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The soloist begins the third Molto allegro with low rumbles suggesting the sounds of ships' propellers before exhibiting a vigorous and bustling first theme that rushes all over the piano. The piano continues in its dizzying motion as the woodwinds and strings bring in a driving new melody. The two
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The
Allegro animato alternates several times between two contrasting themes. It begins warmly, introducing a simple subject on the piano, which is imbued at each new variation with increasing energy by a brilliant and technically challenging piano part featuring runs up and down the keyboard. This
239:' boat. Lush and exotic, this is the primary manifestation of the Egyptian sounds of the piece and probably the source of the nickname. Toward the end of the section, the piano and orchestra produce impressionistic sounds representing frogs and the chirping of Nile crickets.
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form, begins literally with a bang; the timpani punctuate an orchestral chord followed by an intensely rhythmic string part and an ascending and descending exotic run on the piano. This exciting introduction segues into the thematic exposition based on a
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combine and overlap, creating an active tension that Saint-Saëns uses to great dramatic effect, concluding the movement with a triumphant flourish. He later adapted these themes in 1899 for the
Toccata that closes the Opus 111 series of piano
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and the
Orchestre National de la Radiodiffusion Française, conducted by Louis Fouretier. Recorded 1957. Reported on a 2-CD set with all 5 Saint-Saëns piano concertos (Emi classics 1996)
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dissolves into a much slower, more melancholic subject, recalling that of the
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This concerto is nicknamed "The
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and Kazuko
Yasukawa are not currently available. Selected recordings presently available include:
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Saint-Saëns himself was the soloist at the première, which was a popular and critical success.
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as well as Middle-eastern music. Saint-Saëns said that the piece represented a sea voyage.
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Sviatoslaw
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EMI 585183, on a 2-CD set with all 5 Saint-Saëns piano concertos. Recorded 1971
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love song that Saint-Saëns heard boatmen sing as he sailed on the
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and the
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The main melody of Saint-Saëns' fifth piano concerto.
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Camille Saint-Saëns Piano
Concerto No. 5, "Egyptian"
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471:(with Piano concerto n°2, conducted by
58:"Piano Concerto No. 5" Saint-Saëns
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687:La princesse jaune
679:Le timbre d'argent
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519:, Choc de Classica
515:. CD Erato 2019 -
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1185:Le Déluge
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838:Concertos
810:Urbs Roma
776:L'ancêtre
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185:Structure
159:in 1846.
1274:Category
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1101:Le cygne
1071:♭
1056:, Op. 37
1044:♭
784:Déjanire
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360:and the
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299:bassoons
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1220:Javotte
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143:, was
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1047:major
898:Other
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499:, n°5
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485:n°1
135:Op.
45:by
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66:·
39:.
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