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525:. In an interview, she said that she was interested in the recent resurgence of geopolitical borders, such as the Mexico–United States border and the separation of the Islamic and Western worlds. She also reflected on her own experiences with immigration bureaucracies. As part of her practice, Kaabi-Linke takes prints of city walls, which she finds expressive of the city's history.
288:, a borough of Berlin. Her pavement mosaic uses stones that correspond to the national origins of the borough's residents, which is a largely immigrant population. She described her practice, at that time, as an archaeology of contemporary life. As of 2016, Kaabi-Linke is represented by Lawrie Shabibi of Dubai and Experimenter of Kolkata.
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the same year. In the installation, a cage-like structure hangs from the ceiling and casts quadrilateral shadows onto the ground. Kaabi-Linke drew inspiration from a bridge in Venice where Arab and
African street vendors used carpets to show counterfeit wares. The work was shown at the 54th Venice
447:
wrote that the bullet holes on the walls of the bunker symbolized the wounds of
Germany's involvement in the war. The magazine compared the work's format to that of early Christian art and considered the work "an allegory for the political strategy of covering up the past for a more favorable
516:, in which a disembodied mouth chants questions from an immigration visa interrogation, to which church congregants chant the replies. The video installation had previously debuted at the 2012 Liverpool Biennale. Kaabi-Linke's 2015 solo show at the
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explored themes of international borders. A performance at the show ran its duration, wherein volunteers circled two poles while unraveling the 3,000 kilometers of thread, to create a symbolic wall that represents the length of the border the
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described Kaabi-Linke's six Dallas pieces as having high conceptual impact for addressing heavy political themes (e.g., politics of borders, identity, and military) with delicate media (e.g., hair, language, and thread).
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frame that visualizes war through its depiction of a World War II-era Berlin bunker. Civilians were forced to build the depicted bunker, which held private artworks from the Boros
Collection as of the exhibition.
406:
and
Tunisia, respectively. The flowers would decay against the background of the flag. The same year, after meeting many survivors of domestic violence during her 2012 residency in the London
280:
Experimenter gallery. One of the judges juxtaposed the social content of her work against the political reservations of other exhibitions in the show. Earlier that year, she completed her
300:, paint chips from city walls in Tunis, Kyiv, Paris, Berlin, Cologne and other Tunisian cities are positioned horizontally and suspended from the ceiling in a cluster. Caitlin Woolsey of
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476:(2013), an ink and wax painting, comes from a print of a Tunisian resort's eroded wall to reflect on the inescapable erosion of man's creations and the decline of tourism in Tunisia.
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exhibited alongside other works in the theme of masculine overreach at her 2015 second solo show in the Lawrie
Shabibi gallery of Dubai. The show explored the emergence of
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Stephanie Bailey wrote that Kaabi-Linke was both concise and sincere", with a "severity" offset by the "lightness" with which she navigates topical issues. The
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The artist held her first solo show in Tunis in 2009, and subsequent solo shows in Berlin (2010), the Mosaic Rooms of Earl's Court (London, 2014), and the
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when she was 12 when her father took a job there. Kaabi-Linke recalled the move as difficult, particularly in losing the opportunity to study
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in 1978. She is of
Ukrainian and Tunisian heritage, her father a sports academic and her mother a chemist. Kaabi-Linke was raised between
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established the artist as among the few "capable of crafting complex socio-political histories into an organic, autonomous poetry".
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Kaabi-Linke is married and has two sons, born in early 2013 and late 2017. She lives in Berlin and Kyiv and speaks six languages.
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announced Kaabi-Linke as the winner of the 4th edition of the Ithra Art Prize. She was granted USD 100,000 to create work for the
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472:(2015) captured sand, cement, and pollen inside bubble wrap to reflect the masculine impulse to exploit the environment.
