319:
134:
Though
Attaingnant is often credited with being the first to develop this technique, one scholar has suggested that John Rastell, an English printer in London, was the first to use single-impression printing in 1520. Attaingnant's biographer Daniel Heartz, in contrast, analyzed the printer's
127:. The main disadvantage of this method was the alignment of the staff lines, which often had a “bumpy” look—-some being slightly higher or slightly disjointed from others. Nevertheless, this method became standard music printing across
337:
157:
Among the most important documents for keyboard music in general and for French
Renaissance keyboard music in particular are the seven volumes published by Attaingnant in Paris in the spring of 1531:
56:
Attaingnant learned the printing trade by printing first "livres d'heure" with the printer
Philippe Pigouchet who sold them to Simon Vostre book shop located in St John the evangelist street near the
180:
Quatorze
Gaillardes neuf Pavennes, sept Branles et deux Basses Dances le tout reduict de musique en la tabulature du jeu d'Orgues Espinettes Manicordions et telz semblables instrumentz musicaulx...
335:
192:
Magnificat sur les huit tons avec Te Deum laudamus et deux
Preludes, le tout mys en tabulature des Orgues Espinettes et Manicordions, et telz semblables instrumentz... Kal. Martii 1530
107:
Attaingnant's major contribution to music printing consists in his popularizing the single-impression method for music printing, which he first employed in his 1528 publication
48:, active in Paris. He was one of the first to print music by single-impression printing, greatly reducing the labor involved, and he published music by more than 150 composers.
336:
186:
Tabulature pour le jeu d’Orgues, Espinettes et
Manicordions sur le plain chant de Cunctipotens et Kyrie Fons. Avec leurs Et in terra, Patrem, Sanctus et Agnus Dei...
198:
Treze Motetz musicaulx avec ung
Prelude, le tout reduict en la Tabulature des Orgues Espinettes et Manicordions et telz semblables instrumentz... Kal. Aprilis 1531
209:
Of
Attaignant's publications, 111 are known to have survived to the present day, and they form an important source of information about sixteenth-century music.
174:
Vingt et six chansons musicales reduictes en la tabulature des Orgues
Espinettes Manichordions, et telz semblables instrumentz musicaulx... Non. Frebruaii 1530
494:
162:
Dixneuf chansons musicales reduictes en la tabulature des Orgues
Espinettes Manichordions, et telz semblables instrumentz musicaulx... Idibus Januraii 1530
168:
Vingt et cinq chansons musicales reduictes en la tabulature des Orgues Espinettes Manichordions, et telz semblables instrumentz musicaulx... Kal. 1530
540:
279:
535:
478:
60:
in the Parisian student district. Later Pigouchet became Attaingnant's father-in-law when Attaingnant married his daughter.
135:
inventory records and other documents and concluded that Attaingnant's claims of inventing the technique were likely true.
530:
17:
328:
427:
Pogue, Samuel F. "Pierre Attaingnant, Royal Printer of Music." Notes, vol. 27, no. 2, 1970, pp. 258–60. JSTOR,
474:
212:
One of the pieces published by Attaingnant has been used three times in 20th- and 21st-century popular music:
45:
488:
484:
393:
248:
500:
525:
520:
462:
Pierre Attaingnant, Royal Printer of Music: A Historical Study and Bibliographical Catalogue
230:
388:
8:
297:
222:
123:, and so the notes, staff lines, and text could all be printed with one send through the
96:
57:
80:
235:
68:
312:. An alternative version for a solo lute also exists in Attaingnant's printed works.
217:
268:
243:
138:
Apart from his 36 collections of chansons, he also published books with pieces in
88:
84:
504:
272:
124:
514:
457:
440:
120:
76:
301:
293:
284:
147:
116:
91:
for his music books, which were renewed many times. In 1537, he was named
414:
King, A. 1971. The Significance of John Rastell in Early Music Printing.
355:
261:
143:
64:
256:
Another melody published by Attaingnant is used in several songs:
428:
112:
72:
128:
151:
139:
278:"O Sonar das Augas" by Spanish Neoclassical darkwave band
216:"Donna ti voglio cantare" by Italian singer-songwriter
67:
by many different composers, including Paris composers
308:
The original can be heard below, in the first sample,
95:(printer and bookseller of the King for music) for
464:. Berkeley: University of California Press, 1969.
512:
109:Chansons nouvelles en musique Ă quatre parties
260:"Eternal Wait" by Finnish Folk metal band
479:International Music Score Library Project
292:"Tourdion" by German medieval folk bands
229:"Play Minstrel Play" by Renaissance band
119:were printed directly onto segments of
93:imprimeur et libraire du Roy en musique
14:
513:
383:
381:
379:
377:
375:
373:
24:
541:16th-century French businesspeople
451:
317:
242:"The March Of The Swordmaster" by
115:. In this system, the individual
44:– late 1551 or 1552) was a French
25:
552:
485:Free scores by Pierre Attaingnant
475:Free scores by Pierre Attaingnant
468:
370:
131:in the 16th and 17th centuries.
