231:
5226:
5221:
5219:Gacian Reyneau
5216:
5211:
5206:
5201:
5199:Martinus Fabri
5196:
5191:
5186:
5181:
5176:
5171:
5163:
5158:
5152:
5150:
5134:
5133:
5130:
5129:
5126:
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5123:
5122:
5117:
5112:
5107:
5102:
5097:
5092:
5087:
5081:
5076:
5070:
5068:
5067:3rd generation
5060:
5059:
5057:
5056:
5051:
5045:
5040:
5035:
5030:
5024:
5022:
5021:2nd generation
5014:
5013:
5011:
5010:
5005:
5000:
4995:
4989:
4987:
4986:1st generation
4979:
4978:
4976:
4975:
4969:
4967:
4960:
4946:
4945:
4942:
4941:
4939:
4931:
4929:Jehan Vaillant
4926:
4921:
4916:
4911:
4906:
4901:
4899:Denis Le Grant
4896:
4891:
4889:
4874:
4868:
4867:
4865:
4864:
4863:
4862:
4852:
4847:
4842:
4836:
4833:
4832:
4830:
4829:
4828:
4827:
4817:
4812:
4807:
4805:Moniot d'Arras
4802:
4797:
4792:
4787:
4785:Guiot de Dijon
4782:
4777:
4772:
4767:
4762:
4757:
4752:
4747:
4742:
4737:
4732:
4727:
4722:
4717:
4712:
4706:
4704:
4694:
4693:
4691:
4690:
4689:
4688:
4678:
4673:
4668:
4663:
4658:
4653:
4648:
4643:
4641:Peire Cardenal
4638:
4633:
4628:
4623:
4618:
4613:
4611:Gaucelm Faidit
4608:
4603:
4597:
4592:
4587:
4582:
4577:
4572:
4567:
4561:
4559:
4543:
4542:
4539:
4538:
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4535:
4527:
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4525:
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4515:
4510:
4499:
4497:
4482:
4476:
4475:
4473:
4472:
4466:
4460:
4455:
4450:
4445:
4440:
4435:
4427:
4426:
4425:
4415:
4410:
4405:
4397:
4389:
4384:
4383:
4382:
4377:
4366:
4364:
4358:
4357:
4355:
4354:
4349:
4344:
4338:
4335:
4334:
4331:Medieval music
4327:
4326:
4319:
4312:
4304:
4295:
4294:
4291:
4290:
4270:
4269:
4268:
4255:
4245:
4244:
4243:
4240:
4239:
4237:
4236:
4235:
4234:
4227:Medieval music
4224:
4219:
4208:
4206:
4202:
4201:
4199:
4198:
4191:
4184:
4176:
4174:
4170:
4169:
4167:
4166:
4160:
4158:
4154:
4153:
4146:
4144:
4142:
4141:
4133:
4131:Jehan Vaillant
4128:
4123:
4118:
4113:
4108:
4103:
4101:Denis Le Grant
4098:
4092:
4090:
4086:
4085:
4076:
4075:
4068:
4061:
4053:
4044:
4043:
4041:
4040:
4029:
4026:
4025:
4023:
4022:
4017:
4010:
4009:
4008:
4003:
3998:
3986:
3981:
3976:
3968:
3966:
3962:
3961:
3959:
3958:
3956:Gilbert Reaney
3953:
3948:
3943:
3938:
3936:Ursula GĂŒnther
3933:
3928:
3922:
3920:
3916:
3915:
3913:
3912:
3905:
3897:
3895:
3891:
3890:
3885:
3882:
3881:
3874:
3873:
3866:
3859:
3851:
3845:
3844:
3839:
3830:
3819:
3809:
3799:
3790:
3777:
3776:
3771:
3766:
3760:
3756:
3753:
3752:
3747:
3742:
3736:
3735:
3724:
3723:
3721:
3720:External links
3718:
3716:
3715:
3709:
3690:
3684:
3667:
3655:10.2307/931499
3629:
3623:
3604:
3598:
3579:
3573:
3554:
3527:
3515:10.2307/931552
3509:(1/2): 40â58.
3495:
3471:
3444:
3417:
3411:
3392:
3386:
3363:
3357:
3333:
3327:
3305:
3279:(3): 567â591.
3263:
3229:
3223:
3201:
3195:
3183:Medieval Music
3175:
3169:
3151:
3145:
3126:
3120:
3096:
3090:
3074:Wilkins, Nigel
3066:
3011:
3005:
2984:
2971:
2968:
2966:
2965:
2930:
2898:Earp, Lawrence
2894:
2882:10.2307/831503
2876:(3): 461â503.
