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traditional iconography than that done by previous artists painting at
Papunya". Her style evolved over time, beginning with gestural brush strokes in ordered compositions, and developing into more closely interwoven representations of the hair-string skirts and designs reflecting those used in body painting. Throughout this evolution, her colour palette has consistently included a subtle range of yellows and pinks, through to oranges and whites.
324:(Kintore/Haasts Bluff Project) and by 1997 her work was being acquired by major collecting institutions. She was one of the "Kintore ladies" who joined earlier generations of the famous Papunya Tula artists, and was referred to as "number one" by her fellow artists, of whom she was considered a leader. She painted with the Papunya Tula Artists Cooperative, in which she was a shareholder, from 1996, alongside artist such as
288:, not a surname in the sense used by Europeans. Thus her personal name was "Makinti". The uncertainty around Makinti's date and place of birth arises from the fact that Indigenous Australians often estimate dates of birth by comparison with other events, especially for people born before contact with European Australians. They may also cite the place of birth as being where the mother first
381:. Her painting sold for A$ 18,500, a significant contribution to the quarter of a million dollars raised. In 2009, she was again a finalist in the NATSIAA, with an untitled painting and was also a finalist in the Togart Contemporary Art Award the same year. In 2011 she was a finalist in the 36th Alice Art Prize and in 2011 she was posthumously awarded the
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Makinti
Napanangka's year of birth is uncertain, but several sources indicate she was born around 1930, although other sources indicate she may have been born as early as 1922 or as late as 1932 at a location described by some sources as Lupul rockhole but by one major reference work as Mangarri. All
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Most of
Australia's public collections hold one or more works by Makinti, including the National Gallery of Australia, the Art Gallery of New South Wales, the National Gallery of Victoria, the Queensland Art Gallery, Brisbane and the Museum and Art Gallery of the Northern Territory. She participated
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as one of the country's 50 most collectible artists, an assessment repeated by that magazine in 2004, 2005, and 2006. Also in 2003, she was among the finalists for the
Clemenger Contemporary Art Award. By 2006, her works were commanding "the upper end of the price spectrum", though the resale values
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Artists of the
Papunya Tula movement were painting at Haasts Bluff in the late 1970s, but the deaths of some of the main painters in the early 1980s led to a period of decline. In 1992, the Ikuntji Women's Centre was opened at Haasts Bluff and a new painting movement quickly developed, supported by
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According to Art
Gallery of New South Wales indigenous art curator and NATSIAA judge Hetti Perkins, Makinti and her work are "very dynamic and charismatic". Although a member of the Papunya Tula Artists, Makinti's work has been described as taking "a more spontaneous approach in illustrating the
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concerned with touching and sensing with fingers, rather than purely visual. The repetition of colour chords and textured striations, which closely echo each other, has a rhapsodic effect akin to many bodies in dance and reveals the inner or spiritual power, the essence, of
Makinti Napanangka's
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suggested was associated with a distinct shift in her work, including the increasing use of thick lines. Johnson said the operation resulted in "a collection of light-flooded canvases"; Art
Gallery of New South Wales curator Hetti Perkins said that, after her recovery, "her work showed renewed
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in the early 1940s, together with her husband
Nyukuti Tjupurrula (brother of artist Nosepeg Tjupurrula), and their son Ginger Tjakamarra, born around 1940. At Haasts Bluff they had a second child, Narrabri Narrapayi, in 1949. The population moved to Papunya in the late 1950s, where Makinti had
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Reviewing the same exhibition, Robert Nelson described
Makinti's work as "sensual and chromatically effusive painting". The work of the "Kintore ladies" has created "some of the most richly textured surfaces in the history of the (Papunya Tula) company"; Makinti's painting for
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country and cultural identity. The energetic lines invoke body paint for women’s business, and more particularly represent spun hair-string, which is used to make belts worn by women during ceremonies associated with the rockhole site of Lupulnga, a
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In August 2008, Makinti won the $ 40,000 NATSIAA, but her age and circumstances prevented her from accepting it in person. In October 2008, she was one of several prominent artists whose works featured in a charity auction securing funds for the
154:. The term Kumentje was used instead of her personal name as it is customary among many indigenous communities not to refer to deceased people by their original given names for some time after their deaths. She lived in the communities of
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another child, Jacqueline Daaru, in 1958. She had a daughter, Winnie Bernadette, in 1961 in Alice Springs. The family moved to Kintore when it was established in the early 1980s, and by 1996 Kumentje was painting there for the
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at Kintore in the mid-1990s, encouraged by a community art project. Interest in her work developed quickly, and she is now represented in most significant Australian public art galleries, including the
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Sources give a number of possible years of birth. Japingka Gallery's biography says "around 1932"; Johnson's major survey of Papunya Tula artists says c. 1922; others suggest around 1930.
