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Paul Haig

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853:: "The whole idea was to work with different producers and let them get on with it, which was a departure since I'd produced myself for so long. We recorded the stuff with Mantronik at his Sound Factory studio. He works very quickly, rattling stuff off in a couple of hours. He replaced all my beats with a combination of programming and breakbeats, mostly '70s funk stuff. Lil Louis took a completely different approach. He replaced the rhythm tracks on two of the songs and one we left as was He works with much more basic equipment – he's not as computerised as Mantronik. There was absolutely no sampling with Lil Louis, he's much more into the real musician school of thing." 437:: "I was pretty depressed for a week because it was the end of an era, but after that I was really happy that we'd split, because I could get on with everything I wanted to do. I've lost a lot of the ideals I had in Josef K. About not wanting to be commercially successful, suffering for your art and all that. I want to be signed to a major and make a great record that will get radio airplay and be a big hit, then make my own money from that. I don't mind being manipulated to a certain extent to get what I want, but in time I want to control everything." 1493: 1479: 1465: 917: 36: 1063:, was released. In it Haig returned to his guitar-roots, with tracks such as "Trouble Maker" very reminiscent of early solo recordings such as "Chance". In April 2008, Haig also embarked on his first tour since 1989, performing both old and new tracks at dates in Scotland and selected shows in Nottingham and London. 722:, it was a more involving collection than its predecessor, offering warmer songs and arrangements, and live drums in place of programmed rhythm tracks. In the UK the album appeared on short-lived Crépuscule offshoot, Operation Afterglow, and sold well as an independent release around Europe. Second single " 672:
None of the three singles released from the album proved solid hits which might have allowed Haig to cross over to a wider audience. Island failed to release the album – or the singles – in America, although a slick "New York Remix" mini album was belatedly issued in 1984. Haig later recalled of this
359:. Though not from a musical family, his father bought him his first guitar at age 12. On his father’s advice, he first learned to play by ear, humming the melody until he could work out the parts. After taking a few guitar lessons, he began to teach himself songs by artists like 696:. In November he completed a second album, largely recorded in London with Alan Rankine co-producing. However the chart failure of "The Only Truth" as a single ultimately led to Island dropping Haig from their roster, and so the untitled second album was shelved. 498:
as Rhythm of Life. At this stage Haig's new material was not so different from late-period Josef K songs such as "Heaven Sent", "Adoration" and "Heart of Song", though with a greater emphasis on a stripped-down funk style. Eschewing a live drummer in favour of a
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for mainstream solo releases, and also adopted the moniker Rhythm of Life Organization (RoL) for a variety of side-projects. These included two interim singles on Edinburgh independent Rational, run by manager Allan Campbell. The first of these,
749:" on a Scots Hogmanay television programme, and each donated a song to the other's forthcoming album. "Chained" proved a highlight on the next Haig album, although Mackenzie's version of "Reach the Top" remained unreleased after the Associates' 673:
period: "The main thing was that I didn't want to be the centre of it all. The initial idea was just to keep working with different people under the name Rhythm of Life. But Island wanted a pop image to sell... and they didn't get one."