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384:. The show, co-curated by her partner, focused on questions of Tunisian identity following the 2010
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Among prior works, the artist's 2014 exhibition at the London Mosaic Rooms featured a video piece,
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214:. With her mother's encouragement, Kaabi-Linke began to draw. Later she studied painting at the
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culture from themes of war heroism, exploitation, and violence, and machismo's relation to the
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619:"But a Storm Is Blowing from Paradise: Contemporary Art of the Middle East and North Africa",
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1438:"Nadia Kaabi-Linke wins Ithra Art Prize 2021 for work that imagines a post-pandemic future"
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Biennale and was later purchased by the New York
Guggenheim Museum in 2016 as part of the
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1464:"Suspended Lives and Emerging Voices: Nadia Kaabi-Linke in Conversation with Lina Lazaar"
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126:-born, Berlin-based visual artist best known for her conceptual art and 2011 sculpture
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1370:"Glittery Sylphs, Decorated Camels, Cracked Earthen Paintings, and Botched Machismo"
248:(2015). Kaabi-Linke received the 2009 Alexandria Biennale's Jury Prize and the 2011
795:"How Curator Sara Raza's New Show Smuggles Inconvenient Truths Into the Guggenheim"
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1207:"Where to Now: Chkoun Ahna at the National Museum of Carthage, Tunis, 2012"
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598:"The Future Rewound & The Cabinet of Souls", Mosaic Rooms, London, 2014
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174:. Kaabi-Linke also won the Discoveries Prize for emerging art at the 2014
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316:). Kaabi-Linke said that her work is "unintentionally autobiographical".
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at the April 2016 Dallas Art Fair, and the Burger
Collection purchased
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In May 2012, Kaabi-Linke exhibited in "Chkoun Ahna" at the
Tunisian
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1263:"Notable Acquisition - Nadia Kaabi Linke by M+ Museum Hong Kong"
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1123:"Place as Provisional: Site-Specific Art Commissions in Sharjah"
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Dubai, TenTwenty | Webdesign, Webshops & E.-marketing |.
456:(2012) invoked the burial of American soldiers from the 1942
272:. She won the Discoveries Prize for emerging art at the 2014
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1137:"Nadia Kaabi-Linke - Starter: Filigrane Gesellschaftskritik"
986:"Art Basel: Discoveries Prize awarded to Nadia Kaabi-Linke"
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The 2011 Abraaj Group Art Prize commissioned Kaabi-Linke's
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in 2012, where she was inspired after meeting survivors of
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1011:"Alfred-Scholz-Platz: Gestaltung eines Stadtplatzes"
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in 2016. Kaabi-Linke held a residency at the London
154:and received a Ph.D. in philosophy of art from the
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1236:"Chkoun Ahna Opens Tunisia's Contemporary Chapter"
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308:policies and symbolized the mass that formed the
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1344:"Nadia Kaabi-Linke: Forces that Shape our World"
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909:Gerlis, Melanie; Adam, Georgina (May 17, 2014).
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1041:"Nadia Kaabi-Linke presa pelos fios da memória"
831:"Echoes of Political Unrest at Venice Biennale"
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1013:. Architekturpreis Berlin 2016. Archived from
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1421:: CS1 maint: multiple names: authors list (
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260:and later purchased by and exhibited at the
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1316:Franceschini, Giulia (December 15, 2014).
1303:"Abstract Generation: Now in Print - MoMA"
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871:"Fahrenheit311: Seven Legends of Machismo"
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1368:Terranova, Charissa (November 12, 2015).
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1070:"Dallas Art Fair Sales in 2016 Are Mixed"
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911:"Artists Go the Extra Mile for Hong Kong"
869:Volk, Katherine; Shabibi, Lawrie (n.d.).
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958:"Dueling Visions at Art Basel Hong Kong"
621:Guggenheim UBS MAP Global Art Initiative
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361:Guggenheim UBS MAP Global Art Initiative
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172:Guggenheim UBS MAP Global Art Initiative
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698:"An artist who will not be pigeonholed"
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537:King Abdulaziz Center for World Culture
178:. Her works have been collected by the
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793:van Straaten, Laura (April 27, 2016).
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284:("My Stone") project in the center of
1436:Chaves, Alexandra (August 31, 2021).
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388:. The artist's 2012 commentary work,
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696:Spence, Rachel (November 14, 2014).
296:In Kaabi-Linke's 2009 installation,
1639:Tunis Institute of Fine Arts alumni
1068:Kinsella, Eileen (April 20, 2016).
829:Lankarani, Nazanin (May 25, 2011).
754:Smart, Lauren (December 21, 2015).
728:. Nadia Kaabi-Linke. Archived from
509:also acquired work by Kaabi-Linke.