2864:Earp, Lawrence
2860:
2827:
2814:
2777:
2776:
2775:
2770:
2769:
2760:
2754:
2734:
2728:
2704:
2698:
2678:
2677:
2676:
2671:
2668:
2665:
2664:
2629:
2594:
2559:
2524:
2489:
2454:
2419:
2384:
2349:
2314:
2279:
2244:
2209:
2174:
2139:
2104:
2075:
2060:
2048:
2022:
2020:, p. 461.
2010:
1998:
1983:
1966:
1931:
1929:, p. 3â4.
1919:
1901:
1860:
1845:
1830:
1815:
1813:, p. 100.
1802:
1801:
1799:
1796:
1794:
1793:
1774:Hassan Hakmoun
1761:
1749:
1745:(courtly) love
1731:
1729:
1726:
1724:
1721:
1720:
1719:
1712:
1689:
1674:
1659:
1658:l'Oiseau-Lyre.
1655:
1646:
1643:
1640:
1639:
1634:
1631:
1626:
1619:
1615:
1614:
1609:
1604:
1599:
1594:
1590:
1589:
1583:
1581:String quartet
1578:
1576:Kronos Quartet
1573:
1566:
1562:
1561:
1558:
1555:
1552:
1549:
1539:
1536:
1533:
1532:
1526:
1521:
1518:
1513:
1509:
1508:
1502:
1497:
1492:
1487:
1483:
1482:
1479:
1476:
1471:
1466:
1462:
1461:
1455:
1450:
1445:
1440:
1436:
1435:
1432:
1427:
1424:
1419:
1415:
1414:
1409:
1406:
1401:
1396:
1392:
1391:
1388:
1385:
1382:
1377:
1373:
1372:
1370:Harmonia Mundi
1367:
1362:
1357:
1352:
1348:
1347:
1341:
1338:
1333:
1328:
1324:
1323:
1318:
1313:
1308:
1303:
1299:
1298:
1295:
1290:
1285:
1280:
1276:
1275:
1270:
1265:
1260:
1255:
1251:
1250:
1244:
1239:
1234:
1229:
1225:
1224:
1219:
1217:Thomas Binkley
1214:
1209:
1203:
1199:
1198:
1193:
1191:Thomas Binkley
1188:
1183:
1177:
1173:
1172:
1169:
1166:
1163:
1160:
1150:
1147:
1145:
1142:
1087:Jean Froissart
1071:
1068:
1067:
1066:
1052:
1046:
1032:
1022:
1008:
998:
988:
982:
976:
968:
965:
962:
961:
940:
812:
809:
737:
731:
721:
710:
709:
708:
699:
698:
697:
695:
692:
667:
664:
652:Gilbert Reaney
624:
621:
541:
538:
439:medieval music
437:style in late
389:
388:
386:
385:
378:
371:
363:
360:
359:
358:
357:
347:
346:
342:
341:
334:
329:
324:
319:
314:
309:
304:
299:
294:
293:
292:
287:
282:
272:
267:
261:
260:
257:
256:
253:
252:
248:
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242:
237:
232:
227:
222:
217:
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202:
197:
192:
187:
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177:
176:
173:
172:
168:
167:
160:
155:
148:
143:
138:
133:
132:
131:
119:
114:
109:
103:
102:
99:
98:
95:
94:
93:
92:
73:
68:
67:
63:
62:
60:Medieval music
56:
55:
26:
9:
6:
4:
3:
2:
5945:
5934:
5931:
5929:
5926:
5924:
5921:
5919:
5916:
5914:
5911:
5909:
5906:
5904:
5901:
5899:
5896:
5894:
5891:
5889:
5886:
5884:
5881:
5879:
5876:
5875:
5873:
5862:from Wikidata
5861:
5860:
5848:
5844:
5843:
5831:
5827:
5826:
5814:
5810:
5809:
5797:
5796:
5793:
5787:
5779:
5774:
5769:
5767:
5757:
5755:
5750:
5745:
5743:
5733:
5731:
5721:
5720:
5717:
5703:
5699:
5695:
5693:
5685:
5684:
5681:
5680:
5672:
5671:
5667:
5659:
5656:
5654:
5651:
5649:
5646:
5644:
5641:
5639:
5636:
5635:
5634:
5631:
5629:
5626:
5625:
5623:
5619:
5613:
5610:
5608:
5605:
5603:
5600:
5598:
5595:
5594:
5592:
5588:
5582:
5579:
5577:
5574:
5572:
5569:
5567:
5564:
5562:
5559:
5557:
5554:
5552:
5549:
5545:
5542:
5540:
5537:
5536:
5535:
5534:British Isles
5532:
5531:
5529:
5525:
5519:
5518:
5514:
5512:
5509:
5507:
5504:
5502:
5499:
5497:
5494:
5490:
5487:
5486:
5485:
5482:
5478:
5475:
5474:
5473:
5470:
5468:
5465:
5461:
5458:
5456:
5453:
5451:
5448:
5447:
5446:
5443:
5441:
5438:
5436:
5433:
5431:
5428:
5424:
5421:
5420:
5419:
5416:
5414:
5411:
5409:
5406:
5404:
5401:
5400:
5398:
5396:Musical forms
5394:
5388:
5385:
5383:
5380:
5378:
5375:
5373:
5370:
5368:
5365:
5363:
5360:
5358:
5355:
5353:
5350:
5348:
5345:
5343:
5340:
5338:
5335:
5333:
5330:
5329:
5327:
5323:
5313:
5312:W. de Wycombe
5310:
5308:
5305:
5303:
5300:
5298:
5295:
5293:
5290:
5286:
5285:
5281:
5280:
5279:
5276:
5274:
5271:
5270:
5268:
5264:
5250:
5247:
5245:
5242:
5240:
5237:
5235:
5232:
5230:
5227:
5225:
5222:
5220:
5217:
5215:
5212:
5210:
5207:
5205:
5202:
5200:
5197:
5195:
5192:
5190:
5187:
5185:
5182:
5180:
5179:Baude Cordier
5177:
5175:
5172:
5168:
5164:
5162:
5159:
5157:
5154:
5153:
5151:
5149:
5148:
5147:Ars subtilior
5143:
5139:
5121:
5118:
5116:
5113:
5111:
5108:
5106:
5103:
5101:
5098:
5096:
5093:
5091:
5088:
5085:
5082:
5080:
5077:
5075:
5072:
5071:
5069:
5065:
5055:
5052:
5049:
5046:
5044:
5041:
5039:
5036:
5034:
5031:
5029:
5026:
5025:
5023:
5019:
5009:
5006:
5004:
5003:Maestro Piero
5001:
4999:
4996:
4994:
4991:
4990:
4988:
4984:
4974:
4971:
4970:
4968:
4964:
4961:
4959:
4955:
4951:
4936:
4932:
4930:
4927:
4925:
4924:P. des Molins
4922:
4920:
4917:
4915:
4912:
4910:
4907:
4905:
4902:
4900:
4897:
4895:
4892:
4890:
4888:
4887:
4882:
4878:
4875:
4873:
4869:
4861:
4858:
4857:
4856:
4853:
4851:
4848:
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4826:
4823:
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4808:
4806:
4803:
4801:
4798:
4796:
4793:
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4788:
4786:
4783:
4781:
4778:
4776:
4773:
4771:
4768:
4766:
4763:
4761:
4758:
4756:
4753:
4751:
4748:
4746:
4743:
4741:
4738:
4736:
4733:
4731:
4728:
4726:
4723:
4721:
4718:
4716:
4713:
4711:
4708:
4707:
4705:
4703:
4699:
4687:
4684:
4683:
4682:
4679:
4677:
4674:
4672:
4669:
4667:
4664:
4662:
4659:
4657:
4654:
4652:
4649:
4647:
4644:
4642:
4639:
4637:
4634:
4632:
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4627:
4624:
4622:
4619:
4617:
4614:
4612:
4609:
4607:
4604:
4601:
4598:
4596:
4593:
4591:
4588:
4586:
4583:
4581:
4578:
4576:
4573:
4571:
4570:Arnaut Daniel
4568:
4566:
4563:
4562:
4560:
4557:
4552:
4548:
4532:
4528:
4524:
4521:
4519:
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4509:
4506:
4505:
4504:
4501:
4500:
4498:
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4486:
4483:
4481:
4477:
4470:
4467:
4464:
4461:
4459:
4456:
4454:
4451:
4449:
4448:Peter Abelard
4446:
4444:
4441:
4439:
4436:
4432:
4431:Odo of Arezzo
4428:
4424:
4421:
4420:
4419:
4416:
4414:
4411:
4409:
4406:
4402:
4398:
4394:
4390:
4388:
4385:
4381:
4378:
4376:
4373:
4372:
4371:
4368:
4367:
4365:
4363:
4359:
4353:
4350:
4348:
4345:
4343:
4340:
4339:
4336:
4332:
4325:
4320:
4318:
4313:
4311:
4306:
4305:
4302:
4289:
4281:
4280:
4278:
4277:
4276:
4266:
4265:
4262:
4261:
4260:
4259:Ars subtilior
4253:
4252:
4251:
4241:
4233:
4230:
4229:
4228:
4225:
4223:
4220:
4217:
4213:
4210:
4209:
4207:
4203:
4197:
4196:
4192:
4190:
4189:
4185:
4183:
4182:
4178:
4177:
4175:
4171:
4165:
4162:
4161:
4159:
4155:
4150:
4138:
4134:
4132:
4129:
4127:
4126:P. des Molins