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guise, both singles appeared as Rhythm of Life, this anonymity reflecting Haig's avowed dislike of personal publicity. Also via Rational, he released a limited edition (700 copies) cassette-only set of home-recorded electronica titled
1326: 860:" achieved a measure of club success, Circa delayed releasing 'Right on Line' until a reworked "Flight X" (featuring rapper Voice of Reason) was issued. When two versions of this track stalled early in 1991 the album was shelved. 707:
Rather than release the shelved set on Crépuscule, it was decided to combine the best material with several new songs written and recorded throughout 1985. Haig returned at the end of the year with the single,
644:), his new direction – polished club pop – sounded radically different from Josef K. The first single released from the album, "Heaven Sent" (a dance remake of an earlier Josef K song) stalled at No. 74 on the 431:. The break-up was due to a combination of excessive expectations, too little financial return, Haig's dislike of touring, and disagreements over future direction. The following year Haig told Johnny Waller in 64: 847:, whose drummer James Locke had been a periodic Haig collaborator since 1981. The album marked a return to the dance orientation of Rhythm of Life five years earlier, as Haig explained to 602:"the most avant-garde group in the world". Even by Morley's standards the statement was hyperbolic, although the writer would later go some way towards validating it by directing 371:. When he played it for friends in one of his first bands, they encouraged him to be the vocalist as they were too shy. His baritone vocal style was influenced by listening to 351:. His father, Edward, was an owner of a fibreglass factory and his mother, Margaret, was a secretary for a dental practice. His earliest memories of music were listening to 764:
In September 1987, Haig briefly returned to Crépuscule to record several tracks, resulting in the single "Torchomatic". This was followed by a compilation album called
543: 531: 1028:(1999) compiled a number of tracks recorded as joint demos by the pair, as well as tribute single "Listen to Me". RoL would also release albums by Skyline and 503:, RoL earned plaudits from the press, and in February 1982 took part in Crépuscule's first European package tour, Dialogue North-South, which also included 576:
In July 1982, almost a year after the Josef K split, and with just one proper solo single to his name, Haig was labelled "the face and sound of 1982" by
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Haig spent most of 1986 writing new material and looking for a new major deal. He also found time to embark on a fruitful partnership with another
1641: 1052:. In 2007, he made his first live appearance in many years when he joined Subterraneans onstage at a Billy Mackenzie tribute concert in London. 68: 1780: 737:, the result being low key dates in Glasgow and Edinburgh, which mixed their own greatest hits with covers such as "Running Away" and 530:
in March 1982 where he embarked on an intensive recording schedule at Little Big One studio. This yielded two self-produced singles, "
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was a one-off project featuring Allan Campbell with Paul Haig. The record was released as a 12" only single on Manchester label,
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In 1988, Haig financed the recording of a new album himself, once more produced with Alan Rankine, and eventually issued by
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single of the week), was released and made available via download and on 7-inch vinyl. This was followed soon after by
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album appeared in October 1983 and was accompanied by a short seven date UK tour. Haig's touring group included
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With Postcard disintegrating in the wake of the Josef K split, Haig signed with the Belgian independent label
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of big band standards. After four months Haig tired of Belgium and returned home to Edinburgh. in May 1982, "
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During 1984, Haig collaborated with a number of likeminded post-punk peers, recording electro track "
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was issued on RoL, followed in 2014 by a comprehensive anthology of Crépuscule recordings titled
1049: 934: 775: 693: 655: 384: 53: 1775: 805:" remains a fan favourite. Live performances were limited to UK and included a showcase at the 388: 364: 1024:
on his own RoL label, as well as several archive releases by his late friend Billy Mackenzie.
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In September 1991 Haig released an instrumental set of imaginary film themes through
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record label, before splitting in August 1981; their final Scottish date was in
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in 1988. Samples from the Dub Organiser tracks were used on Haig's 1989 album,
1108: 944:. Contentious material about living people that is unsourced or poorly sourced 876: 790: 681: 650: 633: 625: 599: 566: 410: 404: 392: 332: 288: 283: 648:, and failed to provide Haig with the hit many had confidently predicted. The 1764: 1595: 1587: 1498: 1154: 1146: 824: 813: 746: 612: 555: 539: 1614: 849: 766: 719: 666: 641: 554:, its success unhampered by the simultaneous release of another version by 500: 376: 356: 879:, the label which had previously issued the Josef K back catalogue on CD. 1571: 1130: 1075: 1071: 1033: 881: 629: 603: 577: 565:", was shelved after Crépuscule signed a licensing deal with major label 484: 360: 352: 793:
offshoot Circa Records in May of the following year. The title track of
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In January 1982, Haig played his first solo live shows in Edinburgh and
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plus several experimental b-side tracks and the previously unreleased
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respectively, as well as the more experimental "The Executioner" with
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The media hype around Haig paved the way for a licensing deal with
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on guitar, together with bassist David McClymont (also fresh from
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to cover Josef K's song "Sorry for Laughing" on their debut album
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which including most of the shelved Island album not included on
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producing. Featuring a host of crack session players (including
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musician, singer and songwriter. He was originally a member of
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band, which recorded five singles 1979 and 1981 and an album (
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from the article and its talk page, especially if potentially
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Through The Crack In The Wall - The Secret History of Josef K
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classic, appeared on Crépuscule and reached number 19 on the
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texts set to music, as well as a deconstruction of Josef K's
367:, recording himself on guitars and vocals playing their song 1503: 863: 1458: 906: 897:(electronica). In 1993, 'Right On Line' finally emerged as 1032:. In 2007, Haig's first single for 14 years, "Reason" (a 582: 1220:– Haig's contribution is on the track "Crawling To You". 823:
Circa financed the recording of a new album produced in
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1988 also saw the release of a single credited to "
1223:In 2014, Haig sang on a remake of Joy Division's " 699: 1762: 1227:" with producer Outernationale aka Derek Miller. 1078:. In 2013, a more experimental electronic album 781: 761:, appeared on Haig's own label Rhythm of Life. 1212:In 2001, Haig performed vocals on an album by 726:" has been one of Haig's best regarded songs. 1519: 1397: 619: 379:at an early age. Haig later attended nearby 712:", and a reconfigured second album, titled 1526: 1512: 1491: 1477: 1463: 1404:The Guinness Encyclopedia of Popular Music 903:on CrĂ©puscule, with two new tracks added. 462:, saw Haig guesting on a record by artist 67:about living persons that is unsourced or 1376: 1374: 1372: 1273: 1008:Learn how and when to remove this message 138:Learn how and when to remove this message 1243: 1241: 907:Rhythm of Life label years, 1999-present 347:, Scotland, and grew up in middle class 1391: 1040:which showcased Haig's influences from 466:. Exploring territory first charted by 1763: 1369: 323:(born 4 September 1960) is a Scottish 1507: 1425: 1238: 745:". Later the pair united to perform " 398: 1321: 1319: 1297: 1295: 1269: 1267: 1265: 910: 440: 383:along with future Josef K bandmates 29: 13: 1781:20th-century Scottish male singers 1020:Haig released two more volumes of 843:" featured additional mix work by 662:), drummer James Locke and former 14: 1817: 1450: 1316: 1292: 1262: 1218:Justin Robertson presents Revtone 885:comprised three distinct suites: 538:", as well as "Swing In '82", an 915: 335:, active between 1979 and 1982. 