287:
81:
403:
227:
73:
20:
411:
1931. In 1960, the Mexico City government acquired the building from the descendants of the Counts of
Santiago de Calimaya in 1960. The City decided to convert this building into a museum. It hired architect Pedro Ramirez Vazques to remodel it, converting the old rooms into exhibition halls. In 1964, the Museum of Mexico City was inaugurated, focusing on what Mexico City was and what Mexico City hoped to be. However, by 1992, the Museum was in disarray. The museum closed and there were plans to convert it into lodging for guests of the city, but this never came to pass. In 1997, the Museum was reorganized and reopened dedicated to exhibitions about Mexico City's past, present and future, working in cooperation with the
158:
251:
215:
455:
267:
120:
Pizarro, first cousin of the conqueror. In this period, according to some plans, the house belonged to the “fortress-house” architectural typology, that is, a house with defensive elements against adverse situations. The description of the first dwelling house built by order of Lic. Altamirano corresponded to a rectangular building with the appearance of a three-story feudal tower with a door on the ground floor, four windows on the middle floor and six windows on the top floor. plus. The entire building had a conical roof and a tower on one side.
196:, putting a lien on the building's rental income. The Aztec serpent's head that serves and the building's impressive cornerstone was probably uncovered during these renovations. Cost of remodeling the house was 130,000 pesos. During this time, the palace chapel was added, built between 1778 and 1779. At that time, it was common to attend Mass everyday but at the same time upper-class women were generally not permitted to walk on the streets to go to church. Many large mansions and palaces, therefore, had their own chapels with their own
431:
353:
239:
451:, maps and other objects showing the everyday life of people in the Mexican highlands of this time period. The colonial-era, 19th and 20th century rooms also contain everyday items from these time periods such as furniture, desks, tables, vases, and jars as well as arts such as sculptures and paintings.
394:
have an
Oriental look to them, which was not common in such residences. Partly because of this, it has been speculated that the wood and the labor used to create parts of the house were of Philippine origin. However, both the work and the wood are native to Mexico, although the wood is not very common.
507:
Library contains approximately 10,000 volumes, mostly dealing with topics related to Mexico City. Its collection came from several sources including the 19th century newspaper collection, maps of the city from the city council reserve as well as original copies of laws passed by the city council. It
438:
It has 26 rooms covering the evolution of Mexico City from Aztec times to the present. The permanent collection is divided into the following periods of time: the pre-Hispanic period, the colonial period (16th to 18th century), the 19th century and the 20th century. The pre-Hispanic room, decorated
410:
From the end of the 19th century and through most of the 20th century, this part of Mexico City suffered a severe decline. This house was adapted to rent space to lower-class tenants and by end of the 1950s had become tenements, in spite of the fact that it had been declared a national monument in
393:
could be played as well. Music rooms were considered important during that time period to show the culture of the family. The main stairwell is located in the main courtyard opposite the nereid fountain. The dogs that adorn the banister of the main stairwell and the mascarons over the main doorway
43:
met for the first time. This building used to be the palace of the Counts of
Santiago de Calimaya, who were the descendants of one of the conquistadors with Cortés. The house was extensively remodeled during the colony to much the appearance that it has today and remained in the family until 1960,
340:
Inside, the house has two floors with two courtyards, which was common with houses of
Mexican nobility. The family's coat-of-arms adorn the arches of the main courtyard. One distinctive element of the palace is the fountain in the shape of a shell located in the main courtyard. Its deteriorated
128:
because that was the name of the town that was given to them in
Encomienda and that generated great wealth for them. The title of count was granted to Don Fernando Altamirano y Velasco, a direct descendant of Juan Gutiérrez Altamirano, in turn married María de Velasco e Ibarra, granddaughter of
119:
Mexica among his comrades-in-arms and closest collaborators; He gives the land located on what was then calle de
Ixtapalapa to the corner of the street that goes to the Hospital de Nuestra Señora de la Concepción to Don Juan Gutiérrez Altamirano, who shortly before had married Juana Altamirano
207:
The house was inhabited by the family until 1964, which is an exceptional case, it was the only manor house occupied by a New
