Knowledge

Marie-Madeleine Guimard

Source đź“ť

179: 341: 664: 31: 236:, who thought that she had more graceful gesture than true dancing talent, remarked, after a piece of scenery fell and broke her arm in January 1766, after which she continued to make public appearances gamely, her arm in a sling, "Poor Guimard! if she had only broken a leg! that would not have kept her from dancing." 386:
in large panels of her salon, and found a substitute. Finding his way into the house unaccompanied, Fragonard picked up a palette of paints, and with a few deft touches transformed Mlle Guimard's Terpsichorean smile into a grimace of fury, without lessening in the least the likeness. When La Guimard
592:"Perhaps the most lavish sponsor of clandestine theatre was Marie- Madeleine Guimard, the so-called 'goddess of the dance,' adored star of the opera ballet." (K. Toepfer, "Orgy Salon: Aristocracy and Pornographic Theatre in Pre-Revolutionary Paris" 391:, as she named it, the wildest orgies took place, according to her detractors. In 1786 she was compelled to get rid of the property, and it was disposed of by lottery for her benefit for the sum of 300,000 francs. 244:
Aside from her career as a dancer, she has been famed for her love life as well as for her life as a courtesan. She was kept by a stream of highly placed admirers, including the gentleman composer
319:, during a bitter cold spell in January 1768, she asked for her allowance in coins, and, without taking an entourage, climbed to all the garrets of her neighborhood at Pantin, giving 415:(1736–1806) as "the high altar of the temple of love,” as Alan Rubin, the gallery owner, said, was offered for sale by Pelham Galleries at the European Fine Arts Fair in Maastricht. 427: 216:
and above all for her expressively smiling visage. She wore her skirt hitched up to reveal an underskirt, without hoops or paniers, held out simply by a starched muslin
679: 158:
was asked why dancers like La Guimard made such prodigious fortunes, when singers did not, he responded, "It is a necessary consequence of the laws of motion".
1247: 541: 713: 431: 1252: 1298: 1303: 1232: 554:
The house had utterly disappeared by the end of the 19th century, but Edmond de Goncourt reported that Mme Delizy had reerected the painted
1308: 684: 1257: 201:
After a first affair with the dancer Leger, which produced a child, she was engaged at the Opéra (1761) and made her debut, as
1313: 435: 294:
and those of the highest consideration at Court; a second composed of writers and artists and wits that all but rivaled the
248:, with whom she had a daughter in April 1763, and who always remained in her circle, even after she was finally taken up by 706: 973: 316: 228:, simple steps, but with movements so graceful that the public preferred her to every other dancer." Other dancers, like 221: 387:
arrived with an entourage and discovered it, the angrier she became, the more she represented the new portrait. In this
382:
reported the famous anecdote of Fragonard's revenge: La Guimard had quarreled with the painter, who had depicted her as
1262: 756: 299: 998: 751: 699: 1318: 190:
She was trained by the great choreographer d'Harnoncourt, who had entered her at the age of fifteen among the
178: 746: 545:, in which a stage mother offers her daughter for inspection to a seigneur who takes her gently by the chin. 323:, coats and warm bedclothes. Throughout her career, her open-hearted generosity disarmed the pamphleteers. 208:
Not known for hazarding the more difficult movements that were being added to the professional repertory of
1227: 290:
In truth there were three dinner parties a week, according to Edmond de Goncourt, one for the grandest of
908: 400: 83: 302:; and a third to which were invited all the most ravishing and lascivious young women, according to the 1293: 1180: 1175: 792: 283: 249: 155: 115: 580: 614:
R. Carter, "Claude Nicolas Le Doux: Architecture and Social Reform at the End of the Ancien Regime",
309: 245: 111: 375:, and with a theater seating five hundred spectators. The house was almost finished March 1773 when 1023: 465:
Born and baptised the same day, according to her baptismal record reported in Edmond de Goncourt,
411:
In 2009 the bed made for Guimard to a Louis XVI design by French visionary neoclassical architect
372: 1211: 817: 340: 167: 146:. She made herself even more famous by her love affairs, especially by her long liaison with the 1063: 943: 736: 722: 195: 933: 360: 143: 1242: 741: 627: 412: 364: 1155: 1094: 1003: 1288: 1283: 1125: 1058: 1053: 1013: 993: 948: 923: 918: 229: 562: 469:(Paris, 1893) p. 5. Goncourt's life is the source for virtually all the modern references. 8: 866: 647: 352: 183: 1089: 1038: 467:
La Guimard: d'après les registres des menus-plaisirs, de la bibliothèque de l'Opéra, etc
304: 170:
of Fabien Guimart and Anne Bernard, and was legitimised at a late date (December 1765).
