184:
36:
135:
1959:
369:, but he had taxed his genius beyond its strength and was unable to meet the demands now made upon it for new ideas. His prospects, too, were precarious. The power of the Bonaparte family was tottering to its fall, and Paisiello's fortunes fell with it. The death of his wife in 1815 tried him severely. His health failed rapidly, and constitutional jealousy of the popularity of others was a source of worry and vexation.
2304:
2292:
329:. When Ployer’s father arranged a performance at his summer estate in Döbling, Mozart wrote to his father, "Fräulein Babette will play her new concerto in G and I shall play the Quintet and then we’ll perform together the grand sonata for two pianos. I shall fetch Paisiello with my carriage for I want him to hear my compositions as well as my pupil."
416:
notes that "Paisiello was one of the most successful and influential opera composers of his time. Most of his over 80 operas are comic and use a simple, direct and spirited style, latterly with sharper characterization, more colourful scoring and warmer melodies (features that influenced
1875:
298 Disposizione over partimenti by
Giovanni Paisiello, in two large handwritten volumes. Presumably written by his student in composition Auguste Louis de Talleyrand. The name 'Taleyrand' appears on the inside of the cover of volume 2. Besides the 45 partimenti from Paisiello's
272:, which soon attained a European reputation. The fate of this opera marks an epoch in the history of Italian art; for with it the gentle suavity cultivated by the masters of the 18th century died out to make room for the dazzling brilliance of a later period.
393:, which vividly portrays the scene of an attractive gypsy girl with its dramatic music. Paisiello also wrote a great deal of church music, including eight masses; as well as fifty-one instrumental compositions and many stand-alone songs. He also composed the
257:
In 1772, Paisiello began to write church music and composed a requiem for
Gennara di Borbone, of the reigning dynasty. In the same year, he married Cecilia Pallini, and the marriage was a happy one. In 1776, Paisiello was invited by the empress
2143:
408:
The library of the
Gerolamini at Naples possesses an interesting manuscript compilation recording Paisiello's opinions on contemporary composers, and exhibiting him as a somewhat severe critic, especially of the work of Pergolesi.
289:, is now acknowledged as Rossini's greatest work, while Paisiello's opera is only infrequently produced—a strange instance of poetical vengeance since Paisiello himself had many years previously endeavoured to eclipse the fame of
80:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
360:
so coldly that, in 1803, he requested and with some difficulty obtained permission to return to Italy, upon the plea of his wife's ill health. On his arrival at Naples
Paisiello was reinstated in his former appointments by
215:, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas,
1880:, the Taleyrand dispositions contain 41 partimenti that had not been previously known. These volumes are preserved in the Bibliothèque Nationale de France (F-Pn Rés Vmb Ms. 10/1 and 10/2).
325:
witnessed another meeting between
Paisiello and Mozart when he visited Vienna later that year. Mozart had just finished a string of piano concertos, K. 449 and 453, written for his pupil
66:
2131:
1974:
2144:"Opera Seria in Theory and Practice: Alessandro Pepoli's 'Lettera ad un uomo ragionevole sul melodramma detto serio' (1790) and His Libretto for Paisiello's
2354:
1996:
373:
Paisiello is known to have composed 94 operas, which are known for their gracefully beautiful melodies. Perhaps the best-known tune he ever wrote is "
83:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
2389:
183:
2349:
2339:
2359:
2174:
1979:
356:
with a stipend of 10,000 francs and 4,800 for lodging, but he entirely failed to conciliate the
Parisian public, who received his opera
397:, the national anthem of the Kingdom of the Two Sicilies. Manuscript scores of many of his operas were presented to the library of the
2384:
2088:
2344:
2334:
2374:
2038:
770:
421:). His serious operas have less than the conventional amount of virtuoso vocal writing; those for Russia are the closest to
2364:
2137:
2065:
967:
268:
91:
422:
1922:
389:
also wrote violin variations based on the same tune. Another favourite vocal piece is "Chi vuol la zingarella" from
104:
Content in this edit is translated from the existing French
Knowledge article at ]; see its history for attribution.
2369:
2167:
953:
1894:, Saint Petersburg, 1783. Monza, Accademia Musicale IAMR, 2006. Parma, L'oca del Cairo Edizioni Musicali, 2006.
204:
2084:
348:, to whom the new favourite transferred the hatred he had formerly borne to Cimarosa, Guglielmi and Piccinni.