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Physically tiny yet robust and strong, Kumentje was described as "a charmer and an irascible character", with an infectious smile. She died in Alice Springs in January 2011.
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at the National Gallery of Victoria, as well as having had a small number of solo exhibitions at private galleries, including the gallery of influential art dealer
360:(NATSIAA) exhibitions, beginning in 1997. In 2000, she held her first solo exhibition, and was one of the artists whose works were included in the major exhibition
444:, or Two Women, concerning the travel of two sisters. Makinti's works reflect those themes, and are particularly associated with a rockhole site, Lupul, and with
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Makinti's first contact with white people was seeing them riding camels, when she was living at Lupul. She was one of a large group of people who walked into
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has in its collection a photographic portrait of Kumentje, by Malaysian-born Australian artist Hari Ho. Her work was selected for inclusion in the 2012
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320:, who assisted in artists' development at both Haasts Bluff and Kintore. It was through this initiative that Kumentje began painting in 1994 for the
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While the Japingka gallery places the operation in 1998, Johnson had met with the artist in 1999, describing her as "almost blind with cataracts".
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sources agree that she comes from the area of Karrkurritinytja or Lake MacDonald, which straddles the border between Western Australia and the
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Judith Ryan, senior curator at the National Gallery of Victoria, described Makinti's entry in the 2003 Clemenger Contemporary Art Award as:
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There is a wide range of spellings of the indigenous name given to the Lake MacDonald area, including Karrukurutjuntja and Kaakuratintja.
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of her paintings includes the use of lines representing paths and ceremonial hair-string skirts, and circles representing water-holes.
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of those of her works not sold through Papunya Tula artists were considered precarious, owing to such works being of variable quality.
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Artists Cooperative. Her children Ginger, Narrabri, and Jacqueline also became artists, all of them painting for Papunya Tula Artists.
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Artists Cooperative, but her work has been described as more spontaneous than that of her fellow Papunya Tula artists.
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at the Art Gallery of New South Wales. The following year, she was a finalist at the NATSIAA. 2003 saw her named by
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969:. Sydney: Art Gallery of New South Wales in association with Papunya Tula artists. pp. 184, 295.
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Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region
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Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region
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Papunya – A place made after the story: The beginnings of the Western Desert painting movement
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Image: the artist, Papunya Tula Artists Ltd, Utopia Art Sydney and Aboriginal Artists Agency Ltd
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1438:. Northern Territory Department of Natural Resources, Environment and The Arts. Archived from
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group of indigenous people, who are associated with the communities of Papunya, Kintore, and
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1824:. Fitzroy, Victoria: Aus Art Editions in association with The Miegunyah Press. p. 136.
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1019:. Fitzroy, Victoria: Aus Art Editions in association with The Miegunyah Press. p. 117.
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for her winning work at the 2008 National Aboriginal & Torres Strait Islander Art Award
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931:"Tradition and transformation: Indigenous art in the NGV collection: Makinti Napanangka"
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26th Telstra national Aboriginal & Torres Strait Islander Art Award (August 2009).
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Makinti's works, including her Clemenger Award and NATSIAA paintings, are created with
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Many paintings by artists of the Western Desert relate to water, while the story (or "
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2003 – finalist, Clemenger Contemporary Art Award at the National Gallery of Victoria
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2004:
Caruana, Wally (7 June 2011). "Makinti Napanangka". In Sotheby's Australia (ed.).
