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Another factor that prompted his resignation was the death of his father; whose studio he took over. At first, he supported himself by making copies of his father's paintings, but soon began to create his own portraits. From 1852 to 1854, he made some additional study trips, to
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in Paris from 1855 to 1856. Although he never achieved his father's realistic clarity, he was accepted in society as a sort of replacement. Unlike his father, he also painted landscapes and
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in 1851. From 1872 to 1888, he participated in several Nordic Art exhibitions, also in
Copenhagen. He became a full member of the Swedish Academy in 1874.
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In addition to paintings, he also created lithographs, primarily with
Italian motifs. Later, in 1868, he donated the originals to the newly expanded
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in 1843. His active service was relatively short, however, as he resigned in 1848. His education in art began with his father, then continued at the
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190:(a type of member candidate), the year of his resignation. Prior to that, he took several study trips to France and Italy.
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He participated in numerous exhibitions of the
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and aspiring artist. He initially followed in his father's footsteps and became an
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Among his most familiar sitters, outside Sweden, were the artists,
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151:) was a Swedish military officer, painter and
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350:, Vol. V, pg. 378, Allhems Förlag, Malmö
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245:Karl Samuel Flodman
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