Olivetti typewriters

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function. The print head has optical paper sensor to automatically detect the left margin of the paper and align printing on the paper, it is printing bidirectional at 35 cps which is quite fast for a daisy wheel printer. Like ET 111 to 116, the print head also has an optical sensor to detect type/pitch and nationality of the daisywheel. Optionally, there was a sprocket and automatic sheet feeder available. The SWP wordprocessor software is able to read MWP documents of ETV 350, 240, 250 and 210s from their proprietary CP/M-based disk format. Optionally, there was an external 360 kB 5.25 inch floppy drive called DU 260 to support diskettes of ETV 300 for document import.

1039: 196: 366:, engineered by Riccardo Levi, and designed by Aldo and Adriano Magnelli, it was intended for both office and domestic use. It weighed only 5.2 kilos, as compared to the M1, which weighed 17 kilos, measured 11.7 centimetres high, half the height of the M1. The mechanism was partly concealed by the body, and the monumental vertical structure of the M1 had been flattened and lightened. In addition to the black colour of the M1 and M20, the MP1 was offered in red, blue, light blue, brown, green, grey, and ivory. 555: 672: 2541: 1121: 1763: 1693:

configuration is diskless, storing all saved documents in battery buffered 32 kB RAM. This configuration can be enhanced by adding one 360 kB single sided 3.5 inch floppy drive supporting the same disk and document format as ETV 350. The 80x25 characters CRT 12 inch green monitor optionally can be mounted on a pivotable arm. Like ET 111 to 116 the print head has also optical sensor to detect type/pitch and nationality of the daisywheel.

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interface cardridges to support serial interface, external 5,25 floppy drive for data exchange with some ET series typewriters and ETV 300. There was a special serial interface to run the ETV 250 on the Teletex network as a sender and receiver of messages, similar to teletype, this was the so-called ETV 250TTX. Like on ETV 300 the wordprocessor was exitable to run standard CP/M software on this video typewriter.

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paper wagon was moving what also made possible to take over some mechanics of the Editor series. The mechanics to control the typeball was not controlled by wire ropes which made the Selectrix hard to adjust to work reliable but on turnable axles which made the Lexikon series very reliable and robust. The national keyboard layouts and typeballs were customizeable over a mechanical '

1648:. Some of them (ETV 300, 350, 500, 2900) were external boxes that could be connected through an optional serial interface to many of the ET series office typewriters, the others were fully integrated with an external monitor which could be installed on a holder over the desk. Most of the ET/ETV/Praxis series electronic typewriters were designed by Marion Bellini. 1354:' based on metal flags inside the keyboards where in production or maintenance single teeth could be broken out to change the layout according to tables in the service manual. The degrees to rotate the typeball was depending on this coding, using levers with moving turnpoint when pressing a key. The Lexikon 90 was the base model of the series. 1721:

which also could be used to print simple line based graphics in a document. Computer and printer are integrated in one box, like on ETV 240/250 the monitor can be installed on an arm and the keyboard is similar to IBM's XT layout. As mass storage it is uses two 3.5 inch 720 kB floppy drives or one floppy drive plus 20 MB hard disk. The

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drive to store documents over there. Both floppy drives are 40 tracks 160 kB capacity. A rare version is the diskless ETV 300 which used to have the operating system and MWP in a ROM and storing the documents in battery buffered SRAM. The 80x25 characters green monochrome monitor with a diameter of 12 inch can stand on the ETV 300 box.

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movement of the type lever was under full control and made possible to implement a double strike protection based on inertia of the type lever and the force driven by the swinging flag to protect the types from damage when the typist unintentionally hits two or more keys at once. Tekne 1 was the base model of the series.

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keyboard is quite special as it contains 80x5 characters alphanumeric LC display to write the documents. Otherwise its functionally is similar to ETV 240 supporting the same file format in battery buffered SRAM or optionally on one 3.5 inch 720 kb Floppy disks which are also able to read disks from ETV 240, 250 and 350.

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printing, while a mechanical display counts the words in the line, and in the second pass it displays to the typist how many spaces with 2 or 3 elementary steps he still has to fill in the line to get a perfect result. To type spaces with 2 or 3 elementary steps the space bar is divided into two halves.

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With its thermo transfer print head, based on IBM's quietwriter patents combined with the printer chassis of ET 116 the ETV 210s was announced as the future of the typewriter. The ETV 210s runns with a Zilog Z80 compatible CPU from Hitachi, running CP/M and wordprocessor in ROM. The PC style external

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personal computer. The difference is that the 8088 CPU runs at 8 instead of 4.77 MHz and instead of 5.25 inch floppy drives it uses 720 kB 3.5 inch. The client had the choice to use the same XT layout based keyboard as on ETV 260 or the keyboard of a serial connected ET 112 or ET 116 typewriter.

