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Camerer, Manfred R. W. Garzmann and Wolf-Dieter Schuegraf. Braunschweig 1996,
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Alcune invenzione di Rovine et
Architetture disegnate e fatte con aqua forte da G.O.H
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188:(in German), vol. 7, Berlin: Duncker & Humblot, pp. 684–685
173:(in German), vol. 10, Leipzig: Duncker & Humblot, p. 611
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Braunschweig houses his legacy of etchings and stage set designs.
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Dresden, painting the ceiling and designing stage sets.
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155:Horst-Rüdiger Jarck, Gerhard Schildt (ed.):
205:Literature by and about Johann Oswald Harms
148:Horst-Rüdiger Jarck, Günter Scheel (ed.):
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70:Collection of etchings of Roman ruins (
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159:Braunschweig 2000, pp. 640–642.
22:Fürstlich Waldecksche Hofbibliothek
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152:Hannover 1996, pp. 301–302.
170:Allgemeine Deutsche Biographie
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230:17th-century German engravers
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20:Engraving by Harms, from the
135:Braunschweiger Stadtlexikon.
105:Painting of the hall of the
99:Ceiling frescoes in Schloss
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41:(baptised 30 April 1643 in
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118:Herzog Anton Ulrich Museum
163:Ferdinand Spehr (1879), "
185:Neue Deutsche Biographie
83:Schloss Neu-Augustusburg
59:Opernhaus am Taschenberg
235:German scenic designers
225:German Baroque painters
209:German National Library
178:Johann Schlick (1966),
129:Norman-Mathias Pingel:
180:"Harms, Johann Oswald"
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131:Harms, Johann Oswald.
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165:Harms, Johann Oswald
57:. He worked for the
39:Johann Oswald Harms
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77:Paintings in the
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219:Categories
124:Literature
112:in Hamburg
110:St. Jacobi
94:Weißenfels
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207:in the
101:Brüggen
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55:Baroque
43:Hamburg
33:Arolsen
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139:ISBN
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116:The
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