246:, of whose triumphs he was bitterly jealous, he produced a series of highly successful operas, one of which,
234:
His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of
1993:
1319:
2379:
2125:
2121:
139:
332:
After many vicissitudes, resulting from political and dynastic changes, he was invited to Paris (1802) by
2204:
290:
2099:
374:
2282:
2160:
2059:
17:
983:
164:
99:
353:
113:
2308:
2234:
1220:
928:
671:
307:
1912:
2009:
607:
322:
285:
266:, where he remained for eight years, producing, among other charming works, his masterpiece,
120:
48:
1964:
One or more of the preceding sentences incorporates text from a publication now in the
2329:
2324:
2219:
2209:
2070:
382:
167:, and was the most popular opera composer of the late 1700s. His operatic style influenced
8:
2264:
2095:
748:
562:
402:
340:. Napoleon treated him munificently, while cruelly neglecting two more famous composers,
259:
2249:
2239:
336:, whose favour he had won five years previously by composing a march for the funeral of
235:
2269:
2105:
2023:
Regole per bene accompagnare il partimento o sia il basso fondamentale sopra il
Cembalo
1871:
Regole per bene accompagnare il partimento o sia il basso fondamentale sopra il
Cembalo
345:
337:
2259:
2194:
2183:
2034:
1918:
847:
276:
239:
212:
95:
2296:
2026:
703:
362:
295:
263:
243:
203:
there. He became known for his beautiful singing voice and in 1754 was sent to the
200:
2244:
2058:
2000:
341:
1342:
R 3.09 – Cantata per la transalazione del sangue del glorioso martire S. Gennaro
1333:
R 3.06 – Cantata fatta in occasione della transalazione del sangue di S. Gennaro
2229:
2214:
2030:
398:
326:
251:
250:, made a deep impression upon the Neapolitan public. The young Mozart and his
2318:
2224:
1970:
1965:
1487:
R 4.42 – Mass for the
Assumption of the Blessed Virgin Mary in G major (1811)
1475:
R 4.38 – Mass for the Assumption of the Blessed Virgin Mary in G major (1809)
366:
2199:
2054:
1077:
144:
1983:. Vol. 20 (11th ed.). Cambridge University Press. p. 519.
2138:
John A. Rice, "Elisabeth Vigée-Lebrun's Portrait of Giovanni Paisiello"
814:
394:
283:
the fans of Paisiello stormed the stage. Rossini's opera, now known as
102:
to the source of your translation. A model attribution edit summary is
1493:
R 4.44 – Mass for the Assumption of the Blessed Virgin Mary in C major
134:
1013:
2152:
1561:
R 5.53 – Introit, gradual, offertory, post-communion and responsory
386:
333:
279:
set a revised version of the libretto to music, under the title of
160:
2033:
and Felix Diergarten, Florian Noetzel Verlag, Wilhelmshaven 2008,
1555:
R 5.51 – Introit, offertory and communion for the mass in F major
224:
192:
172:
1509:
77:
418:
208:
196:
168:
1571:
1409:
R 4.16 – Mass for the coronation of Napoleon I in B-flat major
1309:
1787:
R 8.14 – Collection of rondos and capriccios for keyboard
1339:
R 3.08 – Cantata per la Sollenit‡ del SS. Corpo di Cristo
2132:
Score manuscripts and publications by Giovanni Paisiello
1811:
R 8.22 – Marche funèbre pour le Général Hoche in C minor
1596:
1360:
Works composed for Napoleon's or King Joseph's chapels.
857:(3.1.1776 Rome, Teatro Capranica in Palazzo alla Valle)
310:, where he composed many of his best operas, including
1035:
Il barbiere di Siviglia, ovvero La precauzione inutile
968:
Il barbiere di Siviglia, ovvero La precauzione inutile
2280:
1478:
R 4.39 – Sagro trattenimento musicale in B-flat major
1403:
R 4.14 – Mass for Passion and Palm Sundays in F major
1400:
R 4.13 – Messa in Pastorale per il Natale in G major
1287:
R 2.14 – Birthday Cantata for Prince Felice of Lucca
302:
Paisiello left Russia in 1784, and, after producing
293:
by resetting the libretto of his famous intermezzo,
187:
Portrait of Giovanni Paisiello, composer (1741-1816)
73:
1355:
69:
a machine-translated version of the French article.