252:. The latter commissioned her 2011
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1097:"Nadia Kaabi-Linke - Experimenter"
304:wrote that the work recalled city
130:. Her work has explored themes of
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1462:Lazaar, Lina (December 5, 2011).
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1157:Bailey, Stephanie (Summer 2015).
883:from the original on June 3, 2016
807:from the original on June 3, 2016
756:"10 Best Art Exhibitions of 2015"
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1492:"Nadia Kaabi-Linke: Sealed Time"
1205:Downey, Anthony (May 30, 2012).
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541:Diryah Contemporary Art Biennale
523:United States shares with Mexico
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306:development-induced displacement
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398:Muslim declaration of faith in
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276:, where she exhibited with the
1518:"Nadia Kaabi-Linke — Stranded"
1039:Synek, Manuela (May 2, 2014).
956:Vine, Richard (May 22, 2014).
402:atop a black flag, symbols of
256:, which was shown at the 54th
198:Nadia Kaabi-Linke was born in
150:and Paris, she studied at the
1:
1669:21st-century Tunisian artists
1664:Tunisian installation artists
1644:Tunisian contemporary artists
1342:Cohen, Alina (October 2015).
984:Seaman, Anna (May 15, 2014).
638:
566:(2015), installation view at
474:A Short Story of Salt and Sun
1234:Larkins, Zoe (May 7, 2012).
625:Solomon R. Guggenheim Museum
216:Tunis Institute of Fine Arts
152:Tunis Institute of Fine Arts
65:Tunis Institute of Fine Arts
7:
1322:Intense Art Magazine Africa
632:National Museum of Carthage
412:Impunities London Originals
382:National Museum of Carthage
158:. Kaabi-Linke won the 2011
46:1978 (age 45–46)
16:Tunisian artist (born 1978)
10:
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1674:21st-century women artists
1654:Women installation artists
1649:University of Paris alumni
1523:Calouste Gulbenkian Museum
603:Calouste Gulbenkian Museum
432:, is an ink and wax print
262:New York Guggenheim Museum
1398:"Ithra | Ithra Art Prize"
1318:"Nadia Kaabi-Linke: 'NO'"
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298:Under Standing Over Views
186:, Burger Collection, and
170:in 2016 as part of their
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23:
1189:(Subscription required.)
363:. Laura van Straaten of
206:and Tunis. She moved to
142:. Raised between Tunis,
140:transnational identities
291:
1659:Tunisian women artists
1526:. 2014. Archived from
571:
507:Samdani Art Foundation
327:
250:Abraaj Group Art Prize
241:
188:Samdani Art Foundation
160:Abraaj Group Art Prize
112:2011
109:Abraaj Group Art Prize
1559:at Wikimedia Commons
937:on September 11, 2015
562:
322:
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194:Early life and career
162:, which commissioned
555:Selected exhibitions
503:Museum of Modern Art
487:Dallas Museum of Art
428:. Its central work,
310:United Arab Emirates
184:Dallas Museum of Art
180:Museum of Modern Art
1498:on December 1, 2017
1289:"Nadia Kaabi-Linke"
1159:"Nadia Kaabi-Linke"
659:"Nadia Kaabi-Linke"
589:Dallas Contemporary
568:Dallas Contemporary
518:Dallas Contemporary
371:The Financial Times
274:Art Basel Hong Kong
246:Dallas Contemporary
176:Art Basel Hong Kong
168:New York Guggenheim
104:Art Basel Hong Kong
37:Kaabi-Linke in 2020
1530:on August 17, 2016
1103:on October 6, 2018
1017:on August 23, 2016
836:The New York Times
663:Delfina Foundation
572:
495:Impunities, London
491:Tunisian Americans
454:Tunisian Americans
408:Delfina Foundation
386:Jasmine Revolution
328:
314:Sharjah Art Museum
266:Delfina Foundation
242:
99:Discoveries Prize
1634:People from Tunis
1557:Nadia Kaabi-Linke
1555:Media related to
1348:Whitehot Magazine
919:The Art Newspaper
634:, Tunis, May 2012
587:"Walk the Line",
570:, 2019 km of yarn
426:seven deadly sins
418:Impunities London
404:Islamic extremism
352:
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270:domestic violence
228:philosophy of art
122:(born 1978) is a
120:Nadia Kaabi-Linke
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25:Nadia Kaabi-Linke
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