Spanish noble family until the middle of the 20th century, when it was expropriated, the Cervantes family was forced to sell it to the government of Mexico City, which
144:
A time of economic and social boom came for the
Altamirano Velasco family. The remodeling of the old manor house in which his predecessors had lived, was in charge of the seventh count, since the building was badly damaged by earthquakes and floods, and more than remodeling, it was a complete
360:
The house had its own chapel, but only fragments of the facade remain in the structure today. One room that survives nearly intact is the music room. In the 19th century, music was one of the activities that the upper-class engaged in on a daily basis. European composers such as
149:
in New Spain. These reforms meant that despite the fact that the counts maintained a status as nobles, many of their properties would be seized by the Crown. The counts suffered financial difficulties at this time, but their status as nobles enabled them to get the
466:
painter Joaquín
Clausell occupies several rooms in the upper part of the house. He lived there as the husband of Angela Cervantes, a descendant of the Counts of Santiago de Calimaya. Clausell received visitors in these rooms such as
48:
government acquired it from them in order to found the Museum that is found there today. The museum contains a number of elements of the old palace as well as 26 rooms dedicated to the history and development of Mexico City from
123:
It was not until the third generation that the family was awarded the first noble title: “Counts of
Santiago de Calimaya”; of Santiago because they were devoted to St. James the Great, the Spanish patron saint; of
318:, which could be fired, but only with permission of city authorities. The look that survives today is the result of remodeling work done in the late 18th century and was one of the last major Baroque projects in
495:
movements. The collection of works by Clausell include foreshortened figures that the artist made simply to clean his brushes. Clausell's works are on display here due to an agreement between the Museum and the
266:
294:
During the colonial period, this palace was considered one of the most sumptuous in New Spain. The structure covers 2,762 m2, has a masonry foundation, thick masonry walls, and the facade covered in
322:. One of the building's most distinctive elements is the previously mentioned Aztec serpent's head, which was probably uncovered during this work. It is thought that the head may have come from the
487:. The rooms contain 1,300 sketches by the artist including portraits of famous people, images of Christ, angels and animals and mythological scenes. These works show influences from the
341:
condition and the fact that there is little space between it and the windows near it suggest that it dates back to before the 18th-century remodeling. The focus of the fountain is a
1453:
138:
89:
93:
1341:
327:
226:
181:. In the colonial era, calle de Pino Suárez (at that time, Iztapalapa road) was the fashionable street for the houses of the nobility, which were thus aligned with the
1018:
250:
424:
1250:
681:
1205:
214:
1270:
1159:
910:
382:
1749:
1744:
843:
744:
1113:
1316:
1185:
402:
238:
1118:
967:
1011:
1458:
60:
The building was completed in 1779 and the descendants of the counts lived in it until 1960. The architect that completed the palace was
178:
72:
1391:
286:
80:
1724:
1180:
939:
795:
762:
1597:
1714:
1128:
1004:
515:, a bookstore, and guided tours. One of the events recently held here was called "Beats & Bits," which traced the origins of
19:
1164:
1082:
170:
61:
1739:
1306:
1260:
894:
1663:
1060:
527:
1225:
1045:
820:
713:
511:
There are also temporary exhibits, educational programs for children and adults, a room devoted to the river system in the
1627:
601:
298:. The main entrance and portal are done in cantera, a grayish-white stone, as well as the central balcony. There are also
130:
1463:
651:
193:
1622:
1607:
1437:
1154:
420:
1719:
1220:
1215:
1050:
772:
1535:
1530:
1240:
1734:
1729:
1709:
1200:
1149:
1144:
571:
412:
345:
playing a guitar. It is possible that the marine motif refers to the sea voyages the Counts made to places like the
145:
restructuring, because the old building was demolished. This new construction is related to the promulgation of the
1275:
1103:
838:
1704:
1699:
1321:
798:(in Spanish). Mexico City: Instituto de Administración y Avalúos de Bienes Nacionales. April 2003. Archived from
685:
1489:
1427:
1366:
1291:
1027:
192:
At this time, the viceregal government decided to renovate the deteriorated palace in 1777, giving the work to
157:
1587:
519:
from the beginnings of the 20th century to the present. Another event was an exposition of Mexican wrestling (
1561:
1296:
1065:
1658:
1504:
1371:
1361:
1123:
332:
1617:
1301:
165:
The palace was rebuilt at the end of the 18th century, carrying out the work between 1776 and 1779 by the
1473:
1265:
1245:
738:
1643:
1432:
1326:
154:
to allow them to tax their lands, so that they would obtain money for the rebuilding of their palace.
