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596:– who lavishly praised her better performances and thoroughly criticised her lesser efforts. Shaw had already used her as inspiration for some of his plays before their first meeting in 1897 when he unsuccessfully tried to persuade Campbell to play the role of Judith Anderson in the first production of his play
684:
Patrick's health was poor, and in 1887 he was ordered by his doctor to take a sea voyage. He went to
Australia, and later to South Africa, staying for six-and-a-half years. He found some work but never sent enough back for Beatrice and the children to live on. When he returned in 1893, she saw that
279:
708:
Their son Beo worked as an actor and toured with his mother in 1908. Their daughter Stella (1886–1975) also joined her mother onstage, and toured with her in the United States, but "made up her mind to marry a man scarcely knew, who had lived in Africa for many years".
608:, did Shaw develop an infatuation for Campbell that resulted in a passionate, yet unconsummated, love affair of mutual fascination and a legendary exchange of letters. It was Campbell who broke off the relationship, although Shaw was about to direct her in
458:, a marked success. Subsequent appearances in New York and on tour in the U.S. established her as a major theatrical presence there. Campbell would regularly perform on the New York stage until 1933. Other performances included roles in
672:
In 1884, she eloped with
Patrick Campbell (1855–1900) to St Helen, Bishopsgate, while pregnant with their child, Alan "Beo" Urquhart Campbell. Patrick was the son of Patrick McMicken Campbell, a banker and chief manager of the
767:, University of Texas at Austin. The Ransom Center's collection of Shaw papers includes letters from Campbell, and the library includes a number of Shaw's published works from Campbell's private library.
556:-wielding actress Mrs. MacDonald – a clear takeoff on her own well-known persona – and made off with the best reviews. In her later years, Campbell made notable appearances in films, including
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657:
relationship, was "My dear, I don't care what they do, so long as they don't do it in the street and frighten the horses", although this remark has been attributed to others as well.
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Special
Collections Department. Several collections of Campbell's correspondence, including her letters to Shaw (MS Thr 372.1), are part of the Harvard Theatre Collection at
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In later years, Shaw refused to allow the impoverished
Campbell to publish or sell any of their letters except in heavily edited form, for fear of upsetting his wife
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and the possible harm that the letters might cause to his public image. Most of the letters were not published until 1952, two years after Shaw's death.
798:, an adaptation of the epistolary exchanges between Campbell and Shaw, was first staged in Chicago. It has also been adapted for television and film.
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685:"his health and energies were undermined by fever, failure, and the most bitter disappointments". In mid-March 1900, Patrick returned to
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773:, a biography by Margot Peters, was published in 1984 by Hamish Hamilton. Also London-based, play publisher Samuel French released
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225:, Bishop of St Asaph, was a consul and merchant who "managed to get through two large fortunes", in part through losses in the
17:
616:, but Shaw never again allowed her to originate any of the roles he had written with her in mind (e.g. Hesione Hushabye in
941:
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in
October 2015, the script of a one-woman show by Anton Burge, to coincide with its production in the Minerva Theatre at
720:, whose husband, George Cornwallis-West, was "seriously attracted to me". They married on 6 April 1914, the day after the
677:, and Montgomerie Anne (née Kerr). They had first met four months prior at a card party at the house of Mrs. Gifford in
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had expressly written for her. Although forty-nine years old when she originated the role opposite the Henry
Higgins of
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218:, and Maria Luigia Giovanna ("Louisa Joanna") née Romanini (1836–1908), daughter of Italian Count Angelo Romanini.
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A couple of
Campbell's later significant performances were as the title role in the 1922 West End production of
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of his divorce. Notwithstanding her second marriage, she continued to use the stage name Mrs
Patrick Campbell.
