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Opernhaus am Taschenberg

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In 1802, it was decided the building should be remodeled to house an archive. Johann Gottlob Hauptmann added a classicist facade. Further changes to its construction, encountering more difficulties than initially expected, took until 1808. It remained an archive until it was demolished eighty years
1186: 362:" (The comedy house with vaults, columns and balconies of marble could not be more magnificent than it is, and there is probably no other in Europe built as beautifully and solidly.) In 1691, the theatre was rebuilt following Italian models with four tiers. 700:, he was allotted the now empty former opera house and church building to use as a workshop and private residence for the period of these works. Silbermann died there in 1753; the organ was only completed the next year. 1180: 405:
these appear to have been the last ones. Taste had changed: The Opernhaus had been built for the abundant theatrical mechanics that were popular in the 17th century. A plan in 1707 to convert the unused
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should be converted into a Catholic court chapel. Augustus drew plans for the remodeling and supervised its execution. According to some sources the direction of the conversion works was entrusted to
879: 387:. As a result of his many occupations outside Dresden, theatre life in that city came to a standstill. Only in 1705, for the Carnival season, there were again stagings in both the 1223: 359:
Das Comödienhaus mit Bogen, Säulen und Balkonen von Marmor könnte prächtiger nicht sein, als es ist, und es gibt vermutlich kein andres so schön und gediegen erbautes in Europa.
668:, which opened in 1719. By 1738 the Hofkirche was regarded as being too cramped and too distant from the quarters where the monarch lived. In July 1739 the building of the 321: 639: 1187:
Gefängnis (Kerkerhalle). Bühnenbild Atto Terzo, Scena IX, Auftritt Aemilia, Julius, Silla und Domitius aus der Oper "Camillo generoso" von Carlo Luigi Pietro Grua
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came into power as elector of Saxony in 1694. In 1696 he ordered a new theatre to be built, giving as a reason the failing acoustics for spoken theatre in the
1238: 90: 1208: 312:, commissioned an opera house which was built from 1664 and opened in 1667. It seated almost 2000 people. The first performance was on 27 January 1667 553: 1228: 1128: 703:
In 1755, it was decided the building should be remodeled as a venue for ball games, for which the conversion works were completed in 1757.
1233: 594:). The west side of the building, previously the side of the stage, held a choir balcony, which already contained a small organ in 1709. 711:, paid for an extensive roof repair in the 1770s. After his death in 1796, the building was used for storing firewood for a few years. 1218: 304:
During the second half of the 17th century, important rulers tried to establish court theatres as separate buildings, to house
231:(Court church) for the Elector who had converted to the Catholic Church. When a new church was dedicated in 1751 (the present 785: 379:. The new comedy theatre (Komödienhaus), a wooden construction, was opened in 1697. The same year Augustus had converted to 704: 1151: 745: 627: 309: 1003:"Inventar der Orgeln in Sachsen: Dresden: Katholische Kapelle am Taschenberg (Residenz-Schloss) (Orgelbaujahr 1720)" 1213: 638:
had to supply music performed by the court chapel on every Sunday and holiday of the liturgical year, assisted by
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separated the stage and the auditorium. The stage could take ten stage sets. The contemporary Italian historian
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Opernhaus am Taschenberg / Wolf Caspar von Klengel / alias Komödienhaus am Taschenberg,Klengelsches Opernhaus
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to the elector, a work suitable for the church service at the Hofkirche which he developed much later to the
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Since the elector's conversion to Catholicism, an extensively redecorated space in the palace was used as a
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in the south-west, connected by a corridor. The property to the west was empty until construction of the