536:French music publishers (people)
354:Problems playing this file? See
333:
63:Attaingnant published over 1500
447:. New York: W. W. Norton, 1990.
246:, included in their 2002 album
83:with five books of chansons by
429:https://doi.org/10.2307/896915
421:
408:
13:
1:
445:Music Printing and Publishing
363:
220:, recorded in his 1979 album
38:
495:Free scores (Kantoreiarchiv)
489:Choral Public Domain Library
310:Quand je bois du vin clairet
7:
10:
557:
531:Renaissance music printers
345:Suite de Danses du Recueil
204:
501:free recordings of songs
394:Encyclopaedia Britannica
249:Power of the Dragonflame
102:
431:. Accessed 4 Aug. 2023.
182:(February 1531 ?).
87:. Attaingnant acquired
79:, and most prominently
51:
322:
267:"Ethelion" by British
233:, in their 1997 album
321:
389:"Pierre Attaingnant"
27:French music printer
505:Umeå Akademiska Kör
223:Cogli la prima mela
97:Francis I of France
58:Sorbonne University
439:D. W. Krummel and
323:
236:Shadow of the Moon
69:Claudin de Sermisy
31:Pierre Attaingnant
338:
231:Blackmore's Night
218:Angelo Branduardi
18:Pierre Attaignant
16:(Redirected from
548:
432:
425:
419:
412:
406:
405:
403:
401:
385:
340:
339:
320:
288:
269:Progressive Rock
89:royal privileges
81:Clément Janequin
43:
40:
21:
556:
555:
551:
550:
549:
547:
546:
545:
511:
510:
471:
454:
452:Further reading
436:
435:
426:
422:
413:
409:
399:
397:
387:
386:
371:
366:
361:
360:
352:
350:
349:
348:
347:
341:
334:
331:
324:
318:
282:
207:
105:
85:Josquin Desprez
54:
46:music publisher
41:
28:
23:
22:
15:
12:
11:
5:
554:
544:
543:
538:
533:
528:
523:
509:
508:
497:
492:
482:
470:
469:External links
467:
466:
465:
458:Heartz, Daniel
453:
450:
449:
448:
434:
433:
420:
407:
368:
367:
365:
362:
351:
342:
332:
327:
326:
325:
316:
315:
314:
306:
305:
290:
276:
265:
254:
253:
240:
227:
206:
203:
202:
201:
195:
189:
183:
177:
171:
165:
125:printing press
104:
101:
73:Pierre Sandrin
53:
50:
26:
9:
6:
4:
3:
2:
553:
542:
539:
537:
534:
532:
529:
527:
524:
522:
519:
518:
516:
506:
502:
498:
496:
493:
490:
486:
483:
480:
476:
473:
472:
463:
459:
456:
455:
446:
442:
441:Stanley Sadie
438:
437:
430:
424:
417:
411:
396:
395:
390:
384:
382:
380:
378:
376:
374:
369:
359:
357:
346:
330:
313:
311:
303:
299:
295:
291:
286:
281:
277:
274:
270:
266:
263:
259:
258:
257:
251:
250:
245:
241:
238:
237:
232:
228:
225:
224:
219:
215:
214:
213:
210:
199:
196:
193:
190:
188:(March 1531).
187:
184:
181:
178:
175:
172:
169:
166:
163:
160:
159:
158:
155:
153:
149:
146:, as well as
145:
141:
136:
132:
130:
126:
122:
118:
114:
110:
100:
98:
94:
90:
86:
82:
78:
77:Pierre Certon
74:
70:
66:
61:
59:
49:
47:
36:
32:
19:
526:1550s deaths
521:1490s births
491:(ChoralWiki)
461:
444:
423:
415:
410:
398:. Retrieved
392:
353:
344:
309:
307:
298:Corvus Corax
294:Die Streuner
255:
247:
234:
221:
211:
208:
197:
191:
185:
179:
173:
167:
161:
156:
142:or keyboard
137:
133:
111:, a book of
108:
106:
92:
62:
55:
34:
30:
29:
416:The Library
329:Basse Danse
283: [
42: 1494
515:Categories
499:Listen to
364:References
356:media help
35:Attaignant
302:dArtagnan
280:Narsilion
262:Ensiferum
144:tablature
400:4 August
244:Rhapsody
113:chansons
65:chansons
487:in the
481:(IMSLP)
477:at the
273:Gryphon
418:26(3).
205:Legacy
176:(sic).
170:(sic).
164:(sic).
152:motets
148:Masses
129:Europe
503:from
343:from
287:]
271:band
121:staff
117:notes
103:Works
402:2023
300:and
150:and
140:lute
75:and
52:Life
33:or
517::
460:.
443:,
391:.
372:^
296:,
285:es
154:.
99:.
71:,
39:c.
507:.
404:.
358:.
304:.
289:;
275:;
264:;
252:.
239:;
226:;
200:.
194:.
37:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.