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Michelle Parkerson

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Gibson describes Parkerson as "a visionary risk taker". Gibson describes Parkerson's films as being identity-related: "highlight the identities of black women as performers and social activists… serv as a major contributor to the development of a black documentary style that seeks a holistic approach
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The zen of Audre Lorde is in vogue. But the tangible impact of your activism will keep surfacing internationally and for generations to come as long as communities of color are still under siege, as long as a woman remains voiceless and abused, as long as the lesbian love that dared "speak its name"
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and has been an independent film/video maker since the 1980s, focusing particularly on feminist, LGBT, and political activism and issues.
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Parkerson majored in TV and film production and graduated in 1974 with a B.A. in Communications from
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Gibson, Gloria J. (2013). "Michelle Parkerson: A Visionary Risk Taker". In Bobo, Jacqueline (ed.).
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Women Filmmakers of the African & Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity
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Parkerson currently heads her own DC-based production company, Eye of the Storm Productions.
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Parkerson, Michelle; Klotman, Phyllis (1993). "Docutainment Filmmaker: Michelle Parkerson".
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Michelle Parkerson was born and raised in Washington, DC. In the early 1980s, Parkerson and
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Parkerson, Michelle; Gibson, Gloria J. (Winter 1988). "Michelle Parkerson Interview".
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Hold Tight Gently: Michael Callen, Essex Hemphill and the Battlefield of AIDS
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in 1983 to produce an "experimental dramatization" of their poetry entitled
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Her documentaries feature major African-American figures: jazz musician
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black./womyn.: conversations with lesbians of African descent
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Flyboy in the Buttermilk: Essays on Contemporary America
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reflects the activist motivation of her own filmmaking:
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A Litany for Survival: The Life and Work of Audre Lorde
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A Litany for Survival: The Life and Work of Audre Lorde
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She is assistant professor in Film and Media Arts at
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New York: The New Press. pp. 36-38. 346:Gwendolyn Audrey Foster (1 May 1997). 934:American women documentary filmmakers 703:Prakash, Snigdha (24 February 1991). 652:. U of Minnesota Press. p. 157. 625:. Psychology Press. pp. 177–88. 508: 939:21st-century African-American people 584: 488:Diane Waldman; Janet Walker (1999). 437: 377: 375: 904:American documentary film directors 723:"Storme: The Lady of the Jewel Box" 146:Corporation for Public Broadcasting 13: 823:Black Women Film and Video Artists 622:Black Women Film and Video Artists 588:Black Women Film and Video Artists 468:"AFI Directing Workshop for Women" 459: 308:Nominated for Grand Jury prize at 178:She published a volume of poetry, 14: 950: 793: 372: 742:"New Struggles In Sweet Harmony" 441:(1992). "Cinematic Sisterhood". 894:African-American film producers 889:African-American film directors 864:African Film Festival, New York 770: 752: 733: 715: 696: 666: 639: 585:Bobo, Jacqueline (2013-09-13). 319: 160:. Her films are distributed by 96:Washington Project for the Arts 554: 431: 396: 329:. Common Ground Press (1983). 247: 142:Independent Television Service 1: 924:African-American LGBTQ people 333: 278:Storme: Lady of the Jewel Box 260:..But Then She's Betty Carter 243:is threatened with sequester. 85: 518:. scribe.org. Archived from 298:(1995, with Ada Gay Griffin) 7: 200:to African-American life". 10: 955: 591:. Routledge. p. 179. 929:Temple University faculty 686:"POSTSCRIPT: a love note" 466:American Film Institute. 381:Duberman, Martin (2014). 302: 105: 65: 40: 28: 21: 919:American lesbian artists 649:Feminism and Documentary 646:Waldman; Walker (1999). 