625:
821:
1407:
407:
3061:
1597:
1444:
1466:
1582:
1570:
1429:
279:
1537:
1553:
1521:
1505:
1490:
853:
840:
699:
2663:
38:
695:(Fear God: Revelation 14:7). That an open disbeliever should inscribe himself with Timete Deum seems odd. The portrait in question shows a plump face, with small dark eyes, a short but well-cut nose, and sensuous lips; the neck is thick, the hair bushy and frizzled, and the general air imposing. The later portrait in the Cambio of Perugia shows the same face with traces of added years. Perugino died with considerable property, leaving three sons.
1869:
3073:
1923:
778:, a square of 6.5 m containing about thirty life-sized figures; this was executed, with scarcely credible celerity, from March 1 to 25 (or thereabouts) in 1505, and must no doubt be in great part the work of Vannucci's pupils. In 1507, when the master's work had for years been in a course of decline and his performances were generally weak, he produced, nevertheless, one of his best paintings, the
304:. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by
476:
accompanied
Perugino to Rome, and was made his partner, receiving a third of the profits. He may have done some of the Zipporah subject. The Sistine frescoes were the major high Renaissance commission in Rome. The altar wall was also painted with the
789:, now in the Palazzo Penna. In the church of S. Onofrio in Florence is a much lauded and much debated fresco of the Last Supper, a careful and blandly correct but uninspired work; it has been ascribed to Perugino by some connoisseurs, by others to
506:
Between 1486 and 1499, Perugino worked mostly in
Florence, making one journey to Rome and several to Perugia, where he may have maintained a second studio. He had an established studio in Florence, and received a great number of commissions. His
658:
to
Perugia from 1512. Among his latest works, many of which decline into repetitious studio routine, one of the best is the extensive altarpiece (painted between 1512 and 1517) of the church of San Agostino in Perugia, also now dispersed.
394:
2212:
621:. The work was a failure, being accused of lack of innovation. Perugino lost his students; and toward 1506 he once more and finally, abandoned Florence, going to Perugia, and thence in a year or two to Rome.
546:. The humanist Francesco Maturanzio acted as his consultant. This extensive scheme, which may have been finished by 1500, comprised the painting of the vault, showing the seven planets and the signs of the
1270:
1092:
844:
670:(1521, signed and dated), the monastery of Sant'Agnese in Perugia, and in 1522 for the church of Castello di Fortignano. Both series have disappeared from their places, the second being now in the
2140:
323:. The date of the first Florentine sojourn is unknown; some make it as early as 1466-1470, others push the date to 1479. According to Vasari, he was apprenticed to the workshop of
2260:
624:
685:
Vasari is the main source stating that
Perugino had very little religion and openly doubted the soul's immortality. Perugino in 1494 painted his own portrait, now in the
550:(Perugino being responsible for the designs and his pupils most probably for the execution), and the representation on the walls of two sacred subjects: the Nativity and
2156:
1639:
2466:
585:): Vannucci brought an action for defamation of character, unsuccessfully. Put on his mettle by this mortifying transaction, he produced the masterpiece of the
2386:
1884:
3143:
2442:
1406:
2112:
1443:
831:
Perugia dedicated an important monument to
Perugino built in 1923 by the sculptor Enrico Quattrini and today visible in the Carducci Gardens.
1465:
691:
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2204:
2482:
2196:
367:
1889:
2959:
542:
2758:
2637:
2032:
2016:
1960:
570:, who in boyhood, toward 1496, had been placed by his uncles under the tuition of Perugino, bore a hand in the work of the vaulting.
3138:
2588:
2402:
2362:
2502:
2096:
985:
425:
3153:
3148:
2553:
1167:
3133:
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2474:
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929:
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figured in the program. On the mid-pilaster of the hall
Perugino placed his own portrait in bust-form. It is probable that
528:. The same year, Perugino made Florence his permanent home once again, though he continued to accept some work elsewhere.
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468:
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2526:
2394:
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1984:
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1252:
1220:
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371:
222:
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876:
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1520:
1504:
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2709:
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2040:
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144:
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2124:
2024:
2008:
1734:. Vol. 2. Translated by Foster, Mrs. Jonathan. London: C. Scribner's sonsGeorge Bell and Sons. p. 316
2851:
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2064:
1953:
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1428:
1259:
682:. Like other plague victims, he was hastily buried in an unconsecrated field, the precise spot now unknown.
