29:
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278:. Moog Music wisely included a discrete implementation of its famed, patented transistor ladder filter, which was first introduced in the Moog Modular systems of the 1960s and subsequently came into widespread prominence in the Minimoog. In Mono mode, the Memorymoog functions as a traditional monophonic synthesizer with 1–18 oscillators selectable in unison for powerful
337:
MIDI/Sequencer package was also available from Moog Music as a field or factory retrofit for original "non-Plus" Memorymoogs. Much discussion has centered around the comparative playability and sonic differences between the Plus and Non-Plus
Memorymoogs; notably, some Non-Plus owners insist that the original units are superior to the Plus model, as the on-board
394:
As part of the idea behind the LAMM is to pre-empt any hardware issues that might arise over time, the upgrade has been expanded dramatically over the years, as experience with failing components has led to their being added to the standard replacement list. A LAMM upgrade from 1992, or even 2005, is
371:, an extensive rebuild of the original hardware and software of both stock Memorymoog versions, with claims of far greater reliability and tuning stability, achieved mainly through replacement of critical voice card components, the notoriously failure-prone multi-pin connectors, and many other parts.
316:
Due to its complex analog architecture, the
Memorymoog has been historically prone to certain reliability problems, and subsequently developed a reputation for non-roadworthiness. However, several factory updates - most notably the AutoTune Upgrade, which increases the "capture range" of the autotune
317:
circuit, allowing the instrument to tune itself more successfully – have made the
Memorymoog a far more reliable instrument. Physically, the Memorymoog was extremely well constructed utilizing solid walnut cabinetry – again a nod to its Minimoog heritage - and brushed aluminum front/rear panels.
286:. The user may also specify any combination of Low-, Latest- or High-Note Priority keying and Single or Multiple Triggering, for an impressive degree of control. A Chord Memory function (for single key, parallel chord "planing" effects) and an Arpeggiator are also included, while an independent
336:
interface – making it amongst the very first electronic instruments to include a MIDI implementation – and a basic polyphonic and monophonic sequencer, the latter of which is used to control an externally interfaced monophonic synthesizer (via rear panel CV/gate/trigger jacks). The "Plus"
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of each VCO frequency, oscillator pulse width and filter cutoff frequency in any combination. Further, as on the
Minimoog, VCO-3 can also be used as a Low- or Audio-Frequency modulation source. With careful programming, audio frequency modulation using Oscillator 3 can produce convincing
378:
Note On/Off and
Program Change in their original MIDI implementation, allowing the LAMM to respond to key velocity when controlled via MIDI. It further adds full MIDI control of virtually all front-panel controls, as well as MIDI sync for the arpeggiator and new arpeggiator modes.
307:
used in the
Minimoog and Modular units. With 18 oscillators, 6 voices, the Moog VCF and subtle on-board overdrive via the Mixer section, the instrument has a massive sound all its own and is capable of dominating the mix in which it is used.
391:
Since
Lintronics replaces the entire CPU with a newer part and adds a new operating system, this obviates any concerns regarding perceived higher latency of Plus models over the original version.
348:
at the request of David VanKoevering, a longtime friend of Robert Moog and a Moog Music marketing evangelist. The
Sanctuary was marketed to churches and Christian music groups.
258:
technology, the 6-voice
Memorymoog was the first polyphonic Moog to feature dedicated oscillators and filters for each voice. It is often described architecturally as six
573:
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microprocessor reportedly has difficulty keeping up with the added demands of the MIDI/Sequencer circuitry, resulting in discernible latency and attack smearing.
28:
374:
This upgrade also introduces a significantly improved MIDI implementation over the original MIDI-capable version, the
Memorymoog Plus, which included
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74:
242:, the Memorymoog distinguished itself with an additional, 3rd audio oscillator per voice and greater preset storage capacity.
639:
385:
New 1/4” jacks are fitted for audio input to the filter and stereo outputs with fixed panning for each of the six voices.
398:
As of 2020, the LAMM upgrade included replacement of over 1700 parts and required ca. eight weeks of workshop time.
892:
497:
263:
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from 1982 to 1985, the last polyphonic synthesizer to be released by Moog Music before the company declared
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882:
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pseudo-acoustic and FM-like timbres typically not associated with analog subtractive synthesis.
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in 1987. While comparable to other polyphonic synthesizers of the time period, such as the
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that can be set to any combination of pulse (variable width), saw, and triangle
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Shortly after its initial release of the Memorymoog, Moog Music introduced the
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in association with the then Bob Moog-owned company Big Briar, introduced the
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The sequencer is removed from the stock Memorymoog Plus during this upgrade.
201:, foot pedal & foot switch inputs, Program Chaining, Cassette Interface,
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The Memorymoog uses Curtis CEM 3340 IC's as opposed to the discrete Moog
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used the Memorymoog for much of his early work on the television series
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initial range. Each voice also has its own 24 dB/Octave Low Pass
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in one unit. Each of the six voices of the Memorymoog is made up of 3
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no (possible with aftermarket Lintronics Advanced Memorymoog upgrade)
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Moog also produced about 100 Memorymoogs re-branded with the name
808:
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used a Memorymoog during the recording of their second album,
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on their second album Alpha and the subsequent tour in 1983.
