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Memorymoog

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29: 778: 278:. Moog Music wisely included a discrete implementation of its famed, patented transistor ladder filter, which was first introduced in the Moog Modular systems of the 1960s and subsequently came into widespread prominence in the Minimoog. In Mono mode, the Memorymoog functions as a traditional monophonic synthesizer with 1–18 oscillators selectable in unison for powerful 337:
MIDI/Sequencer package was also available from Moog Music as a field or factory retrofit for original "non-Plus" Memorymoogs. Much discussion has centered around the comparative playability and sonic differences between the Plus and Non-Plus Memorymoogs; notably, some Non-Plus owners insist that the original units are superior to the Plus model, as the on-board
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As part of the idea behind the LAMM is to pre-empt any hardware issues that might arise over time, the upgrade has been expanded dramatically over the years, as experience with failing components has led to their being added to the standard replacement list. A LAMM upgrade from 1992, or even 2005, is
371:, an extensive rebuild of the original hardware and software of both stock Memorymoog versions, with claims of far greater reliability and tuning stability, achieved mainly through replacement of critical voice card components, the notoriously failure-prone multi-pin connectors, and many other parts. 316:
Due to its complex analog architecture, the Memorymoog has been historically prone to certain reliability problems, and subsequently developed a reputation for non-roadworthiness. However, several factory updates - most notably the AutoTune Upgrade, which increases the "capture range" of the autotune
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circuit, allowing the instrument to tune itself more successfully – have made the Memorymoog a far more reliable instrument. Physically, the Memorymoog was extremely well constructed utilizing solid walnut cabinetry – again a nod to its Minimoog heritage - and brushed aluminum front/rear panels.
286:. The user may also specify any combination of Low-, Latest- or High-Note Priority keying and Single or Multiple Triggering, for an impressive degree of control. A Chord Memory function (for single key, parallel chord "planing" effects) and an Arpeggiator are also included, while an independent 336:
interface – making it amongst the very first electronic instruments to include a MIDI implementation – and a basic polyphonic and monophonic sequencer, the latter of which is used to control an externally interfaced monophonic synthesizer (via rear panel CV/gate/trigger jacks). The "Plus"
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of each VCO frequency, oscillator pulse width and filter cutoff frequency in any combination. Further, as on the Minimoog, VCO-3 can also be used as a Low- or Audio-Frequency modulation source. With careful programming, audio frequency modulation using Oscillator 3 can produce convincing
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Note On/Off and Program Change in their original MIDI implementation, allowing the LAMM to respond to key velocity when controlled via MIDI. It further adds full MIDI control of virtually all front-panel controls, as well as MIDI sync for the arpeggiator and new arpeggiator modes.
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used in the Minimoog and Modular units. With 18 oscillators, 6 voices, the Moog VCF and subtle on-board overdrive via the Mixer section, the instrument has a massive sound all its own and is capable of dominating the mix in which it is used.
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Since Lintronics replaces the entire CPU with a newer part and adds a new operating system, this obviates any concerns regarding perceived higher latency of Plus models over the original version.
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at the request of David VanKoevering, a longtime friend of Robert Moog and a Moog Music marketing evangelist. The Sanctuary was marketed to churches and Christian music groups.
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technology, the 6-voice Memorymoog was the first polyphonic Moog to feature dedicated oscillators and filters for each voice. It is often described architecturally as six
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microprocessor reportedly has difficulty keeping up with the added demands of the MIDI/Sequencer circuitry, resulting in discernible latency and attack smearing.
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This upgrade also introduces a significantly improved MIDI implementation over the original MIDI-capable version, the Memorymoog Plus, which included