4124:
4122:
4119:
4117:
4114:
4112:
4109:
4107:
4104:
4102:
4099:
4097:
4094:
4093:
4091:
4087:
4083:
4082:
4074:
4069:
4067:
4062:
4060:
4055:
4054:
4051:
4039:
4031:
4030:
4027:
4021:
4018:
4016:
4015:
4011:
4007:
4004:
4002:
3999:
3997:
3994:
3993:
3992:
3991:
3987:
3985:
3982:
3980:
3977:
3975:
3974:
3970:
3969:
3967:
3963:
3957:
3954:
3952:
3949:
3947:
3944:
3942:
3939:
3937:
3934:
3932:
3931:Lawrence Earp
3929:
3927:
3924:
3923:
3921:
3917:
3911:
3910:
3906:
3903:
3899:
3898:
3896:
3892:
3888:
3883:
3879:
3872:
3867:
3865:
3860:
3858:
3853:
3852:
3849:
3843:
3840:
3838:
3834:
3831:
3828:
3824:
3820:
3817:
3813:
3810:
3807:
3803:
3800:
3798:
3794:
3791:
3789:
3785:
3782:
3781:
3775:
3772:
3770:
3767:
3765:
3762:
3761:
3759:
3751:
3748:
3746:
3743:
3741:
3738:
3737:
3732:
3727:
3712:
3706:
3702:
3698:
3697:
3691:
3687:
3681:
3677:
3676:Prentice Hall
3673:
3668:
3664:
3660:
3656:
3652:
3648:
3644:
3641:(in German).
3640:
3639:
3634:
3630:
3626:
3620:
3616:
3612:
3611:
3605:
3601:
3599:9780197547786
3595:
3591:
3587:
3586:
3580:
3576:
3570:
3566:
3562:
3561:
3555:
3551:
3547:
3543:
3539:
3535:
3534:
3528:
3524:
3520:
3516:
3512:
3508:
3504:
3500:
3496:
3492:
3488:
3484:
3480:
3476:
3472:
3468:
3464:
3460:
3456:
3452:
3451:
3445:
3441:
3437:
3433:
3429:
3425:
3424:
3418:
3414:
3408:
3404:
3400:
3399:
3393:
3389:
3383:
3379:
3375:
3371:
3370:
3364:
3360:
3354:
3350:
3346:
3342:
3338:
3334:
3330:
3324:
3320:
3316:
3315:
3310:
3306:
3302:
3298:
3294:
3290:
3286:
3282:
3278:
3274:
3273:
3268:
3264:
3260:
3256:
3252:
3248:
3244:
3240:
3239:
3234:
3230:
3226:
3220:
3216:
3215:Boydell Press
3212:
3211:
3206:
3202:
3198:
3192:
3188:
3184:
3180:
3176:
3172:
3166:
3162:
3161:
3156:
3152:
3148:
3142:
3138:
3134:
3133:
3127:
3123:
3117:
3113:
3109:
3105:
3101:
3097:
3093:
3087:
3083:
3079:
3075:
3071:
3067:
3063:
3057:
3049:
3045:
3041:
3037:
3033:
3029:
3025:
3021:
3017:
3012:
3008:
3002:
2998:
2994:
2990:
2986:
2985:
2983:
2981:
2977:
2962:
2958:
2954:
2950:
2946:
2943:(3). Oxford:
2942:
2938:
2937:
2931:
2924:
2920:
2916:
2912:
2910:
2904:
2899:
2895:
2891:
2887:
2883:
2879:
2875:
2871:
2870:
2865:
2861:
2854:
2850:
2846:
2842:
2840:
2834:
2828:
2824:
2817:
2811:
2807:
2803:
2799:
2795:
2794:
2788:
2783:
2779:
2778:
2773:
2772:
2766:
2761:
2757:
2751:
2747:
2743:
2739:
2735:
2731:
2725:
2721:
2718:. Cambridge:
2717:
2713:
2712:Everist, Mark
2709:
2705:
2701:
2695:
2691:
2687:
2686:
2680:
2679:
2674:
2673:
2653:
2649:
2645:
2641:
2640:
2633:
2618:
2614:
2610:
2606:
2605:
2598:
2583:
2579:
2575:
2571:
2570:
2563:
2548:
2544:
2540:
2536:
2535:
2528:
2513:
2509:
2505:
2501:
2500:
2493:
2478:
2474:
2470:
2466:
2465:
2458:
2443:
2439:
2435:
2431:
2430:
2423:
2408:
2404:
2400:
2396:
2395:
2388:
2373:
2369:
2365:
2361:
2360:
2353:
2338:
2334:
2330:
2326:
2325:
2318:
2303:
2299:
2295:
2291:
2290:
2283:
2268:
2264:
2260:
2256:
2255:
2248:
2233:
2229:
2225:
2221:
2220:
2213:
2198:
2194:
2190:
2186:
2185:
2178:
2163:
2159:
2155:
2151:
2150:
2143:
2128:
2124:
2120:
2116:
2115:
2108:
2101:
2096:
2094:
2092:
2090:
2088:
2086:
2084:
2082:
2080:
2071:
2064:
2057:
2052:
2037:
2033:
2026:
2019:
2014:
2007:
2002:
1996:, p. 69.