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operating system. It was connected over serial interface to an ET 121 or ET 225 office typewriter which was used as the keyboard and daisywheel printer. The 5,25 inch single sided boot diskette starts directly in the MWP called wordprocessing software. Optionally it was available with a second floppy

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Upgraded version of Lexikon 92 having additional correction ribbon, so with this model already written text could be deleted half manually by press a delete key which backspaces the paper wagon and then the typist has to press the character he wants to delete. The machine instead of lifting the black

1082:). The ribbon winds with each key press and automatically changes winding direction when it is finished in one of the two spools in which it is wound. Two mechanical sensors located near each spool move when the ribbon stretches (this indicates that it is finishing) and reverse its winding direction. 353:

To update the M20, Olivetti worked on a new model which came out in 1930 and remained in production until 1948, the M40. A second version came out in 1937 and another one in the 1940s. Customers particularly appreciated the fixed-guide carriage, the lightness of touch of the keyboard and the speed of

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printer is fully software driven by a config.sys driver running on the 8088 CPU and behaves like an external printer on LPT1:. The printer driver also contains a hotkey function which is running under any MS-DOS software to write directly on the printer like a normal typewriter, inclusive correction

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The Editor series was used for speed typing championship competition. The Editor 5 from 1969 was the top model of that series, with proportional spacing and the ability to support justified text borders. In 1972 the electromechanical typeball machines of the Lexicon 90 to 94C series were introduced,

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The set of characters available has obvious shortcomings: there is no key with the number 1, which is obtained by using the lowercase letter l (L) or the capital I (i); there are no keys for the accented uppercase vowels used in the Italian language, which were replaced by normal letters followed by

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The Lexikon 9x series was Olivetti's quite successful attempt to follow IBM' Selectrix series to have exchangeable fonts on typeball. To avoid IBM's patents Olivetti made everything different, so the typeball does not rotate horizontally, but vertically, it has no moving print head, but instead the

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The Tekne and later Editor series introduced Olivett's own solution to drive the type lever. While other manufactures based their drive on a rotating roller, rubber coated or with teeth, Olivetti designed an up and down swinging flag drive which pulls the type lever towards the paper roller. So the

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With the same mechanics as the Lettera 32, the Olivetti Lettera 35 is a typewriter with pressure writing levers. Each time a key is pressed, the corresponding hammer, through the kinematic mechanism, goes to beat on the tape with red or black ink, behind which is the sheet of paper on which is thus

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From then on, the technology of the hand-held portables tends to stabilize. The mechanics of the Lettera 32 is therefore maintained at the base of the subsequent models: the Olivetti Dora and Lettera De Luxe (1965), Lettera 25 and 35 (1974), Lettera 10 and 12 (1979) and 40/41/42 and 50/51/52 (1980)

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Ribbon movement, which also occurs at every keypress, automatically reverses direction when there is no ribbon left on the feed reel; two mechanical sensors, situated next to each wheel, move when the ribbon is put under tension (indicating ribbon end), attaching the appropriate wheel to the ribbon

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The set of writing keys has an obvious lack: there is no key with the number 1, which is obtained by using the lowercase letter l (L) or the capital I (i); likewise, there is no zero, which is obtained by typing the capital O (o). Although this may seem strange today, it was quite common in the old

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Until the mid-1960s, the Olivetti typewriters were fully mechanical. Introduced at the Word Fair in Turin in 1911, the first Olivetti typewriter, the M1, was made of about 3000 hand made parts and weighed 17 kg. It was the first Italian typewriter and had a keyboard of 42 keys corresponding to

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and the SWP word processor software which is document compatible to ETV 260 / 3000 SWP. The external black and white CGA compatible can be installed on a pivotable arm. As mass storage there could be one 720 kB MS-DOS compatible floppy drive, or two of them, or one of them plus 20 MB XTA interface

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bodywork and matching red case. Its mechanical components are derived from the Lettra 32. Despite being an expensive, functionally limited and somewhat technically mediocre product which failed to find success in the marketplace, the Valentine ultimately became a celebrated icon — largely on

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This machine was first published as M80, featuring a keyboard with round keys that had a thin metal outline to the circunference, appealing notoriously to many older models, like the M40. Despite the M80 series being a standard machine, it only came in the short 10" carriage, that fulfilled common

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mainboard and ET 116 office typewriter daisywheel printer. As it has Intel 8088 CPU at 8 MHz (M19 is only 4.77 MHz), 640 kB RAM and CGA graphics it runs MS-DOS and its applications. The word processing software SWP is based on Olivetti branded MS-DOS 3.20. SWP supports to include tables

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The ETV 240 is a typewriter integrated design. On the base board it has two computers, a simpler one, based on NEC 7801 CPU to control the keyboaerd and the ET 115 office typewriter based daisywheel printer and a Z80 CPU based running CP/M 2.2 and the MWP wordprocessor software from ROM. The base

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For home users in 1982 the Praxis 35, Praxis 40 and 45D were some of the first portable electronic typewriters. Later, Olivetti added the Praxis 20, ET Compact 50, ET Compact 60, ET Compact 70, ET Compact 65/66, the ET Personal series and Linea 101. The top models were 8 lines LCD based portables

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used an Olivetti Lettera 32 to write nearly all of his fiction, screenplays, and correspondence, totalling by his estimate more than 5 million words. The Lettera 32 that he purchased in 1963 was auctioned at Christie's on December 4, 2009, to an unidentified American collector for $ 254,500, more

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Dismountable carriages vary in size, anywhere from 9 or 10 inches up to 30 inches. While they're not actually meant to be dismounted and replaced in the first place, dismountable carriages are just an easy shortcut for servicemen to access the insides of the machine and, if necessary, replace the

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ETV 400 is similar to ETV 500, but the base is not M19 PC, but M290. So with Intel 80286 CPU this wordprocessing system was running Windows 2.0 with the wordprocessing software of ETV 4000s. The standard printer was TH700 which is more or less a keyboard/floppydrive-less version of the ETV 210s.