1381:
1190:
1407:
1351:
1077:
1072:
182:
1210:
1653:
1422:
1255:
311:
1195:
862:
563:
557:
1356:
497:
1235:
1230:
1678:
1602:
1592:
1468:
1346:
1331:
1108:
884:
416:
1386:
1336:
458:
Exhibition of the Spanish republicans exile from the Franco government who arrived in Mexico
454:
1648:
1612:
1412:
307:
8:
1668:
947:
799:
134:
500:, where every two months, works by this artists are circulated between the two museums.
54:
1417:
1311:
504:
174:
109:
36:
31:(Museo de la Ciudad de Mexico) is located at Pino Suarez 30, a few blocks south of the
1055:
890:
768:
567:
531:
378:
1525:
1520:
1499:
1494:
605:
516:
512:
492:
821:"LA LEYENDA AMOROSA QUE ENCIERRA EL PALACIO DE LOS CONDES DE SANTIAGO DE CALIMAYA"
1566:
1556:
996:
476:
468:
390:
146:
105:
886:
North American Women Artists of the Twentieth Century: A Biographical Dictionary
1673:
523:) featuring photographs, costumes and other objects related to this spectacle.
447:(flat stones for grinding corn), jars, bowls, urns, incense burners as well as
386:
362:
201:
166:
151:
655:
67:
1693:
1540:
982:
969:
488:
480:
448:
1087:
484:
472:
323:
116:
50:
40:
326:
and was placed as the cornerstone of the original house that was owned by
520:
508:
also contains a large collection of books about the history of the city.
346:
273:
257:
45:
104:, where he had been governor in 1524; to take the post of Corregidor of
1571:
440:
53:
to the present. It also contains a library and the studios of painter
370:
97:
1035:
940:"Presentarán exposiciones de lucha libre en Museo Ciudad de México"
463:
315:
295:
197:
186:
125:
430:
352:
604:(in Spanish). Tulsa, Oklahoma: Hispano de Tulsa. Archived from
444:
366:
342:
319:
303:
299:
32:
946:(in Spanish). Mexico City. Notimex. 2008-09-25. Archived from
684:(in Spanish). Mexico City: Revista Buen Viaje. Archived from
374:
57:, who lived here in the late 19th and early 20th centuries.
882:
602:"Envuelve al Museo de la Ciudad de Mexico una Gran Riqueza"
101:
68:
History of the Palace of the Counts of Santiago de Calimaya
736:
732:
730:
555:
208:
arranged for the foundation of the museum in the house.
173:, author of other works of great importance such as the
115:
When Hernán Cortés distributed the lands closest to the
141:
in 1616, and which was used for fourteen generations.
727:
1342:
Museo de la Secretaría de Hacienda y Crédito Público
133:. Fernando Altamirano received the royal grant from
1251:Royal Convent of Jesús María and Our Lady of Mercy
1026:
883:Jules Heller; Nancy G. Heller (19 December 2013).