1048: 978: 913: 887: 838: 536: 531:
Goncourt (1893, p. 35f.) recalls the tradition that Soubise is intended in the drawing
268:
In a career of hitherto unequaled luxury, she bought a magnificent house near Paris at
151: 928: 1201: 1135: 968: 777: 772: 147: 51: 212:, she was renowned for her perfectly composed and fluid aristocratic movements, her 1237: 1196: 1140: 1130: 1084: 1018: 861: 787: 963: 652:
A Woman, a Man, and Two Kingdoms: The Story ofMadame d'Épinay and the Abbé Galiani
356: 335: 326:
Among her admirers was Louis-Sextius de Jarente de La Bruyère, bishop of Orléans.
273: 1110: 983: 958: 953: 320: 191: 1008: 1206: 1150: 1145: 1043: 938: 807: 797: 447: 349: 287:
and similar licentious performances were given to the delight of high society.
256:
and great connoisseur of ballet dancers, who settled on her, it was said, 2000
233: 1277: 1033: 892: 882: 688:. Vol. 12 (11th ed.). Cambridge University Press. pp. 695–696. 675: 670: 419: 368: 1079: 782: 643: 576: 1115: 812: 691: 383: 376: 202: 1028: 1120: 822: 802: 556: 217: 139: 135: 426:), several other Fragonard portrait drawings are conserved at the 669:
This article incorporates text from a publication now in the
269: 209: 70: 272:, and built a small private theater connected with it, where 47: 30: 213: 480:
The Ballerinas, from the Court of Louis XIV to Pavlova
1248:
Occupation of Saint-Nizier church by Lyon prostitutes
502:
The Lure of Perfection: fashion and Ballet, 1780-1830
138:
who dominated the Parisian stage during the reign of
224:said, "her dancing was but a sketch; she made only 403:(1748–1820), a dancer, songwriter and playwright. 205:, 9 May 1762, and soon was seen dancing at Court. 428:MusĂ©e des Beaux-Arts et d'archĂ©ologie de Besançon 1275: 142:. For twenty-five years she was the star of the 399:Soon after her retirement in 1789, she married 1253:Parisian Women in Algerian Costume (The Harem) 707: 134:(27 December 1743 — 4 May 1816) was a French 280:which was prohibited in public, most of the 344:HĂ´tel Guimard, by Ledoux, designed ca. 1766 721: 714: 700: 29: 560:of Mlle Guimard's two main salons in her 628:"The high altar of the temple of love", 339: 177: 348:In the early 1770s, in defiance of the 1276: 1258:Prostitution in Impressionist painting 1233:Brigade de rĂ©pression du proxĂ©nĂ©tisme 695: 182:Mademoiselle Guimard as Terpsichore ( 513:Quoted by Goncourt 1893, p.2 note 1. 232:, praised her enthusiastically, but 250:Charles de Rohan, Prince de Soubise 13: 1309:18th-century French ballet dancers 263: 14: 1330: 1304:Burials at Père Lachaise Cemetery 757:History of prostitution in France 491:Edmond de Goncourt 1893, preface. 662: 575:A performance of it inaugurated 329: 1299:Troupe of the ComĂ©die-Française 752:Prostitution in Overseas France 636: 621: 608: 599: 586: 566:in Paris (Goncourt 1893 p. 53). 418:Aside from her portrait at the 315:At the same time, according to 95: 999:Anne Françoise Elisabeth Lange 569: 548: 525: 516: 507: 504:, (New York: Routledge), 2005. 494: 485: 472: 459: 371:, decorated with paintings by 1: 747:Chinese prostitution in Paris 654:, (New York) 1991:258 note 2. 