1995:
1990:
1988:
1981:, p. 18.
1980:
1975:
1973:
1971:
1962:
1958:
1954:
1950:
1946:
1942:
1935:
1928:
1923:
1915:
1908:
1904:
1898:
1894:
1890:
1886:
1882:
1881:
1875:
1870:
1864:
1857:
1852:
1850:
1842:
1837:
1835:
1827:
1822:
1820:
1812:
1807:
1803:
1791:
1787:
1783:
1782:Lionel Loueke
1779:
1775:
1771:
1765:
1756:
1754:
1746:
1742:
1736:
1732:
1717:
1713:
1710:
1706:
1702:
1698:
1694:
1690:
1687:
1683:
1679:
1678:Si je soupire
1675:
1672:
1668:
1664:
1663:Quant Theseus
1660:
1656:
1653:
1649:
1648:
1638:
1635:
1632:
1630:
1627:
1625:
1624:
1620:
1617:
1616:
1613:
1610:
1608:
1605:
1603:
1600:
1598:
1595:
1592:
1591:
1587:
1584:
1582:
1579:
1577:
1574:
1572:
1571:
1567:
1564:
1563:
1546:
1530:
1527:
1525:
1519:
1517:
1514:
1511:
1510:
1506:
1503:
1501:
1500:Lucien Kandel
1496:
1493:
1491:
1488:
1485:
1484:
1480:
1475:
1472:
1470:
1467:
1464:
1463:
1459:
1456:
1454:
1453:Lucien Kandel
1449:
1446:
1444:
1441:
1438:
1437:
1433:
1431:
1425:
1423:
1420:
1417:
1416:
1413:
1410:
1405:
1400:
1397:
1394:
1393:
1389:
1383:
1381:
1378:
1375:
1374:
1371:
1368:
1366:
1365:Lucien Kandel
1361:
1358:
1356:
1353:
1350:
1349:
1345:
1342:
1337:
1334:
1332:
1329:
1326:
1325:
1322:
1319:
1317:
1312:
1309:
1307:
1304:
1301:
1300:
1296:
1294:
1289:
1286:
1284:
1281:
1278:
1277:
1274:
1271:
1269:
1264:
1259:
1256:
1253:
1252:
1248:
1245:
1243:
1238:
1237:Gothic Voices
1235:
1233:
1227:
1226:
1223:
1220:
1218:
1213:
1210:
1207:
1204:
1201:
1200:
1197:
1194:
1192:
1187:
1184:
1181:
1178:
1175:
1174:
1157:
1141:
1139:
1135:
1131:
1127:
1123:
1119:
1114:
1112:
1111:Prince Lionel
1108:
1104:
1100:
1096:
1092:
1088:
1084:
1079:
1077:
1064:
1060:
1056:
1053:
1050:
1047:
1044:
1040:
1036:
1033:
1030:
1026:
1023:
1020:
1016:
1012:
1011:Confort d'ami
1009:
1006:
1002:
999:
996:
992:
989:
986:
983:
980:
977:
974:
971:
970:
959:
941:
938:
936:
916:
915:
912:
910:
905:
903:
899:
894:
892:
888:
883:
881:
877:
873:
872:
867:
863:
860:
856:
851:
849:
845:
840:
837:
832:
827:
822:
818:
808:
806:
802:
796:
794:
790:
786:
782:
778:
774:
769:
766:
762:
758:
754:
753:
745:
743:
719:
718:
714:
691:
687:
685:
681:
677:
673:
666:Secular music
663:
661:
657:
653:
649:
648:
643:
642:
637:
630:
620:
618:
613:
611:
607:
603:
602:Jean de Berry
599:
595:
591:
587:
583:
579:
575:
571:
567:
563:
559:
555:
551:
547:
537:
535:
531:
527:
523:
522:
517:
513:
509:
505:
501:
500:
495:
491:
486:
484:
480:
476:
474:
469:
465:
460:
457:
456:
455:ars subtilior
449:
444:
443:musicologists
440:
435:
434:
421:
417:
412:
403:
395:
384:
379:
377:
372:
370:
365:
364:
362:
361:
356:
355:
351:
350:
349:
348:
340:
339:
335:
333:
330:
328:
325:
323:
320:
318:
315:
313:
310:
308:
305:
303:
300:
298:
295:
291:
288:
286:
283:
281:
278:
277:
276:
273:
271:
268:
266:
263:
262:
255:
254:
246:
243:
241:
238:
236:
233:
231:
228:
226:
223:
221:
218:
216:
213:
211:
208:
206:
203:
201:
198:
196:
193:
191:
188:
186:
183:
182:
178:Major figures
