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Airs above the ground

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181:, which asks the horse to increasingly engage its hindquarters, lowering them toward the ground and bringing the hind legs more toward its center of gravity. This gives the viewer the impression that the horse appears to sink down in back and rise in front. The position is held for a number of seconds, and then the horse quietly puts the forelegs back on the ground and proceeds at the walk, or stands at the halt. The levade is considered to be pinnacle of 225:, the horse raises its forehand off the ground, tucks up forelegs evenly, and then jumps forward, never allowing the forelegs to touch down, in a series of "hops". Extremely strong and talented horses can perform five or more leaps forward before having to touch down with the forelegs, although it is more usual to see a series of three or four leaps. The courbette, like the capriole, is first introduced through the easier croupade. 245:, the horse rears up and strikes out with its forelegs. It is similar to a series of levades with a forward motion (not in place), with the horse gradually bringing its legs further under himself in each successive movement and lightly touching the ground with the front legs before pushing up again. The mezair was originally called the courbette by the old dressage masters. It is no longer practiced at the Spanish Riding School. 62: 46: 70: 54: 38: 234: 201:), the horse jumps from a raised position of the forehand straight up into the air, kicks out with the hind legs, and lands more or less on all four legs at the same time. It requires an enormously powerful horse to perform correctly, and is considered the most difficult of all the airs above the ground. It is first introduced with the 146:
are military foundations. However, while agility was necessary on the battlefield, most of the airs as performed today would have exposed the vulnerable underbelly of the horse to the weapons of foot soldiers. It is therefore more likely that the airs were exercises to develop the military horse and
169:
was first taught at the beginning of the 20th century, asking the horse to hold a position approximately 30–35 degrees from the ground. Unlike the pesade, which is more of a test of balance, the decreased angle makes the levade an extremely strenuous position to hold, and requires a greater effort
134:
are the breeds most often trained to perform the airs today, in part due to their powerfully conformed hindquarters, which allow them the strength to perform these difficult movements. There were originally seven airs, many of which were used to build into the movements performed today.
213:. In this movement, the horse's hind hooves are positioned so one can see its shoes if watching from behind, but the horse is not asked to kick out. When the horse demonstrates proficiency in the ballotade, the capriole is introduced. 89:
movements in which the horse leaves the ground. They include the capriole, the courbette, the mezair, the croupade and the levade. None are typically seen in modern competitive dressage. They are performed by horses of various
170:
from the horse. Therefore, many horses are not capable of a good-quality levade. The levade is also a transition movement between work on the ground and the airs above the ground. Neither of these movements are equivalent to
150:
Horses are usually taught each air on the long rein without a rider, which is less strenuous for the animal. However, each movement is meant to eventually be performed under a rider.
174:, as they require precise control, excellent balance, and a great deal of strength, and are the product of correct training, rather than resistance from the horse. 162:, the horse raises its forehand off the ground and tucks the forelegs evenly, carrying all weight on the hindquarters, to form a 45-degree angle with the ground. 158:
The pesade and levade are the first airs taught to the High School horse, and it is from these that all other airs are taught. In the
138:
There is a popular conception that these movements were originally taught to horses for military purposes, and indeed both the
205:, in which the horse does not kick out at the height of elevation, but keeps the hind legs tucked tightly under, and remains 185:, as the horse carries all weight on the back legs, and has an extreme tucking of the hindquarters and coiling of the loins. 306: 17: 324: 31: 110:, and may be seen in other dressage performances. The levade and courbette are a particular feature of the 329: 139: 95: 262: 8: 182: 86: 131: 302: 119: 111: 91: 318: 171: 143: 103: 127: 123: 115: 61: 45: 69: 53: 188: 178: 107: 99: 37: 177:
The horse is asked to enter the pesade or levade from the
233: 316: 299:Horse: How the Horse Has Shaped Civilizations. 147:rider, rather than to be employed in combat. 209:to the ground. The horse is then taught the 189:The capriole, the croupade and the ballotade 153: 85:are a series of higher-level, Haute ecole, 232: 114:, the riding tradition of the island of 68: 60: 52: 44: 36: 14: 317: 291: 255: 24: 25: 341: 216: 30:For the Mary Stewart novel, see 27:Movements in classical dressage 13: 1: 301:Bluebridge, 2006, pp. 166–67 248: 228: 32:Airs Above the Ground (novel) 263:"Menorca – Insel der Pferde" 7: 10: 346: 286:Menorca – Island of horses 29: 154:The pesade and the levade 297:Chamberlin, J. Edward. 238: 74: 66: 58: 50: 42: 236: 140:Spanish Riding School 118:. Horses such as the 96:Spanish Riding School 79:airs above the ground 72: 64: 56: 48: 40: 325:Dressage terminology 276:(2). April–June 2011 239: 87:classical dressage 75: 67: 59: 51: 43: 18:Mezair (dressage) 16:(Redirected from 337: 309: 295: 289: 288: 283: 281: 267: 259: 92:riding academies 21: 345: 344: 340: 339: 338: 336: 335: 334: 315: 314: 313: 312: 296: 292: 279: 277: 265: 261: 260: 256: 251: 231: 219: 191: 156: 112:Doma Menorquina 35: 28: 23: 22: 15: 12: 11: 5: 343: 333: 332: 330:Horse training 327: 311: 310: 290: 253: 252: 250: 247: 230: 227: 218: 215: 199:leap of a goat 190: 187: 155: 152: 26: 9: 6: 4: 3: 2: 342: 331: 328: 326: 323: 322: 320: 308: 307:0-9742405-9-1 304: 300: 294: 287: 275: 272:(in German). 271: 264: 258: 254: 246: 244: 235: 226: 224: 217:The courbette 214: 212: 208: 204: 200: 196: 186: 184: 180: 175: 173: 168: 163: 161: 151: 148: 145: 141: 136: 133: 129: 125: 121: 117: 113: 109: 105: 101: 97: 93: 88: 84: 80: 71: 63: 55: 47: 39: 33: 19: 298: 293: 285: 278:. Retrieved 273: 269: 257: 242: 240: 222: 220: 210: 206: 202: 198: 194: 192: 176: 166: 164: 159: 157: 149: 137: 94:such as the 83:school jumps 82: 78: 76: 319:Categories 249:References 229:The mezair 183:collection 144:Cadre Noir 120:Andalusian 104:Cadre Noir 223:courbette 211:ballotade 197:(meaning 132:MenorquĂ­n 65:Ballotade 49:Courbette 207:parallel 203:croupade 195:capriole 142:and the 128:Lipizzan 124:Lusitano 102:and the 73:Capriole 57:Croupade 280:10 July 241:In the 221:In the 193:In the 172:rearing 116:Menorca 305:  243:mezair 237:Mezair 179:piaffe 167:levade 160:pesade 108:Saumur 100:Vienna 41:Levade 270:Equus 266:(PDF) 303:ISBN 282:2011 274:2011 165:The 130:and 77:The 106:in 98:in 81:or 321:: 284:. 268:. 126:, 122:, 34:. 20:)

Index

Mezair (dressage)
Airs Above the Ground (novel)





classical dressage
riding academies
Spanish Riding School
Vienna
Cadre Noir
Saumur
Doma Menorquina
Menorca
Andalusian
Lusitano
Lipizzan
MenorquĂ­n
Spanish Riding School
Cadre Noir
rearing
piaffe
collection

"Menorca – Insel der Pferde"
ISBN
0-9742405-9-1
Categories
Dressage terminology

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