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Music in Charleston

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123:. Eventually the orphanage garnered such a reputation that some parents sent their children there to study music. As a result, Charleston musicians became proficient on a variety of instruments and were able to read music expertly. These traits set Jenkins musicians apart and helped land some of them positions in big bands with Duke Ellington and Count Basie. The children were not taught jazz, but often performed rags and ragtime versions of popular marches, introducing the distinctive swing to the music. Orphanages around the country began to develop brass bands in the wake of the Jenkins Orphanage Band's success. At the Colored Waif's Home Brass Band in 88:
the British Empire before the American Revolution, and it was the North American cradle of the African slave trade, similar to other incubators on this side of the Atlantic Ocean, such as Havana, Cuba, and Salvador, Brazil. ... From enslaved African drummers, to black drummers attached to white militias, to military bands, to community brass bands, has come Charleston jazz.
201:, a stage version of the novel by Dubose Heyward of the same title. The story was based in Charleston, South Carolina and featured the Gullah Community. The Heywards insisted on an African American cast for their play and hired the real Jenkins Orphanage Band to portray themselves on stage. Only a few years later, DuBose Heyward collaborated with 302:
is a big band that does just this by presenting concerts of standard South Carolina jazz as well as new works. To this day Charleston maintains a vibrant and diverse jazz scene and is home to many musicians in all genres. As it has always been, Charleston remains a melting pot of musical styles and
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The beginnings of jazz music on the southeastern coast of the United States was centered in Charleston, South Carolina, one of only a handful of places in the Western Hemisphere where Africa interacted with Europe in a seminal way to produce New World culture. ... Charleston was the crown jewel of
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No wonder Charleston musicians excelled at jazz. This port city is often referred to as the Ellis Island for African Americans. Estimates say upward of 40 percent of Africans imported into North America came through Charleston. For Charleston, jazz is like the distinctive taste of okra soup, the
119:. The orphanage took in donations of musical instruments and Rev. Jenkins hired local Charleston musicians and Avery Institute Graduates to tutor the boys in music. Upon its establishment, it became the only black instrumental group organized in 263: 295: 291: 142:
uniforms, performed throughout the United States and even toured England raising money for the support of the orphanage. It played in the inaugural parades of Presidents
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music, America's greatest art form. Charleston, SC is one of the early "incubators" of jazz, along with other southern cities such as
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are but a few of the alumni from the Jenkins Orphanage band who became professional musicians in some of the best bands of the day.
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work to document, preserve and promote Charleston's unique and largely unknown jazz history, as well as its legacy. The
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plaintive cries of the early 20th-century street vendors, and the meticulous artistry of sweetgrass baskets.
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and the Anglo-American Exposition in 1914. It toured the United States from coast to coast, and played in
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in 1740 and lived in Charleston for the rest of his life. Another notable musician born in Charleston is
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is considered the Great American Opera and is widely performed. Charleston's influence on the music of
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dances that accompanied the music of the dock workers in Charleston followed a rhythm that inspired
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was a resident of Charleston in the Colonial Era. Charles, the son of the more famous
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of Charleston has had an influence on that of the rest of the country. The
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is a very important city when it comes to deciphering the history of
535:"Charles Theodore Pachelbel Songs, Albums, Reviews, Bio & More" 111:. Jenkins was a businessman and Baptist minister who encountered 37: 567: 522:
http://www.voxnovus.com/resources/American_Composer_Timeline.htm
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The Jenkins Orphanage Band also played on Broadway for the play
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and therefore the American opera tradition is undeniable.
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was established in 1891 by Rev. Daniel J. Jenkins in
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Index

Charleston, South Carolina
Gullah
jazz
music
geechee
Eubie Blake
James P. Johnson
The Charleston
dance craze
Ballin' the Jack
Chris Smith
Charleston
jazz
New Orleans
Jenkins Orphanage
Charleston, South Carolina
street children
African Americans
South Carolina
New Orleans, Louisiana
Louis Armstrong
Jenkins Orphanage
Citadel
Theodore Roosevelt
William Taft
St. Louis Exposition
Paris
Berlin
Rome
London

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