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Johnson, Vivien (2000). "Desert art". In Kleinert, Sylvia and Margot Neale (ed.).
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1907:"25th Silver Jubilee National Aboriginal & Torres Strait Islander Art Awards"
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795:"Past Auction Results for Makinti Napanangka Art – Makinti Napanangka on artnet"
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2007 – finalist, 24th National Aboriginal & Torres Strait Islander Art Award
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2001 – finalist, 18th National Aboriginal & Torres Strait Islander Art Award
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Brochure from 2008 National Aboriginal & Torres Strait Islander Art Award
2087:"Aboriginal & Torres Strait Islander Art Collection: Napanangka, Makinti"
1871:"18th Biennale of Sydney posthumously presents leading Western Desert artist"
422:
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1143:. Campbelltown, NSW: Campbelltown City Bicentennial Art Gallery. p. 26.
16:
Indigenous Australian artist from the Western Desert region (c. 1930 – 2011)
2614:
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2173:. Museums and Art Galleries of the Northern Territory. 2007. Archived from
1916:. Museums and Art Galleries of the Northern Territory. 2008. Archived from
456:, while the painting that won the 2008 Telstra award related to Lupul. The
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234:
155:
2248:, Kumentje Napanangka's entry in the 2003 Clemenger Contemporary Art Award
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1930 is birth year per most searches; other sources indicate 1922 or 1932.
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1332:
Contemporary Aboriginal Art: A guide to the rebirth of an ancient culture
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The site is sometimes referred to as Lupulnga, which in Pintupi is the
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2000 – 17th National Aboriginal & Torres Strait Islander Art Award
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1999 – 16th National Aboriginal & Torres Strait Islander Art Award
553:
1998 – 15th National Aboriginal & Torres Strait Islander Art Award
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1997 – 14th National Aboriginal & Torres Strait Islander Art Award
1117:
Isaacs, Jennifer (2006). "Makinti Napanangka: under the desert sky".
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62:
32:
1726:. Vibe Australia / Menzies School of Health Research. Archived from
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2393:
1433:"Statement on behalf of Makinti Napanangka by Papunya Tula Artists"
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in 2008. Her work was shown in the major indigenous art exhibition
1465:"Ningura Napurrula :: The Collection :: Art Gallery NSW"
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2214:, 2007, by Greg Weight, held by the National Library of Australia
1820:
McCulloch, Alan; Susan McCulloch, Emily McCulloch Childs (2006).
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McCulloch, Alan; Susan McCulloch, Emily McCulloch Childs (2006).
769:"Makinti Napanangka – Painter – Valuation, prices and statistics"
273:
159:
1259:. Marleston, South Australia: J.B. Publishing. pp. 10–12.
430:
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The only break in her career was in 1999, when she underwent a
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2008 National Aboriginal & Torres Strait Islander Art Award
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426:
218:
2333:
List of Indigenous Australian art movements and cooperatives
1175:. Marleston, South Australia: J.B. Publishing. p. 231.
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was hailed as "a painterly celebration of colour and form".
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Clemenger Contemporary Art Award 2003: Exhibition Catalogue
2338:
National Aboriginal & Torres Strait Islander Art Award
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1170:
585:
National Aboriginal & Torres Strait Islander Art Award
356:
Makinti's works were selected to hang in five consecutive
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National Aboriginal & Torres Strait Islander Art Award
2171:
National Aboriginal and Torres Strait Islander Art Awards
1720:"A special art auction raises thousands for kids' health"
1334:. St Leonards, NSW: Allen & Unwin. pp. 103–105.
440:") most frequently portrayed by Western Desert women is
358:
National Aboriginal and Torres Strait Islander Art Award
1663:"Clemenger Contemporary Art Award: Makinti Napanangka"
1880:. Papunya Tula Artists. 12 March 2012. Archived from
1844:
1290:(27 December 2007). "Forging a language of emotion".
823:. Red Desert Gallery. 26 October 2008. Archived from
166:, about 50 kilometres (31 mi) north-east of the
1849:. Canberra: National Portrait Gallery. p. 179.
