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supporting actors, most of whom just stood on stage wearing white hoods, faces concealed behind cardboard symbols (painted by Pavel
Filonov), and were looking out from time to time only to pronounce cues, were visibly frightened. The (mostly middle-class) public was hostile and behaved as aggressively as Mayakovsky who was pacing up and down the stage, throwing invectives at them.
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An "ancient symbol" of electricity. Later in his article "No White Flags" (Без белых флагов) Mayakovsky thus explained the meaning of this image: "...The
Egyptians and the Greeks while stroking black and dry cats might have been able to produce electric spark, yet it's not for them that we sing hymns
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As his character, The Poet, having received his "three tears" (one looking more like a cannonball) started to pack them into his suit-case, some people in the audience started shouting: "Stop him immediately!.. Catch him!.. He is not to get away!.. Make him give us back our money!" One of the rotten
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At the City's main square
Mayakovsky, dressed in toga is treated as a new god, people bringing him presents, three Tears among them. One man relates the story of how two kisses that's been given him turned into the babies and started to multiply. The Poet packs the three Tears he's received from the
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The
Holiday of the Paupers goes on in the City. After an Old man (with cats) greets the advent of the new age of electricity and an Ordinary man protesting against the impending mutiny, gets brushed off, a giant woman gets unveiled and carried by the crowd to the Door to be just thrown down to the
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among them) were quite impressed with what was happening on stage. "Those were the times of turmoil, anxiety, dark forebodings. All of us instantly recognized in
Mayakovsky a revolutionary, even if his hectic sermons to the human souls, mutilated by the vile city, sounded a bit muddled. It was an
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and Iosif
Shkolnik. Two days before the premiere all the original cast withdrew because rumours started to spread across the city that actors on stage would be thrown garbage at and beaten up by the public. Mayakovsky had to look for substitutes and settle for amateurs, mostly art students. The
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remembered: "Volodya felt very lonely. For days he was roaming the
Kuntsevo, Krylatsky and Rublyovo parks, composing his tragedy… he scribbled words, lines and rhymes upon scraps of paper and cigarettes' boxes, imploring mother not to throw anything away." In October the work was completed.
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After 1917 the Soviet critics hailed the play as a "daring swipe at the bourgeois values," admiring the way the author has "dethroned the old, decrepit God who'd lost all ability to do anything for people, to place a Poet protagonist upon the pedestal."
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The play was premiered in
December 1913 at the Saint Petersburg's Luna Park theatre, directed by Mayakovsky (also engaged in the leading role) and financed by the Union of Youth artistic collective, with stage decorations designed by
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collection. An avant-garde verse drama, satirizing the urban life and, at the same time, hailing the up-and-coming revolution of the industrial power, it featured a set of bizarre, cartoonish characters and a poet protagonist.
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On 9 November 1913 the
Mayakovsky presented the copy of the play to the Petersburg theatrical censorship committee, having cut some of the risqué bits. In the first printed version of it which appeared in March 1914 in the
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numerous reviews were published, quite extraordinary in their fervency. Never before a stage production has been destroyed with such fierceness by the press across the whole country," biographer A.Mikhaylov wrote.
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Vladimir
Mayakovsky, "the last of the poets," carrying his "soul on a plate for the Future's dinner," declares himself "the king of all lamps" and promises to reveal for the people their brand new, true souls.
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Makarov, V., Zakharov, A., Kosovan, I. Commentaries to Vladimir Mayakovsky (tragedy). The Works by Vladimir Mayakovsky in 6 volumes. Ogonyok Library. Pravda Publishers. Moscow, 1973. Vol.I, pp. 466-467
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The Poet says farewells to his followers he refers to as "my poor rats," declares Heavens "a cheat" and, after meditating upon what he'd rather be - "a rooster from Holland or a
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Both Luna Park shows, on December 2 and 4, were negatively reviewed by the press. " was torn down to pieces," Mayakovsky conceded in his autobiography.
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eggs hurled hit Mayakovsky's shoulder. Later several papers accused the author and his cast of crookery and demanded them to be taken to justice.
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The play, which had two working titles, "The Railway" (Железная дорога) and "The Riot of Things" (Восстание вещей), was written in summer 1913 in
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of glory but for those who’s given shiny eyes to hanging heads and the power of a thousand arms poured into the humming tram arks.
