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Motorpsycho Nitemare

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3216: 1916: 255:. At the song's conclusion, the narrator considers that "without freedom of speech, I might be in the swamp." The lines reference the film's final scene, which shows Marion's car (with her body inside) being towed from the swampland where Bates sank it. The implication of the song is that even the most outrageous political statements are protected by the 213:
In the opening of "Motorpsycho Nitemare", the narrator pounds on a farmhouse door after a long day's travel, only to be greeted by a gun-bearing farmer. At first, the farmer accuses the narrator of being a traveling salesman, but he denies it, claiming instead to be a doctor, a "clean-cut kid (who's)
270:", which Dylan recorded seven months later in January 1965. Wilentz argues "115th Dream" shares "an identical melody" with "Motorpsycho Nitemare" and both songs revolve around a hapless traveling salesman who is constantly "getting in and out of jams". 214:
been to college, too". Convincing the farmer, he is welcomed to stay overnight on the condition that he not touch the farmer's daughter, Rita, and "in the morning, milk the cow." In the middle of the night, however, Rita sneaks in "looking just like
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is stabbed to death while taking a shower in her motel room. Wanting to flee but feeling obliged to stay and milk the cow as promised, the narrator shouts out one of the most offensive things he can think of: that he likes
1219: 206:, released in 1960. The song is a parody which also draws on traveling salesmen jokes, where the main character shows up at a farmhouse looking for a place to spend the night, only to be lured by the temptations of the 1156: 1142: 250:
in the early 1960s was viewed as one of the country's principal enemies. The narrator escapes, Rita gets a job at a motel, and the farmer lies in wait for the narrator in hopes of turning him in to the
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and his beard". Enraged, the farmer chases him off with gunshots, accusing him of being an "unpatriotic rotten doctor Commie rat".
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communism was regarded as the number one threat to the USA, Castro, who set up a communist government in
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has suggested that "Motorpsycho Nitemare" can be heard as a first draft of Dylan's song "
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The Other Side of the Mirror: Bob Dylan Live at the Newport Folk Festival 1963–1965
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Heylin, Clinton. Revolution in the Air: The Songs of Bob Dylan Vol.1 :1957–73
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The title and lyrics in Dylan's song reference Hitchcock's thriller
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Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings
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Live 1961–2000: Thirty-Nine Years of Great Concert Performances
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Vol. 17: Fragments – Time Out of Mind Sessions (1996–1997)
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Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall
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Do You Mr Jones?: Bob Dylan with the Poets and Professors
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Song recordings produced by Tom Wilson (record producer)
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It is a comical narrative song that is based in part on
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Vol. 8: Tell Tale Signs: Rare and Unreleased 1989–2006
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Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue
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Psycho: Music from and Inspired by the Motion Picture
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I Don't Believe You (She Acts Like We Never Have Met)
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that was released in 1964 on his fourth studio album
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Stuck Inside of Mobile with the Memphis Blues Again
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Gotta Serve Somebody: The Gospel Songs of Bob Dylan
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Index

Song
Bob Dylan
Another Side of Bob Dylan
Studio
Columbia 7th Ave
Genre
Talking blues
Label
Columbia
Songwriter(s)
Producer(s)
Tom Wilson
Bob Dylan
Another Side of Bob Dylan
Alfred Hitchcock
Psycho
Federico Fellini
La Dolce Vita
farmer's daughter
Tony Perkins
Norman Bates
Marion Crane
Fidel Castro
Cold War
Soviet
Cuba
FBI
First Amendment
Sean Wilentz
Bob Dylan's 115th Dream

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