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in which, according to tradition, the jury was persuaded by the sight of her naked breasts to spare her. Phryne was a popular subject for eighteenth- and nineteenth-century French artists, who emphasised her status as a courtesan and usually depicted her nude. From the mid-eighteenth century,
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removed her robe and exposed her naked bosom, "to excite the pity of her judges by the sight of her beauty."
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80.5 cm × 128 cm (31.7 in × 50 in)
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The Life and Work of Jean-Léon Gérôme: with a
Catalogue Raisonné
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192:, covered in scandals, and Hypereides by the newspaper editor
324:. London; New York: Sotheby's Publications. p. 25.
165:, in whose studio Gérôme had previously worked, and
349:. Oxford: Oxford University Press. pp. 1–10.
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180:made a famous caricature drawing in 1884 titled
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347:Phryne of Thespiae: Courtesan, Muse, and Myth
395:"The High Tariff Phryne Before the Tribunal"
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253:The High Tariff Phryne Before the Tribunal
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148:(courtesan), best known for her trial for
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203:Another caricature followed in 1908,
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371:"Phryne before the Chicago tribunal"
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286:"Athenaeus: The Deipnosophists"
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819:Cultural depictions of Phryne
799:Paintings by Jean-Léon Gérôme
501:The Duel After the Masquerade
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714:Truth Coming Out of Her Well
666:Slave Market in Ancient Rome
579:The Execution of Marshal Ney
320:Ackerman, Gerald M. (1986).
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674:Bonaparte Before the Sphinx
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131:in Germany.
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173:Caricatures
783:Categories
734:Sculptures
400:2019-12-23
376:2016-10-09
271:References
118:Hypereides
64:Dimensions
690:Bathsheba
571:Jerusalem
470:Paintings
794:Nude art
509:Diogenes
301:cite web
72:Location
761:Related
750:Tanagra
742:Omphale
291:4 March
150:impiety
145:hetaira
135:Context
114:impiety
110:hetaira
80:Hamburg
753:(1890)
745:(1887)
717:(1896)
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140:Phryne
106:Phryne
94:French
54:Medium
36:Artist
618:]
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493:]
125:Salon
351:ISBN
326:ISBN
307:link
293:2017
262:Puck
249:1908
233:Puck
220:1884
49:1861
46:Year
255:by
226:by
785::
616:fr
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303:}}
299:{{
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92:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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