394: 1228:Bordel militaire de campagne 522:Goncourt 1893, p. 33 note 2. 278:Partie de chasse de Henri IV 239: 161: 7: 876:Brothel owners & madams 441: 10: 1335: 1314:Paris Opera Ballet Ă©toiles 1263:PitiĂ©-SalpĂŞtrière Hospital 1181:Syndicat du travail sexuel 1176:Les amis du bus des femmes 616:Eighteenth-Century Studies 355:, she opened the gorgeous 333: 1220: 1189: 1168: 1103: 1072: 901: 875: 854: 847: 831: 765: 729: 436:MusĂ©e des Arts DĂ©coratifs 406: 379:Correspondance littĂ©raire 246:Jean-Benjamin de La Borde 173: 121: 112:Jean-Benjamin de La Borde 105: 77: 58: 40: 28: 21: 680:Guimard, Marie Madeleine 581:Pavillon de Louveciennes 500:Judith Chazin-Bennahum, 453: 1212:Rue Saint-Denis (Paris) 989:Marie-Madeleine Guimard 818:Palais Oriental (Reims) 685:Encyclopædia Britannica 605:Goncourt 1893, p. 68ff. 594:Performing Arts Journal 220:. The portrait painter 132:Marie-Madeleine Guimard 23:Marie-Madeleine Guimard 1064:Theroigne de Mericourt 944:Anne Victoire Dervieux 737:Prostitution in France 723:Prostitution in France 401:Jean-Étienne DesprĂ©aux 345: 187: 84:Jean-Étienne DesprĂ©aux 1319:Courtesans from Paris 1243:Madelonnettes Convent 1024:Marie-Louise O'Murphy 742:Prostitution in Paris 430:as well as a bust by 413:Claude Nicolas Ledoux 389:Temple de Terpsichore 365:Claude-Nicolas Ledoux 343: 181: 1126:Valtesse de La Bigne 1054:Marguerite Steinheil 994:Valtesse de La Bigne 949:Marie-Anne Detourbay 924:Marguerite Bellanger 230:Jean-Georges Noverre 1190:Red-light districts 934:Berthe de Courrière 909:Émilienne d'Alençon 867:Thierry Schaffauser 648:Francis Steegmuller 542:Monument du Costume 353:Archbishop of Paris 184:Jacques-Louis David 35:Portrait of Guimard 1156:RĂ©taux de Villette 1095:RĂ©taux de Villette 1049:Apollonie Sabatier 1004:Geneviève Lantelme 979:Marguerite Gourdan 914:Marguerite Alibert 888:Marguerite Gourdan 839:Loi Marthe Richard 793:L'Étoile de KlĂ©ber 369:neoclassical taste 346: 254:marĂ©chal de France 188: 152:Edmond de Goncourt 1294:French ballerinas 1271: 1270: 1202:Bois de Vincennes 1164: 1163: 1014:Ninon de l'Enclos 969:Marthe de Florian 919:Blanche d'Antigny 778:Aux Belles Poules 773:Brothels in Paris 563:hĂ´tel particulier 434:(1779) is at the 196:ComĂ©die-Française 148:Prince of Soubise 129: 128: 52:Kingdom of France 1326: 1238:The French Woman 1207:Quartier Pigalle 1197:Bois de Boulogne 1141:Morgane Merteuil 1131:Caroline Lacroix 1090:François Spirito 1085:Hamida Djandoubi 1039:Olympe PĂ©lissier 862:Morgane Merteuil 852: 851: 788:La Fleur blanche 716: 709: 702: 693: 692: 689: 668: 666: 665: 655: 640: 634: 625: 619: 612: 606: 603: 597: 590: 584: 573: 567: 552: 546: 529: 523: 520: 514: 511: 505: 498: 492: 489: 483: 476: 470: 463: 361:ChaussĂ©e d'Antin 305:MĂ©moires secrets 292:grands seigneurs 222:Mme VigĂ©e-Lebrun 116:Charles de Rohan 99: 97: 65: 44:27 December 1743 33: 19: 18: 16:French ballerina 1334: 1333: 1329: 1328: 1327: 1325: 1324: 1323: 1274: 1273: 1272: 1267: 1216: 1185: 1160: 1111:Fernande Barrey 1099: 1068: 1059:ThĂ©rĂ©sa Tallien 984:Catherine Grand 974:EugĂ©nie Fougère 