2098:
1662:R 6.21 – Responsoria Nativitatis Domini in E minor
1620:R 6.07 – Antiphon: Domine ad adjuvandum in G major
1614:R 6.05 – Antiphon: Domine ad adjuvandum in F major
1567:R 5.55 – Offertory: Te gloriosus chorus in D major
1564:R 5.54 – Gradual: Omnes de Saba venient in G major
352:Paisiello conducted the music of the court in the
1851:R E.13 – Marche du Premier Consul in B-flat major
1824:
1781:R 8.12 – 4 Divertimenti for winds in E-flat major
1415:R 4.18 – Gratiae sint Deo devotae in E-flat major
2316:
1589:R 5.60 – Caro mea vere est cibus in B-flat major
1412:R 4.17 – Deh resplende o clara stella in D major
1799:R 8.18 – Keyboard Concerto No.6 in B-flat major
1710:R 6.37 – Antiphon: Salve Regina in E-flat major
1707:R 6.36 – Antiphon: Regina coeli in B-flat major
1549:
1484:R 4.41 – Sagro componimento musicale in G major
1481:R 4.40 – Sagro componimento musicale in C major
1713:R 6.38 – Antiphon: Ave maris stella in F major
1683:R 6.28 – Lezione per la sera del Giovedi Santo
1583:R 5.58 – Stabat Mater del Pergolese in C minor
1065:(carnival 1789 Naples, Teatro dei Fiorentini)
494:Pulcinella vendicato nel ritorno di marechiaro
476:La mascherata delle nozze di Bacco e d'Arianna
98:accompanying your translation by providing an
60:Click for important translation instructions.
47:expand this article with text translated from
2168:
1848:R E.11 – Flute Quartet Op. 23 No.6 in G major
1845:R E.10 – Flute Quartet Op. 23 No.3 in E minor
1842:R E.09 – Flute Quartet Op. 23 No.1 in C major
1839:R E.08 – Flute Quartet Op. 23 No.4 in G major
1836:R E.07 – Flute Quartet Op. 23 No.5 in G major
1833:R E.06 – Flute Quartet Op. 23 No.2 in D major
1814:R 8.23 – Andante for horn and harp in C major
1732:R 7.03 – Motet: In corde intrepido in C major
1641:R 6.14 – Psalm: Laudate pueri in E-flat major
1510:Masses (other than those for rulers' chapels)
1406:R 4.15 – Veni sancte spiritus in E-flat major
1345:R 3.10 – Il fonte prodigioso di Orebre (lost)
1766:R 8.07 – String Quartet No.7 in E-flat major
1760:R 8.05 – String Quartet No.5 in E flat major
1757:R 8.04 – String Quartet No.4 in E-flat major
1729:R 7.02 – Motet: O luminosa aurora in G major
1608:R 6.03 – Hymn: O salutaris hostia in A major
1051:(autumn 1787 Naples, Teatro dei Fiorentini)
1024:(spring 1786 Naples, Teatro dei Fiorentini)
635:(summer 1769, Naples, Teatro dei Fiorentini)
617:(winter 1768, Naples, Teatro dei Fiorentini)
2355:Italian classical composers of church music
1572:Psalms, hymns or antiphons used during Mass
1469:R 4.36 – O mortales summo ardore in D major
1448:R 4.29 – Coeli stella amica in E-flat major
1388:R 4.09 – Coeli stella amica in E-flat major
1348:R 3.11 – Passio per la domenica delle Palme
1095:(spring 1790 Naples, Teatro dei Fiorentini)
159:; 9 May 1740 – 5 June 1816) was an Italian
2175:
2161:
1854:R E.14 – Mandolin concerto in E-flat major
1805:R 8.20 – Keyboard Concerto No.8 in C major
1802:R 8.19 – Keyboard Concerto No.7 in A major
1796:R 8.17 – Keyboard Concerto No.5 in D major
1793:R 8.16 – Keyboard Concerto No.4 in G minor
1790:R 8.15 – Keyboard Concerto No.3 in A major
1778:R 8.11 – Keyboard Concerto No.2 in F major
1775:R 8.10 – Keyboard Concerto No.1 in C major
1665:R 6.22 – Responsori per la settimana santa
