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Marxist literary criticism

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123: 2590:, where Xun describes his ''ill tempered'' experience within the capital Peking (pinyin Beijing) during the winter of 1917; he begins by talking about how an old woman who is dressed in ''ragged clothing'' got caught in the shaft due to the strong winds ''fluttering'' her ''unbuttoned and tattered jacket''. Xun describes how he felt ''disgusted'' and in disbelief that the old woman who was laying on the ground was helped by the rickshaw man; he believed that the old woman was ''acting injured'' to gain sympathy and help from the rickshaw man. Towards the end of the incident, in an attempt to quench his feelings of shame and guilt, he gives the policeman a ''handful of coppers'' to be given to the rickshaw man as a form of ''reward'' for his Samaritan behavior. Xun's attitude towards the old woman and the rickshaw man is representative of the classist bourgeois view towards the proletariat who are the ''old woman and the rickshaw man'' in this case; an apathetic and selfish attitude towards people in distress. 2448:(1848), argues that 'the history of all hitherto existing societies is the history of class struggles'. As class struggle is the engine room of history, to understand the course of history, one must analyse the class relations that typify different historical epochs, the antagonisms, and forms of class struggle embodied in such class relations. This involves the development of class consciousness and follows the revolutionary movements that challenge the dominant classes. It extends to rating the success of these revolutions in developing new 2534: 2525:, where works focused on the lives of the different classes. In the years since then, the beliefs of some Marxist schools regarding literary theory have been modified to acknowledge that literary creation is a result of both subjective inspiration and the objective influence of the writer's surroundings. This system of belief relies on the social classes as well as the economic and political development of society. Thus, Marx's theories intertwined with the emerging ideologies of the new Russian movement and spread throughout the world. 2408:, the value produced by the worker that the capitalists appropriate; however, the working class must realize that they are being exploited not only as individuals but as a class. It is upon this realization that the working class reaches class consciousness). Marx believed that all history is a struggle between hostile and competing economic classes in a state of change. Marx and Engels collaborated to produce a range of publications based on capitalism, class struggles, and socialist movements. 2244: 159: 3226: 24: 2268: 2256: 2586:"Karl Marx's sociological explanation of social conflict is one of the most powerful explanations, he has put forward that the notion of a class struggle between the proletariat and the bourgeoisie, is inevitable within a capitalist system. The brewing social conflict amongst classes is well represented within Lu Xun's 2556:
The viewpoint of Marxists toward literary works is that they are not "works created according to a perpetual artistic standard, but as "consequences" of economic and ideological factors that are specific to that time period". Critiquing literary work in the perspective of a Marxist involves asking
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defines Marxist criticism this way: "Marxist criticism is not merely a 'sociology of literature', concerned with how novels get published and whether they mention the working class. Its aims to explain the literary work more fully; and this means a sensitive attention to its forms, styles and,
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states that "the mode of production of material life determines altogether the social, political, and intellectual life process. It is not the consciousness of men that determines their being, but on the contrary their social being, that determines their consciousness." Put simply, the social
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It is through the theories of class struggle, politics, and economics that Marxist literary criticism emerged. The thought behind Marxist criticism is that works of literature are mere products of history that can be analyzed by looking at the social and material conditions in which they were
2368:. In such a society, the means of production (the base in the architectural metaphor Marx uses to analyze and describe the structure of any given society in written human history) are possessed in common by all people rather than being owned by an elite ruling class. Marx believed that 2404:. (In Marx's thought, it is only the proletariat, the working class, that must achieve class consciousness. The bourgeoisie is already quite well aware of its position and power in the capitalist paradigm. As individuals, workers know that they are being exploited in order to produce 2483:
was less concerned with forecasting how capitalism would be overthrown, than considering how it had developed and how it functioned. The key to understanding this logic was the 'commodity form of social relations – a form that was most fully developed only in capitalism.
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of any given society. Therefore, literary texts reflect the economic base rather than "the social institutions from which they originate" for all social institutions, or more precisely human–social relationships, are in the final analysis determined by the economic base.
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argues that society's economic organization consists of a distinctive pattern of forces and relations of productions. From this foundation arises a complex political and ideological superstructure, where economic development impacts societal progress.
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was accepted as the highest form of literature – a theory based on an art movement that depicted and glorified the proletariat's struggle towards societal progress. These ideas guided both literary creation and official literary criticism in the
2467:(1867) focus on the unfolding logic of a system, rather than class struggle. These provide an alternative account of historical development and emphasize the self-destructive contradictions and law of motion of specific modes of production. 2478:
was more concerned with the genesis and dynamic of capitalism. As Mclellan (1971) states, "it refers to class struggle mainly in the context of the struggle between capital and labor, within capitalism, rather than over its suppression."
2326:. Marxist critics argue that even art and literature themselves form social institutions and have specific ideological functions, based on the background and ideology of their authors. The English literary critic and cultural theorist 2577:
Ultimately, the core foundation of Marxist critique is established on these questions since Marx once said that "the writer may very well serve a movement of history as its mouthpiece, but he cannot of course create it".