175:
174:
166:
165:
164:Ars subtilior
161:
159:
156:
154:
153:
149:
147:
144:
142:
139:
137:
134:
130:
127:
126:
125:
124:
120:
118:
115:
113:
112:Saint Martial
110:
108:
105:
104:
97:
96:
88:
84:
80:
76:
72:
71:
70:
69:
65:
64:
61:
58:
57:
53:
49:
48:
41:
37:
33:
19:
5857:
5840:
5823:
5811:from Commons
5806:
5785:
5677:
5643:Architecture
5515:
5467:Geisslerlied
5445:Formes fixes
5367:Notker Labeo
5332:Anonymous IV
5307:Leonel Power
5292:Thomas Fabri
5282:
5145:
4966:Predecessors
4918:
4884:
4790:Jehan Bretel
4626:Jaufre Rudel
4492:
4401:Odo of Cluny
4273:
4272:
4257:
4256:
4248:
4247:
4215:
4193:
4186:
4179:
4120:
4079:
4012:
3990:Formes fixes
3988:
3979:Intabulation
3971:
3907:
3894:Compositions
3877:
3818:(ChoralWiki)
3764:Online books
3757:
3740:Online books
3730:
3695:
3671:
3642:
3636:
3609:
3584:
3559:
3537:
3531:
3506:
3502:
3482:
3478:
3454:
3448:
3427:
3421:
3397:
3368:
3340:
3313:
3276:
3270:
3245:(1): 21â42.
3242:
3236:
3209:
3182:
3159:
3131:
3110:. New York:
3107:
3103:
3077:
3056:cite journal
3019:
3015:
2992:
2973:
2940:
2934:
2907:
2873:
2867:
2837:
2791:
2764:
2741:
2715:
2684:
2655:. Retrieved
2638:
2632:
2620:. Retrieved
2603:
2597:
2585:. Retrieved
2568:
2562:
2550:. Retrieved
2533:
2527:
2515:. Retrieved
2498:
2492:
2480:. Retrieved
2463:
2457:
2445:. Retrieved
2428:
2422:
2410:. Retrieved
2393:
2387:
2375:. Retrieved
2358:
2352:
2340:. Retrieved
2323:
2317:
2305:. Retrieved
2288:
2282:
2270:. Retrieved
2253:
2247:
2235:. Retrieved
2218:
2212:
2200:. Retrieved
2183:
2177:
2165:. Retrieved
2148:
2142:
2130:. Retrieved
2113:
2107:
2069:
2063:
2051:
2039:. Retrieved
2035:
2025:
2013:
2001:
1944:
1940:
1934:
1922:
1878:
1863:
1806:
1786:Brad Mehldau
1770:Mark Feldman
1764:
1743:, they were
1735:
1715:
1708:
1704:
1700:
1696:
1692:
1685:
1681:
1677:
1670:
1666:
1662:
1651:
1629:Robert Sadin
1621:
1596:
1568:
1557:Arrangement
1538:Arrangements
1515:
1489:
1468:
1442:
1421:
1398:
1379:
1354:
1330:
1305:
1293:Robert Mealy
1282:
1268:Paul Hillier
1257:
1231:
1205:
1179:
1129:
1115:
1095:René d'Anjou
1080:
1073:
1054:
1048:
1042:
1039:meta-fiction
1034:
1028:
1024:
1010:
1004:
1000:
994:
990:
984:
978:
972:
943:
918:
908:
906:
901:
897:
895:
890:
884:
879:
869:
859:octosyllabic
852:
844:courtly love
841:
830:
820:
816:
814:
804:
797:
781:tonal centre
770:
765:Tournai Mass
756:
750:
748:
739:
716:
712:
694:Sacred music
688:
676:formes fixes
675:
672:courtly love
669:
655:
645:
639:
632:
616:
614:
564:and King of
543:
519:
499:formes fixes
497:
487:
471:
461:
419:
415:
393:
392:
352:
336:
297:Geisslerlied
275:Formes fixes
229:
162:
150:
121:
81: /
77: /
36:
5883:1377 deaths
5754:Middle Ages
5633:Middle Ages
5628:Early music
5590:Derivations
5423:Chansonnier
4795:Jehan Erart
4740:Colin Muset
4646:Peire Vidal
4494:Ars antiqua
4250:Ars antiqua
4232:Early music
4188:Ivrea Codex
3946:Leo Schrade
3374:D.S. Brewer
3238:Early Music
2947:: 307â323.
