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90:(Cправочник по цвету). Matyushin conducted experiments at his Visiology Center (Zorved) to demonstrate that expanding visual sensitivity from retinian optical centers would enable the discovery of "new organic substance and rhythm in the apprehension of space." He tried to teach himself and his students to see with both eyes, each independently, and to widen the field of their vision. He describes some of his work and ideas in a long essay titled "An Artist's Experience of the New Space."
354:
423:. After 1979, when the last residents had moved out or died, Matyushin's house became a public museum. However, the present building is a contemporary replica: the original house was taken apart and rebuilt from new wood in 1987; after a fire in 1990 and many later setbacks it was rebuilt again and reopened in 2006.
324:
Another problem handled by
Matyushin was the human inability to see all 360 degrees. In 1923 Matyushin wrote that the solution lies in the artist's personal development to the point where he attains "a physiological change in the previous methode of perception" and introduced the concept of a
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404:) in 1904 and operated as an artists' hotel. Matyushin and Guro moved into flat 12 in 1912. The place also provided shelter for Malevich, Filonov, Mayakovsky and other notable artists of the Russian avant-garde and
39:
139:, at Ian Tsonglinski art school where both trained in 1903–1905. Guro, sixteen years his younger, dramatically changed Matyushin's view of art and society and the two became a seed for the Russian
464:
247:
can be changed by humans who one day will become capable of physically capturing the Sun. The opera has since become notable for starring the first appearance of
Malevich's
494:
400:, a division of the State Museum of History of Saint Petersburg. The house, originally built in the 1840s or 1850s, became the property of the Literary Foundation (
668:
Constructivists asserted that new consciousness can be attained not through individual breakthroughs, but through rebuilding of living environment - Clark, p.51.
115:. Matyushin was also inclined to painting, but could not afford college training at the time. After graduation in 1881 Matyushin joined the Court Orchestra in
119:
and played with it professionally until 1913. He received formal training in graphic arts with an independent school in Saint
Petersburg in the 1890s.
449:
329:, a layer of rearward information previously "outside the human sphere due to inadequacies of experience". Matyushin formed a new study group,
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978:
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2006:
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sarcastically wrote that
Matyushin "futuristically seeks to look younger". In 1910 Matyushin and Guro sponsored and co-authored
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of cheap appearances" of this opera was none other than everyday sense of reality that is not infallible anymore; even the
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himself; at the age of eight he was admitted to the music classes of Nizhny
Novgorod Concervatory and in 1875 to
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connecting visual and musical arts, a theory that he put to practice in the classrooms of
Leningrad Workshop of
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Olga
Konstantinovna, the third wife and widow of Matyushin, lived there until her death in 1975; during the
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in the early 1920s, but
Matyushin, Malevich and Filonov remained faithful to millenarianism through 1920s.
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the person, and that humans possess visual centers capable of resolving this rearward "vision".
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869:Михаил Матюшин. Профессор академии художеств (Mikhail Matyushin: Professor of Academy of Arts)
523:, and Malevich at the First All-Russian Conference of the Bards of the Future, 1912. Photo by
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woman. According to his own memoirs, at an early age he studied reading, writing and playing
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292:(INHUK) where Matyushin and his disciples continued experiments on colour and perception.
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by
Russian Futurists. The couple did not have children, but in 1912 Guro, suffering from
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INHUK was closed and merged to State
Institute of Visual Arts (GIII) in December 1925;
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341:) and claimed that it discovered evidence of perception of events and object located
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lost their chairs. Matyushin and Malevich retreated into the walls of Leningrad's
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235:(stage design).<Tillberg 2013ref name=C39/> According to Matyushin, the "
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The futurist moment: avant-garde, avant guerre, and the language of rupture
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The first moderns: profiles in the origins of twentieth-century thought
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715:"Museum of Avant-Garde in Saint Petersburg (official site in Russian)"
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and a special order preserved the building from being pulled down for
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The Union of Youth: an artists' society of the Russian avant-garde
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are yet unexplored and can be significantly extended in an almost
179:, 1912) set to music by Matyshin in 1921. She died in April 1913.
74:. Matyushin, a professional musician and amateur painter, studied
1991:
1910:
1825:
1727:
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Mikhail Matyushin on the website of the Museum of Organic Culture
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The Last Soviet Avant-Garde: OBERIU - Fact, Fiction, Metafiction
1996:
1935:
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Modernism's history: a study in twentieth-century art and ideas
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way. The movement began to fade at around 1915 and gave way to
273:
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that persisted past her death and became a subject of her book
108:
284:
at its helm; despite public protests, Matyushin, Malevich and
58:) was a Russian painter and composer, leading member of the
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988:
280:. In 1921 the state relaunched the academy and reinstalled
147:. Matyushin was the oldest person among the futurists, and
104:
844:
236:
103:
Matyushin was the illegitimate son of a landlord and a
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of human senses and developed his own concept of the
717:. State Museum of History of Saint Petersburg. 2008.
