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The structure was arranged in L shape, having its major compound oriented in the north–south direction, being thus vertical to Tejo River whilst the structure's minor compound was in turn facing towards the river, as well as the public avenue. In the interior part of the L structure, a patio used to
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At the ground level, springing from the facade a great lounge was suggested, from which a simplified staircase would come to lead the way to a grand open ballroom, towering that same patio. On the east side another main section symmetrically disposed to the already existent one was proposed. Taking
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The access to the interior is done by the staircase of 18 stone stretches coated in glazed tiles of the late 18th century in blue and white representing mythological and gallant style (Diana and
Actaeon); in the upper level section, 3 doors, with cocking-cloths in carmine velvet with coat of arms,
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The Grilo Palace is set upon a pre-existent palatian structure located at the Grilo Farm that previously belonged to D. AntĂłnio de
Mascarenhas. The exact date of construction concerning the pre-existing palatian structure is unknown. This farm was constituted by a very large land property that
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To the north of the central patio, stood another new main section. In the back, the gardens displayed in cascate through the hill. At the same level and connected to this lounge, was displayed another partition of extensive spaciousness, presumably destined to become a library considering the
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The main part of the palace, the larger body of the L-shaped compound is, to this day, sensible to the already existing complex formed by the western wing. The main section standing on the avenue was doubled forming a facade of 11 apertures divided in 2 levels: ground level and noble floor.
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In opposition to the tradition of other Lisbon palaces, the
Palacio do Grilo project is composed of a scholarly complexity, characteristic of whom was used to maneuver architecture as a theoretical exercise of styling and to whom great palatian constructions would extend throughout Europe.
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The 1st Duke of Lafões directed the construction of Grilo Palace after Lisbon's massive earthquake on 1 November 1755. D. Pedro
Henrique was first given the opportunity however due to his premature death in 1761, it was delegated to the Duke's younger brother: D.
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was one of the only two pretenders to the princess's hand, and consequently also to the
Portuguese throne as consort king. It's important to understand that this particular occurrence happened a few years after found himself in a dispute with his uncle, king D.
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Lounge: restored in the mid-20th century, with fluted pilasters belonging to the Doric order embedded in the walls; the wall openings (vĂŁos) lined in silk; a great vessel of
Italian marble, on a niche at the top; D. Pedro II and D. JoĂŁo V
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Chinese Room: squared floor plan with wooden pavement, presenting 5 shafts and walls in plaster with neoclassical style paintings depicting camafeus, feminine figures in fencings, flower garlands and large feasts with birds and diverse
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Duke's Room: of rectangular plant with wooden pavement and door decorated with perpectivated painting; the ceiling presents ornamental paintings of large feasts, flower garlands and, over the communicating doors, putti
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Venus Room: squared floor plan with wooden pavement, 6 shafts with flowery painted motifs, plaster walls painted with delicate ornamental, ceiling with great central oval and painting framed by fencing depicting
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exist, contained by other more modest constructions. The patio was located at the upper level of the street and could be accessed through a ramp that went under the shorter compound of the L-shaped structure.
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The construction structures that integrate the current architectonic complex of Grilo Palace are constituted by the sum of the interventions made throughout the years. The architecture is attributed to
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Atrium: opening from the end of the patio, with the (restored) smooth plaster ceiling in smooth ovals; the upper garnish of the walls, with suspended garlands, ashlars of polychromed tiles, and also
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Similarly, the patio at the superior level with fairly approximate dimensions was also kept in the reconstruction project, with only minor corrections being necessary in order to maintain symmetry.
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Dining Hall: primitive terracotta tiled floor; 17th century tiled skirting board; smooth walls and ceiling (after restoration); portraits of family personalities and 1 depicting Isabel de
Farnese;
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and canvases from the eighteenth and nineteenth centuries, they integrate theme lounges in the palace, such as the hall of the academy, the hall of Venus or the
Chinese room.
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Chapel: rectangular floor plan with stonework triumph arch, dividing the space in half; 4 doors in gilded wood at the ground level (2 in the main-chapel, 2 at the nave).