1638:R 6.13 – Psalm: Confitebor tibi in A major
1505:R 4.48 – Salvum fac Domine in B-flat major
1454:R 4.31 – Heu nos jam velum in E-flat major
1445:R 4.28 – Si mare ferox murmurat in F major
1424:R 4.21 – Alma fax et casti in E-flat major
1088:(21.11.1789 Naples, Teatro dei Fiorentini)
999:L'amor ingegnoso, o sia La giovane scaltra
781:(carnival 1774 Milan, Teatro Regio Ducale)
647:La Zelmira, o sia La marina del Granatello
2089:International Music Score Library Project
1451:R 4.30 – Non est in vita amara in C major
1394:R 4.11 – Non est in vita amara in C major
1330:R 3.05 – Il transito di San Luigi Gansaga
1969:
1952:
1950:
1948:
1946:
1944:
1942:
1940:
1938:
1936:
1934:
1864:
1738:R 7.05 – Motet: Absit sonitus in D major
1677:R 6.26 – Lamentazione seconda in G major
1647:R 6.16 – Psalm: Laudate pueri in C major
1644:R 6.15 – Psalm: Laudate pueri in C major
1580:R 5.57 – Exsulta jam cor meum in D major
1577:R 5.56 – Veni sancte spiritus in D major
1364:R 4.01 – Virgam virtutis tuae in F major
1320:La Passione di Nostro Signor Gesù Cristo
913:(14.2.1779 St. Petersburg, Hermitage) ,
182:
133:
1772:R 8.09 – String Quartet No.9 in A major
1769:R 8.08 – String Quartet No.8 in G major
1763:R 8.06 – String Quartet No.6 in C major
1754:R 8.03 – String Quartet No.3 in D major
1751:R 8.02 – String Quartet No.2 in A major
1748:R 8.01 – String Quartet No.1 in C major
1704:R 6.35 – Antiphon: Benedicat in F major
1686:R 6.29 – Christus factus est in A minor
1650:R 6.17 – Psalm: Laetatus sum in D minor
1592:R 5.61 – Benedictus Rex in B-flat major
1466:R 4.35 – In tuo beato ardore in G major
1463:R 4.34 – Absit sonitus tubae in D major
1370:R 4.03 – Absit sonitus tubae in D major
1310:Oratorios, passions and sacred cantatas
1008:(12.1785 Naples, Teatro dei Fiorentini)
385:composed piano variations based on it.
14:
2317:
1735:R 7.04 – Motet: Mille furis in C major
1726:R 7.01 – Motet: Astra coeli in C major
1692:R 6.31 – Hymn: Pange lingua in C minor
1680:R 6.26 – Lamentazione terza in F major
1674:R 6.25 – Lamentazione prima in C major
1433:R 4.24 – Altas Olympi fores in A major
1430:R 4.23 – Ne lucem Bene in B-flat major
1421:R 4.20 – Sitibundi desolati in D minor
1260:R 2.05 – La Libertà e Palinodia a Nice
1231:(19.3.1807 Naples, Teatro di S Carlo)
1155:(4.11.1792 Naples, Teatro di S Carlo)
994:(12.10.1785 Naples, Teatro di S Carlo)
864:(carnival 1776 Rome, Teatro Argentina)
579:(20.1.1768, Naples, Teatro di S Carlo)
2182:
2156:
1931:
1860:R E.16 – Mandolin concerto in G major
1857:R E.15 – Mandolin concerto in C major
1742:
1701:R 6.34 – Hymn: Tantum ergo in C major
1695:R 6.32 – Hymn: Tantum ergo in A major
1671:R 6.24 – Responsori per Venerdi Santo
1668:R 6.23 – Responsori per Giovedi Santo
1656:R 6.19 – Psalm: Magnificat in G major
1653:R 6.18 – Psalm: Magnificat in C major
1597:Psalms, canticles, hymns or antiphons
1558:R 5.52 – Introit, kyrie and offertory
1515:R 5.01 – Missa Defunctorum in C minor
1436:R 4.25 – Rosae lux e coelo in A major
1418:R 4.19 – Splendete o coeli in G major
1382:R 4.07 – Splendete o coeli in G major
1251:R 2.02 – La sorpresa delli Dei (lost)
1238:(19.3.1808 Naples, Teatro di S Carlo)
1195:(4.11.1797 Naples, Teatro di S Carlo)
1169:(4.11.1794 Naples, Teatro di S Carlo)