2006:Keitel 1982
1994:Reaney 1971
1979:Reaney 1971
1709:Trop penser
1697:A la clarté
1669:(ballade);
1602:Louis Thiry
1035:Le voir dit
985:Dit du Lyon
876:allegorical
864:, like the
831:Le voir dit
817:complaintes
647:ars antiqua
617:Le voir dit
598:Black Death
560:, Count of
427: 1300
407:Old French:
258:Major forms
123:Ars antiqua
79:Instruments
5872:Categories
5825:Quotations
5658:Philosophy
5653:Literature
5621:Background
5527:Traditions
4894:F. Andrieu
4750:Gace Brulé
4590:Castelloza
4556:Trobairitz
4551:Troubadour
4443:St. Godric
4096:F. Andrieu
3821:Listen to
3649:: 96â114.
3485:: 59â113.
3135:. Oxford:
2976:Clark 2012
2913:. Oxford:
2843:. Oxford:
2796:. Oxford:
2782:Arlt, Wulf
2744:. Oxford:
2394:Unrequited
2359:Les motets
2267:1131668230
2232:1074350690
2100:Clark 2012
2056:Hanly 2008
1883:. Oxford:
1841:Clark 2012
1811:Leach 2011
1778:John Ellis
1723:References
1507:AECD 1093
1481:Alpha 132
1460:AECD 0982
1355:Les motets
1144:Recordings
1076:F. Andrieu
742:media help
636:troubadour
627:See also:
562:Luxembourg
468:troubadour
136:Troubadour
107:Saint Gall
5730:Biography
5571:Lithuania
5435:Conductus
5325:Theorists
5297:Roy Henry
5224:Rodericus
5115:Sant Omer
4850:Minnesang
4214:(Italian
4157:Theorists
4089:Composers
3926:Wulf Arlt
3301:162617845
3048:190702009
2980:Earp 2011
2825:required)
2657:17 August
2652:800661655
2622:17 August
2617:658707030
2587:17 August
2582:645628046
2552:17 August
2547:793470624
2517:17 August
2512:994860938
2482:17 August
2477:837376789
2447:17 August
2412:23 August
2407:918449957
2377:17 August
2372:490976854
2342:17 August
2307:17 August
2302:313671113
2272:17 August
2237:17 August
2202:17 August
2167:17 August
2162:781149082
2132:17 August
2127:781149063
2018:Earp 1989
1961:161923238
1947:: 43â73.
1916:required)
1856:Arlt 2001
1826:Earp 2011
1798:Citations
1554:Ensemble
1346:477 6731
1249:CDA66087
1208:â Vol. 2
1182:â Vol. 1
1168:Director
1165:Ensemble
1138:Jerusalem
1120:court in
801:Charles V
715:from the
606:Charles V
580:in 1330,
270:Conductus
245:Dunstaple
195:Hildegard
146:Minnesang
87:Theorists
75:Composers
5692:Category
5597:Bardcore
5576:Portugal
5544:Scotland
5517:Planctus
5501:Madrigal
5440:Estampie
5403:Antiphon
4958:Trecento
4886:Ars nova
4845:Goliards
4702:TrouvĂšre
4676:Sordello
4656:Perdigon
4631:Marcabru
4288:Category
4275:TrouvĂšre
4216:ars nova
4205:See also
4081:Ars nova
4038:Category
3973:Ars nova
3919:Scholars
3550:20531910
3491:20531876
3467:20531864
3440:20531841
3339:(1992).
3311:(2014).
3293:27866936
3272:Speculum
3259:40731308
3207:(2003).
3181:(1978).
3026:: 1â48.
2900:(2011).
2784:(2001).
2774:Articles
2740:(1971).
2644:WorldCat
2609:WorldCat
2574:WorldCat
2539:WorldCat
2504:WorldCat
2469:WorldCat
2464:Ballades
2442:55211214
2434:WorldCat
2399:WorldCat
2364:WorldCat
2337:40717514
2329:WorldCat
2294:WorldCat
2259:WorldCat
2224:WorldCat
2197:10757687
2189:WorldCat
2154:WorldCat
2119:WorldCat
1907:Archived
1871:(2001).