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574:(1935). Her tendency, however, to reject roles that could have vitally helped her career in later years caused
76:
328:, Liverpool, four years after her marriage to Patrick Campbell. In March 1890, she appeared in London at the
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At a dinner in the United States, she was seated next to a scientist who talked incessantly to her about
433:. Once established as a major star, Campbell assisted in the early careers of some noted actors, such as
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1376:"George Bernard Shaw: An Inventory of His Collection at the Harry Ransom Humanities Research Center"
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and, as a result, had to leave Italy. He and his family travelled over
Eastern Europe aided by a
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Campbell was known for her sharp wit. Her best-known remark, uttered upon hearing about a male
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from the Sultan of Turkey. Six of his eight daughters, all under eighteen, married
Englishmen.
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playing Higgins. She successfully played Eliza again in a 1920 London revival of the play.
332:, where she afterward played again in 1891–93. She became successful after starring in Sir
229:. Her mother, Louisa Joanna Romanini, was one of the eight daughters of Angelo Romanini of
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664:. "They even have their own police force and army", he enthused. "No navy?" she replied.
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In 1900, Campbell, having become her own manager/director, made her debut performance on
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Bernard Shaw and Mrs. Patrick Campbell: Their Correspondence edited by Alan Dent
612:. They remained friends in spite of the break-up and her subsequent marriage to
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as her son Oswald). Her last major stage role was in the Broadway production of
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to declare "... she was like a sinking ship firing on the rescuers".
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186:, was an English stage actress, best known for appearing in plays by
198:. She also toured the United States and appeared briefly in films.
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This article incorporates text from a publication now in the
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178:(9 February 1865 – 9 April 1940), better known by her stage name
735:. Her death was one of the few deaths of a personal nature that
210:, London, to John Tanner (1829–1895), son and heir of a wealthy
419:
243:
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Bernard Shaw and Mrs. Patrick Campbell: Their Correspondence
681:. Their second child, Stella Campbell, was born in 1886.
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Campbell made her professional stage debut in 1888 at the
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and Mrs. Alving in the 1928 Ibsen Centennial staging of
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Actors from the Royal Borough of Kensington and Chelsea
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Aston, Elaine (2004). "Campbell , Beatrice Stella ".
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Campbell (center) with her children Alan and Stella,
1620:"Archival material relating to Mrs Patrick Campbell"
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In 1914, she played Eliza Doolittle in the original
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Her father John Tanner (1829–1895), a descendant of
1531:
747:A note book belonging to Campbell is housed at the
586:In the late 1890s, Campbell first became aware of
763:are in the theatre manuscripts collection of the
470:(1904; as Melisande to the Pelleas of her friend
352:(1894). She had another success as Kate Cloud in
206:Campbell was born Beatrice Rose Stella Tanner in
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1644:at University of Victoria, Special Collections
1422:
1487:(11th ed.). Cambridge University Press.
1242:(online ed.). Oxford University Press.
590:– the famous and feared dramatic critic for
1515:Mrs. Pat: the Life of Mrs. Patrick Campbell
379:Among her other performances were those in
1659:University of Washington, Sayre collection
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1602:
1579:: CS1 maint: location missing publisher (
1551:: CS1 maint: location missing publisher (
1440:: CS1 maint: location missing publisher (
632:was preparing to produce the 1938 film of
391:(1896), and her notable performances with
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1239:Oxford Dictionary of National Biography
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771:Mrs. Pat: The Life of Mrs. Pat Campbell
274:' most famous work; modeled by Campbell
132: 1884; died 1900)
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1187:, Rosemarie Jarski, Ebury Press, 2005
701:on 5 April, the same action in which
582:Relationship with George Bernard Shaw
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739:ever noted in his personal diaries.
250:She studied for a short time at the
942:"Mrs. Campbell, 75, Famous Actress"
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703:Colonel George de Villebois-Mareuil
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1410:. New York: Dodd, Mead and Company
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1683:English people of Italian descent
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727:Campbell died on 9 April 1940 in
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1718:Deaths from pneumonia in France
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1638:photo gallery at NYP Library
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7:
1308:. National Portrait Gallery
779:Chichester Festival Theatre
712:In 1909, Campbell produced
369:The Notorious Mrs. Ebbsmith
346:where she also appeared in
176:Beatrice Rose Stella Tanner
55:Beatrice Rose Stella Tanner
10:
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1600:Internet Broadway Database
305:William Bruce Ellis Ranken
233:and Rosa née Polinelli of
216:British East India Company
1610:Theater Arts Manuscripts:
1506:The Truth About Pygmalion
1504:Huggett, Richard (1969).