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This is enhanced version of ETV 240. Instead of ROM based design the ETV 250 boots CP/M 2.2 and MWP wordprocessor from 3.5 floppy. Optionally the ETV 250 can have two floppy drives. For ETV 240 and 250 sprockets and automatic sheet feeder could be added. The ETV 250 could be enhanced with serial

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typewriter. The typebars strike a red/black inked ribbon, which is positioned between the typebar and the paper by a lever whenever a key is pressed; a small switch located near the upper right side of the keyboard can be used to control the strike position of the ribbon, in order to print with

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The E5 was the top model of the Editor series. Based on the E4 it has carbon ribbon, proportional spacing and block aligned text support. The combination of proportional spacing and block aligned text is a challenge for the typist as he/she has to write every line two times, first time without

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This is same like ETV 2900, the only difference is modified BIOS to prevent user to boot from standard MS-DOS diskettes. So always the VM 2000 own diskettes have to be used. This prevented the user to run other MS-DOS based applications on VM 2000. This is explained by employment laws in the

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The Editor 4 alternatively was available with textile or carbon ribbon. A special version of it was the Editor 4ST which was used by Olivetti as an alphanumeric printer for some of their first personal computers like P506 and P652. The typewriter was controlled by the computer by additional

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keys totaled 43 of the 86 total keys. Other than this, the keyboard had a space bar, two keys to set uppercase letters, a caps lock key, a lever to for the ability to go beyond the set margins, a key for backspacing, a lever to switch tabs, and a (red) key to switch between tabs.

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The ETV 350 is the successor of ETV 300. The box was a bit more compact and instead of one or two 5.25 inch drives it was using the more modern 3,5 inc single sided diskettes with 320 kB. Usually the ETV 350 was delivered with ET 111 or ET 115 as keyboard and printer.

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and different levels of text editing capabilities were popular in offices. Models in that line were ET 121, ET 201, ET 221, ET 225, ET 231, ET 351, ET 109, ET 110, ET 111, ET 112, ET 115, ET 116, ET 2000, ET 2100, ET 2200, ET 2250, ET 2300, Et 2400 and ET 2500.

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In 1920 the M1 was replaced by a new model, the M20. It featured several innovations, including the trolley running on a fixed guideway. Unlike the M1, which was essentially sold in Italy, it was exported to many European and non-European markets.

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A lever located at the top right of the keyboard can be used to control the position of the ribbon and select printing in black, red or without ink (in case of copies with carbon paper or for the preparation of ink matrices for the

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The Lexikon 80 had a few changes in contrast to its previous version M80; it had keys fully made out of plastic, it was slightly bigger in size, it startedmost featuring decimal tabulators, and it had a wide variety of

1065:, which maintain a simple and essential style, the Lettera 35 features a robust design to create the image of a professional machine that recalls the future Lettera 36, an electric typewriter released in 1970. 635: 1318:

Initially renamed version of Tekne 3, later production derives from simplified Editor 4. Both versions, old flat and later higher version of Editor 3 were used as alphanumeric printer in Olivetti's computer

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type, as is usual for Italian machines (apart from modern computer keyboards). In addition to the writing keys, the keyboard includes a space bar, two shift keys, a shift lock, a return key, and a tab key.

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In 1978 Olivetti was one of the first manufacturers to introduce electronic daisywheel printer-based word processing machines, called TES 401 and TES 501. Later the ET series typewriters without (or with)

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There is also a portable version, with the machine fixed on a wooden base with black imitation leather and a removable protection also covered in wood, a black leather carrying handle and a chrome lock.

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84 signs, 33-cm paper roll allowing for 110 characters and featured two-colored ribbon, automatic reverse direction, and return key. Heavy and massive, it was intended for professional use in offices.

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for Olivetti. The Lettera 36 had a bad reputation as its mechanics was quite unreliable, but because of its affordable price it was quite successful. There were two different keyboard designs.

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lever adding about 1–2 more centimeters in height), making it quite portable at least for the time's standards, even though its 3.7 kg (8.2 lb) weight may limit portability somewhat.

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Carriages that went over 25 inches required the typewriter body to have supports on each size to prevent the machine from tipping over when the carriage is moved to one extreme or another.

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lever adding about 1–2 centimeters in height), making it portable at least for the time's standards, even though its 5.9 kg weight may limit portability somewhat.

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It came in the first series, with a subtle olive green colour, then came the second series, in grey, and finally, the third series of the machine, which came in blue.

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More than 10 years after the Lettera 32, Olivetti felt the need to renew the design of its portable typewriters. Thus, the Lettera 35 was launched. Unlike the

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In 1932, Olivetti presented a portable typewriter shortly after the launch of the M40: the MP1 (Modello Portatile in Italian). Conceived by Gino Martinoli and

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This is mostly a renamed ETV 260, the only difference is that it has different video connector to support the CRT black & white monitor of ETV 2700.

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the M80 had its carriage completely welded to the chassis, and could only be removed with a special key that was only given to authorised servicemen.

383: 390:. It is characterized by the various colors available: in addition to the classic black, it was also available in red, gray, brown and light blue. 1320: 375: 1745:

Typically the connected typewriter was also used as the printer, or some of Olivetti's own dot-matrix or daisy wheel printers could be used.