574:"Musique. Space Art, pionniers de l'electro à la française"
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It also adds the ability to mix the various LFO waveforms.
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202:
576:[Music. Space Art, pioneers of French electro].
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as a replacement. The Plus featured a factory-installed
254:
synthesizer (1975) featured unlimited polyphony via
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100 patches, volatile (3.3v lithium battery backup)
290:with 5 non-mixable waveforms allows simultaneous
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395:thus not comparable to one performed in 2015.
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99:18 VCOs (3 per voice) + Pink Noise (Digital)
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626:
565:
27:
562:Source: Rudi Linhard, owner of Lintronics
540:"Synthmuseum.com - Moog: Moog Sanctuary"
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875:
572:Richard, Philippe (29 November 2016).
621:
608:Memorymoog at Vintage Synth Explorer
13:
14:
904:
596:
776:
498:List of Moog synthesizer players
473:throughout the early - mid 80s.
401:
365:Lintronics Advanced Memory Moog
647:
556:
532:
510:
264:voltage-controlled oscillators
1:
603:Memorymoog at Synthmuseum.com
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270:and freely switched over a 4–
190:Pitch & Modulation wheels
16:Polyphonic analog synthesizer
356:In 1992, the German company
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524:. June 1996. Archived from
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276:voltage-controlled filter
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613:Memorymoog at Memorymoog
69:Technical specifications
893:Polyphonic synthesizers
412:Trip in the Centre Head
456:studio and on stage.
528:on 15 September 2014.
888:Analog synthesizers
463:from 1982 to 1985.
233:Sequential Circuits
143:Velocity expression
442:on his solo album
250:While the earlier
883:Moog synthesizers
870:
869:
768:Moog Werkstatt-Ø1
518:"Moog Memorymoog"
219:electronic music
209:
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205:(on “Plus” model)
187:Left-hand control
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683:Concertmate MG-1
673:Minimoog Voyager
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483:Moog synthesizer
330:(or Memorymoog+)
223:manufactured by
195:External control
122:One 24dB/octave
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544:synthmuseum.com
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459:Jim Gilmore of
445:Before I Forget
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327:Memorymoog Plus
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597:External links
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522:Sound On Sound
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240:Oberheim OB-Xa
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104:Synthesis type
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823:Effects units
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693:Little Phatty
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402:Notable users
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830:Moogerfooger
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656:Synthesizers
582:. Retrieved
578:Ouest France
577:
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547:. Retrieved
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526:the original
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512:
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430:Geoff Downes
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172:Input/output
40:Manufacturer
862:Robert Moog
743:Slim Phatty
688:Grandmother
580:(in French)
488:Robert Moog
467:David Bryan
454:Deep Purple
406:French duo
305:oscillators
256:divide-down
221:synthesizer
132:Aftertouch
111:Subtractive
877:Categories
793:Liberation
698:Memorymoog
649:Moog Music
549:2018-05-02
504:References
493:Moog Music
450:Whitesnake
423:Miami Vice
418:Jan Hammer
358:Lintronics
292:modulation
229:bankruptcy
225:Moog Music
217:polyphonic
213:Memorymoog
134:expression
95:Oscillator
89:Homogenous
85:Timbrality
45:Moog Music
33:Memorymoog
22:Memorymoog
763:Theremini
748:Sonic Six
733:Satellite
708:Multimoog
703:Mother-32
678:Micromoog
408:Space Art
346:Sanctuary
339:Zilog Z80
284:basslines
268:waveforms
260:Minimoogs
236:Prophet-5
127:per voice
75:Polyphony
62:US$ 4,795
814:Model 15
802:Software
713:Polymoog
668:Minimoog
584:28 April
477:See also
471:Bon Jovi
440:Jon Lord
367:upgrade
352:Upgrades
321:Versions
252:Polymoog
246:Overview
178:Keyboard
125:low-pass
79:6 voices
64:UK£3,675
839:Guitars
809:Animoog
786:Keytars
723:Prodigy
663:Modular
448:, with
299:Voicing
199:CV/Gate
182:61 keys
163:Effects
152:Storage
54:1982–85
855:People
846:Guitar
758:Taurus
753:Sub 37
738:Source
718:Opus 3
369:(LAMM)
312:In use
272:octave
154:memory
118:Filter
108:Analog
728:Rogue
280:leads
215:is a
59:Price
51:Dates
586:2021
461:Saga
452:and
434:Asia
376:only
334:MIDI
282:and
238:and
211:The
203:MIDI
167:none
469:of
432:of
288:LFO
879::
542:.
520:.
426:.
414:.
360:,
138:no
641:e
634:t
627:v
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552:.
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