1701:Hui main
1693:Rose lys
1633:Various
1586:Nonesuch
1443:Ballades
1390:LU 1001
1273:Hyperion
1247:Hyperion
1206:Chansons
1180:Chansons
1134:Crusader
1118:Lusignan
1049:Prologue
1043:voir dit
898:Prologue
878:dreams (
819:, and 7
680:cadences
641:trouvĂšre
554:Ardennes
550:Machault
496:and the
473:trouvĂšre
448:ars nova
433:ars nova
420:Machault
338:Planctus
322:Madrigal
158:Trecento
152:Ars nova
141:TrouvĂšre
66:Overview
52:a series
50:Part of
5716:Portals
5561:Germany
5539:England
5511:Organum
5489:Tydorel
5460:Virelai
5455:Rondeau
5450:Ballade
5418:Chanson
5194:Egidius
5189:Egardus
4909:Grimace
4840:Casella
4518:PĂ©rotin
4393:Hucbald
4380:Tuotilo
4173:Sources
4111:Grimace
4006:Ballade
4001:Virelai
3996:Rondeau
3965:Related
3835:at the
3814:in the
3808:(IMSLP)
3804:at the
3786:at the
3645:(2/3).
3430:(1/3).
3040:3874765
2911:: Music
2714:(ed.).
2670:Sources
2041:26 July
1122:Nicosia
1019:exempla
889:, (the
684:melisma
566:Bohemia
528:of the
526:setting
518:works,
512:ballade
508:virelai
504:rondeau
414:; also
398:French:
332:Organum
290:Virelai
285:Rondeau
280:Ballade
240:Ciconia
235:Landini
230:Machaut
210:PĂ©rotin
205:Walther
200:Bernart
117:Goliard
18:Machaut
5778:Poetry
5702:Portal
5648:Poetry
5556:France
5551:Cyprus
5266:Others
5249:Trebor
5234:Solage
5156:Borlet
4651:Peirol
4554:&
4513:LĂ©onin
3825:from (
3728:about
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3663:931499
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2888:
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2752:
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2696:
2650:
2615:
2580:
2545:
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2429:Motets
2405:
2370:
2335:
2300:
2265:
2230:
2195:
2160:
2125:
1959:
1899:
1588:79457
1560:Label
1551:Album
1531:94217
1399:Motets
1171:Label
1162:Album
1126:Cyprus
1103:Calais
1070:Legacy
902:oeuvre
880:songes
811:Poetry
793:parody
773:cyclic
578:Verdun
574:Prague
558:John I
516:sacred
416:Machau
220:Franco
185:Notker
83:Theory
5842:Texts
5808:Media
5766:Music
5581:Spain
5566:Italy
5506:Motet
5430:Chant
5413:Carol
5408:Canso
3659:JSTOR
3546:JSTOR
3519:JSTOR
3487:JSTOR
3463:JSTOR
3436:JSTOR
3403:Brill
3297:S2CID
3289:JSTOR
3255:JSTOR
3044:S2CID
3036:JSTOR
2957:JSTOR
2886:JSTOR
2675:Books
1957:S2CID
1728:Notes
1618:2009
1607:Organ
1593:2004
1565:1997
1548:Year
1512:2011
1486:2010
1465:2009
1439:2009
1418:2007
1395:2004
1376:2003
1351:2002
1327:1997
1321:Naxos
1302:1996
1279:1994
1254:1989
1228:1983
1202:1973
1176:1973
1159:Year
789:theme
785:modes
713:Kyrie
656:David
623:Music
594:Bonne
582:Arras
570:canon
546:Reims
490:motet
327:Motet
312:Lauda
265:Canso
225:Vitry
190:Guido
5859:Data
3705:ISBN
3680:ISBN
3619:ISBN
3594:ISBN
3569:ISBN
3407:ISBN
3382:ISBN
3353:ISBN
3323:ISBN
3219:ISBN
3191:ISBN
3165:ISBN
3141:ISBN
3116:ISBN
3086:ISBN
3062:link
3001:ISBN
2978:and
2974:See
2810:ISBN
2750:ISBN
2724:ISBN
2694:ISBN
2659:2021
2648:OCLC
2624:2021
2613:OCLC
2589:2021
2578:OCLC
2554:2021
2543:OCLC
2519:2021
2508:OCLC
2484:2021
2473:OCLC
2449:2021
2438:OCLC
2414:2021
2403:OCLC
2379:2021
2368:OCLC
2344:2021
2333:OCLC
2309:2021
2298:OCLC
2274:2021
2263:OCLC
2239:2021
2228:OCLC
2204:2021
2193:OCLC
2169:2021
2158:OCLC
2134:2021
2123:OCLC
2043:2017
1897:ISBN
1788:and
1741:Mary
1097:and
1027:aka
993:aka
638:and
540:Life
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5638:Art
5484:Lai
3984:Lai
3651:doi
3511:doi
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