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than 10 times its high estimate of $ 20,000. McCarthy paid $ 11 for a replacement typewriter of the same model, but in newer condition.

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The ETV 2700 is the low cost successor of ETV 260, based on the ET 2000 series printer mechanics. The machine is a fully integrated,

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and Hispano-Olivetti. It's the most sold typewriter in the world, and has a unique style in color, shape, and structural strength.

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operating system based ETV 260, ETV 500, ETV 2700, ETV 2900, ETV 4000s word processing systems having floppy drives or

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This was the top model of the series providing proportional spacing and block aligned text similar to the Editor 5.

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keyboard, although versions with different key arrangements were produced which corresponded with other languages.

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would lament "I worked sixty years of my life, and it seems the only thing I did is this fucking red machine."

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By 1994, Olivetti stopped production of typewriters, as more and more users were transitioning to

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By 1994, Olivetti stopped production of typewriters, as more and more users were transitioning to

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Portable compact electrical typeball machine, successor of Lettera 36, implementing the

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ribbon it lifts the correction tape to cover up or lift off the character on the paper.

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the apostrophe. This type of solution was quite common in the typewriters of the time.

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A machine must not get its carriage replaced with another one with a different length.

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The professional line was upgraded with the ETV series video typewriters based on

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electromechanical components at the keyboard levers at the bottom of the machine.

698:. The Lettera 32 was also very popular amongst writers, journalists and students. 507:. The Olivetti Lexikon 80 was indeed, the most manufactured machine in the world. 2723: 2501: 2406: 1914: 1149: 1125: 919: 900:

key, margin release key, paragraph indentation key and a tab-stop set/unset key.

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used an Olivetti Lettera 32 to write the screenplay for the 1972 motion picture

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This is upgraded version of Lexikon 90 providing to choose different pitches.

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like Top 100 and Studio 801, with the possibility to save the text to a

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The fame of the design was such that late in his career, the designer

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account of its expressive design and practicality. It was awarded the

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Based on Tekne 1 but radically changed design from Ettore Sottsass.

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operating system, ETV 240, ETV 250, ETV 300, ETV 350 and later

1091: 881: 615: 394: 623: 607: 1993:"Storiaolivetti - Macchina per scrivere portatile Lettera 32" 1136:

is a portable, manual typewriter noted for its typically red

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Portable compact electric type lever machine, produced in

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Dalla MP1 alla Valentine, passando per la Lettera 22 e 32

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Its mechanical components were used as the basis for the

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did not come with a manual but with an instruction card.

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As was common in older typewriters, it lacks the number

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is a portable mechanical typewriter created in 1972 by

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Istruzioni per l'uso della macchina Olivetti Studio 42

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as the best design product of the previous 100 years.

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in 1949 or, according to the company's current owner

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The typewriter is sized about 34x35x10 cm (with the

