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Margriet Hoenderdos

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124:(2006, text: Bas Geerts), Samuel Vriezen said, “By their networks of structures these pieces create ambiguous labyrinths in which a striking music is hiding in plain sight. As you enter them by listening, I hope Hoenderdos' music will find you, and introduce you to its richly nuanced, ever changing universes.” 57:
Hoenderdos’ works are characterized by a rigorous methodological approach rarely encountered in contemporary Dutch music; a “radical research into the essence of sound”. The relationships between various aspects of sound determine the structure of her works, creating not abstract but vital, colourful
92:(2006), scored for unaccompanied soprano voice, is inspired by a poem written by Hoenderdos’ partner Bas Geerts, in reaction to rhetoric from the White House, specifically President George Bush’s 2003 State of the Union speech. It incorporates a mix of languages and is challenging to perform. 80:(1990) is Hoenderdos’ response to poetry by Hans Favery that he specifically asked her to set to music. Instead of creating a traditional song cycle to Favery’s words, she created a woodwind quintet, framed as nine short movements. 86:(1998), for string quartet, relies heavily on uncoordinated glissandi of varying speeds, leaving the ear unsure whether a subtly coloured and delicate twine is taking form or steadily unravelling. 100:
Oerknal, a collective of international musicians based in The Netherlands, presented a program of string quartets called “Songs and Labyrinths” for their 2017-18 season, featuring Hoenderdos’
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After completing her education, Hoenderdos worked as a composer and taught music privately and at the music school in Zwolle. After 1987 she worked as full-time as a composer.
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Since the early 1990s her exclusion of non-musical factors is also reflected in her titles, which are simply the month and year in which they were written.
634: 402: 639: 46:, and worked in the electronic studio at the Conservatory. In 1985 she ended her studies and received a Prize for Composition. 664: 659: 375: 644: 412: 649: 74:
for solo viola (1989), the left hand has little to do while the right hand concentrates on various techniques.
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and even obstinate music. Hoenderdos does not let her emotions or experiences influence her compositions.
654: 523: 104:, a ten-minute collage of delicate gestures and vertical sound blocks at once meditative and fleeting. 504: 451: 609: 491: 629: 624: 8: 67:
for right hand piano solo (1983) is based on the relationship between tempo and density.
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Pinnell, Richard. "Margriet Hoenderdos, et al. - CHAMBER WORKS by MARGRIET HOENDERDOS".
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Conservatory. She continued her studies in composition at the
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The new Grove dictionary of music and musicians: Volume 11
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for 11 wind instruments, piano and double bass (1987)
442:Metzelaar, Helen (2001). "Hoenderdos, Margriet". 616: 163: 404:The Norton/Grove dictionary of women composers 359: 112:In response to works by Hoenderdos including 34:, and studied piano with Thom Bollen at the 400: 441: 401:Sadie, Julie Anne; Samuel, Rhian (1994). 518: 516: 514: 465: 463: 461: 452:10.1093/gmo/9781561592630.article.48116 617: 437: 435: 433: 431: 577:"Margriet Hoenderdos , chamber works" 511: 299:for 6 male and 6 female voices (1996) 22:(6 May 1952 – 14 October 2010) was a 458: 330:(film score, dir. F. Jochems) (1984) 220:for harpsichord and 3 rattles (1989) 52: 524:"Margriet Hoenderdos Chamber Works" 469: 428: 13: 238:for piano solo (vorsetzer ) (1991) 184:for piano solo (right hand) (1983) 95: 14: 676: 598: 336:(film score, dir. Jochems) (1985) 214:for Zwaanenburg alto flute (1987) 127: 635:20th-century classical composers 640:Dutch women classical composers 159:for large wind orchestra (1992) 569: 544: 407:. W. W. Norton & Company. 394: 368: 353: 1: 346: 311:for soprano voice solo (2006) 208:for 7 instrumentalists (1987) 164:Chamber and Solo Instrumental 132: 665:20th-century women composers 274:for saxophone quartet (1997) 206:ZICH-wederkerende bewegingen 107: 7: 660:Dutch women music educators 268:for 6 percussionists (1996) 232:for woodwind quintet (1990) 196:for organ (1986, rev. 1987) 190:for guitar and cello (1986) 182:Es verjüngt sich nach unten 65:Es verjüngt sich nach unten 10: 681: 145:Hunker, schor en hasselaar 26:composer. She was born in 16:Dutch composer (1952–2010) 645:Dutch classical composers 476:10.1017/S0040298215001138 328:Ballade op een balustrade 256:for string quartet (1993) 250:for string quartet (1993) 244:for 2 Eb clarinets (1991) 290: 315: 272:January '97/DOORZICHTIG 499:Cite journal requires 360:Tyrrell, John (2001). 650:Dutch music educators 376:"Margriet Hoenderdos" 305:for voice solo (1997) 286:for viola solo (2003) 280:for viola solo (2002) 262:for solo piano (1996) 230:De lussen van Faverey 226:for viola solo (1989) 178:for flute solo (1983) 172:for two pianos (1981) 114:De Lussen Van Favarey 153:for orchestra (1990) 147:for orchestra (1989) 141:for orchestra (1985) 78:De lussen van Favery 444:Oxford Music Online 20:Margriet Hoenderdos 655:People from Velsen 224:Lex inertiae No. 2 188:Bevalt u deze tuin 139:Het nieuwe verlaat 42:Conservatory with 218:Lex inertiae No.1 72:Lex inertiae no.2 53:Composition style 672: 592: 591: 589: 587: 573: 567: 566: 564: 562: 552:"Season 2017-18" 548: 542: 541: 539: 537: 528: 520: 509: 508: 502: 497: 495: 487: 467: 456: 455: 439: 426: 425: 423: 421: 398: 392: 391: 389: 387: 378:. 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Index

Dutch
Santpoort
Netherlands
Zwolle
Amsterdam
Ton de Leeuw
"Margriet Hoenderdos"
the original
The Norton/Grove dictionary of women composers
ISBN
9780393034875




doi
10.1093/gmo/9781561592630.article.48116



doi
10.1017/S0040298215001138
S2CID
147621134
cite journal
help



"Margriet Hoenderdos Chamber Works"

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