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144:) was a film magazine which was published in Spain between 1932 and 1936 with a one-year interruption. Its subtitle was Cuadernos Internacionales de Valorizacion Cinematografica (Spanish: International Notebooks of Cinematographic Evaluation). It was one of the earliest Spanish publications in its category and was the first Communist film magazine in Spain.
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temporarily ceased publication in
October 1933 and was restarted in January 1935. In the second period its communist approach was not very evident. It permanently folded in February 1936 because of financial problems and Juan Piqueras’s health problems. The title of
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was founded by Juan
Piqueras in 1932. In the first issue dated June 1932 the magazine billed itself as the "best" professional film publication free from superficial and sentimental contents unlike other film publications. It was affiliated with the
183:. These writings would be later published as a book. The magazine frequently featured theoretical and historical issues about cinema. It exclusively focused on left-wing movies, including those produced in the
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Enrique Fibla-Gutiérrez; Pablo La Parra-Pérez (2017). "Turning the camera into a weapon: Juan
Piqueras's radical noncommercial film projects and their afterlives (1930s–1970s)".
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through articles on strikes, land reform, and the proclamation of the
Catalan Statute. Major contributors of the magazine were Antonio del Amo Algara, Juan Manuel Plaza,
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Enrique Fibla-Gutiérrez (Winter 2017). "Film called into action: Juan
Piqueras, LĂ©on Moussinac, Harry Alan Potamkin and the Internationale of film pedagogy".
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334:
553:
548:
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Fernando Ramos Arenas (2016). "Film criticism as a political weapon: theory, ideology and film activism in
Nuestro Cinema (1932–1935)".
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Re-imagining the nation: Josep Renau and the politics of culture in
Republican Spain, 1931-1919
436:"The IVAM Library Collection: Avant-garde magazines from the first half of the 20th century"
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374:"Un cinéma viril pour une Espagne virile: le combat de Nuestro Cinema (1932-1935)"
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film magazine, which was started in 1961, was a reference to
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Lisa
Jarvinen (Summer 2012). "Juan Piqueras Biography".
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orientation. From its start in June 1932 to March 1933
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171:Piqueras edited the magazine from his Paris home.
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335:Historical Journal of Film, Radio and Television
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378:Itinéraires. Littérature, textes, cultures
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470:Journal of Spanish Cultural Studies
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549:Defunct Spanish-language magazines
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559:Film magazines published in Spain
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16:Spanish film magazine (1932–1936)
574:Magazines published in Barcelona
569:Magazines disestablished in 1936
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372:Évelyne Coutel (November 2019).
534:1936 disestablishments in Spain
434:Victoria Goberna (March 2004).
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413:Carl-Henrik Bjerstrom (2014).
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579:Magazines published in Madrid
564:Magazines established in 1932
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348:10.1080/01439685.2016.1167466
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529:1932 establishments in Spain
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539:Communist Party of Spain
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515:at Wikimedia Commons
421:University of London
304:10.1353/cj.2012.0092
193:political agitation
148:History and profile
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168:came out monthly.
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342:(2): 214–216.
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213:Béla Balázs
209:Joris Ivens
70:Final issue
62:First issue
523:Categories
476:(4): 342.
298:(4): 140.
236:References
205:René Clair
160:and had a
142:Our Cinema
124:1026600646
38:Categories
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452:0953-0460
446:(1): 79.
400:213512071
356:216591963
177:Barcelona
112:2107-5662
65:June 1932
96:Language
88:Based in
440:Serials
162:Marxist
138:Spanish
100:Spanish
78:Country
54:Founded
46:Founder
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260:Screen
91:Madrid
486:S2CID
396:S2CID
384:(3).
352:S2CID
82:Spain
448:ISSN
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211:and
119:OCLC
107:ISSN
57:1932
478:doi
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