865:(in Spanish). Mexico City: Artes e Historia México
654:(in Spanish). Mexico City: Prodeso. Archived from
434:19th century Romance style chair in the music room
35:, on what was the Iztapalapa Causeway, near where
1454:House of the Count de la Torre Cosío y la Cortina
1271:Templo Expiatorio Nacional de San Felipe de Jesús
1160:Secretariat of Public Education Main Headquarters
1691:
876:
760:
272:Fountain of the palace in 1920, photographed by
161:Quetzalcoatl head on the corner of the building.
599:
921:(in Spanish). Mexico City. Notimex. 2009-09-27
857:
855:
839:"Casa del Conde de Santiago Calimaya, portada"
756:
754:
1317:House of the First Print Shop in the Americas
1012:
911:"Museo de la Ciudad de México ofrecerá curso
844:Instituto Nacional de Antropología e Historia
745:Instituto Nacional de Antropología e Historia
740:Palacio de los Condes de Santiago de Calimaya
716:(in Spanish). Mexico City: Mexico Desconocido
562:. Mexico City: Ediciones Nueva Guia. p.
281:
189:and the portal and the windows with quarry.
185:. The facade of the palace was covered with
852:
751:
676:
674:
672:
556:Galindo, Carmen; Magdelena Galindo (2002).
175:Palace of the Marquises of Jaral del Berrio
1119:Colegio de San Ignacio de Loyola Vizcaínas
1019:
1005:
903:
646:
644:
642:
551:
549:
547:
796:"Reseña del Museo de la Ciudad de Mexico"
640:
638:
636:
634:
632:
630:
628:
626:
624:
622:
220:Palace of the Counts of Calimaya in 1920.
790:
788:
786:
784:
764:Introducción a la arquitectura en México
708:
706:
704:
702:
669:
453:
429:
401:
397:
351:
285:
156:
79:
71:
18:
1750:Spanish Colonial architecture in Mexico
1745:Residential buildings completed in 1779
1129:University of the Cloister of Sor Juana
595:
593:
591:
589:
587:
585:
583:
544:
256:The courtyard in 1920, photographed by
1692:
1186:Church of San Felipe Neri "La Profesa"
1165:Supreme Court of Justice of the Nation
619:
600:Gochis Illescas, Javier (2004-11-14).
171:Francisco Antonio de Guerrero y Torres
92:dates back to the year 1527, when Mr.
62:Francisco Antonio de Guerrero y Torres
1000:
932:
781:
699:
443:and others, contains objects such as
310:portal rests on four clawed feet and
137:in which he was granted the title of
88:The history of the Old Palace of the
714:"Museo de la Ciudad de México (D.F)"
580:
526:In 1999, then-mayor of Mexico City,
200:. These families would have private
1464:Houses of the Mayorazgo de Guerrero
761:Manuel Rodríguez (8 October 2009).
244:Chapel of the Palace in 1920. INAH.
194:Francisco Antonio Guerrero y Torres
13:
1221:Historic Synagogue Justo Sierra 71
1155:Palace of the Marqués del Apartado
1061:Fountain to Bartolomé de las Casas
737:Angélica Oviedo Herrerias (1996).
14:
1761:
1628:Zócalo/Tenochtitlan metro station
1145:Library of the Congress of Mexico
1114:Antigua Escuela de Jurisprudencia
1725:Historic house museums in Mexico
1623:San Juan de Letrán metro station
1608:Isabel la Católica metro station
1438:Palacio del Marqués del Apartado
1104:Academia Mexicana de la Historia
265:
249:
237:
232:Main door of the Palace in 1920.
225:
213:
1536:Calle de República de Guatemala
1531:Calle de República de Argentina
1322:Interactive Museum of Economics
1241:Nuestra Señora de Loreto Church
831:
530:, gave the keys of the city to
356:Colonial fountain in the palace
1715:Historic center of Mexico City
1459:House of the Marquis of Uluapa
1367:Museo Nacional de las Culturas
1028:Historic center of Mexico City
863:"Museo de la Ciudad de Mexico"
813:
767:. Camion Escolar. p. 82.
682:"Museo de la Ciudad de Mexico"
652:"Museo de la Ciudad de Mexico"
413:Museo Nacional de Antropología
90:Counts of Santiago de Calimaya
84:Frontal view of the courtyard.
