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were among the major contributors of the magazine. At the beginning of the
Communist revolution in 1917 the magazine advocated a radical anti-Bolshevik approach which became much more intense following the Bolshevik rule. The satire adopted by
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in 1908. It was published on a weekly basis. Due to financial problems between the publisher and the editors some editors left the magazine and started a new magazine in 1913 which was named
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Lesley Milne (October 2006). "Novyi
Satirikon, I9I4-I9I8: The Patriotic Laughter of the Russian Liberal Intelligentsia during the First World War and the Revolution".
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in
Frankfurt-am-Main. Another magazine with the same name was also launched in Moscow in 1997. All these publications existed for a short period.
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A.B. Astashov (2018). "Violation of the Laws and
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Exiled contributors of the magazine revived the satirical magazine in Paris in 1931. In 1951, a group of
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political stance, and most of its contributors had to flee Russia after the magazine was closed in 1918.
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Oleg Minin (2014). "Russian
Artists in the United States. The Case of Nicholas Remisoff (1887-1975)".
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Nicoletta Misler (Summer 1987). "A Public Art: Caricatures and
Posters of Vladimir Lebedev".
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Devastation and
Laughter. Satire, Power, and Culture in the Early Soviet State, 1920s–1930s
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