1479:Campbell, Beatrice Stella
1306:"Stella Patrick Campbell"
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643:Charlotte Payne-Townshend
515:Sir Herbert Beerbohm Tree
252:Guildhall School of Music
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77:Pau, Pyrénées-Atlantiques
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1407:My Life and Some Letters
749:University of Birmingham
366:, and again as Agnes in
339:The Second Mrs Tanqueray
237:. Angelo had joined the
1693:English stage actresses
1513:Peters, Margot (1985).
1484:Encyclopædia Britannica
1007:, pp. 179–181, 183
718:Lady Randolph Churchill
697:in 1900. He was killed
691:Lord Chesham's Yeomanry
1713:People from Kensington
1561:Arthur Bingham Walkley
1248:10.1093/ref:odnb/32261
1115:, Alfred A Knopf, 1952
757:Chester Bailey Fernald
614:George Cornwallis-West
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282:Campbell as Eliza for
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143:George Cornwallis-West
1708:Actresses from London
1657:Mrs. Patrick Campbell
1596:Mrs. Patrick Campbell
1497:Mrs. Patrick Campbell
1380:norman.hrc.utexas.edu
761:The Moonlight Blossom
699:in a charge at Boshof
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73:9 April 1940 (age 75)
27:British stage actress
18:Mrs. Patrick Campbell
1636:Mrs Patrick Campbell
1624:UK National Archives
1428:The Theatrical World
904:Crime and Punishment
599:The Devil's Disciple
571:Crime and Punishment
467:Pelléas et Mélisande
448:in New York City in
358:(1894), produced by
180:Mrs Patrick Campbell
36:Mrs Patrick Campbell
1614:Harry Ransom Center
1533:George Bernard Shaw
1517:. Hamish Hamilton.
765:Harry Ransom Center
737:George Bernard Shaw
714:His Borrowed Plumes
593:The Saturday Review
588:George Bernard Shaw
576:Alexander Woollcott
511:George Bernard Shaw
344:St. James's Theatre
1163:, pp. 369–378
1139:, pp. 404–407
1127:, pp. 330–333
1103:, pp. 139–140
1091:, pp. 422–425
1079:, pp. 397–398
1067:, pp. 379–382
1055:, pp. 364–367
1043:, pp. 183–187
947:The New York Times
912:(final film role)
788:In 1957, the play
625:Back to Methuselah
334:Arthur Wing Pinero
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308:
297:
289:
276:
272:Philip Burne-Jones
214:contractor to the
1538:Dramatic Opinions
1456:. Alfred A Knopf.
1254:(Subscription or
1185:Great British Wit
916:
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622:, the Serpent in
568:(both 1934), and
492:(both 1908), and
461:The Joy of Living
456:Hermann Sudermann
435:Gerald Du Maurier
326:Alexandra Theatre
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101:Years active
64:, London, England
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1385:11 November
1173:Dent (1961)
995:, p. 3
983:, p. 2
971:, p. 1
842:The Dancers
802:Filmography
729:Pau, France
494:Bella Donna
319: 1909
268:The Vampire
188:Shakespeare
1667:Categories
1493:Dent, Alan
1258:required.)
919:References
909:Pawnbroker
864:Aunt Hetty
847:Aunt Emily
655:homosexual
342:(1893) at
208:Kensington
202:Early life
93:Occupation
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1650:Pygmalion
1575:cite book
1569:. London.
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1541:. London.
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1430:. London.
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791:Dear Liar
733:pneumonia
635:Pygmalion
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605:Pygmalion
554:Pekingese
506:Pygmalion
364:Haymarket
336:'s play,
285:Pygmalion
239:Carbonari
104:1888–1935
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785:DBE,DL.
775:Mrs. Pat
695:Boer War
689:to join
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528:'s play
509:, which
501:West End
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446:Broadway
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166:Children
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705:died.
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397:Lyceum
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809:Year
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1581:link
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