2164: 600:The typewriter is sized about 27x37x8 cm (with the 60:. Unsourced material may be challenged and removed. 627:The Lettera 22: "Knowledge, l'enciclopedia libera" 1486: 791:black, red, or no ink (for mimeograph stencils). 585:, and it still has many fans. It was awarded the 374:Also known as the M2, it was designed in 1935 by 2782: 686:is a portable mechanical typewriter designed by 573:is a portable mechanical typewriter designed by 2199:"Valentine, Italy's Iconic Ruby Red Typewriter" 2167:"Valentine, Italy's Iconic Ruby Red Typewriter" 1406: 1403:'golfball' mechanism, after its patent ended. 2334: 2178: 2176: 1793:difference of a typewriter- and a PC worker. 795:transport mechanism and detaching the other. 2276: 2219: 581:, 1950. This typewriter was very popular in 2196: 1604:. Unsourced material may be challenged and 1525:. Unsourced material may be challenged and 1445:. Unsourced material may be challenged and 1233:. Unsourced material may be challenged and 1194: 1182:'s Valentine typewriter sold at auction by 977:. Unsourced material may be challenged and 844:. Unsourced material may be challenged and 754:. Unsourced material may be challenged and 448:. Unsourced material may be challenged and 321:. Unsourced material may be challenged and 246:. Unsourced material may be challenged and 2539: 2341: 2327: 2173: 2117:Macchina per scrivere portatile Lettera 35 694:) in 1963 as the successor of the popular 644:The model was eventually succeeded by the 2213: 2190: 2091: 1624:Learn how and when to remove this message 1545:Learn how and when to remove this message 1465:Learn how and when to remove this message 1253:Learn how and when to remove this message 997:Learn how and when to remove this message 864:Learn how and when to remove this message 774:Learn how and when to remove this message 492:in 1948, and has been a huge success for 468:Learn how and when to remove this message 341:Learn how and when to remove this message 266:Learn how and when to remove this message 120:Learn how and when to remove this message 2277:Muñoz-Alonso, Lorena (3 November 2016). 2242: 2158: 1761: 1165:Cooper Hewitt, Smithsonian Design Museum 1119: 1037: 670: 630: 622: 614: 606: 553: 500:purposes, just like a portable machine. 194: 2041: 1898:Dante's endorsement for the Olivetti M1 1828: 14: 2783: 2385:(head of various divisions, 1956–1990) 1997:Associazione Archivio Storico Olivetti 1090:The original Italian version used the 570:[oliˈvettiˈlɛtteraˌventiˈduːe] 2322: 2066: 1374: 1365: 1186:in London for £45,000 (US $ 57,000). 1128:with Perry A. King and Albert Leclerc 656: 568: 199:The M1, the first Olivetti typewriter 2767: 2243:Gleadell, Colin (15 November 2016). 2197:Spagnolello, Rosario (28 May 2020). 2165:Rosario Spagnolello (May 28, 2020). 2085: 2060: 2035: 1823: 1602:adding citations to reliable sources 1569: 1565: 1523:adding citations to reliable sources 1490: 1443:adding citations to reliable sources 1410: 1394: 1382: 1357: 1344: 1231:adding citations to reliable sources 1198: 1074:imprinted the corresponding symbol. 1054:and released to the public in 1974. 1033: 1028: 1018: 975:adding citations to reliable sources 942: 938: 842:adding citations to reliable sources 809: 752:adding citations to reliable sources 719: 666: 661: 543: 503:The M80 was shortly after edited to 446:adding citations to reliable sources 413: 409: 319:adding citations to reliable sources 286: 244:adding citations to reliable sources 211: 185: 58:adding citations to reliable sources 29: 1804: 1278: 1189: 1124:The Olivetti Valentine designed by 1109: 1023: 651: 538: 369: 24: 2373:(founder and president, 1908–1938) 1813: 1796: 1782: 1757: 1748: 1716:This video typewriter is based on 1682: 1668: 1335: 914: 25: 2817: 2315:, the history of Olivetti design. 2300: 2220:Amber Snider (20 February 2020). 1787: 1729: 1705: 1696: 1687: 1673: 1651: 1286: 1155:The Valentine is featured in the 2766: 1574: 1495: 1415: 1203: 947: 814: 724: 591:Illinois Institute of Technology 418: 291: 216: 34: 27:Italian electronics manufacturer 2313:Il design dei prodotti Olivetti 2270: 2236: 2142: 2133:Il design dei prodotti Olivetti 2126: 2110: 2092:Kilgannon, Corey (2013-12-27). 