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Academia Room: of rectangular floor plan with 8 shafts and wooden pavement presenting stucco ceiling and walls painted with late 18th century polychromatic decoration.
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advantage of the slope in a masterly way, this new building provided access directly into the patio through a ramp today known as Duke of Lafões
Sidewalk.
300:. The construction of the building is intimately related to a few historical contingencies that have witnessed the Palace's extensive erection process.
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Arena: squared floor plan, located on the eastern side of the Oculus Room, presenting in the North facing facade a door with curbed stonework linte.
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topped with 19th century tiled panels in blue and white, trimmed with heraldic coats of arms of the Lafões, Cadaval, and
Marialva Houses;
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The interior is synonymous of decorative programs around cultural diversity and erudition, there are sets of murals painting by
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In 2011, it attained the status of Public Interest Monument (PIM). In 2022, the Palais was restructured by architect
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Oculus Room: accessible through the central gate, squared floor plan (originally rectangular) with 10 doors.
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620:"POSTED TO PORTUGAL - News: Visit to Palácio do Grilo, residence of the Duques de Lafões - 24/05/2016"
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having refused to light up his residence on the occasion of the marriage between the Infant D.
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273:(Portuguese: Palácio dos Duques de Lafões), is located at the corner of Grilo Street with the
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The structure constitutes an architectural complex of the 18th century and predominantly
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269:) classified as Public Interest Monument since 2011, also known as the Palace of the
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Following Lisbon's massive earthquake on 1 November 1755, it is attributed to D.
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ascended the uphill pronounced slope, known today as Dukes of Lafões Sidewalk.
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797:"Un ancien palais d'aristocrates transformé en restaurant à Lisbonne"
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602:"Palácio dos Duques de Lafões, também denominado Palácio do Grilo"
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Atlas of the topographic map of Lisbon, Filipe Folque 1856-1858
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849:"Palacio do Grilo Living Theatre Installation / PolicrĂłnica"
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Plan of the project of Eugénio dos Santos - Palacio do Grilo
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and the king's eldest daughter and future queen, D.
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577:"SĂtio da Câmara Municipal de Lisboa: equipamento"
746:"Palácio dos Duques de Lafões / Palácio do Grilo"
645:"Mais Sobre: Palacio Do Grilo - Correio da ManhĂŁ"
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828:designboom | architecture & design magazine
481:emerging from the waters supported by 2 newts.
428:, and in 2023 the project was laureate of the
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106:Palacio do Grilo - Side facades of the garden
671:"Jll im palacio do grilo lafões done change"
69:Learn how and when to remove this message
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32:This article includes a list of general
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377:Murals painting of Academia room by
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281:parish in the heart of the city of
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38:it lacks sufficient corresponding
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803:(in French). 8 November 2022
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255:http://www.palaciogrilo.com
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343:Pedro Henrique de Bragança
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347:LuĂsa Clara de Portugal
234:Design and construction
53:more precise citations.
606:patrimoniocultural.gov
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202:38.732611°N 9.106583°W
132:Location within Lisbon
624:portugal.postedto.com
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207:38.732611; -9.106583
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154:Architectural style
149:General information
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190:38°43′57.4″N
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936:23 December
911:23 December
885:23 December
881:(in French)
859:23 December
833:23 December
807:23 December
801:AD Magazine
781:20 December
756:13 December
730:20 December
705:20 December
680:13 December
655:13 December
649:cmjornal.pt
629:13 December
586:13 December
205: /
193:9°06′23.7″W
180:Coordinates
51:introducing
952:Categories
563:References
533:Venus room
466:pediments.
454:D. Maria I
449:portraits.
290:Neoclassic
265:(English:
174:, Portugal
59:April 2020
34:references
853:ArchDaily
436:Buildings
326:Pedro III
226:Completed
473:objects.
164:Location
330:Maria I
304:History
294:baroque
249:Website
47:improve
497:Chapel
298:motifs
283:Lisbon
172:Lisbon
36:, but
675:Issuu
479:VĂ©nus
279:Beato
168:Beato
938:2023
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887:2023
861:2023
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783:2019
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