959:Marie Duplessis 954:Madame du Barry 929:Jeanne BrĂ©court 897: 871: 843: 827: 761: 725: 720: 678:, ed. (1911). " 674: 663: 661: 659: 658: 641: 637: 632:, 26 March 2009 626: 622: 613: 609: 604: 600: 591: 587: 574: 570: 553: 549: 537:Moreau le Jeune 530: 526: 521: 517: 512: 508: 499: 495: 490: 486: 477: 473: 464: 460: 456: 444: 409: 397: 338: 332: 321:purses of money 266: 264:House at Pantin 242: 192:corps de ballet 176: 164: 150:. According to 114: 110: 101: 98: 1789) 93: 89: 86: 73: 67: 63: 54: 45: 36: 24: 17: 12: 11: 5: 1332: 1322: 1321: 1316: 1311: 1306: 1301: 1296: 1291: 1286: 1269: 1268: 1266: 1265: 1260: 1255: 1250: 1245: 1240: 1235: 1230: 1224: 1222: 1218: 1217: 1215: 1214: 1209: 1204: 1199: 1193: 1191: 1187: 1186: 1184: 1183: 1178: 1172: 1170: 1166: 1165: 1162: 1161: 1159: 1158: 1153: 1151:Marthe Richard 1148: 1146:Suzanne Muzard 1143: 1138: 1136:Jamila M'Barek 1133: 1128: 1123: 1118: 1113: 1107: 1105: 1101: 1100: 1098: 1097: 1092: 1087: 1082: 1076: 1074: 1070: 1069: 1067: 1066: 1061: 1056: 1051: 1046: 1044:Liane de Pougy 1041: 1036: 1031: 1026: 1021: 1016: 1011: 1006: 1001: 996: 991: 986: 981: 976: 971: 966: 961: 956: 951: 946: 941: 939:Marion Delorme 936: 931: 926: 921: 916: 911: 905: 903: 899: 898: 896: 895: 890: 885: 879: 877: 873: 872: 870: 869: 864: 858: 856: 849: 845: 844: 842: 841: 835: 833: 829: 828: 826: 825: 820: 815: 810: 808:Maison Souquet 805: 800: 798:Lanterne Verte 795: 790: 785: 780: 775: 769: 767: 763: 762: 760: 759: 754: 749: 744: 739: 733: 731: 727: 726: 719: 718: 711: 704: 696: 676:Chisholm, Hugh 657: 656: 650:(Steegmuller, 635: 630:New York Times 620: 607: 598: 585: 568: 547: 533:La petite loge 524: 515: 506: 493: 484: 471: 457: 455: 452: 451: 450: 448:Women in dance 443: 440: 432:Gaetano Merchi 408: 405: 396: 393: 367:in the latest 350:Roman Catholic 334:Main article: 331: 328: 308:attributed to 265: 262: 241: 238: 234:Sophie Arnould 175: 172: 163: 160: 127: 126: 123: 119: 118: 107: 103: 102: 91: 87: 82: 81: 79: 75: 74: 68: 66:(aged 72) 60: 56: 55: 46: 42: 38: 37: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 1331: 1320: 1317: 1315: 1312: 1310: 1307: 1305: 1302: 1300: 1297: 1295: 1292: 1290: 1287: 1285: 1282: 1281: 1279: 1264: 1261: 1259: 1256: 1254: 1251: 1249: 1246: 1244: 1241: 1239: 1236: 1234: 1231: 1229: 1226: 1225: 1223: 1219: 1213: 1210: 1208: 1205: 1203: 1200: 1198: 1195: 1194: 1192: 1188: 1182: 1179: 1177: 1174: 1173: 1171: 1169:Organisations 1167: 1157: 1154: 1152: 1149: 1147: 1144: 1142: 1139: 1137: 1134: 1132: 1129: 1127: 1124: 1122: 1119: 1117: 1114: 1112: 1109: 1108: 1106: 1102: 1096: 1093: 1091: 1088: 1086: 1083: 1081: 1078: 1077: 1075: 1071: 1065: 1062: 1060: 1057: 1055: 1052: 1050: 1047: 1045: 1042: 1040: 1037: 1035: 1034:Justine Paris 1032: 1030: 1027: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1005: 1002: 1000: 997: 995: 992: 990: 987: 985: 982: 980: 977: 975: 972: 970: 967: 965: 964:Rosalie DuthĂ© 962: 960: 957: 955: 952: 950: 947: 945: 942: 940: 937: 935: 932: 930: 927: 925: 922: 920: 917: 915: 912: 910: 907: 906: 904: 900: 894: 893:Justine Paris 891: 889: 886: 884: 883:Madame