1:
1562:Garden of the Triple Alliance
1392:San Pedro y San Pablo College
1297:Casa Talavera Cultural Center
1066:Monument to Pope John Paul II
537:
528:Cuauhtémoc Cárdenas Solórzano
406:Cloister of the museum palace
139:Count of Santiago de Calimaya
1740:National Monuments of Mexico
1490:Abelardo L. Rodríguez Market
1428:Palacio de Correos de México
1362:Museo Nacional de la Estampa
377:were preferred but music by
314:. It also has cannon-shaped
7:
1588:Mexico City Metrobús Line 4
1246:Regina Coeli Convent Church
743:. Vol. First Edition.
559:Mexico City Historic Center
10:
1766:
1659:Hospital de Jesús Nazareno
1598:Bellas Artes metro station
1720:History museums in Mexico
1636:
1618:Pino Suárez metro station
1580:
1549:
1513:
1482:
1446:
1400:
1382:Palace of the Inquisition
1302:Centro Cultural de España
1284:
1173:
1137:
1096:
1034:
983:19.4292000°N 99.1325472°W
328:Juan Gutierrez Altamirano
282:Description of the palace
94:Juan Gutiérrez Altamirano
76:Mexico City Museum facade
1735:Landmarks in Mexico City
1730:Libraries in Mexico City
1710:Mesoamerican art museums
1352:Museo Mural Diego Rivera
1307:Colegio de San Ildefonso
1261:Santa Veracruz Monastery
1206:Convent of San Francisco
1181:Church of Jesus Nazareno
1083:Old Portal de Mercaderes
1073:Nacional Monte de Piedad
1046:Administrative buildings
1654:Edificio Miguel E. Abed
1433:Palacio de la Autonomía
1423:Palacio de Bellas Artes
1327:José Luis Cuevas Museum
1256:Santa Teresa la Antigua
1226:Iglesia de San Bernardo
988:19.4292000; -99.1325472
1705:City museums in Mexico
1700:Museums in Mexico City
1357:Museo Nacional de Arte
1191:Church of San Hipólito
1051:Metropolitan Cathedral
1039:and immediate vicinity
498:Museo Nacional de Arte
459:
435:
407:
357:
302:on the facade done in
291:
162:
85:
77:
24:
1679:Torre Latinoamericana
1664:Hospital San Hipólito
1603:Hidalgo metro station
1593:Allende metro station
1469:Saint Augustine House
1377:Museum of Mexico City
1347:Museo del Estanquillo
1332:Museo de Arte Popular
1216:Corpus Christi Church
1211:Convent of Santa Inés
1109:Academy of San Carlos
457:
433:
417:Museo de Arte Moderno
405:
398:Museum of Mexico City
355:
289:
204:said in their homes.
160:
83:
75:
29:Museum of Mexico City
22:
1649:Chapultepec aqueduct
1613:Merced metro station
1413:Casa de los Azulejos
1201:Convent of La Merced
1196:Church of Santa Inés
1150:Old Customs Building
1138:Government buildings
1097:Schools and colleges
23:Façade of the palace
16:Art museum in Mexico
1669:Teatro de la Ciudad
1483:Traditional markets
1276:Valvanera Cathedral
1236:La Santísima Church
1231:La Enseñanza Church
1174:Religious buildings
1124:El Colegio Nacional
979: /
425:Galería de Historia
421:Museo de Virreinato
290:Stairway (sideways)
135:Philip III of Spain
100:from the island of
1418:Palace of Iturbide
1387:Palacio de Minería
1337:Museo de Charrería
1312:Franz Mayer Museum
827:. 25 October 2022.