1162:(12.1.1794 Naples, Teatro di S Carlo)
1141:(1792 Naples, Teatro dei Fiorentini)
1102:(30.5.1790 Naples, Teatro di S Carlo)
1031:(12.1.1787 Naples, Teatro di S Carlo)
1017:(20.1.1786 Naples, Teatro di S Carlo)
945:(6.12.1780 St. Petersburg, Hermitage)
538:(summer 1769, Naples) 2nd version of
2390:Musicians from the Kingdom of Naples
1890:Stefano Faglia, Franca Saini (ed.):
1586:R 5.59 – Libera me Domine in D minor
1376:R 4.05 – Veni ferox, veni in G minor
1351:R 3.12 – Passio per il venerdi Santo
1202:(1798 Naples, Teatro dei Fiorentini)
1175:(1795 Naples, Teatro dei Fiorentini)
1114:(1790 Naples, Teatro dei Fiorentini)
1072:(5.2.1789 Naples, Teatro di S Carlo)
1058:(1.1.1788 Naples, Teatro di S Carlo)
1044:(8.9.1787 Naples, Teatro di S Carlo)
1037:(1787 Naples, Teatro dei Fiorentini)
462:Madama l'umorista, o Gli stravaganti
281:Almaviva ossia la inutil precauzione
110:{{Translated|fr|Giovanni Paisiello}}
29:
2350:19th-century Italian male musicians
2340:18th-century Italian male musicians
2066:A Dictionary of Music and Musicians
1817:R 8.24 – 3 Pieces for Military Band
1545:R 5.11 – Mass in C major (doubtful)
1302:R 2.19 – Riede omai la nuova aurora
1284:R 2.13 – Il mio bene, il mio tesoro
1278:R 2.11 – Le nozze di Silvio e Clori
1272:R 2.09 – Cantata epitalamica (lost)
1242:
818:(carnival 1775 Venice, S Benedetto)
758:(spring 1773 Naples, Teatro Nuovo)
599:(summer 1768, Naples, Teatro Nuovo)
572:(winter 1767, Naples, Teatro Nuovo)
548:(spring 1767, Naples, Teatro Nuovo)
524:(spring 1766, Naples, Teatro Nuovo)
24:
2360:Italian Classical-period composers
2047:
1975:Paisiello (or Paesiello), Giovanni
1914:The Complete Classical Music Guide
1784:R 8.13 – 12 Divertimenti for winds
1698:R 6.33 – 3 Tantum ergo for soprano
1315:R 3.01 – Jephte sacrificium (lost)
1305:R 2.20 – 3 Notturni for 2 sopranos
1269:R 2.08 – Il Genio Poetico Appagato
1188:(26.6.1797 Foggia, Palazzo Dogana)
871:(spring 1776 Naples, Teatro Nuovo)
839:(autumn 1775 Naples, Teatro Nuovo)
832:(spring 1775 Naples, Teatro Nuovo)
825:(carnival 1775 Venice, S Samuele)
795:(autumn 1774 Naples, Teatro Nuovo)
788:(spring 1774 Naples, Teatro Nuovo)
727:(autumn 1772 Naples, Teatro Nuovo)
720:(spring 1772 Naples, Teatro Nuovo)
688:(summer 1771 Naples, Teatro Nuovo)
681:(spring 1771 Naples, Teatro Nuovo)
649:(summer 1770 Naples, Teatro Nuovo)
642:(winter 1769 Naples, Teatro Nuovo)
306:at Vienna, entered the service of
25:
2401:
2122:Free scores by Giovanni Paisiello
2085:Free scores by Giovanni Paisiello
2078:
2005:Grove Concise Dictionary of Music
1830:R E.02 – Sinfonia in E-flat major
1808:R 8.21 – Violin Sonata in E major
1635:R 6.12 – Dixit Dominus in G major
1632:R 6.11 – Dixit Dominus in D major
1629:R 6.10 – Dixit Dominus in G major
1626:R 6.09 – Dixit Dominus in D major
1623:R 6.08 – Dixit Dominus in C major
1617:R 6.06 – Dixit Dominus in F major
1611:R 6.04 – Dixit Dominus in A major
1502:R 4.47 – Laudate pueri in E minor
1499:R 4.46 – Te Deum breve in G major
1324:R 3.03 – Passio secundum Mattheum
414:Grove Concise Dictionary of Music
2385:Italian string quartet composers
2302:
2290:
1957:
1689:R 6.30 – Miserere a 5 in D minor
1602:R 6.01 – Te Deum in B-flat major
1356:Sacred music for rulers' chapels