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meanings. But it also means grasping those forms styles and meanings as the product of a particular history." In Marxist criticism, class struggle and relations of production are the central instruments in analysis.
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and class struggle were the three principles that explained his theories. (Though Marx does attribute a teleological function to the economic, he is no determinist. As he and
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Most Marxist critics who were writing in what could chronologically be specified as the early period of Marxist literary criticism, subscribed to what has come to be called "
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in the mid-nineteenth century, it was not until the 1920s that Marxist literary theory was systematized. The greatest impetus for this standardization came after the
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situation of the author determines the types of characters that will develop, the political ideas displayed and the economical statements developed in the text.
2423: 2392:, "Capitalism can be used to build socialism, but there is no sense in which the whole historical process is secretly laboring towards this goal.") The 2400:(subordinate class: ones who do not own and control the means of production) were the only two classes who engaged in hostile interaction to achieve 2684:
Quoted Marx – W Duiker & J Spielvogel, The Essential World History, vol, II: since 1500, 3rd ed, Thomson Higher Education, Belmont, 2008, p. 428
2828: 2654: 1691: 2360:'s studies have provided a basis for much in socialist theory and research. Marxism aims to revolutionize the concept of work through creating a 550: 2516:
of 1917 in Russia. The event instigated a change in belief around socialist ideals in government and society. While these ideals developed,
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Duiker, W & Spielvogel, J, The Essential World History, vol, II: since 1500, 3rd ed, Thomson Higher Education, Belmont, 2008.
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How is oppression discussed by the work; are impeding issues in society brushed aside or are they condemned elsewhere?
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I McIntosh, Classical Sociological Theory: A Reader, Edinburgh University Press, Great Britain, 1997, p. 73
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Does the work advocate for Marxist values (whether implicitly or explicitly) or does the work oppose them?
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Are there any proposed idealistic answers to the issues faced in the literary work?
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T Eagleton, Marxism and Literary Criticism, Berkeley, U of California P, 1976
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K Siegel, 'Introduction to Modern Literary Theory', viewed 15 March 2011,
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D Mclellan, The Thought of Karl Marx, Macmillan Press, London, 1971, p. 42
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These theories and ideologies can be found within three published works:
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R Stones, Key Sociological Thinkers, Macmillan Press, London, 1998, p. 24
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Preface to the Contribution to the Critique of Political Economy
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Preface to the Contribution to the Critique of Political Economy
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Their Morals and Ours: The class foundations of moral practice
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How do the protagonists/characters fight against oppression?
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An Introduction to the Three Volumes of Karl Marx's Capital
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The Origin of the Family, Private Property and the State
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Journal of Teaching and Research in English Literature
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The collected works of Karl Marx and Friedrich Engels
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What is the role of class in the said literary work?