1665:. National Gallery of Victoria. 2003. Archived from
1430:
1380:. National Gallery of Victoria. 1997. Archived from
284:, one of eight used to denote the subgroups in the
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2263:The Alice Prize: A National Contemporary Art Award
1822:The New McCulloch's Encyclopedia of Australian Art
1694:"Makinti Napanangka wins top Indigenous art prize"
1402:
1307:The Oxford Companion to Aboriginal Art and Culture
1017:The New McCulloch's Encyclopedia of Australian Art
964:
904:. Alice Springs, NT: IAD Press. pp. 316–318.
265:, and about 500 kilometres (310 mi) west of
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1050:. Art Gallery of New South Wales. Archived from
506:Museum and Art Gallery of the Northern Territory
170:region where she was born, on the border of the
2089:. National Gallery of Australia. Archived from
688:
1355:National Gallery of Victoria, artist biography
1202:. National Gallery of Victoria. Archived from
933:. National Gallery of Victoria. Archived from
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2008:. Melbourne: Sotheby's Australia. p. 54.
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2006:Important Aboriginal Art (auction catalogue)
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1407:. University of Melbourne: Miegunyah Press.
1255:Birnberg, Margo; Janusz Kreczmanski (2004).
1171:Birnberg, Margo; Janusz Kreczmanski (2004).
1004:
1002:
1000:
998:
996:
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992:
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252:, where Makinti lived in the 1940s and 1950s
150:region. She was referred to posthumously as
2040:Ryan, Judith (2003). "Makinti Napanangka".
1966:
1948:. Sydney, NSW: Weldon Publishing. pp.
1763:: CS1 maint: numeric names: authors list (
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691:"Aboriginal desert art loses unique vision"
393:at the Art Gallery of New South Wales, and
261:, 50 kilometres (31 mi) south-west of
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2254:that includes an image of her winning work
2044:. Melbourne: National Gallery of Victoria.
1696:. ABC News. 16 August 2008. Archived from
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1079:"Makinti Napanangka – Pintupi Artist"
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722:"Notes on Warlpiri women's personal names"
292:, rather than where the birth took place.
31:
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2025:(24 March 2000). "Thrivin' in the '70s".
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571:2002 – Gallery Gabrielle Pizzi, Melbourne
389:in some major group exhibitions, such as
2225:Kumentje Napanangka's artist's statement
2115:. Queensland Art Gallery. Archived from
1972:
1935:
1863:
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1309:. Oxford University Press. p. 219.
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854:. Japingka Gallery. 2006. Archived from
330:
244:
2017:
2015:
2003:
1845:Engledow, Sarah; Andrew Sayers (2008).
1778:Togart Contemporary Art Award (NT) 2009
1431:Papunya Tula Artists (25 August 2008).
1426:
1424:
1403:Bardon, Geoffrey; James Bardon (2004).
1304:
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1081:. Aboriginal Art Online. Archived from
949:
899:
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2323:Contemporary Indigenous Australian art
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1232:. Central Land Council. Archived from
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1069:
918:
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338:(2000), painting by Makinti Napanangka
187:Contemporary Indigenous Australian art
2806:21st-century Australian women artists
2796:20th-century Australian women artists
2271:
1975:"Winning painting 'singing' to judge"
1681:
1298:
1033:
2384:Pukatja (Ernabella), South Australia
2055:Nelson, Robert (24 September 2003).
2039:
2021:
2012:
1632:. January–March 2006. Archived from
1598:. January–March 2005. Archived from
1564:. January–March 2004. Archived from
1530:. January–March 2003. Archived from
1421:
1200:"NGV collection: Makinti Napanangka"
965:Perkins, Hetti; Hannah Fink (2000).
730:Journal de la Société des Océanistes
535:Kluge-Ruhe Aboriginal Art Collection
531:Shell Aboriginal Art Fund Collection
488:
416:
348:operation, an event that journalist
2776:Artists from the Northern Territory
2212:Photographic portrait of the artist
1780:, The Toga Group, Darwin, NT, p. 33
1218:
1066:
689:Ashleigh Wilson (13 January 2011).