802:(autumn 1774 Venice, S Samuele)
656:(7.10.1770 Naples, Teatro Nuovo)
577:Alceste in Ebuda, ovvero Olimpia
138:Paisiello at the clavichord, by
34:
1327:R 3.04 – Passio di San Giovanni
1296:R 2.17 – La Lontananza di Tirsi
510:(carnival 1776, Venice S Moisè)
471:(carnival 1765, Venice S Moisè)
2345:19th-century Italian musicians
2335:18th-century Italian musicians
2015:
1987:
1905:
1825:Works of doubtful authenticity
1442:R 4.27 – Vivat Deus in C major
1173:Nina, o sia La pazza per amore
1146:Il ritorno d'Idomeneo in Creta
1112:Nina, o sia La pazza per amore
1078:Nina, o sia La pazza per amore
774:(26.12.1773 Modena) – fragment
740:(carnival 1773 Venice S Moisè)
686:I scherzi d'amore e di fortuna
531:(carnival 1767, Naples) – lost
496:(1765, Naples, Teatro Bellini)
145:Nina, o sia La pazza per amore
108:You may also add the template
27:Italian Classical era composer
13:
1:
1898:
1533:R 5.07 – Agnus Dei in G major
1530:R 5.06 – Mass in B-flat major
1496:R 4.45 – Mass in B-flat major
1490:R 4.43 – Mass in E-flat major
1457:R 4.32 – Quis est? in C major
1397:R 4.12 – Mass in B-flat major
1263:R 2.06 – Il Ritorno di Perseo
2375:Italian male opera composers
2126:Choral Public Domain Library
1878:Regole per bene accompagnare
1820:R 8.25 – Symphony in C major
1550:Pieces for the Mass Ordinary
1148:(autumn 1792 Perugia) – lost
1128:(16.6.1791 London Pantheon)
892:(autumn 1777 St. Petersburg)
254:met him in Bologna in 1771.
7:
2365:Neapolitan school composers
2205:Giovanni Battista Pergolesi
2060:"Paisiello, Giovanni"
1999:September 18, 2008, at the
1884:
1605:R 6.02 – Te Deum in C major
920:(13.6.1779, Tsarskoye Selo)
633:Don Chisciotte della Mancia
450:(12.5.1764, Bologna) – lost
291:Giovanni Battista Pergolesi
205:Conservatorio di S. Onofrio
199:region and educated by the
10:
2406:
1659:R 6.20 – Litany in G major
1135:(16.5.1792 Venice, Fenice)
971:(26.9.1782 St. Petersburg)
906:(24.7.1778 St. Petersburg)
885:(28.1.1777 St. Petersburg)
604:La finta maga per vendetta
584:Le nozze di Peleo e Tetide
540:Le 'mbroglie de le Bajasse
529:Le 'mbroglie de le Bajasse
464:(26.1.1765, Modena) – lost
72:Machine translation, like
2190:
2109:. Oxford University Press
1917:. DK. 2012. p. 106.
1717:
1209:(3.7.1799, Lisbon) – lost
925:Il matrimonio inaspettato
899:(6.2.1778 St. Petersburg)
809:(4.12.1774 Naples, Reale)
624:(performed as act III of
433:
423:Gluck's 'reform' approach
211:, where he studied under
49:the corresponding article
1542:R 5.10 – Mass in F major
1539:R 5.09 – Mass in C major
1536:R 5.08 – Mass in F major
1527:R 5.05 – Mass in D major
1524:R 5.04 – Mass in F major
1521:R 5.03 – Mass in D major
1518:R 5.02 – Mass in G major
1472:R 4.37 – Mass in D major
1460:R 4.33 – Mass in C major
1439:R 4.26 – Mass in F major
1427:R 4.22 – Mass in D major
1391:R 4.10 – Mass in F major
1385:R 4.08 – Mass in G major
1379:R 4.06 – Mass in C major
1373:R 4.04 – Mass in A major
1367:R 4.02 – Mass in F major
1275:R 2.10 – Canone a 4 voci
1224:(28.3.1803 Paris, Opéra)
987:(23.8.1784 Vienna, Burg)
984:Il re Teodoro in Venezia
911:Gli astrologi immaginari
807:Il divertimento dei numi
428:
375:Nel cor più non mi sento
2370:Italian opera composers
1980:Encyclopædia Britannica
1266:R 2.07 – Amor vendicato