1818: 1656:The ETV 300 wordprocessor is a 1487:Electronic and portable models 786:The Lettera 32 is a downstrike 45:needs additional citations for 2307:Olivetti, storia di un'impresa 2067:Cohen, Patricia (2009-12-01). 2011: 1985: 1973: 1957: 1932: 1907: 1891: 1875: 1859: 1740:This was basically a rebadged 1273: 1068: 1013: 619:A front view of the Lettera 22 135:is an Italian manufacturer of 13: 1: 2186:. Victoria and Albert Museum. 2042:Kennedy, Randy (2009-12-04). 1852: 1407:Electronic and office models 1085: 611:A side view of the Lettera 22 357: 282: 207: 2348: 1310:Renamed model from Tekne 2. 715: 690:(with Adriano Menicanti and 190: 7: 1886:The Classic Typewriter Page 1840: 1326: 1313: 1305: 805: 589:prize in 1954. In 1959 the 10: 2822: 2729:Olivetti-Underwood Factory 1733: 1709: 1300: 1295: 1173:Victoria and Albert Museum 1113: 935:, which he also directed. 547: 2764: 2737: 2716: 2691: 2664: 2641: 2574: 2557: 2548: 2537: 2392: 2363: 2356: 1884:, Berthold Kerschbaumer, 1268:IBM Selectric typewriters 1195:Electromechanical models 1010:differ mainly in design. 558:A Lettera 22, first model 1921:(in Italian). 2020-08-03 2379:(president, 1938–1960) 1767: 1266:as competitors to the 1129: 1043: 679: 641: 628: 620: 612: 559: 517:dismountable carriages 200: 159:. It was founded as a 69:"Olivetti typewriters" 1870:The Typewriter Museum 1829:Jetwriter 910 (1992) 1765: 1660:based box running on 1123: 1041: 674: 639: 626: 618: 610: 557: 198: 2791:Olivetti typewriters 2482:Pier Giorgio Perotto 1598:improve this section 1560:3.5-inch floppy disk 1519:improve this section 1439:improve this section 1227:improve this section 1161:Museum of Modern Art 971:improve this section 927:Francis Ford Coppola 838:improve this section 748:improve this section 442:improve this section 393:The keyboard is the 315:improve this section 240:improve this section 54:improve this article 2747:(acquired Olivetti) 1944:www.provincia.bz.it 1866:Olivetti M1 and M20 1375:Lexikon 94c (1972) 1366:Lexikon 93c (1972) 1157:Metropolitan Museum 1048:Olivetti Lettera 35 696:Olivetti Lettera 22 684:Olivetti Lettera 32 657:Diaspron 82 (1959) 646:Olivetti Lettera 32 565:Olivetti Lettera 22 550:Olivetti Lettera 22 18:Olivetti Lettera 32 2432:Carlo De Benedetti 2224:. The Culture Trip 2137:Storiaolivetti.it 2098:The New York Times 2048:The New York Times 1847:Olivetti computers 1835:personal computers 1824:Editor 100 (1990) 1768: 1566:Video typewriters 1395:Lexikon 82 (1976) 1383:Lettera 36 (1974) 1358:Lexikon 92 (1972) 1345:Lexikon 90 (1972) 1130: 1116:Olivetti Valentine 1044: 1034:Lettera 35 (1972) 1029:Lettera 25 (1972) 1019:Lettera DL (1965) 680: 675:A Lettera 32 with 667:Lettera 32 (1963) 662:Lettera 10 (1979) 642: 629: 621: 613: 560: 544:Lettera 22 (1950) 509:-M80 is very rare- 480:Also known as the 410:Lexikon 80 (1948) 201: 186:Mechanical models 180:personal computers 2806:Industrial design 2778: 2777: 2687: 2686: 2535: 2534: 2472:Costantino Nivola 2437:Michele De Lucchi 2153:Storiaolivetti.it 2121:Storiaolivetti.it 1982:at Telecom Italia 1805:ETV 4000s (1989) 1766:Olivetti ETV 2700 1634: 1633: 1626: 1555: 1554: 1547: 1475: 1474: 1467: 1279:Praxis 48 (1964) 1263: 1262: 1255: 1190:Studio 46 (1973) 1134:Olivetti Valetine 1024:Studio 45 (1967) 1007: 1006: 999: 939:Subsequent models 874: 873: 866: 784: 783: 776: 652:Studio 44 (1952) 637: 539:Studio 42 (1950) 478: 477: 470: 370:Studio 42 (1935) 351: 350: 343: 276: 275: 268: 130: 129: 122: 104: 16:(Redirected from 2813: 2772:Commons category 2770: 2769: 2555: 2554: 2543: 2542: 2522:Massimo Vignelli 2487:Giovanni Pintori 2477:Marcello Nizzoli 2447:Ignazio Gardella 2422:Natale Capellaro 2377:Adriano Olivetti 2371:Camillo Olivetti 2361: 2360: 2343: 2336: 2329: 2320: 2319: 2309:, official site. 2294: 2293: 2291: 2289: 2274: 2268: 2267: 2265: 2263: 2240: 2234: 2233: 2231: 2229: 2217: 2211: 2210: 2207:Hearst Magazines 2194: 2188: 2187: 2180: 2171: 2170: 2162: 2156: 2146: 2140: 2130: 2124: 2114: 2108: 2107: 2105: 2104: 2089: 2083: 2082: 2080: 2079: 2064: 2058: 2057: 2055: 2054: 2039: 2033: 2032: 2030: 2029: 2015: 2009: 2008: 2006: 2004: 1989: 1983: 1977: 1971: 1961: 1955: 1954: 1952: 1951: 1936: 1930: 1929: 1927: 1926: 1911: 1905: 1895: 1889: 1879: 1873: 1863: 1814:ETV 5000 (1988) 1797:ETV 3000 (1988) 1783:ETV 2900 (1988) 1779:based harddisk. 