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Richards 3703: 3701:Virginia Woolf 3698: 3693: 3688: 3683: 3681:Irving Babbitt 3678: 3673: 3668: 3663: 3658: 3653: 3648: 3643: 3638: 3633: 3628: 3623: 3618: 3613: 3608: 3606:Anatole France 3603: 3598: 3593: 3588: 3583: 3578: 3573: 3568: 3566:Matthew Arnold 3563: 3558: 3553: 3548: 3543: 3538: 3536:Thomas Carlyle 3533: 3528: 3523: 3518: 3513: 3508: 3503: 3498: 3493: 3488: 3483: 3478: 3473: 3468: 3463: 3458: 3453: 3448: 3443: 3438: 3433: 3428: 3423: 3421:Samuel Johnson 3418: 3413: 3408: 3403: 3401:Joseph Addison 3398: 3396:Alexander Pope 3393: 3388: 3383: 3378: 3373: 3368: 3363: 3361:Henry Reynolds 3358: 3353: 3351:Torquato Tasso 3348: 3346:Jacopo Mazzoni 3343: 3338: 3333: 3331:Wang Changling 3328: 3323: 3318: 3313: 3311:Anandavardhana 3308: 3303: 3298: 3293: 3288: 3283: 3278: 3273: 3268: 3263: 3258: 3253: 3248: 3243: 3237: 3235: 3231: 3230: 3223: 3221: 3219: 3218: 3213: 3208: 3203: 3198: 3193: 3188: 3183: 3178: 3173: 3168: 3163: 3158: 3153: 3148: 3143: 3138: 3133: 3131:Deconstruction 3128: 3123: 3118: 3116:Chicago school 3113: 3108: 3102: 3100: 3094: 3093: 3086: 3085: 3078: 3071: 3063: 3057: 3056: 3048: 3040: 3030: 3029:External links 3027: 3026: 3025: 3022:978-1608461387 3010: 3002: 2994: 2991: 2976: 2973: 2972: 2971: 2964: 2957: 2950: 2943: 2936: 2926: 2917: 2910: 2907: 2902:Austen, Jane. 2898: 2895: 2893: 2892: 2867: 2852: 2834: 2814:978-0717805068 2813: 2795: 2789:978-0155054523 2788: 2770: 2761: 2752: 2743: 2731: 2722: 2713: 2704: 2695: 2686: 2677: 2660: 2631: 2621: 2619: 2616: 2615: 2614: 2607: 2602: 2595: 2592: 2583: 2580: 2575: 2574: 2571: 2568: 2565: 2562: 2553: 2550: 2530: 2527: 2505: 2502: 2489: 2486: 2442: 2441: 2429: 2421: 2354: 2351: 2341:superstructure 2336:vulgar Marxism 2328:Terry Eagleton 2307: 2306: 2304: 2303: 2296: 2289: 2281: 2278: 2277: 2276: 2275: 2263: 2251: 2239: 2231: 2230: 2227: 2226: 2221: 2216: 2215: 2214: 2207:Vulgar Marxism 2204: 2199: 2194: 2193: 2192: 2187: 2182: 2177: 2172: 2167: 2162: 2152: 2147: 2142: 2141: 2140: 2135: 2125: 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K. Wimsatt 3754: 3752: 3749: 3747: 3746:Kenneth Burke 3744: 3742: 3739: 3737: 3736:György Lukács 3734: 3732: 3731:Jacques Lacan 3729: 3727: 3724: 3722: 3719: 3717: 3714: 3712: 3709: 3707: 3704: 3702: 3699: 3697: 3694: 3692: 3689: 3687: 3684: 3682: 3679: 3677: 3674: 3672: 3669: 3667: 3664: 3662: 3659: 3657: 3654: 3652: 3649: 3647: 3646:Sigmund Freud 3644: 3642: 3641:A. C. Bradley 3639: 3637: 3634: 3632: 3629: 3627: 3624: 3622: 3619: 3617: 3614: 3612: 3609: 3607: 3604: 3602: 3599: 3597: 3594: 3592: 3589: 3587: 3584: 3582: 3579: 3577: 3574: 3572: 3569: 3567: 3564: 3562: 3559: 3557: 3554: 3552: 3549: 3547: 3544: 3542: 3539: 3537: 3534: 3532: 3529: 3527: 3524: 3522: 3519: 3517: 3514: 3512: 3509: 3507: 3504: 3502: 3499: 3497: 3494: 3492: 3489: 3487: 3484: 3482: 3479: 3477: 3474: 3472: 3469: 3467: 3464: 3462: 3459: 3457: 3456:William Blake 3454: 3452: 3449: 3447: 3446:Immanuel Kant 3444: 3442: 3441:Denis Diderot 3439: 3437: 3434: 3432: 3429: 3427: 3424: 3422: 3419: 3417: 3414: 3412: 3409: 3407: 3404: 3402: 3399: 3397: 3394: 3392: 3389: 3387: 3384: 3382: 3379: 3377: 3374: 3372: 3369: 3367: 3366:Thomas Hobbes 3364: 3362: 3359: 3357: 3356:Francis Bacon 3354: 3352: 3349: 3347: 3344: 3342: 3341:Philip Sidney 3339: 3337: 3334: 3332: 3329: 3327: 3324: 3322: 3319: 3317: 3314: 3312: 3309: 3307: 3304: 3302: 3299: 3297: 3294: 3292: 3289: 3287: 3284: 3282: 3279: 3277: 3274: 3272: 3269: 3267: 3266:St. Augustine 3264: 3262: 3259: 3257: 3254: 3252: 3249: 3247: 3244: 3242: 3239: 3238: 3236: 3232: 3227: 3217: 3214: 3212: 3209: 3207: 3204: 3202: 3199: 3197: 3194: 3192: 3189: 3187: 3184: 3182: 3179: 3177: 3174: 3172: 3169: 3167: 3166:New Criticism 3164: 3162: 3159: 3157: 3154: 3152: 3149: 3147: 3144: 3142: 3139: 3137: 3134: 3132: 3129: 3127: 3124: 3122: 3119: 3117: 3114: 3112: 3109: 3107: 3104: 3103: 3101: 3099: 3095: 3091: 3084: 3079: 3077: 3072: 3070: 3065: 3064: 3061: 3054: 3053: 3049: 3046: 3045: 3041: 3038: 3037: 3033: 3032: 3023: 3019: 3015: 3011: 3008: 3007: 3003: 3000: 2999: 2995: 2992: 2989: 2985: 2984: 2979: 2978: 2969: 2965: 2962: 2958: 2955: 2952:Mclellan, D, 2951: 2948: 2945:McIntosh, I, 2944: 2942:Norton, 2013. 2941: 2937: 2934: 2930: 2927: 2924: 2923: 2918: 2915: 2911: 2908: 2905: 2901: 2900: 2881: 2877: 2876:"An Incident" 2871: 2863: 2859: 2855: 2853:0-470-15123-4 2849: 2845: 2838: 2830: 2824: 2816: 2810: 2806: 2799: 2791: 2785: 2781: 2774: 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William Shakespeare
a series
Marxism
Karl Marx and Friedrich Engels
Theoretical works
Economic and Philosophic Manuscripts of 1844
The Condition of the Working Class in England
The German Ideology
The Communist Manifesto
The Eighteenth Brumaire of Louis Bonaparte
Grundrisse
Capital
Critique of the Gotha Programme
Dialectics of Nature
The Origin of the Family, Private Property and the State
What Is to Be Done?
The Accumulation of Capital
Philosophical Notebooks

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