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236:(1750–1829), to work there; his other nephews Henry Taskin and Lambert Taskin also worked for him, though little is known of them. Pascal Joseph II went on to work in the Blanchet workshop in 1763 and, like his uncle, married into the family in 1777 with his wedding to François Etienne Blanchet II's daughter. After his death in 1793, Pascal Taskin was succeeded by his stepson, Armand-François-Nicolas Blanchet, whom he had brought up himself.
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instruments, which were highly valued for their sound quality, to suit the modern French tastes. Like other makers of the time, he resorted to selling 'Ruckers' harpsichords which had very few original parts, or none at all, such was the premium associated with the name by then; his last known
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There are seven of his double manual harpsichords still in existence; they are prime examples of the late French school of harpsichord building, with a warm and rich tone, range of FF–f''', and disposition of 8' 8' 4' and buff stop. His 1769 double and the 1763/1783–1784
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of instrument makers and took over the
Blanchet workshop, and by the end of that month, he had married Blanchet's widow. The continuity between the Blanchet and Taskin traditions is indicated by the note Taskin attached to his instruments until 1770:
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in 1770, though he only fully occupied that role when
Chiquelier retired in 1774. In order to carry out both of his duties as both a maker and keeper of musical instruments, he set up a workshop in
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Historische
Tasteninstrumente: Cembali, Spinette, Virginale, Clavichorde. Die Sammlung Andreas und Heikedine Beurmann im Museum fĂĽr Kunst und Gewerbe Hamburg
181:. Little else is known of his activity until Blanchet's death on April 27, 1766. In early November of that year, he became a master harpsichord maker in the
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in the 1770s and 1780s, but not to the detriment of harpsichords; his death inventory of 1793 shows an equal number of each instrument under construction.
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by filing away the initials 'JG' to 'IC') have both been praised as ideal instruments for the late French
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houses a 1770 double. These instruments have been studied and copied many times by modern makers.
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instrument, a double dated 1788, has a rose signed "Andreas
Ruckers" and a Flemish-style painted
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493:/John Koster: 'Taskin, Pascal (Joseph)', Grove Music Online ed. L. Macy (Accessed 23 May 2007),
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He continued the common French practice, pursued successfully by
Blanchet, of making
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for most of his life. Upon his arrival in Paris, he apprenticed in the workshop of
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Double-manual harpsichord, Jean
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The
Historical Harpsichord: a Monograph Series in Honor of Frank Hubbard
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Blanchet in the 1760s, probably originally modelled after those of
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Taskin inherited
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454:(Société française de musicologie, Paris, 1966), pp. 69-72.
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harpsichords, which involved rebuilding the 17th century
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Pascal Taskin built on and refined the already excellent
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Double-manual harpsichord, Pascal Taskin. Paris, 1769
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399:The Surviving Instruments of the Blanchet Workshop
376:Yale University Collection of Musical Instruments
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16:Belgium-born French harpsichord and piano maker
589:Emigrants from the Holy Roman Empire to France
405:, i, ed. Howard Schott (Stuyvesant, NY, 1984)
358:/Taskin (which Taskin tried to pass off as a
564:Businesspeople from the Austrian Netherlands
528:— information about how Taskin altered the
326:style. Another instrument he made was the
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109:Learn how and when to remove this message
220:) and additionally became keeper of the
134:1646 / Taskin 1780 harpsichord, (Paris,
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447:(Prestel, Munich/London/New York, 2000)
145:(27 July 1723 – 9 February 1793) was a
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522:— in the Russell Collection, Edinburgh
423:, ASIN: 019318429X; 3rd edition, 1995)
465:List of historical harpsichord makers
431:Three Centuries of Harpsichord Making
391:, Early Keyboard Journal, xii (1994)
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338:resembling a harpsichord without a
318:. These instruments have luxuriant
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34:needs additional citations for
413:Makers of the Harpsichord and
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389:Two Early French Grand Pianos
218:facteur des clavessins du Roi
204:Verrerie, vis-Ă -vis la petite
202:demeure mĂŞme Maison rue de la
481:A History of the Harpsichord
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206:porte de S. Merry A PARIS
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121:See also:
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509:— in the
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161:Biography
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487:, 2003)
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