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866:
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135:Matyushin met his second wife, writer and painter
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264:In 1918 avant-garde artists took over the former
86:and INHUK (1918–1934) and summarized in his 1932
2073:
979:Mikhail Matyushin's House Museum, St Petersburg
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906:
845:Ledkovskaya-Astman, Maria; et al. (1994).
751:
730:
927:
797:
306:, confident that the boundaries of individual
167:, invented "my unforgettable son", a literary
1004:
818:
871:(in Russian and English). NT Print, Moscow.
471:Absctract Composition with Crystalline Forms
734:Petersburg, crucible of cultural revolution
276:) where Matyushin led his own art class on
1011:
997:
361:The wooden house of Matyushin and Guro in
2007:Estorick Collection of Modern Italian Art
398:Museum of Avant-Garde in Saint Petersburg
203:produced two experimental theatre shows,
804:. Manchester University Press ND, 1992.
352:
126:
25:
189:In the same 1913, the year that became
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1700:Futurist Painting: Technical Manifesto
1644:Drama in the Futurists' Cabaret No. 13
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143:movement evolving parallel to Italian
62:. In 1910–1913 Matyushin and his wife
1693:Dynamism of a Speeding Horse + Houses
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756:Velimir Khlebnikov: a critical study
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1798:Unique Forms of Continuity in Space
848:Dictionary of Russian women writers
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295:Matyushin, along with Malevich and
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953:St. Petersburg: a cultural history
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1637:Development of a Bottle in Space
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1742:Manifesto of Futurist Musicians
1679:Dynamism of a Human Body: Boxer
892:. University of Chicago Press.
783:. University of Chicago Press.
662:
259:
98:
1749:Mercury Passing Before the Sun
913:. Cambridge University Press.
851:. Greenwood Publishing Group.
760:. Cambridge University Press.
635:
626:
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206:Vladimir Mayakovsky: A Tragedy
1:
532:
505:Portrait of Mikhail Matyushin
456:Painterly-Musical Composition
290:Institute of Artistic Culture
35:Michael Vasilyevich Matyushin
30:Portrait by Elena Guro, c1900
2056:Verbovka Village Folk Centre
1672:Dynamism of a Dog on a Leash
1018:
737:. Harvard University Press.
131:Portrait by Elena Guro, 1910
93:
7:
1770:The Street Enters the House
1686:Dynamism of a Soccer Player
867:Matyushin, Mikhail (2007).
415:her room was taken over by
54:– 14 October 1934 in
10:
2128:
2112:Moscow Conservatory alumni
1548:Italian futurism in cinema
1109:Francesco Balilla Pratella
886:Perloff, Marjorie (2003).
775:Everdell, William (1997).
724:
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18:
1979:
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1721:The Hand of the Violinist
1714:Girl Running on a Balcony
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1225:Vladimir Baranoff-Rossine
1200:
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231:), Matyushin (music) and
48:Михаил Васильевич Матюшин
47:
1490:Valentine de Saint-Point
1475:José de Almada Negreiros
949:Volkov, Solomon (1995).
907:Roberts, Graham (2006).
752:Cooke, Raymonde (1987).
731:Clark, Katerina (1998).
282:neoclassical revivalists
266:Imperial Academy of Arts
19:Not to be confused with
1510:Frances Simpson Stevens
1505:Amadeo de Souza Cardoso
928:Smith, Bernard (1998).
798:Howard, Jeremy (1992).
384:59.970912°N 30.312384°E
1850:Luisa, Marchesa Casati
1595:Abstract Speed + Sound
1529:Techniques, sub-genres
819:Leach, Robert (1994).
