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his age and a former love, and making no attempt at civility to insipid Lady
Middleton. The people she does love, however, she loves with warmth that leaps over all barriers—even barriers of propriety. Her sorrows, her joys, her antipathy and her love will have no moderation—no concealing. Marianne's form is "not so correct as her sister's", but "more striking", and her features are all good, her face is "lovely": her skin is very brown, but from its transparency, "her complexion was uncommonly brilliant", and in her eyes there is "a life, a spirit, an eagerness which could hardly be seen without delight".
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I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." At which the cooler Elinor replies quietly, "It is not everyone who has your passion for dead leaves." And later when she hears Sir John
Middleton's account of
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Marianne treats her acquaintances in general with inattention and sometimes, contempt, recoiling from vulgarity, even when it is accompanied by good nature (such as with Mrs. Jennings), treating her selfish half-brother and his snobbish wife with disgust, ignoring the grave
Colonel Brandon because of
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She embraces spontaneity, excessive sensibility, love of nature, and romantic idealism: Marianne weeps dramatically when their family must depart from "dear, dear
Norland", and later in the book, exclaims, "Oh! with what transporting sensations have I formerly seen them fall! How have I delighted, as
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Later in the novel, still grieving over having lost
Willoughby, she ignores her health, falls dangerously ill with a putrid fever, and nearly dies as a result. But she does recover, and comes to see the error of her ways, hoping now to instead model her character on her elder sister. She eventually
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When
Marianne is helped by the dashing Willoughby, she falls deeply and sincerely in love with him, abhorring all of society's conventions, and ignoring her sister's rational warnings that her impulsive behaviour leaves her open to gossip and innuendo. His painful spurning of her, and the shocking
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discovery of his dissipated character, finally causes her to recognise her misjudgment of him. She acts exactly as she feels, thus making herself and everyone around her miserable when
Willoughby leaves her. This is in contrast to her sister, who keeps the secret of
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As seen in this 19th-century illustration, Marianne's joys, loves, and sorrows know no restraint, opposed to her sister Elinor's 'propriety.'
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Writers Dramatized: A Calendar of Performances from Narrative Works Published in English to 1900
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INDIAN FILMMAKERS AND THE NINETEENTH-CENTURY NOVEL:REWRITING THE ENGLISH CANON THROUGH FILM
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Television, Sex and
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Jane Austen on Film and
Television: A Critical Study of the Adaptations
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Barton Cottage, after leaving Norland Park, the Dashwood family estate
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Fictional character in Jane Austen's 1811 novel Sense and Sensibility
196:. Statements consisting only of original research should be removed.
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657:. New York: Continuum International Publishing Group. p. 137.
605:. Jefferson, North Carolina: McFarland & Company. p. 189.
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792:"BBC Radio 4 - Jane Austen - Sense and Sensibility, Episode 1"
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prior engagement to another in quiet, thoughtful composure.
335:(eventually Marianne Brandon) is a fictional character in
835:"Pride and Passion: Jane Austen novels the Brazilian way"
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761:"Jane Austen, Transmigrated To Modern-Day East L.A."
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falls in love with Colonel Brandon and marries him.
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in the 2016 stage adaptation, which she also wrote.
90:. Unsourced material may be challenged and removed.
481:as "Mary Dominguez" in the 2011 modern adaptation
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349:" of the title, as opposed to her elder sister
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53:Learn how and when to remove these messages
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230:Learn how and when to remove this message
212:Learn how and when to remove this message
150:Learn how and when to remove this message
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1091:Literary characters introduced in 1811
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1044:Sense and Sensibility and Sea Monsters
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88:adding citations to reliable sources
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726:Irvine, Chris (14 September 2009).
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805:Chase, Anthony (19 January 2019).
728:"Jane Austen's recent adaptations"
678:Wilkinson, Alissa (18 July 2017).
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599:Parrill, Sue (2002).
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413:in the 1981 British
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84:improve this article
1036:The Secrets of Love
772:on 15 February 2019
740:on 15 February 2019
692:on 15 February 2019
242:Fictional character
99:"Marianne Dashwood"
982:From Prada to Nada
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389:Notable portrayals
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897:Jane Austen
846:15 February
818:15 February
776:15 February
744:15 February
696:15 February
578:Persuasions
537:Kate Hamill
531:BBC Radio 4
435:written by
347:sensibility
337:Jane Austen
255:Jane Austen
1080:Categories
993:Television
961:Soundtrack
910:Characters
556:References
544:telenovela
479:Alexa Vega
433:screenplay
427:, with an
186:improve it
110:newspapers
39:improve it
584:March 18,
467:aired by
353:"sense".
311:Relatives
277:Full name
258:character
202:July 2014
190:verifying
140:July 2014
45:talk page
840:BBC News
431:winning
375:Edward's
351:Elinor's
957:(1995)
441:Ang Lee
397:in 1950
184:Please
124:scholar
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117:books
848:2019
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659:ISBN
634:ISBN
607:ISBN
586:2013
425:film
323:Home
103:news
899:'s
685:Vox
525:in
469:PBS
462:BBC
188:by
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