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nearby Moscow, at the family friend Bogrovnikov’s dacha where they resided from May 18 till the end of August. Sister
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The Works by Vladimir Mayakovsky in 6 volumes. Ogonyok Library. Pravda Publishers. Moscow, 1973. Vol.I, pp. 41
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attempt at tearing off masks, revealing the sores of the society, sick beneath the veneer of respectability."
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floor there. A riot of things commences, with human limbs running about, disconnected from their bodies.
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enquired rhetorically. "We won't recall another such case of a theatrical stage abuse," maintained
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and child prodigy conductor Willy Ferrero, came and went almost unnoticed. Throughout Russia, in
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king," - decides he likes "the sound of my name, Vladimir Mayakovsky, the best."
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427:. Russian Writers. Biobibliographical dictionary. Vol.2. Prosveshchenye
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According to actor Konstantin Tomashevsky, people attending rehearsals (
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written in 1913, premiered on December 2 of that year and published in
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three women and promises to deliver them to the great Northern god.
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An Old man with black and dry cats, several thousand years old
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458:"Commentaries to Vladimir Mayakovsky (tragedy in verse)"
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His girlfriend, 2 or 3 sazhens in size. Doesn't speak.
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326:"Who's more insane, the Futurists or the public?",
506:. Lives of Distinguished People. Molodaya Gvardiya
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209:Vladimir Mayakovsky, a poet, 20-25 years old
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460:. The Complete V.V.Mayakovsky in 10 volumes
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423:Iskrzhitskaya, I.Y. (1990).
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402:. The New Literary net
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256:Reception and legacy
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1075:Intonarumori
997:Alice Bailly
951:Tullio Crali
852:El Lissitzky
694:Boris Gusman
626:Bruno Munari
508:. Retrieved
504:"Mayakovsky"
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462:. Retrieved
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404:. Retrieved
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114:in verse by
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1726:150 000 000
1593:Zveno (art)
1556:Primitivism
1551:Pointillism
1534:Divisionism
1493:Suprematism
1473:Panfuturism
1105:Noise music
1047:Mary Swanzy
976:Marisa Mori
923:Aeropittura
719:Rurik Ivnev
621:Marisa Mori
596:Carlo Carrà
59:avant-garde
1781:1914 plays
1775:Categories
1758:All Right!
1734:About That
1667:The Bedbug
1433:Agit-train
827:Ivan Kliun
812:Elena Guro
762:Lilya Brik
636:Ugo Piatti
510:2015-01-13
464:2015-01-13
431:2015-01-13
406:2014-01-13
368:References
296:Max Linder
204:Characters
1634:Works by
1545:Le Chahut
1503:Vorticism
1148:BÏF§ZF+18
936:"Barbara"
892:Ivan Puni
767:Osip Brik
576:"Barbara"
97:Paperback
1750:The West
1512:See also
1498:Supremus
1483:Rayonism
1428:Agitprop
1002:Mina Loy
914:(Iliazd)
552:Futurism
349:See also
304:Taganrog
261:Premiere
198:Pskovian
192:Epilogue
165:Prologue
141:Kuntsevo
93:Hardback
45:Language
1718:The Man
1443:Dadaism
1358:Zangezi
1260:Lacerba
1162:Cyclist
135:History
122:by the
112:tragedy
91:Print (
62:tragedy
49:Russian
1761:(1927)
1753:(1925)
1745:(1924)
1737:(1923)
1729:(1921)
1721:(1918)
1713:(1917)
1705:(1915)
1697:(1915)
1686:Poetry
1678:(1930)
1670:(1929)
1662:(1918)
1654:(1914)
1529:Cubism
1524:5x5=25
1468:Oberiu
1295:Poesia
966:Fillìa
320:Warsaw
312:Kertch
308:Ryazan
183:Act II
95:&
82:Russia
25:Author
1643:Plays
1316:Thaïs
339:'
174:Act 1
110:is a
55:Genre
1110:Zaum
382:feet
300:Riga
160:Plot
120:1914
73:1914
736:and
1777::
494:^
473:^
449:^
415:^
318:,
314:,
310:,
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568:(
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99:)
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