124:(2006, text: Bas Geerts), Samuel Vriezen said, “By their networks of structures these pieces create ambiguous labyrinths in which a striking music is hiding in plain sight. As you enter them by listening, I hope Hoenderdos' music will find you, and introduce you to its richly nuanced, ever changing universes.”
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Hoenderdos’ works are characterized by a rigorous methodological approach rarely encountered in contemporary Dutch music; a “radical research into the essence of sound”. The relationships between various aspects of sound determine the structure of her works, creating not abstract but vital, colourful
92:(2006), scored for unaccompanied soprano voice, is inspired by a poem written by Hoenderdos’ partner Bas Geerts, in reaction to rhetoric from the White House, specifically President George Bush’s 2003 State of the Union speech. It incorporates a mix of languages and is challenging to perform.
80:(1990) is Hoenderdos’ response to poetry by Hans Favery that he specifically asked her to set to music. Instead of creating a traditional song cycle to Favery’s words, she created a woodwind quintet, framed as nine short movements.
86:(1998), for string quartet, relies heavily on uncoordinated glissandi of varying speeds, leaving the ear unsure whether a subtly coloured and delicate twine is taking form or steadily unravelling.
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Oerknal, a collective of international musicians based in The
Netherlands, presented a program of string quartets called “Songs and Labyrinths” for their 2017-18 season, featuring Hoenderdos’
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After completing her education, Hoenderdos worked as a composer and taught music privately and at the music school in Zwolle. After 1987 she worked as full-time as a composer.
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Since the early 1990s her exclusion of non-musical factors is also reflected in her titles, which are simply the month and year in which they were written.
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for solo viola (1989), the left hand has little to do while the right hand concentrates on various techniques.
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and even obstinate music. Hoenderdos does not let her emotions or experiences influence her compositions.
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for right hand piano solo (1983) is based on the relationship between tempo and density.
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Pinnell, Richard. "Margriet
Hoenderdos, et al. - CHAMBER WORKS by MARGRIET HOENDERDOS".
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Conservatory. She continued her studies in composition at the
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The new Grove dictionary of music and musicians: Volume 11
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for 11 wind instruments, piano and double bass (1987)
442:Metzelaar, Helen (2001). "Hoenderdos, Margriet".
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404:The Norton/Grove dictionary of women composers
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112:In response to works by Hoenderdos including
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401:Sadie, Julie Anne; Samuel, Rhian (1994).
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577:"Margriet Hoenderdos , chamber works"
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299:for 6 male and 6 female voices (1996)
22:(6 May 1952 – 14 October 2010) was a
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330:(film score, dir. F. Jochems) (1984)
220:for harpsichord and 3 rattles (1989)
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524:"Margriet Hoenderdos Chamber Works"
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238:for piano solo (vorsetzer ) (1991)
184:for piano solo (right hand) (1983)
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336:(film score, dir. Jochems) (1985)
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635:20th-century classical composers
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159:for large wind orchestra (1992)
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311:for soprano voice solo (2006)
208:for 7 instrumentalists (1987)
164:Chamber and Solo Instrumental
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665:20th-century women composers
274:for saxophone quartet (1997)
206:ZICH-wederkerende bewegingen
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268:for 6 percussionists (1996)
232:for woodwind quintet (1990)
196:for organ (1986, rev. 1987)
190:for guitar and cello (1986)
182:Es verjüngt sich nach unten
65:Es verjüngt sich nach unten
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145:Hunker, schor en hasselaar
26:composer. She was born in
16:Dutch composer (1952–2010)
645:Dutch classical composers
476:10.1017/S0040298215001138
328:Ballade op een balustrade
256:for string quartet (1993)
250:for string quartet (1993)
244:for 2 Eb clarinets (1991)
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272:January '97/DOORZICHTIG
499:Cite journal requires
360:Tyrrell, John (2001).
650:Dutch music educators
376:"Margriet Hoenderdos"
305:for voice solo (1997)
286:for viola solo (2003)
280:for viola solo (2002)
262:for solo piano (1996)
230:De lussen van Faverey
226:for viola solo (1989)
178:for flute solo (1983)
172:for two pianos (1981)
114:De Lussen Van Favarey
153:for orchestra (1990)
147:for orchestra (1989)
141:for orchestra (1985)
78:De lussen van Favery
444:Oxford Music Online
20:Margriet Hoenderdos
655:People from Velsen
224:Lex inertiae No. 2
188:Bevalt u deze tuin
139:Het nieuwe verlaat
42:Conservatory with
218:Lex inertiae No.1
72:Lex inertiae no.2
53:Composition style
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386:21 December
120:(1998) and
32:Netherlands
619:Categories
347:References
133:Orchestral
581:KlangRaum
484:147621134
170:Blue Time
118:Maart ‘98
108:Reception
84:Maart ‘98
40:Amsterdam
28:Santpoort
605:Bandcamp
586:28 April
561:28 April
536:28 April
309:Juli ‘06
303:July '97
266:July '96
248:Juli '93
151:July '90
122:Juli ‘06
116:(1990),
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610:Discogs
556:Oerknal
176:Camilla
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324:(1983)
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480:S2CID
291:Vocal
212:Gruis
24:Dutch
588:2020
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505:help
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