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directed an Italian opera ensemble which also supplied the church music on special occasions. From 1720
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was started, and in July 1751 the Catholic church function was transferred to that new building.
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1708 (5 April) the building opened as a Catholic church, which was dedicated to the
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with an increasing demand for stage sets and decoration, and to seat more people.
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was remodeled for Catholic worship. In 1707 Augustus the Strong decided that the
810: 341: 276: 340:. The exterior of the building in Baroque style was rather simple, built from 1202: 1112: 609: 602: 539: 353: 305: 105: 92: 979:
Geschichte und Beschreibung der katholischen Hof- und Pfarrkirche zu Dresden
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The music performed in the church received universal acclaim. From 1717
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Das alte Archivgebäude am Taschenberge in Dresden: Ein Erinnerungsblatt
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Only 40 years after its opening, it was changed to serve as the first
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Opernhaus am Taschenberg / Zuschauerraum Kupferstich von Harms 1678
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Die Semperoper Dresden: Baugeschichte, Ausstattung, Ikonographie
688:, when working and living in the former Opernhaus am Taschenberg 384: 183: 76: 365: 573:(with its direct connection to the royal residence) and a 190:. It was the first opera house of the capital of Saxony, 1136:
Yo Tomita, Robin A. Leaver and Jan Smaczny, ed. (2013).
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17th-century Roman Catholic church buildings in Germany
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stage set pictured, deutsche-digitale-bibliothek.de
178:(Opera house at the Taschenberg) was a theatre in 1114:Das alte Archivgebäude am Taschenberge in Dresden 1093: 1075: 1066: 929: 920: 675: 328:Drama oder Musikalisches Schauspiel von der Dafne 1200: 913: 911: 873: 871: 869: 696:was commissioned to build the organ of the new 567:was responsible for these works. It was both a 1084: 1057: 1017: 986: 960: 908: 866: 255:) and an archive. It was demolished in 1888. 1239:1667 establishments in the Holy Roman Empire 661: 607: 574: 568: 547: 439: 413: 407: 400: 394: 388: 374: 357: 326: 245: 237: 224: 212: 204: 191: 172: 19: 894:"Von der Zeit August des Starken bis heute" 707:, one of the last remaining enthusiasts of 1209:Buildings and structures completed in 1667 1127:: CS1 maint: location missing publisher ( 774:. Dresden: Verlag Zeit im Bild. p. 9. 286: 275:The opera house was built adjacent to the 267:On a map of 1828, the building appears as 853: 851: 849: 740:. Köln Weimar: Böhlau Verlag. p. 9. 684:The organ Silbermann was building in the 1193:Dresden in the Time of Zelenka and Hasse 833: 679: 366:Early years of August the Strong's reign 295: 262: 1110: 975: 969: 938: 857: 827: 803: 729: 727: 1229:Former Roman Catholic church buildings 1201: 1173:Musikalische Chronik der Stadt Dresden 846: 765: 763: 761: 759: 757: 186:, Germany, built from 1664 to 1667 by 1035: 995: 886: 778: 733: 769: 724: 579:(while open to the general public). 455:Interior of the court church in 1719 1043:"Sacred music at the Dresden court" 786:"Die Semperoper im Wandel der Zeit" 754: 705:Charles of Saxony, Duke of Courland 656:A new opera house was built at the 634:. From 1734, the new Kapellmeister 218:(Comedy house at the Taschenberg). 34:Interior of the opera house in 1678 13: 1234:Roman Catholic churches in Dresden 976:Forwerk, Friedrich August (1851). 14: 1250: 1160: 383:in order to ascend the throne in 310:John George II, Elector of Saxony 449: 28: 1219:Baroque architecture in Dresden 1026: 982:. Dresden: Janssen. p. 11. 883:. Baensch, Dresden 1888 – p. 14 1105: 948:(in German). dresden-online.de 676:Civilian functions (1751-1888) 563:, other sources indicate that 291: 1: 1139:Exploring Bach's B-minor Mass 1005:(in German). Orgel in Sachsen 896:(in German). Orgel in Sachsen 718: 243:) the building was used as a 628:Kyrie–Gloria Mass in B minor 565:Johann Christoph von Naumann 300:The changed interior in 1691 7: 258: 214:Komödienhaus am Taschenberg 10: 1255: 1144:Cambridge University Press 946:"Johann Christoph Naumann" 834:Magirius, Heirich (2004). 