1248:R 2.01 – L'Ebone (lost)
1049:La modista raggiratrice
679:La somiglianza de' nomi
615:L'osteria di Marechiaro
606:(autumn? 1768, Naples,
586:(31.5.1768, Naples PR)
559:Lucio Papirio dittatore
286:Il barbiere di Siviglia
269:Il barbiere di Siviglia
229:Il Marchese di Tidipano
178:
140:Élisabeth Vigée Le Brun
119:For more guidance, see
2235:Gian Francesco de Majo
1293:R 2.16 – Fille a Tirsi
1290:R 2.15 – Tirsi a Fille
1281:R 2.12 – La Volontaria
1139:Il fanatico in Berlina
978:(1782 Kammenïy Ostrov)
962:(1782 Tsarskoye Selo)
878:(26.12.1776, Mannheim)
823:La discordia fortunata
747:(carnival 1773 Milan,
672:Teatro Regio di Torino
561:(summer 1767, Naples,
536:La serva fatta padrona
522:La vedova di bel genio
371:
308:Ferdinand IV of Naples
191:Paisiello was born in
188:
149:
2146:I giuochi d'Agrigento
2100:"Paisiello, Giovanni"
2071:Macmillan and Company
1994:"Paisiello, Giovanni"
1865:Educational treatises
1133:I giuochi d'Agrigento
1006:La grotta di Trofonio
1001:(carnival 1785 Padua)
846:(3.11.1775 Florence,
771:Alessandro nell'Indie
765:(summer 1773, Naples)
763:La semplice fortunata
738:L'innocente fortunata
731:Don Anchise Campanone
702:(carnival 1772 Rome,
608:Teatro dei Fiorentini
517:(2.1766, Rome Valle)
350:
186:
142:, 1791. The score is
137:
121:Knowledge:Translation
92:copyright attribution
2220:Alessandro Scarlatti
2210:Francesco Provenzale
2096:Robinson, Michael F.
2021:Giovanni Paisiello:
1257:R 2.04 – La Partenza
1179:Chi la dura la vince
862:La disfatta di Dario
622:La Claudia vendicata
501:Le virtuose ridicole
484:(spring 1765, Parma)
457:(24.6.1764, Bologna)
455:I francesi brillanti
441:La moglie in calzoni
381:, immortalized when
221:Il Mondo al Rovescio
2380:People from Taranto
2265:Johann Adolph Hasse
2025:. , vol. 1, ed. by
1892:Il Mondo della Luna
1336:R 3.07 – Baldassare
1254:R 2.03 – 2 Notturni
1081:(25.6.1789 Caserta)
976:Il mondo della luna
938:(5.6.1780 Mogilev)
837:Socrate immaginario
749:Teatro Regio Ducale
713:(1.1772 Rome, Dame)
700:Semiramide in villa
695:(26.12.1771 Modena)
663:(Lent 1771, Modena)
570:Il furbo malaccorto
508:Le nozze disturbate
478:(11.2.1765, Modena)
443:(18.2.1764, Modena)
403:Domenico Dragonetti
260:Catherine the Great
2270:Domenico Scarlatti
2255:Giovanni Paisiello
2106:Grove Music Online
1743:Instrumental works
1722:(to be completed)
1207:L'isola disabitata
1181:(9.6.1797 Milan S)
1167:Didone abbandonata
1100:Zenobia in Palmira
1086:I zingari in fiera
1063:L'amor contrastato
890:Lucinda e Armidoro
830:Le astuzie amorose
670:(16.1.1771 Turin,
668:Annibale in Torino
654:Le trame per amore
589:R 1.16 Licenza to
551:R 1.11 Licenza to
391:I zingari in fiera
189:
153:Giovanni Paisiello
150:
100:interlanguage link
2278:
2277:
2260:Domenico Cimarosa
2195:Francesco Durante
2184:Neapolitan School
2039:978-3-7959-0905-5
1299:R 2.18 – La scusa
869:Dal finto il vero
848:Teatro La Pergola
793:Il credulo deluso
745:Sismano nel Mogol
725:Gli amante comici
563:Teatro di S Carlo
515:Le finte contesse
277:Gioachino Rossini
240:Domenico Cimarosa
213:Francesco Durante
132:
131:
61:
57:
16:(Redirected from
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2240:Niccolò Jommelli
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2019:
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1243:Secular cantatas
1200:L'inganno felice
1186:La Daunia felice
1042:Giunone e Lucina
1022:Le gare generose
960:Il duello comico
950:La serva padrona
904:Lo sposo burlato
897:Achille in Sciro
876:Il finto spettro
704:Teatro Capranica
684:R 1.28 and 1.29
469:L'amore in ballo
363:Joseph Bonaparte
321:The Irish tenor
296:La serva padrona
264:Saint Petersburg
244:Pietro Guglielmi
236:Niccolò Piccinni
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1973:, ed. (1911). "
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929:Kammenïy Ostrov
855:Le due contesse
640:L'arabo cortese
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96:edit summary
87:
54:
46:
2330:1816 deaths
2325:1740 births
1106:La molinara
844:Il gran Cid
448:Il ciarlone
379:La Molinara
316:La Molinara
2319:Categories
2113:4 February
2069:. London:
2010:Gramophone
1899:References
1221:Proserpine
1126:La locanda
1119:Ipermestra
815:Demofoonte
756:Il tamburo
718:La Dardanè
395:Inno al Re
358:Proserpine
217:La Pupilla
2297:Biography
1318:R 3.02 –
1193:Andromaca
1014:Olimpiade
786:Il duello
779:Andromeda
693:Artaserse
626:L'osteria
383:Beethoven
354:Tuileries
157:Paesiello
114:talk page
51:in French
18:Paisiello
1997:Archived
1885:Editions
992:Antigono
918:Demetrio
711:Motezuma
661:Demetrio
534:R 1.09a
499:R 1.05a
387:Paganini
334:Napoleon
161:composer
90:provide
2283:Portals
2124:in the
2091:(IMSLP)
2087:at the
1968::
1234:R 1.96
1227:R 1.95
1218:R 1.94
1214:La Pace
1212:R 1.93
1205:R 1.92
1198:R 1.91
1191:R 1.90
1184:R 1.89
1165:R 1.88
1158:R 1.87
1153:Elfrida
1151:R 1.86
1144:R 1.85
1131:R 1.84
1124:R 1.83
1117:R 1.82
1098:R 1.81
1091:R 1.80
1084:R 1.79
1075:R 1.78
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1061:R 1.76
1054:R 1.75
1047:R 1.74
1040:R 1.73
1027:R 1.72
1020:R 1.71
1011:R 1.70
1004:R 1.69
997:R 1.68
990:R 1.67
981:R 1.66
974:R 1.65
965:R 1.64
948:R 1.63
941:R 1.62
934:R 1.61
923:R 1.60
916:R 1.59
909:R 1.58
902:R 1.57
895:R 1.56
888:R 1.55
883:Nitteti
881:R 1.54
874:R 1.53
867:R 1.52
860:R 1.51
853:R 1.50
842:R 1.49
835:R 1.48
828:R 1.47
821:R 1.46
812:R 1.45
805:R 1.44
798:R 1.43
791:R 1.42
784:R 1.41
777:R 1.40
768:R 1.39
761:R 1.38
754:R 1.37
743:R 1.36
736:R 1.35
723:R 1.34
716:R 1.33
709:R 1.32
698:R 1.31
691:R 1.30
677:R 1.27
666:R 1.26
659:R 1.25
652:R 1.24
645:R 1.23
638:R 1.22
631:R 1.21
620:R 1.20
613:R 1.19
602:R 1.18
595:R 1.17
582:R 1.15
575:R 1.14
568:R 1.13
557:R 1.12
544:R 1.10
527:R 1.09
520:R 1.08
513:R 1.07
506:R 1.06
474:R 1.05
467:R 1.04
460:R 1.03
453:R 1.02
446:R 1.01
439:R 1.00
377:" from
225:Bologna
201:Jesuits
195:in the
193:Taranto
173:Rossini
163:of the
112:to the
94:in the
53:.
2148:(1792)
2037:
1962:
1921:
1718:Motets
1160:Elvira
927:(1779
434:Operas
419:Mozart
252:father
223:, for
209:Naples
197:Apulia
169:Mozart
1229:Elisa
1056:Fedra
1029:Pirro
591:Peleo
429:Works
74:DeepL
2115:2013
2035:ISBN
2007:via
1919:ISBN
412:The
365:and
344:and
314:and
312:Nina
242:and
219:and
179:Life
171:and
155:(or
88:must
86:You
67:View
1977:".
401:by
318:.
207:at
76:or
2321::
2103:.
2063:.
2029:,
2003:,
1933:^
931:)
425:.
405:.
299:.
238:,
175:.
2285::
2176:e
2169:t
2162:v
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