1758:ETV 2700 (1988) 1749:ETV 210s (1987) 1683:ETS 2010 (1984) 1669:ETS 1010 (1982) 1629: 1622: 1618: 1615: 1609: 1578: 1570: 1550: 1543: 1539: 1536: 1530: 1499: 1491: 1470: 1463: 1459: 1456: 1450: 1419: 1411: 1336:Editor 5 (1969) 1258: 1251: 1247: 1244: 1238: 1207: 1199: 1110:Valentine (1969) 1042:Lettera 35 model 1002: 995: 991: 988: 982: 951: 943: 869: 862: 858: 855: 849: 818: 810: 779: 772: 768: 765: 759: 728: 720: 692:Natale Capellaro 688:Marcello Nizzoli 638: 575:Marcello Nizzoli 572: 490:Marcello Nizzoli 488:was designed by 473: 466: 462: 459: 453: 422: 414: 388:Xanti Schawinsky 364:Adriano Olivetti 346: 339: 335: 332: 326: 295: 287: 271: 264: 260: 257: 251: 220: 212: 165:Camillo Olivetti 163:manufacturer by 125: 118: 114: 111: 105: 103: 62: 38: 30: 21: 2821: 2820: 2816: 2815: 2814: 2812: 2811: 2810: 2781: 2780: 2779: 2774: 2760: 2733: 2724:500 Park Avenue 2712: 2683: 2660: 2637: 2576: 2570: 2544: 2540: 2531: 2502:Ettore Sottsass 2407:Getulio Alviani 2394: 2388: 2352: 2347: 2303: 2298: 2297: 2287: 2285: 2275: 2271: 2261: 2259: 2241: 2237: 2227: 2225: 2218: 2214: 2195: 2191: 2182: 2181: 2174: 2163: 2159: 2147: 2143: 2131: 2127: 2115: 2111: 2102: 2100: 2090: 2086: 2077: 2075: 2065: 2061: 2052: 2050: 2040: 2036: 2027: 2025: 2017: 2016: 2012: 2002: 2000: 1991: 1990: 1986: 1980:Olivetti design 1978: 1974: 1962: 1958: 1949: 1947: 1938: 1937: 1933: 1924: 1922: 1919:Typewriterstory 1913: 1912: 1908: 1902:Italianways.com 1896: 1892: 1880: 1876: 1864: 1860: 1855: 1843: 1831: 1826: 1821: 1816: 1807: 1799: 1790: 1788:VM 2000 (1989) 1785: 1760: 1751: 1738: 1732: 1730:ETV 500 (1986) 1714: 1708: 1706:ETV 260 (1986) 1699: 1697:ETV 250 (1984) 1690: 1688:ETV 240 (1984) 1685: 1676: 1674:ETV 350 (1984) 1671: 1654: 1652:ETV 300 (1982) 1630: 1619: 1613: 1610: 1595: 1579: 1568: 1551: 1540: 1534: 1531: 1516: 1500: 1489: 1471: 1460: 1454: 1451: 1436: 1420: 1409: 1397: 1385: 1377: 1368: 1360: 1347: 1338: 1329: 1316: 1308: 1303: 1298: 1289: 1287:Tekne 1 (1962) 1281: 1276: 1259: 1248: 1242: 1239: 1224: 1208: 1197: 1192: 1171:as well as the 1150:Ettore Sottsass 1145:prize in 1970. 1126:Ettore Sottsass 1118: 1112: 1088: 1071: 1036: 1031: 1026: 1021: 1016: 1003: 992: 986: 983: 968: 952: 941: 920:Cormac McCarthy 917: 915:Popular culture 870: 859: 853: 850: 835: 819: 808: 780: 769: 763: 760: 745: 729: 718: 703:carriage return 677:Arabic keyboard 669: 664: 659: 654: 631: 602:carriage return 552: 546: 541: 474: 463: 457: 454: 439: 423: 412: 384:Ottavio Luzzati 372: 360: 347: 336: 330: 327: 312: 296: 285: 272: 261: 255: 252: 237: 221: 210: 193: 188: 167:in 1908 in the 126: 115: 109: 106: 63: 61: 51: 39: 28: 23: 22: 15: 12: 11: 5: 2819: 2809: 2808: 2803: 2801:Italian design 2798: 2793: 2776: 2775: 2765: 2762: 2761: 2759: 2758: 2753: 2748: 2745:Telecom Italia 2741: 2739: 2735: 2734: 2732: 2731: 2726: 2720: 2718: 2714: 2713: 2711: 2710: 2704: 2697: 2695: 2689: 2688: 2685: 2684: 2682: 2681: 2675: 2668: 2666: 2662: 2661: 2659: 2658: 2652: 2645: 2643: 2639: 2638: 2636: 2635: 2629: 2623: 2617: 2611: 2605: 2599: 2593: 2587: 2580: 2578: 2572: 2571: 2569: 2568: 2561: 2559: 2552: 2546: 2545: 2538: 2536: 2533: 2532: 2530: 2529: 2524: 2519: 2517:Lella Vignelli 2514: 2512:Grazia Varisco 2509: 2504: 2499: 2497:Piero Scaruffi 2494: 2489: 2484: 2479: 2474: 2469: 2464: 2459: 2454: 2449: 2444: 2439: 2434: 2429: 2427:Gianni Colombo 2424: 2419: 2414: 2409: 2404: 2398: 2396: 2390: 2389: 2387: 2386: 2380: 2374: 2367: 2365: 2358: 2354: 2353: 2346: 2345: 2338: 2331: 2323: 2317: 2316: 2310: 2302: 2301:External links 2299: 2296: 2295: 2269: 2235: 2212: 2189: 2172: 2157: 2141: 2125: 2109: 2084: 2059: 2034: 2010: 1984: 1972: 1956: 1931: 1915:"Olivetti MP1" 1906: 1890: 1874: 1857: 1856: 1854: 1851: 1850: 1849: 1842: 1839: 1830: 1827: 1825: 1822: 1820: 1817: 1815: 1812: 1806: 1803: 1798: 1795: 1789: 1786: 1784: 1781: 1759: 1756: 1750: 1747: 1731: 1728: 1707: 1704: 1698: 1695: 1689: 1686: 1684: 1681: 1675: 1672: 1670: 1667: 1653: 1650: 1632: 1631: 1582: 1580: 1573: 1567: 1564: 1553: 1552: 1503: 1501: 1494: 1488: 1485: 1473: 1472: 1423: 1421: 1414: 1408: 1405: 1396: 1393: 1384: 1381: 1376: 1373: 1367: 1364: 1359: 1356: 1346: 1343: 1337: 1334: 1328: 1325: 1315: 1312: 1307: 1304: 1302: 1299: 1297: 1294: 1288: 1285: 1280: 1277: 1275: 1272: 1261: 1260: 1211: 1209: 1202: 1196: 1193: 1191: 