13:
1801:from the original on 24 March 2012
310:
14:
2832:
2359:Alice Springs, Northern Territory
2196:
902:Lives of the Papunya Tula Artists
375:Menzies School of Health Research
366:Australian Art Collector magazine
2811:21st-century Australian painters
2801:20th-century Australian painters
2369:Haasts Bluff, Northern Territory
2258:The Papunya Tula Artists company
2218:Another photograph of the artist
1973:Langford, Ben (16 August 2008).
1753:. Northern Territory Government.
1500:. Art Gallery of New South Wales
967:Papunya Tula: Genesis and Genius
391:Papunya Tula: Genesis and Genius
383:Member of the Order of Australia
362:Papunya Tula: Genesis and Genius
240:
204:Papunya Tula: Genesis and Genius
196:Clemenger Contemporary Art Award
2535:Susie Bootja Bootja Napaltjarri
2131:
2105:
2079:
2033:
1997:
1945:Australian Aboriginal paintings
1813:
1783:
1771:
1712:
1614:
1580:
1546:
1512:
1457:
1366:
1348:
633:
624:
615:
606:
448:. Her untitled painting in the
229:") about two sisters, known as
2671:Long Jack Phillipus Tjakamarra
2207:Art Gallery of New South Wales
813:
787:
761:
720:Dussart, Francoise-F. (1988).
682:
657:
597:
562:2000 – Utopia Art, Sydney
495:Art Gallery of New South Wales
208:Art Gallery of New South Wales
1:
2781:Australian Aboriginal artists
2232:"Image of, and commentary on"
1622:"50 Most Collectible Artists"
1588:"50 Most Collectible Artists"
1554:"50 Most Collectible Artists"
1520:"50 Most Collectible Artists"
771:. Arcadja.com. Archived from
650:
511:National Gallery of Australia
192:National Gallery of Australia
138:1930 – 9 January 2011) was a
135:
2696:Clifford Possum Tjapaltjarri
2394:Yuendumu, Northern Territory
1492:Napanangka, Makinti (2000).
797:. Artnet.com. Archived from
516:National Gallery of Victoria
272:Makinti was a member of the
7:
2821:21st-century women painters
2816:20th-century women painters
2691:Billy Stockman Tjapaltjarri
2681:Yala Yala Gibbs Tjungurrayi
2379:Papunya, Northern Territory
2374:Kintore, Northern Territory
545:Solo exhibitions and awards
10:
2837:
2701:Mick Namarari Tjapaltjarri
2389:Utopia, Northern Territory
233:. She was a member of the
2786:Australian women painters
2719:
2706:Timmy Payungka Tjapangati
2633:
2555:Valerie Lynch Napaltjarri
2505:Ngoia Pollard Napaltjarri
2495:Molly Jugadai Napaltjarri
2485:Linda Syddick Napaltjarri
2465:Daisy Jugadai Napaltjarri
2402:
2351:
2318:Araluen Cultural Precinct
2310:
2027:The Sydney Morning Herald
1942:Isaacs, Jennifer (1989).
1797:. Australian Government.
1469:www.artgallery.nsw.gov.au
1360:11 September 2009 at the
1330:McCulloch, Susan (1999).
1139:Strocchi, Marina (1999).
574:2003 – Utopia Art, Sydney
568:2001 – Utopia Art, Sydney
403:National Portrait Gallery
316:founding art coordinator
194:. A finalist in the 2003
121:
117:Untitled (Lupul rockhole)
111:
103:
95:
69:
39:
30:
23:
2686:Turkey Tolson Tjupurrula
2661:Paddy Japaljarri Stewart
2620:Ruby Tjangawa Williamson
2550:Topsy Gibson Napaltjarri
2525:Peggy Rockman Napaljarri
2480:Kitty Pultara Napaljarri
2460:Biddy Rockman Napaljarri
2364:Balgo, Western Australia
1791:"Napanangka, Kumantjayi"
1626:Australian Art Collector
1592:Australian Art Collector
1558:Australian Art Collector
1524:Australian Art Collector
1226:"Kinship and skin names"
1119:Australian Art Collector
900:Johnson, Vivien (2008).
