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concrete), creating a strong but flexible connection between individual pieces. This practice was used historically to rebuild villages after typhoons swept through the region. Wang Shu was adamant on using this building technique as it maintains the practice of traditional
Chinese construction, recalling the history of his and the project’s home.
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These upper levels fracture, like the mountains near the site, breaking into five smaller sections of sharp geometric shapes. The effect is created through a series of staircases and courtyards that create many different paths through the museum. This cracking effect can be seen in the plan from the
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Other walls are decorated with cement-covered bamboos. Material used on different walls was decided by the angle at which the wall protrudes. More angular walls employed bamboo and concrete construction, and more vertical walls used the recycled brick and stone. It is reported that Ningbo Museum was
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The Li Yuan
Photography Arts Museum, also designed by Wang Shu using materials similar to the main Ningbo Museum, opened on September 28, 2013 as a separate pavilion of 1,000 square meters space primarily used for temporary photography exhibits. It is located in the Wu San Fang on the north gate of
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There was some criticism of the architect and his choice to use hundred year old materials for new construction. Opponents of using these materials noted that the town of Ningbo was moving towards a more modern aesthetic, and that this museum would keep them in the past. Ultimately, many visitors
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After collecting stones and bricks from demolished structures in the surrounding area, the architect gave the builders some freedom in arranging these to create walls, using the wapan technique. This involves piecing together mismatched pieces of stone or tile with thin layers of lime (similar to
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The entire structure of the museum is broken into a few separate pieces that are connected via the central courtyard. The first three levels create a united square, housing the main entrances and administrative offices. Galleries are housed on the upper levels.
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This exhibit is located on the third floor of the museum. Wax models and mock buildings and modern electronic techniques are used to show a traditional commercial street in Ningbo. Intangible cultural heritages of the city are also on display.
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also employed a similar decoration. Additionally, the windows have received attention for their unique situation on each facade and the seemingly random arrangement and placement of each window.
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Yang, Jiaying (2022). "An
Analysis of the Design Concept of Modern Urban History Museums from the Controversy Related to the Architectural Appearance of Ningbo Museum".
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noted that the materials created a connection between the new museum and the history of the region, reflecting the interior purpose of this historical museum.
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This exhibit is located on the third floor of the museum, displaying old bamboo artefacts donated by Qin
Bingnian, the son of the collector, Qin Kangxiang.
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bird’s eye view, and the angles at which each piece jut out from the main levels creates an abstract sculptural effect on the rooftop walkways.
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in 2012. The design is a conceptual combination of mountains, water and oceans. design through decorations made from old tiles and bamboo.The
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Located on the second floor of the museum, this is the main exhibit of the museum, showing the history of Ningbo from the
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and opened on
December 5, 2008. The museum focuses on Ningbo area history and traditional customs.
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Proceedings of the 2022 International
Conference on Urban Planning and Regional Economy（UPRE 2022）
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and the Siming mountains surround the Museum and are referenced in its design and construction.
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the first museum built with a large number of used materials. Ningbo
Tengtou Pavilion in
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Luzhou Park. and is named after
Chinese photographer Li Yuan who was born in Ningbo.
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Ningbo Museum won the Lu Ban Prize in 2009, the top architecture prize in China.
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583:(Ala Ningbo residents - Theme display of Ningbo custom and culture)
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464:(Ningbo Pavilion in Shanghai Expo opened yesterday), cnnb.com.cn,
415:"Traditional Materials Optimmized for the Twenty-First Century"
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Facade of the Ningbo Museum showing window arrangement.
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531:. Vol. 654. Paris, France: Atlantis Press.
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612:摄影家李元摄影艺术馆在鄞州公园内开馆(组图)
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400:References
350:until the
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261:Materials
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596:Archived
577:Archived
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246:Wang Shu
48:Location
214:宁波历史博物馆
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418:(PDF)
372:inlay
202:鄞州博物馆
190:宁波博物馆
155:宁波博物馆
141:寧波博物館
60:China
22:宁波博物馆
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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