358:
132:
31:
2051:Ukrainian avant-garde
2029:Robert René Meyer-Sée
1735:Manifesto of Futurism
1665:Dynamism of a Cyclist
1553:Futurist architecture
1245:Kseniya Boguslavskaya
839:Grodberg, Kristi A.,
822:Revolutionary theatre
357:Matyushin House, 2009
356:
130:
29:
1812:Victory over the Sun
1215:Alexander Archipenko
389:59.970912; 30.312384
216:Victory Over The Sun
184:Victory Over The Sun
70:, an association of
2034:Russian avant-garde
1855:Gabriele D'Annunzio
1819:Vladimir Mayakovsky
1756:The Poem of the End
1563:Futurist literature
1370:Vadim Shershenevich
1340:Vladimir Mayakovsky
1300:Aleksei Kruchyonykh
1240:Alexander Bogomazov
1074:Nikolay Diulgheroff
546:"Mikhail Matyushin"
417:Vsevolod Vishnevsky
380: /
211:Vladimir Mayakovsky
197:Russian avant-garde
113:Moscow Conservatory
88:Reference of Colour
60:Russian avant-garde
1495:Jules Schmalzigaug
1375:Nadezhda Udaltsova
1315:Aristarkh Lentulov
1290:Velimir Khlebnikov
1275:Natalia Goncharova
1182:Konstantin Olimpov
413:Siege of Leningrad
359:
225:Aleksei Kruchenykh
221:Velimir Khlebnikov
201:Union of the Youth
133:
68:Union of the Youth
32:
21:Mikhail Matyushkin
2069:
2068:
2046:Sackville Gallery
1889:Groups influenced
1843:Associated people
1658:Dynamism of a Car
1609:The Art of Noises
1538:Anti-neutral suit
1480:C. R. W. Nevinson
1449:Enrico Prampolini
1335:Mikhail Matyushin
1325:Benedikt Livshits
1270:Nina Genke-Meller
1265:Aleksandra Ekster
1202:Russian Futurists
1124:Antonio Sant'Elia
1027:Italian Futurists
964:978-0-02-874052-2
941:978-0-86840-744-9
920:978-0-521-02834-9
899:978-0-226-65738-7
878:978-5-901751-70-1
858:978-0-313-26265-4
832:978-0-415-03223-0
811:978-0-7190-3731-3
790:978-0-226-22480-0
767:978-0-521-32670-4
744:978-0-674-66336-7
521:Alexei Kruchonykh
486:Movement in Space
406:socialist realism
402:Литературный фонд
396:) now houses the
72:Russian Futurists
2119:
2102:Soviet composers
1956:Soyuz Molodyozhi
1926:Jack of Diamonds
1921:Grosvenor School
1865:Benito Mussolini
1860:Sergei Diaghilev
1777:The Street Light
1707:The Knifegrinder
1558:Futurist cooking
1500:Mykhaylo Semenko
1485:Emilio Pettoruti
1424:Fortunato Depero
1414:Giuseppe Caselli
1330:Kazimir Malevich
1310:Mikhail Larionov
1255:Vladimir Burliuk
1177:Dmitri Kryuchkov
1099:Aldo Palazzeschi
1079:Luigi De Giudici
1049:Umberto Boccioni
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1791:Tango with Cows
1587:Selected output
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1458:Other Futurists
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1429:Gerardo Dottori
1409:Benedetta Cappa
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934:. UNSW Press.
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270:Free Workshops
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173:Autumnal Dream
149:Alexander Blok
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169:mystification
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159:), the first
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123:Cubo-Futurism
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1946:Precisionism
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1602:Antigrazioso
1600:
1593:
1543:Intonarumori
1465:Alice Bailly
1419:Tullio Crali
1334:
1320:El Lissitzky
1162:Boris Gusman
1094:Bruno Munari
952:
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693:Clark, p. 44
677:Clark, p. 51
673:
664:
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623:Clark, p. 39
611:Clark, p. 38
607:
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553:. Retrieved
550:monoskop.org
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339:see and know
338:
337:, literally
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260:Art theories
255:
250:Black Square
249:
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99:Early career
87:
34:
33:
2087:1934 deaths
2082:1861 births
2061:Zveno (art)
2024:Primitivism
2019:Pointillism
2002:Divisionism
1961:Suprematism
1941:Panfuturism
1573:Noise music
1515:Mary Swanzy
1444:Marisa Mori
1391:Aeropittura
1187:Rurik Ivnev
1089:Marisa Mori
1064:Carlo Carrà
519:Matyushin,
387: /
301:perceptual
177:Осенний сон
157:Садок судей
2076:Categories
1901:Agit-train
1295:Ivan Kliun
1280:Elena Guro
1230:Lilya Brik
1104:Ugo Piatti
841:Elena Guro
533:References
525:Karl Bulla
375:30°18′45″E
372:59°58′15″N
327:rear plane
243:basics of
137:Elena Guro
76:physiology
64:Elena Guro
50:; 1861 in
2013:Le Chahut
1971:Vorticism
1616:BÏF§ZF+18
1404:"Barbara"
1360:Ivan Puni
1235:Osip Brik
1044:"Barbara"
507:, c. 1913
488:(c. 1923)
443:, c. 1910
245:cosmogony
94:Biography
56:Leningrad
40:‹See Tfd›
1980:See also
1966:Supremus
1951:Rayonism
1896:Agitprop
1470:Mina Loy
1382:(Iliazd)
1020:Futurism
421:firewood
319:ideology
299:, was a
241:Galilean
229:libretto
165:leukemia
145:Futurism
84:Vkhutein
1911:Dadaism
1826:Zangezi
1728:Lacerba
1630:Cyclist
725:Sources
555:June 5,
427:Gallery
161:almanac
44:Russian
1997:Cubism
1992:5x5=25
1936:Oberiu
1763:Poesia
1434:Fillìa
961:
938:
917:
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855:
829:
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787:
764:
741:
473:, 1920
458:, 1918
349:Legacy
343:behind
335:Зорвед
331:Zorved
312:mystic
278:Colour
274:SVOMAS
109:violin
1784:Thaïs
1578:Zaum
959:ISBN
936:ISBN
915:ISBN
894:ISBN
873:ISBN
853:ISBN
843:in:
827:ISBN
806:ISBN
785:ISBN
762:ISBN
739:ISBN
557:2014
213:and
105:serf
1204:and
441:Son
237:Sun
209:by
195:of
2078::
698:^
682:^
616:^
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37:(
23:.
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