505:Jaime Torres Bodet
460:
436:
408:
358:
292:
179:Capilla del Pocito
163:
86:
78:
25:
1687:
1686:
1292:Caricature Museum
896:978-1-135-63882-5
688:on August 1, 2009
658:on April 14, 2009
532:Pope John Paul II
379:Mexican composers
1757:
1550:Parks and plazas
1521:Avenida Bucareli
1500:La Merced Market
1495:Ciudadela Market
1021:
1014:
1007:
998:
997:
994:
993:
991:
990:
989:
984:
980:
977:
976:
975:
972:
959:
958:
956:
955:
936:
930:
929:
927:
926:
913:Beats & Bits
907:
901:
900:
880:
874:
873:
871:
870:
859:
850:
849:
835:
829:
828:
817:
811:
810:
808:
807:
792:
779:
778:
758:
749:
748:
734:
725:
724:
722:
721:
710:
697:
696:
694:
693:
678:
667:
666:
664:
663:
648:
617:
616:
614:
613:
597:
578:
577:
553:
517:electronic music
513:Valley of Mexico
336:
269:
253:
241:
229:
217:
108:and overseer of
55:Joaquín Clausell
1765:
1764:
1760:
1759:
1758:
1756:
1755:
1754:
1690:
1689:
1688:
1683:
1632:
1576:
1567:Plaza Garibaldi
1557:Alameda Central
1545:
1509:
1505:San Juan Market
1478:
1447:Historic houses
1442:
1396:
1372:Museum of Light
1280:
1169:
1133:
1092:
1078:National Palace
1056:Cruz de Mañozca
1038:
1030:
1025:
987:
985:
981:
978:
973:
970:
968:
966:
965:
963:
962:
953:
951:
938:
937:
933:
924:
922:
909:
908:
904:
897:
881:
877:
868:
866:
861:
860:
853:
837:
836:
832:
819:
818:
814:
805:
803:
794:
793:
782:
775:
759:
752:
735:
728:
719:
717:
712:
711:
700:
691:
689:
680:
679:
670:
661:
659:
650:
649:
620:
611:
609:
598:
581:
574:
554:
545:
540:
477:Carlos Pellicer
469:Gerardo Murillo
439:by the painter
400:
391:Melesio Morales
330:
284:
277:
270:
261:
254:
245:
242:
233:
230:
221:
218:
147:Bourbon reforms
131:Luis de Velasco
70:
17:
12:
11:
5:
1763:
1753:
1752:
1747:
1742:
1737:
1732:
1727:
1722:
1717:
1712:
1707:
1702:
1685:
1684:
1682:
1681:
1676:
1674:Teatro Fru Fru
1671:
1666:
1661:
1656:
1651:
1646:
1640:
1638:
1634:
1633:
1631:
1630:
1625:
1620:
1615:
1610:
1605:
1600:
1595:
1590:
1584:
1582:
1581:Transportation
1578:
1577:
1575:
1574:
1569:
1564:
1559:
1553:
1551:
1547:
1546:
1544:
1543:
1538:
1533:
1528:
1526:Avenida Juárez
1523:
1517:
1515:
1511:
1510:
1508:
1507:
1502:
1497:
1492:
1486:
1484:
1480:
1479:
1477:
1476:
1474:Tlaxcala House
1471:
1466:
1461:
1456:
1450:
1448:
1444:
1443:
1441:
1440:
1435:
1430:
1425:
1420:
1415:
1410:
1404:
1402:
1398:
1397:
1395:
1394:
1389:
1384:
1379:
1374:
1369:
1364:
1359:
1354:
1349:
1344:
1339:
1334:
1329:
1324:
1319:
1314:
1309:
1304:
1299:
1294:
1288:
1286:
1282:
1281:
1279:
1278:
1273:
1268:
1263:
1258:
1253:
1248:
1243:
1238:
1233:
1228:
1223:
1218:
1213:
1208:
1203:
1198:
1193:
1188:
1183:
1177:
1175:
1171:
1170:
1168:
1167:
1162:
1157:
1152:
1147:
1141:
1139:
1135:
1134:
1132:
1131:
1126:
1121:
1116:
1111:
1106:
1100:
1098:
1094:
1093:
1091:
1090:
1085:
1080:
1075:
1070:
1069:
1068:
1063:
1058:
1048:
1042:
1040:
1032:
1031:
1024:
1023:
1016:
1009:
1001:
961:
960:
931:
902:
895:
875:
851:
830:
812:
780:
774:978-6070505812
773:
750:
726:
698:
668:
618:
579:
572:
542:
541:
539:
536:
462:The studio of
399:
396:
387:Aniceto Ortega
363:Franz Schubert
283:
280:
279:
278:
271:
264:
262:
255:
248:
246:
243:
236:
234:
231:
224:
222:
219:
212:
69:
66:
15:
9:
6:
4:
3:
2:
1762:
1751:
1748:
1746:
1743:
1741:
1738:
1736:
1733:
1731:
1728:
1726:
1723:
1721:
1718:
1716:
1713:
1711:
1708:
1706:
1703:
1701:
1698:
1697:
1695:
1680:
1677:
1675:
1672:
1670:
1667:
1665:
1662:
1660:
1657:
1655:
1652:
1650:
1647:
1645:
1642:
1641:
1639:
1635:
1629:
1626:
1624:
1621:
1619:
1616:
1614:
1611:
1609:
1606:
1604:
1601:
1599:
1596:
1594:
1591:
1589:
1586:
1585:
1583:
1579:
1573:
1570:
1568:
1565:
1563:
1560:
1558:
1555:
1554:
1552:
1548:
1542:
1541:Madero Street
1539:
1537:
1534:
1532:
1529:
1527:
1524:
1522:
1519:
1518:
1516:
1512:
1506:
1503:
1501:
1498:
1496:
1493:
1491:
1488:
1487:
1485:
1481:
1475:
1472:
1470:
1467:
1465:
1462:
1460:
1457:
1455:
1452:
1451:
1449:
1445:
1439:
1436:
1434:
1431:
1429:
1426:
1424:
1421:
1419:
1416:
1414:
1411:
1409:
1406:
1405:
1403:
1399:
1393:
1390:
1388:
1385:
1383:
1380:
1378:
1375:
1373:
1370:
1368:
1365:
1363:
1360:
1358:
1355:
1353:
1350:
1348:
1345:
1343:
1340:
1338:
1335:
1333:
1330:
1328:
1325:
1323:
1320:
1318:
1315:
1313:
1310:
1308:
1305:
1303:
1300:
1298:
1295:
1293:
1290:
1289:
1287:
1283:
1277:
1274:
1272:
1269:
1267:
1266:Santo Domingo
1264:
1262:
1259:
1257:
1254:
1252:
1249:
1247:
1244:
1242:
1239:
1237:
1234:
1232:
1229:
1227:
1224:
1222:
1219:
1217:
1214:
1212:
1209:
1207:
1204:
1202:
1199:
1197:
1194:
1192:
1189:
1187:
1184:
1182:
1179:
1178:
1176:
1172:
1166:
1163:
1161:
1158:
1156:
1153:
1151:
1148:
1146:
1143:
1142:
1140:
1136:
1130:
1127:
1125:
1122:
1120:
1117:
1115:
1112:
1110:
1107:
1105:
1102:
1101:
1099:
1095:
1089:
1086:
1084:
1081:
1079:
1076:
1074:
1071:
1067:
1064:
1062:
1059:
1057:
1054:
1053:
1052:
1049:
1047:
1044:
1043:
1041:
1037:
1033:
1029:
1022:
1017:
1015:
1010:
1008:
1003:
1002:
999:
995:
992:
971:19°25′45.12″N
950:on 2011-07-16
949:
945:
941:
935:
920:
919:El Informador
916:
914:
906:
898:
892:
889:. Routledge.