737:Handbuch Theatermanagement 210:(after the architect) and 862:(6 ed.). p. 76. 522: 517: 502: 494: 479: 469: 464: 460: 448: 436: 422:) was quickly abandoned. 156: 151: 136: 121: 82: 68: 58: 48: 43: 39: 27: 18: 1111:Ermisch, Hubert (1888). 624:Giovanni Alberto Ristori 598:built an organ in 1720. 588:Heiligste Dreifaltigkeit 549:Opernhaus am Taschenberg 376:Opernhaus am Taschenberg 338:Giovanni Andrea Bontempi 322:Giovanni Andrea Moneglia 174:Opernhaus am Taschenberg 21:Opernhaus am Taschenberg 1214:Opera houses in Germany 1169:theatre-architecture.eu 1099:Ermisch 1888, pp. 32-33 1081:Ermisch 1888, pp. 29-31 1072:Ermisch 1888, pp. 27-28 935:Ermisch 1888, pp. 16-17 926:Ermisch 1888, pp. 15-16 858:Löffler, Fritz (1981). 772:Semperoper Dresden 1985 770:Rank, Matthias (1985). 734:Röper, Henning (2006). 518:Design and construction 287:History of the building 188:Wolf Caspar von Klengel 162:Wolf Caspar von Klengel 152:Design and construction 689: 662: 640:Johann Michael Breunig 616:Johann David Heinichen 608: 575: 569: 548: 440: 414: 408: 401: 395: 389: 375: 358: 334:Marco Giuseppe Peranda 327: 301: 272: 246: 238: 225: 213: 206:Klengelsches Opernhaus 205: 192: 173: 20: 1117:(in German). Dresden. 683: 418:(a space for playing 356:described the hall: " 299: 266: 251:(a space for playing 815:(in German). Operone 694:Gottfried Silbermann 664:Opernhaus am Zwinger 651:Johann Georg SchĂĽrer 596:Gottfried Silbermann 122:Construction started 1195:earlymusicworld.com 1090:Ermisch 1888, p. 32 1063:Ermisch 1888, p. 26 1045:. Ortus Musikverlag 1023:Ermisch 1888, p. 19 992:Ermisch 1888, p. 20 966:Ermisch 1888, p. 18 917:Ermisch 1888, p. 15 465:General information 371:Augustus the Strong 346:Johann Oswald Harms 318:Pietro Andrea Ziani 106:51.0525°N 13.7359°E 102: /  59:Architectural style 44:General information 1032:Tomita 2013, p. 39 690: 636:Johann Adolf Hasse 620:Jan Dismas Zelenka 302: 273: 842:. pp. 11–13. 544:Moritzburg Castle 532: 531: 381:Roman Catholicism 233:Dresden Cathedral 200:Elector of Saxony 168: 167: 1246: 1177: 1157: 1132: 1126: 1118: 1100: 1097: 1091: 1088: 1082: 1079: 1073: 1070: 1064: 1061: 1055: 1054: 1052: 1050: 1039: 1033: 1030: 1024: 1021: 1015: 1014: 1012: 1010: 999: 993: 990: 984: 983: 973: 967: 964: 958: 957: 955: 953: 942: 936: 933: 927: 924: 918: 915: 906: 905: 903: 901: 890: 884: 877:Hubert Ermisch. 875: 864: 863: 860:Das alte Dresden 855: 844: 843: 831: 825: 824: 822: 820: 807: 801: 800: 798: 796: 782: 776: 775: 767: 752: 751: 731: 667: 648: 613: 578: 572: 562: 551: 527:J. 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Leipzig: 709:real tennis 653:from 1748. 643: [ 590:(Most holy 557: [ 430:(1708-1751) 420:real tennis 292:Court opera 253:real tennis 109: / 84:Coordinates 53:Opera house 1203:Categories 1009:8 November 900:9 November 819:8 November 795:9 November 790:Semperoper 719:References 570:Hofkapelle 503:Demolished 350:proscenium 97:13°44′09″E 94:51°03′09″N 1123:cite book 698:Hofkirche 576:Hofkirche 480:Renovated 441:Hofkirche 428:Hofkirche 409:Opernhaus 402:Opernhaus 390:Opernhaus 239:Hofkirche 226:Hofkirche 137:Completed 812:Bontempi 415:Ballhaus 393:and the 314:Il teseo 259:Location 247:Ballhaus 194:Residenz 715:later. 658:Zwinger 592:Trinity 542:of the 508: ( 485: ( 412:into a 281:Zwinger 198:of the 180:Dresden 142: ( 127: ( 73:Dresden 63:Baroque 1150:  744:  660:, the 540:church 495:Closed 474:Church 385:Poland 269:Archiv 184:Saxony 77:Saxony 692:When 647:] 561:] 1148:ISBN 1129:link 1051:2014 1011:2014 954:2014 902:2014 821:2014 797:2014 742:ISBN 622:and 510:1888 506:1888 498:1751 487:1708 483:1708 470:Type 348:. 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Index


Opera house
Baroque
Dresden
Saxony
Coordinates
51°03′09″N 13°44′09″E / 51.0525°N 13.7359°E / 51.0525; 13.7359
Wolf Caspar von Klengel
Dresden
Saxony
Wolf Caspar von Klengel
Residenz
Elector of Saxony
Dresden Cathedral
real tennis

Dresden Residenz
Zwinger

Baroque opera
John George II, Elector of Saxony
Pietro Andrea Ziani
Giovanni Andrea Moneglia
Marco Giuseppe Peranda
Giovanni Andrea Bontempi
Elbe Sandstone
Johann Oswald Harms
proscenium
Gregorio Leti
Augustus the Strong

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