34: 1344: 1089: 1066:In December 2009, he released 409:Haig was the lead vocalist of 1: 1533: 1231: 338: 1059:, a more organic album than 926:biography of a living person 45:biography of a living person 7: 1796:British post-punk musicians 1663:Never Give Up (Party Party) 1388:, retrieved 16 October 2010 1274:Johnstone, Johnnie (2024). 1249:The Great Indie Discography 1192: 946:must be removed immediately 72:must be removed immediately 10: 1822: 1093: 580:in a lead feature for the 402: 18: 1791:Scottish male songwriters 1728: 1633: 1606: 1541: 1247:Strong, Martin C. (2003) 620:Island Records, 1983-1984 447:Les Disques du CrĂ©puscule 301: 297: 271:Les Disques du CrĂ©puscule 263: 253: 236: 216: 190: 179: 161: 154: 1806:British male songwriters 1801:Musicians from Edinburgh 548:Sly and the Family Stone 355:records on his parents’ 19:Not to be confused with 820:indie label Play Hard. 785:, 'Right on Line', 1988 753:project was shelved by 561:The follow-up single, " 940:Please help by adding 688:and Donald Johnson of 389:the Velvet Underground 365:the Velvet Underground 59:Please help by adding 1786:Scottish rock singers 1431:Lazell, Barry (1998) 1096:Paul Haig discography 935:references or sources 809:in London on 18 May. 801:, while lead single " 458:), while the second, 1742:The Only Fun in Town 1558:The Warp of Pure Fun 1435:, Cherry Red Books, 1433:Indie Hits 1980–1989 1117:The Warp of Pure Fun 797:was co-written with 772:The Warp of Pure Fun 715:The Warp of Pure Fun 701:The Warp of Pure Fun 552:UK Independent Chart 420:The Only Fun in Town 381:Firrhill High School 65:Contentious material 1684:Heaven Help You Now 1580:Coincidence vs Fate 1409:Guinness Publishing 1382:Paul Haig Biography 1162:Electronik Audience 1139:Coincidence vs Fate 1061:Electronik Audience 1038:Electronik Audience 900:Coincidence vs Fate 865:Coincidence vs Fate 743:Walking on Thin Ice 718:. Co-produced with 710:Heaven Help You Now 1691:Scottish Christmas 1607:Compilation albums 1407:(First ed.). 924:This section of a 546:", a cover of the 526:Haig relocated to 505:the Durutti Column 399:Josef K, 1979-1981 276:Operation Twilight 1758: 1757: 1285:978-1-916829-04-6 1018: 1017: 1010: 992: 464:Sebastian Horsley 441:Solo career, 1982 423:) signed to the 343:Haig was born in 315: 314: 148: 147: 140: 122: 48:needs additional 16:Scottish musician 1813: 1712:I Believe in You 1528: 1521: 1514: 1505: 1504: 1499:Biography at LTM 1495: 1481: 1467: 1462: 1461: 1459:Official website 1444: 1429: 1423: 1422: 1411:. p. 1055. 1395: 1389: 1378: 1367: 1366: 1364: 1362: 1348: 1342: 1341: 1339: 1337: 1323: 1314: 1313: 1311: 1309: 1299: 1290: 1289: 1271: 1260: 1245: 1214:Justin Robertson 1050:Cabaret Voltaire 1013: 1006: 1002: 999: 993: 991: 950: 942:reliable sources 919: 918: 911: 858:I Believe in You 841:I Believe in You 833:Kurtis Mantronik 776:Cabaret Voltaire 694:Cabaret Voltaire 646:UK Singles Chart 468:Public Image Ltd 311: 308: 256: 203:alternative rock 175: 172:4 September 1960 171: 169: 152: 151: 143: 136: 132: 129: 123: 121: 80: 61:reliable sources 38: 37: 30: 1821: 1820: 1816: 1815: 1814: 1812: 1811: 1810: 1761: 1760: 1759: 1754: 1724: 1629: 1602: 1537: 1532: 1487:discography at 1457: 1456: 1453: 1448: 1447: 1430: 1426: 1419: 1396: 1392: 1380:Kellman, Andy " 1379: 1370: 1360: 1358: 1350: 1349: 1345: 1335: 1333: 1325: 1324: 1317: 1307: 1305: 1301: 1300: 1293: 1286: 1272: 1263: 1246: 1239: 1234: 1195: 1098: 1092: 1055:In April 2008, 1014: 1003: 997: 994: 951: 949: 939: 920: 916: 909: 873: 839:. Lead single " 831:by dance gurus 799:Billy Mackenzie 787: 778:collaboration. 735:Billy Mackenzie 705: 690:A Certain Ratio 622: 588:Billy Mackenzie 517:Isabelle Antena 443: 407: 401: 341: 318: 305: 293: 254: 249: 232: 212: 173: 167: 165: 157: 144: 133: 127: 124: 81: 79: 58: 39: 35: 28: 17: 12: 11: 5: 1819: 1809: 1808: 1803: 1798: 1793: 1788: 1783: 1778: 1773: 1756: 1755: 1753: 1752: 1751: 1750: 1745: 1732: 1730: 1726: 1725: 1723: 1722: 1715: 1708: 1705:Something Good 1701: 1694: 1687: 1680: 1677:The Only Truth 1673: 1670:Big Blue World 1666: 1659: 1652: 1645: 1637: 1635: 1631: 1630: 1628: 1627: 1619: 1610: 1608: 1604: 1603: 1601: 1600: 1592: 1584: 1576: 1568: 1562: 1554: 1550:Rhythm of Life 1545: 1543: 1539: 1538: 1531: 1530: 1523: 1516: 1508: 1502: 1501: 1496: 1482: 1468: 1452: 1451:External links 1449: 1446: 1445: 1424: 1417: 1401:, ed. 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Edinburgh
Post-punk
alternative rock
synth-pop
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Edinburgh
Oxgangs

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