590:
452:exhibition was based on
146:artist from Australia's
2530:Sheila Brown Napaljarri
2515:Norah Nelson Napaljarri
2500:Mona Rockman Napaljarri
2475:Helen Nelson Napaljarri
2425:Lucy Napaljarri Kennedy
2415:Josepha Petrick Kemarre
1498:AGNSW collection record
1048:AGNSW collection record
2605:Maggie Napaljarri Ross
2435:Barbara Mbitjana Moore
1141:Ikuntji tjuta: touring
539:University of Virginia
521:Queensland Art Gallery
478:
341:
286:Pintupi kinship system
253:
2510:Nora Andy Napaltjarri
2445:Doreen Reid Nakamarra
2430:Emily Kame Kngwarreye
2113:"A–Z List of artists"
1374:"Makinti Napanangka,
743:10.3406/jso.1988.2842
469:
334:
248:
144:Indigenous Australian
2711:Yannima Tommy Watson
2560:Wintjiya Napaltjarri
2545:Tjunkiya Napaltjarri
2540:Takariya Napaltjarri
2455:Ada Andy Napaltjarri
2180:on 23 September 2007
2067:on 25 September 2003
1923:on 19 September 2008
1044:"Makinti Napanangka"
937:on 11 September 2009
852:"Makinti Napanangka"
821:"Makinti Napanangka"
665:"Makinti Napanangka"
583:2008 – winner, 25th
290:felt the foetus move
280:. "Napanangka" is a
2666:Anatjari Tjakamarra
2328:Hermannsburg School
2164:"Sales information"
2057:"Talents uncovered"
2676:Kaapa Tjampitjinpa
2570:Dorothy Napangardi
2565:Makinti Napanangka
2520:Parara Napaltjarri
2470:Eileen Napaltjarri
2352:Significant places
2220:, ABC News article
2061:The Age (Melbourne
1979:Sunday Territorian
1568:on 15 January 2011
1445:on 4 December 2008
1230:People and culture
1206:on 18 October 2010
1085:on 6 December 2004
483:Genesis and Genius
450:Genesis and Genius
342:
259:Northern Territory
254:
198:, Makinti won the
172:Northern Territory
132:Makinti Napanangka
88:Northern Territory
25:Makinti Napanangka
2751:
2750:
2590:Kathleen Petyarre
2490:Louisa Napaljarri
2203:Makinti Napanagka
1985:on 3 October 2009
1856:978-0-9775761-2-8
1700:on 16 August 2008
1288:Rothwell, Nicolas
911:978-1-86465-090-7
749:on 27 August 2012
489:Major collections
423:synthetic polymer
417:Style of painting
336:Rocks at Lupulnga
326:Ningura Napurrula
215:synthetic polymer
176:Western Australia
129:
128:
59:Western Australia
2828:
2728:Earth's Creation
2646:Albert Namatjira
2580:Naata Nungurrayi
2575:Pansy Napangardi
2450:Narputta Nangala
2292:
2285:
2278:
2269:
2268:
2247:
2245:
2243:
2238:on 1 August 2008
2234:. Archived from
2190:
2189:
2187:
2185:
2179:
2168:
2160:
2154:
2153:
2151:
2149:
2135:
2129:
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2126:
2124:
2109:
2103:
2102:
2100:
2098:
2083:
2077:
2076:
2074:
2072:
2063:. Archived from
2052:
2046:
2045:
2037:
2031:
2030:
2019:
2010:
2009:
2001:
1995:
1994:
1992:
1990:
1981:. Archived from
1970:
1964:
1963:
1939:
1933:
1932:
1930:
1928:
1922:
1911:
1903:
1897:
1896:
1894:
1892:
1887:on 24 March 2012
1886:
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1867:
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1787:
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1762:
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1740:
1739:
1737:
1735:
1730:on 18 March 2012
1716:
1710:
1709:
1707:
1705:
1690:
1679:
1678:
1676:
1674:
1669:on 1 August 2008
1659:
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1612:
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1609:
1607:
1584:
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1127:
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1114:
1095:
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1075:
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1054:on 1 August 2008
1040:
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981:
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868:
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808:
806:
791:
785:
784:
782:
780:
775:on 18 March 2012
765:
759:
758:
756:
754:
745:. Archived from
726:
717:
711:
710:
708:
706:
697:. Archived from
686:
680:
679:
677:
675:
661:
644:
637:
631:
628:
622:
619:
613:
610:
604:
601:
502:City Art Gallery
350:Nicolas Rothwell
322:Minyma Tjukurrpa
137:
114:
79:
77:
50:
48:
35:
21:
20:
2836:
2835:
2831:
2830:
2829:
2827:
2826:
2825:
2756:
2755:
2752:
2747:
2715:
2656:Wenten Rubuntja
2629:
2610:Margaret Scobie
2585:Gloria Petyarre
2410:Wawiriya Burton
2398:
2347:
2306:
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2241:
2239:
2230:
2199:
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2137:
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2132:
2122:
2120:
2119:on 15 June 2005
2111:
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2106:
2096:
2094:
2093:on 26 July 2011
2085:
2084:
2080:
2070:
2068:
2053:
2049:
2038:
2034:
2023:Smee, Sebastian
2020:
2013:
2002:
1998:
1988:
1986:
1971:
1967:
1960:
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1936:
1926:
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1920:
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1649:
1639:
1637:
1636:on 20 July 2008
1620:
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1603:
1602:on 20 July 2008
1586:
1585:
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1569:
1552:
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1534:on 20 July 2008
1518:
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1435:
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1397:
1387:
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1372:
1371:
1367:
1362:Wayback Machine
1353:
1349:
1342:
1328:
1324:
1317:
1303:
1299:
1285:
1274:
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1236:on 2 April 2009
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750:
724:
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701:on 5 April 2011
687:
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669:Art Gallery NSW
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629:
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547:
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476:Dreaming place.
454:Kungka Kutjarra
446:Kungka Kutjarra
442:Kungka Kutjarra
419:
411:Sydney Biennale
399:Gabrielle Pizzi
339:
318:Marina Strocchi
313:
311:Artistic career
243:
231:Kungka Kutjarra
185:began painting
162:, and later at
112:
91:
81:
75:
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65:
51:
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26:
17:
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2651:Tiger Palpatja
2648:
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2631:
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2628:
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2595:Nancy Petyarre
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2403:Artists: women
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2303:Western Desert
2295:
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2255:
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2228:
2223:(Audio file):
2221:
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2209:
2198:
2197:External links
2195:
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2078:
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2032:
2011:
1996:
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1795:It's An Honour
1782:
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1711:
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1613:
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1395:
1384:on 25 May 2024
1376:Snake Dreaming
1365:
1347:
1340:
1322:
1315:
1297:
1292:The Australian
1272:
1265:
1247:
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1128:
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1025:
982:
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869:
858:on 19 May 2006
838:
827:on 6 July 2011
812:
801:on 6 July 2011
786:
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695:The Australian
681:
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654:
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646:
645:
643:case of Lupul.
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526:Macquarie Bank
523:
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242:
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168:Lake MacDonald
148:Western Desert
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104:Known for
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80:9 January 2011
71:
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52:
41:
37:
36:
28:
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2641:Hector Burton
2639:
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2625:Yaritji Young
2623:
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2600:Minnie Pwerle
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2420:Tjungkara Ken
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2139:"Collections"
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2118:
2114:
2108:
2092:
2088:
2082:
2066:
2062:
2058:
2051:
2043:
2036:
2029:. p. 24.
2028:
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2018:
2016:
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1914:Room brochure
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1414:0-522-85110-X
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267:Alice Springs
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55:Gibson Desert
42:
38:
34:
29:
22:
19:
2766:1930s births
2753:
2740:
2733:
2726:
2634:Artists: men
2615:Barbara Weir
2564:
2343:Papunya Tula
2311:Institutions
2240:. Retrieved
2236:the original
2182:. Retrieved
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