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mined, mixed and took courses and exams to be recognised. It took about three years of training to advance through the system. At each stage the craftsmen were required to complete a test to attain a new title. The craftsmen would begin as an 'Assistant Master
Craftsman', then ascend through the ranks of 'Master Craftsman', 'Senior Master Craftsman' and finally 'National Master Craftsman'. Their signature product was artisan-crafted teapots.
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in vast numbers. Instead of having the name of the craftsman who made the pot on the bottom, these pots had characters that represented Yixing. During this time, the factory walls were filled with slogans painted in red that insisted that art was for the people and not for self-aggrandizement. Many
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government, industry began to revive. In 1954, 59 potters began the Zisha production group of the
Shushan workshop with funding from the Tangdu Pottery co-operative. The government established Factory No. 1 in April 1958. Before that time, no proper ranking existed for the craftsmen. Every maker
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Today, teapots produced by the factory are diverse and creative; masters have resumed signing their work and their creations are in high demand. Waits for a master craftsman's commissioned pot can reach up to two years.
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Yixing
Factory No. 2 was formed in 1984 by brothers Xu Siew Tang and Xu Han Tang, both master craftsmen. They managed to lure some craftsmen and women from Factory No. 1 to join them.
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With the end of the
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In 1918, the
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factory in China. The factory houses skilled artisans who set strict standards for their work.
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236:'Yixing Pottery: The World of Chinese Tea Culture' By Chunfang Pan, page 20
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Factory No. 1 to begin to produce utilitarian pots in a style known as
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257:"Ancient Tea Horse Road: My WenGe "Cultural Revolution" Yixing Teapot"
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connoisseurs still prize these pots for their simplicity and quality.
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140:. By 1932, more than 600 craftspeople worked in
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181:Assistant Master craftsman (Zhuli gongyishi)
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