Claude 881: 880: 878: 874: 868: 865: 863: 860: 859: 857: 853: 850: 846: 840: 837: 836: 834: 830: 824: 821: 819: 816: 814: 811: 809: 806: 804: 801: 799: 796: 794: 791: 789: 786: 784: 781: 779: 776: 774: 771: 770: 768: 764: 758: 755: 753: 750: 748: 745: 743: 740: 738: 735: 734: 732: 728: 724: 717: 712: 710: 705: 703: 698: 697: 694: 690: 687: 686: 681: 677: 672: 671:public domain 653: 649: 645: 639: 633: 631: 624: 617: 611: 602: 595: 589: 582: 578: 572: 565: 564: 559: 558: 551: 544: 543: 538: 534: 528: 519: 510: 503: 497: 488: 481: 475: 468: 462: 458: 449: 446: 445: 439: 437: 433: 429: 425: 421: 420:Louvre Museum 416: 414: 404: 402: 392: 390: 385: 381: 380: 374: 370: 366: 362: 358: 357:hĂ´tel Guimard 354: 351: 342: 337: 336:HĂ´tel Guimard 330:HĂ´tel Guimard 327: 324: 322: 318: 313: 311: 307: 306: 301: 297: 293: 288: 286: 285: 282:Proverbes of 279: 275: 271: 261: 259: 255: 251: 247: 237: 235: 231: 227: 223: 219: 215: 211: 206: 204: 199: 197: 193: 185: 180: 171: 169: 159: 157: 153: 149: 145: 141: 137: 133: 124: 120: 117: 113: 108: 104: 85: 80: 76: 72: 61: 57: 53: 49: 43: 39: 32: 27: 20: 1080:Paul Carbone 1009:MĂ©ry Laurent 988: 783:Le Chabanais 683: 660: 651: 644:Everett Fahy 642:Reported by 638: 629: 623: 615: 610: 601: 593: 588: 577:Mme du Barry 571: 561: 555: 550: 540: 532: 527: 518: 509: 501: 496: 487: 479: 474: 466: 461: 424:illustration 423: 417: 410: 398: 388: 378: 363:designed by 347: 325: 314: 303: 300:Mme Geoffrin 295: 291: 289: 281: 277: 267: 257: 253: 243: 225: 207: 200: 189: 186:, 1773-1775) 166:She was the 165: 131: 130: 64:(1816-05-04) 1289:1816 deaths 1284:1743 births 1116:Zahia Dehar 1104:Prostitutes 1019:LĂ©onie LĂ©on 813:One-Two-Two 384:Terpsichore 317:Baron Grimm 284:Carmontelle 203:TerpsichorĂ© 144:Paris Opera 1278:Categories 1121:Jean Genet 902:Courtesans 583:, however. 478:P. Migel, 395:Later life 310:Bachaumont 226:petits pas 168:love child 156:d'Alembert 62:4 May 1816 855:Activists 823:Le Sphinx 803:Le Fourcy 557:boiseries 438:, Paris. 373:Fragonard 260:a month. 240:Courtesan 218:petticoat 162:Biography 140:Louis XVI 136:ballerina 1029:La PaĂŻva 766:Brothels 730:Overview 596:, 1990). 539:for the 442:See also 377:Grimm's 122:Children 106:Partners 673::  618:, 1992. 482:, 1972. 359:in the 194:of the 154:, when 100:​ 92:​ 88:​ 69:Paris, 848:People 667:  407:Legacy 270:Pantin 210:ballet 174:Dancer 78:Spouse 71:France 1221:Other 1073:Pimps 454:Notes 296:salon 274:CollĂ© 109:Leger 94:( 90: 48:Paris 258:Ă©cus 252:, a 214:mime 59:Died 41:Born 832:Law 682:". 646:to 579:'s 535:by 298:of 276:'s 1280:: 312:. 198:. 96:m. 50:, 715:e 708:t 701:v 422:( 125:2

Index


Paris
Kingdom of France
France
Jean-Étienne Despréaux
Jean-Benjamin de La Borde
Charles de Rohan
ballerina
Louis XVI
Paris Opera
Prince of Soubise
Edmond de Goncourt
d'Alembert
love child

Jacques-Louis David
corps de ballet
Comédie-Française
Terpsichoré
ballet
mime
petticoat
Mme Vigée-Lebrun
Jean-Georges Noverre
Sophie Arnould
Jean-Benjamin de La Borde
Charles de Rohan, Prince de Soubise
Pantin
Collé
Carmontelle

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