888:
887:
879:
864:
858:
856:
847:
845:
840:
834:
826:
822:
816:
802:on 2009-03-02
801:
797:
791:
789:
787:
785:
776:
770:
766:
765:
757:
755:
746:
742:
741:
733:
731:
715:
709:
707:
705:
703:
687:
683:
677:
675:
673:
657:
653:
647:
645:
643:
641:
639:
637:
635:
633:
631:
629:
627:
625:
623:
608:on 2006-06-15
607:
603:
596:
594:
592:
590:
588:
586:
584:
575:
573:968-5437-29-7
569:
565:
561:
560:
552:
550:
548:
543:
535:
533:
529:
524:
522:
518:
514:
509:
506:
501:
499:
494:
490:
489:Impressionism
486:
482:
481:Salvador Novo
478:
474:
470:
465:
456:
452:
450:
449:Aztec codices
446:
442:
432:
428:
426:
422:
418:
414:
404:
395:
392:
388:
384:
380:
376:
372:
368:
364:
354:
350:
348:
344:
338:
334:
329:
325:
321:
317:
313:
309:
305:
301:
297:
288:
275:
268:
263:
259:
252:
247:
240:
235:
228:
223:
216:
211:
210:
209:
205:
203:
199:
195:
190:
188:
184:
180:
176:
172:
168:
159:
155:
153:
148:
142:
140:
136:
132:
127:
121:
118:
113:
111:
110:Hernán Cortés
107:
103:
99:
95:
91:
82:
74:
65:
63:
58:
56:
52:
47:
42:
38:
37:Hernán Cortés
34:
30:
21:
1644:Barrio Chino
1376:
1088:Templo Mayor
974:99°7′57.17″W
964:
952:. Retrieved
948:the original
944:SDP Noticias
943:
934:
923:. Retrieved
918:
912:
905:
885:
878:
867:. Retrieved
842:
833:
824:
815:
804:. Retrieved
800:the original
763:
739:
718:. Retrieved
690:. Retrieved
686:the original
660:. Retrieved
656:the original
610:. Retrieved
606:the original
558:
525:
510:
502:
485:Julio Ruelas
473:Diego Rivera
461:
437:
409:
359:
339:
324:Templo Mayor
293:
206:
191:
183:Royal Palace
164:
143:
122:
117:Templo Mayor
114:
87:
59:
41:Moctezuma II
28:
26:
1408:Borda House
986: /
521:lucha libre
471:(Dr. Atl),
347:Philippines
331: [
274:Hugo Brehme
258:Hugo Brehme
96:arrived in
51:Aztec times
46:Mexico City
1694:Categories
1572:Tlaxcoaque
954:2009-09-30
925:2009-09-30
869:2009-09-30
806:2009-09-30
720:2009-09-30
692:2009-09-30
662:2009-09-30
612:2009-09-30
538:References
441:Ana Ugalde
383:Tomás León
198:sacristies
825:mxcity.mx
493:Symbolism
371:Beethoven
316:gargoyles
312:mascarons
152:audiencia
98:New Spain
44:when the
464:Campeche
423:and the
381:such as
296:tezontle
187:tezontle
177:and the
169:builder
129:Viceroy
126:Calimaya
1514:Streets
1401:Palaces
1285:Museums
848:. 1920.
846:website
445:metates
308:Baroque
300:friezes
167:Criollo
106:Texcoco
1036:Zócalo
893:
771:
570:
534:here.
415:, the
367:Chopin
343:Nereid
320:Mexico
306:. The
304:basalt
202:Masses
33:Zocalo
1637:Other
375:Liszt
335:]
891:ISBN
769:ISBN
568:ISBN
503:The
491:and
483:and
419:the
389:and
373:and
102:Cuba
39:and
27:The
564:220
1696::
942:.
917:.
854:^
841:.
823:.
783:^
753:^
729:^
701:^
671:^
621:^
582:^
566:.
546:^
479:,
475:,
427:.
385:,
369:,
365:,
349:.
337:.
333:es
112:.
64:.
1020:e
1013:t
1006:v
957:.
928:.
915:"
899:.
872:.
809:.
777:.
747:.
723:.
695:.
665:.
615:.
576:.
276:.
260:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)