517: 74: 242:, the Memorymoog distinguished itself with an additional, 3rd audio oscillator per voice and greater preset storage capacity. 639: 385:
New 1/4” jacks are fitted for audio input to the filter and stereo outputs with fixed panning for each of the six voices.
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As of 2020, the LAMM upgrade included replacement of over 1700 parts and required ca. eight weeks of workshop time.
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from 1982 to 1985, the last polyphonic synthesizer to be released by Moog Music before the company declared
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pseudo-acoustic and FM-like timbres typically not associated with analog subtractive synthesis.
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in 1987. While comparable to other polyphonic synthesizers of the time period, such as the
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that can be set to any combination of pulse (variable width), saw, and triangle
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Shortly after its initial release of the Memorymoog, Moog Music introduced the
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in association with the then Bob Moog-owned company Big Briar, introduced the
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The sequencer is removed from the stock Memorymoog Plus during this upgrade.
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The Memorymoog uses Curtis CEM 3340 IC's as opposed to the discrete Moog
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used the Memorymoog for much of his early work on the television series
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initial range. Each voice also has its own 24 dB/Octave Low Pass
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in one unit. Each of the six voices of the Memorymoog is made up of 3
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no (possible with aftermarket Lintronics Advanced Memorymoog upgrade)
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Moog also produced about 100 Memorymoogs re-branded with the name
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used a Memorymoog during the recording of their second album,
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on their second album Alpha and the subsequent tour in 1983.
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It also adds the ability to mix the various LFO waveforms.
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as a replacement. The Plus featured a factory-installed
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synthesizer (1975) featured unlimited polyphony via
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100 patches, volatile (3.3v lithium battery backup)
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Retrieved 543: 534: 526:the original 521: 512: 465: 458: 444: 438: 430:Geoff Downes 428: 421: 416: 411: 405: 397: 393: 390: 387: 384: 381: 375: 373: 368: 364: 357: 355: 345: 343: 329: 326: 324: 315: 302: 249: 212: 210: 172:Input/output 40:Manufacturer 862:Robert Moog 743:Slim Phatty 688:Grandmother 580:(in French) 488:Robert Moog 467:David Bryan 454:Deep Purple 406:French duo 305:oscillators 256:divide-down 221:synthesizer 132:Aftertouch 111:Subtractive 877:Categories 793:Liberation 698:Memorymoog 649:Moog Music 549:2018-05-02 504:References 493:Moog Music 450:Whitesnake 423:Miami Vice 418:Jan Hammer 358:Lintronics 292:modulation 229:bankruptcy 225:Moog Music 217:polyphonic 213:Memorymoog 134:expression 95:Oscillator 89:Homogenous 85:Timbrality 45:Moog Music 33:Memorymoog 22:Memorymoog 763:Theremini 748:Sonic Six 733:Satellite 708:Multimoog 703:Mother-32 678:Micromoog 408:Space Art 346:Sanctuary 339:Zilog Z80 284:basslines 268:waveforms 260:Minimoogs 236:Prophet-5 127:per voice 75:Polyphony 62:US$ 4,795 814:Model 15 802:Software 713:Polymoog 668:Minimoog 584:28 April 477:See also 471:Bon Jovi 440:Jon Lord 367:upgrade 352:Upgrades 321:Versions 252:Polymoog 246:Overview 178:Keyboard 125:low-pass 79:6 voices 64:UK£3,675 839:Guitars 809:Animoog 786:Keytars 723:Prodigy 663:Modular 448:, with 299:Voicing 199:CV/Gate 182:61 keys 163:Effects 152:Storage 54:1982–85 855:People 846:Guitar 758:Taurus 753:Sub 37 738:Source 718:Opus 3 369:(LAMM) 312:In use 272:octave 154:memory 118:Filter 108:Analog 728:Rogue 280:leads 215:is a 59:Price 51:Dates 586:2021 461:Saga 452:and 434:Asia 376:only 334:MIDI 282:and 238:and 211:The 203:MIDI 167:none 469:of 432:of 288:LFO 879:: 542:. 520:. 426:. 414:. 360:, 138:no 641:e 634:t 627:v 588:. 552:.

Index


Manufacturer
Moog Music
Polyphony
Timbrality
Oscillator
Analog
Subtractive
Filter
low-pass
expression
Storage
Effects
Keyboard
CV/Gate
MIDI
polyphonic
synthesizer
Moog Music
bankruptcy
Sequential Circuits
Prophet-5
Oberheim OB-Xa
Polymoog
divide-down
Minimoogs
voltage-controlled oscillators
waveforms
octave
voltage-controlled filter

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