1188: 1143:Compasso d'Oro 1114:Main article: 1111: 1108: 1087: 1084: 1070: 1067: 1035: 1032: 1030: 1027: 1025: 1022: 1020: 1017: 1015: 1012: 1005: 1004: 955: 953: 946: 940: 937: 916: 913: 872: 871: 822: 820: 813: 807: 804: 782: 781: 732: 730: 723: 717: 714: 668: 665: 663: 660: 658: 655: 653: 650: 640:The Lettera 22 587:Compasso d'Oro 579:Telecom Italia 548:Main article: 545: 542: 540: 537: 476: 475: 426: 424: 417: 411: 408: 371: 368: 359: 356: 349: 348: 299: 297: 290: 284: 281: 274: 273: 224: 222: 215: 209: 206: 192: 189: 187: 184: 128: 127: 42: 40: 33: 26: 9: 6: 4: 3: 2: 2818: 2807: 2804: 2802: 2799: 2797: 2794: 2792: 2789: 2788: 2786: 2773: 2763: 2757: 2754: 2752: 2751:Triumph-Adler 2749: 2746: 2743: 2742: 2740: 2736: 2730: 2727: 2725: 2722: 2721: 2719: 2715: 2708: 2705: 2702: 2699: 2698: 2696: 2694: 2690: 2679: 2676: 2673: 2672:Programma 101 2670: 2669: 2667: 2663: 2656: 2653: 2650: 2647: 2646: 2644: 2640: 2633: 2630: 2627: 2624: 2621: 2618: 2615: 2614:Prodest PC128 2612: 2609: 2606: 2603: 2600: 2597: 2594: 2591: 2588: 2585: 2582: 2581: 2579: 2573: 2566: 2563: 2562: 2560: 2556: 2553: 2551: 2547: 2528: 2525: 2523: 2520: 2518: 2515: 2513: 2510: 2508: 2507:George Sowden 2505: 2503: 2500: 2498: 2495: 2493: 2490: 2488: 2485: 2483: 2480: 2478: 2475: 2473: 2470: 2468: 2465: 2463: 2460: 2458: 2455: 2453: 2450: 2448: 2445: 2443: 2442:Egon Eiermann 2440: 2438: 2435: 2433: 2430: 2428: 2425: 2423: 2420: 2418: 2417:Mario Bellini 2415: 2413: 2410: 2408: 2405: 2403: 2402:Franco Albini 2400: 2399: 2397: 2395:and engineers 2391: 2384: 2381: 2378: 2375: 2372: 2369: 2368: 2366: 2362: 2359: 2355: 2351: 2344: 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Elle Decor. 2168: 2161: 2154: 2150: 2145: 2138: 2134: 2129: 2122: 2118: 2113: 2099: 2095: 2088: 2074: 2070: 2063: 2049: 2045: 2038: 2024: 2020: 2014: 1998: 1994: 1988: 1981: 1976: 1969: 1965: 1960: 1945: 1941: 1935: 1920: 1916: 1910: 1903: 1899: 1894: 1887: 1883: 1878: 1871: 1867: 1862: 1858: 1848: 1845: 1844: 1838: 1836: 1819:CWP 1 (1988) 1811: 1802: 1794: 1780: 1777: 1773: 1764: 1755: 1746: 1743: 1737: 1727: 1724: 1719: 1713: 1703: 1694: 1680: 1666: 1663: 1659: 1649: 1647: 1643: 1639: 1628: 1625: 1617: 1607: 1603: 1599: 1593: 1592: 1588: 1583:This section 1581: 1577: 1572: 1571: 1563: 1561: 1549: 1546: 1538: 1528: 1524: 1520: 1514: 1513: 1509: 1504:This section 1502: 1498: 1493: 1492: 1484: 1481: 1469: 1466: 1458: 1448: 1444: 1440: 1434: 1433: 1429: 1424:This section 1422: 1418: 1413: 1412: 1404: 1402: 1401:IBM selectric 1392: 1390: 1380: 1372: 1363: 1355: 1353: 1342: 1333: 1324: 1322: 1311: 1293: 1284: 1271: 1269: 1257: 1254: 1246: 1236: 1232: 1228: 1222: 1221: 1217: 1212:This section 1210: 1206: 1201: 1200: 1187: 1185: 1181: 1176: 1174: 1170: 1169:Design Museum 1166: 1162: 1158: 1153: 1151: 1146: 1144: 1139: 1135: 1127: 1122: 1117: 1107: 1103: 1100: 1095: 1093: 1083: 1081: 1075: 1066: 1064: 1060: 1055: 1053: 1052:Mario Bellini 1049: 1040: 1011: 1001: 998: 990: 980: 976: 972: 966: 965: 961: 956:This section 954: 950: 945: 944: 936: 934: 933: 932:The Godfather 928: 924: 921: 912: 910: 906: 901: 899: 895: 891: 887: 883: 879: 868: 865: 857: 847: 843: 839: 833: 832: 828: 823:This section 821: 817: 812: 811: 803: 801: 796: 792: 789: 778: 775: 767: 757: 753: 749: 743: 742: 738: 733:This section 731: 727: 722: 721: 713: 711: 706: 704: 699: 697: 693: 689: 685: 678: 673: 649: 647: 625: 617: 609: 605: 603: 598: 596: 592: 588: 584: 580: 576: 571: 567: 566: 556: 551: 536: 534: 528: 526: 524: 523:Olympia-Werke 518: 512: 510: 506: 501: 497: 495: 491: 487: 483: 472: 469: 461: 451: 447: 443: 437: 436: 432: 427:This section 425: 421: 416: 415: 407: 403: 402:typewriters. 399: 396: 391: 389: 385: 381: 377: 367: 365: 355: 345: 342: 334: 324: 320: 316: 310: 309: 305: 300:This section 298: 294: 289: 288: 280: 270: 267: 259: 249: 245: 241: 235: 234: 230: 225:This section 223: 219: 214: 213: 205: 197: 183: 181: 176: 174: 170: 166: 162: 158: 154: 150: 146: 142: 138: 134: 124: 121: 113: 102: 99: 95: 92: 88: 85: 81: 78: 74: 71: – 70: 66: 65:Find sources: 59: 55: 49: 48: 43:This article 41: 37: 32: 31: 19: 2738:Acquisitions 2692: 2678:Divisumma 18 2527:Marco Zanuso 2492:Carlo Scarpa 2467:Bruno Munari 2457:James Irvine 2286:. 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