619:Jacqueline Bobo (1998). 491:Feminism and Documentary 194: 899:American film producers 760:"A Litany For Survival" 256:(1973, with Jimi Lyons) 231:science fiction story. 209:Sweet Honey in the Rock 124:American Film Institute 118:, a collaboration with 862:Michelle Parkerson at 856:Michelle Parkerson at 354:. SIU Press. pp.  325:Parkerson, Michelle. 310:Sundance Film Festival 245: 150:Rockefeller Foundation 69:Filmmaker and academic 831:10.4324/9780203698990 240: 825:. pp. 177–188. 166:Third World Newsreel 909:Feminist filmmakers 848:Michelle Parkerson 76:Michelle Parkerson 23:Michelle Parkerson 914:Lesbian feminists 858:Women Make Movies 840:978-1-135-22542-1 727:Women Make Movies 690:The Feminist Wire 632:978-0-415-92041-4 501:978-0-8166-3007-3 391:978-1-59558-945-3 365:978-0-8093-2120-9 292:(1983) (producer) 236:The Feminist Wire 217:StormĂ© DeLarverie 173:Temple University 162:Women Make Movies 112:Temple University 80:Temple University 73: 72: 35:Parkerson in 2014 946: 844: 817: 788: 787: 774: 768: 767: 756: 750: 749: 737: 731: 730: 719: 713: 712: 700: 694: 693: 681: 675: 670: 664: 663: 643: 637: 636: 616: 610: 609: 607: 605: 582: 576: 575: 573: 572: 558: 552: 551: 549: 548: 537: 531: 530: 528: 527: 512: 506: 505: 485: 479: 478: 476: 475: 463: 457: 456: 435: 429: 428: 400: 394: 379: 370: 369: 353: 343: 266:I Remember Betty 207:, musical group 54: 51:November 1, 1953 50: 48: 33: 19: 18: 954: 953: 949: 948: 947: 945: 944: 943: 869: 868: 841: 796: 791: 776: 775: 771: 758: 757: 753: 746:Washington Post 738: 734: 721: 720: 716: 709:Washington Post 705:"Urban Odyssey" 701: 697: 682: 678: 671: 667: 660: 644: 640: 633: 617: 613: 603: 601: 599: 583: 579: 570: 568: 560: 559: 555: 546: 544: 543:. templefma.org 539: 538: 534: 525: 523: 514: 513: 509: 502: 486: 482: 473: 471: 464: 460: 453: 436: 432: 401: 397: 380: 373: 366: 344: 340: 336: 322: 305: 250: 213:Stonewall riots 197: 114:with the short 108: 100:Murder on Glass 88: 61: 58:Washington D.C. 55: 52: 46: 44: 36: 24: 17: 12: 11: 5: 952: 942: 941: 936: 931: 926: 921: 916: 911: 906: 901: 896: 891: 886: 881: 867: 866: 860: 854: 845: 839: 818: 795: 794:External links 792: 790: 789: 769: 751: 732: 714: 695: 676: 665: 658: 638: 631: 611: 597: 577: 553: 532: 507: 500: 480: 458: 451: 430: 395: 371: 364: 337: 335: 332: 331: 330: 321: 318: 317: 316: 304: 301: 300: 299: 293: 287: 281: 275: 269: 263: 257: 249: 246: 196: 193: 128:Rita Mae Brown 107: 104: 92:Essex Hemphill 87: 84: 71: 70: 67: 63: 62: 56: 42: 38: 37: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 951: 940: 937: 935: 932: 930: 927: 925: 922: 920: 917: 915: 912: 910: 907: 905: 902: 900: 897: 895: 892: 890: 887: 885: 884:Living people 882: 880: 877: 876: 874: 865: 861: 859: 855: 853: 849: 846: 842: 836: 832: 828: 824: 819: 815: 811: 807: 803: 798: 797: 785: 784: 779: 773: 765: 761: 755: 747: 743: 736: 728: 724: 718: 710: 706: 699: 691: 687: 680: 674: 673:Odds and Ends 669: 661: 659:9780816630073 655: 651: 650: 642: 634: 628: 624: 623: 615: 600: 598:9781135225421 594: 590: 589: 581: 567: 566:templefma.org 563: 557: 542: 536: 522:on 2014-08-08 521: 517: 511: 503: 497: 493: 492: 484: 469: 462: 454: 452:9781501136979 448: 444: 440: 434: 426: 422: 418: 414: 410: 406: 399: 392: 388: 384: 378: 376: 367: 361: 357: 352: 351: 342: 338: 328: 327:Waiting Rooms 324: 323: 315: 311: 307: 306: 297: 294: 291: 288: 285: 284:Odds and Ends 282: 279: 276: 273: 272:Urban Odyssey 270: 267: 264: 261: 258: 255: 252: 251: 244: 239: 237: 232: 230: 227:is a lesbian 226: 225:Odds and Ends 222: 218: 214: 210: 206: 201: 192: 190: 189: 183: 181: 180:Waiting Rooms 176: 174: 169: 167: 163: 159: 155: 151: 147: 143: 138: 135: 133: 129: 125: 121: 117: 113: 103: 101: 97: 93: 83: 81: 77: 68: 66:Occupation(s) 64: 59: 53:(age 70) 43: 39: 32: 27: 20: 822: 805: 802:Black Camera 801: 781: 772: 763: 754: 745: 735: 726: 717: 708: 698: 689: 679: 668: 648: 641: 621: 614: 602:. 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Index


Washington D.C.
Temple University
Essex Hemphill
Washington Project for the Arts
Temple University
Jimi Lyons
American Film Institute
Rita Mae Brown
Lyn Goldfarb
Independent Television Service
Corporation for Public Broadcasting
Rockefeller Foundation
Festival International de Créteil Films de Femmes
San Francisco International Film Festival
Women Make Movies
Third World Newsreel
Temple University
black./womyn.: conversations with lesbians of African descent
Betty Carter
Sweet Honey in the Rock
Stonewall riots
Stormé DeLarverie
Audre Lorde
Afrofuturist
Sundance Film Festival
Women Filmmakers of the African & Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity
128
ISBN
978-0-8093-2120-9

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