2813:
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2581:
2426:
2346:
2276:
2228:
2080:
1559:
1231:
962:
900:
774:
462:
2832:
2534:
2299:
2292:
1552:
1354:
1350:
1306:
1299:
1132:
969:
259:
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2954:
1815:
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671:
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1900:
517:
is an uncharacteristically stark work that avoids
Perugino's sometimes too easy sentimental piety.
3123:
2695:
1946:
1880:
1393:
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482:
351:
form. In 1472, he must have completed his apprenticeship since he was enrolled as a master in the
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1927:
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801:
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352:
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796:
Among his pupils were
Raphael, upon whose early work Perugino's influence is most noticeable,
524:, Perugino was to return to Florence in September 1493 to marry Chiara, daughter of architect
2000:
1906:
1379:
733:). The attribution to him of the painting of the marriage of Joseph and the Virgin Mary (the
650:, who had been trained by Perugino; and Vannucci, after painting the ceiling with figures of
610:
344:
324:
117:
562:
as the emblem of wisdom, and numerous life-sized figures of classic worthies, prophets, and
262:
of the
Umbrian school, developed some of the qualities that found classic expression in the
3118:
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2410:
2306:
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1634:
1320:
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332:
315:
Pietro most likely began studying painting in local workshops in
Perugia such as those of
289:
282:
63:
8:
3065:
3019:
2702:
2458:
2354:
1181:
1081:
805:
746:
741:, which indisputably served as the original, to a great extent, of the still more famous
320:
316:
155:
2132:
509:
423:
Perugino returned from Florence to Perugia, where his Florentine training showed in the
374:; he produced many cartoons for them also, which they executed with brilliant effect in
3077:
2518:
1933:
809:
639:
629:
478:
1693:
540:(money-changers or bankers) of Perugia asked him to decorate their audience-hall, the
389:
3004:
2220:
2072:
1792:
1765:
1613:
1386:
1040:
785:
729:
328:
1992:
2937:
2876:
2418:
1725:
1110:
977:
593:, now disassembled and scattered among museums: the only portion in the Certosa is
590:
555:
336:
263:
239:
175:
169:
19:"Perugino" redirects here. For the Italian wine grape also known as Perugino, see
3030:
3025:
3009:
2330:
2252:
1899:
1848:
1729:
1698:
1338:
The Nativity: the Virgin, St. Joseph, and the Shepherds adoring the Infant Christ
1207:
1154:
1065:
618:
490:
457:
355:. Pietro, although very talented, was not extremely enthusiastic about his work.
340:
2510:
3051:
2623:
2598:
1721:
1114:
999:
921:
769:); the other portions of the same altarpiece are dispersed in other galleries.
686:
635:
559:
499:
441:
437:
416:
309:
305:
296:, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from
603:
the Virgin adoring the infant Christ, St. Michael, and St. Raphael with Tobias
278:
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359:
67:
1850:
Catalogo dei quadri che si conservano nella Pinacoteca Vannucci in Perugia
1288:
1093:
Madonna with Child Enthroned between Saints John the Baptist and Sebastian
845:
Madonna with Child Enthroned between Saints John the Baptist and Sebastian
2213:
Madonna and Child with St John the Baptist and St Catherine of Alexandria
793:; it may more probably be by some different pupil of the Umbrian master.
384:
2662:
852:
839:
698:
1731:
Lives of Seventy of the Most Eminent Painters, Sculptors and Architects
675:
667:
92:
2141:
Madonna and Child Enthroned with Saints John the Baptist and Sebastian
37:
1003:
754:
750:
20:
3072:
1833:. New York: Reynal and Co., William Morrow and Company. p. 14.
1201:
890:
723:). Toward 1496 he frescoed a crucifixion, commissioned in 1493 for
452:
127:
107:
1938:
1874:
This article incorporates text from a publication now in the
3045:
2495:
1224:
934:
825:
790:
647:
567:
379:
297:
267:
1728:; Blashfield, Evangeline Wilbour; Hopkins, Albert Allis (eds.).
2672:
1922:
1358:
1310:
1292:
1069:
1024:
663:
654:
in different glories, in five medallion-subjects, retired from
628:
God the Father and angels by Pietro Perugino on the ceiling of
547:
521:
514:
363:
301:
293:
131:
72:
196:
184:
2607:
1314:
1159:-Oil on panel, 262x215 cm, church of Santa Maria Nuova,
1028:
954:-Oil on panel, 212x172 cm, church of Santa Maria Nuova,
772:
In the chapel of the Disciplinati of Città della Pieve is an
563:
486:
446:
211:
2157:
Madonna and Child with St John the Baptist and St Augustine
1263:
1185:
1160:
1148:
1085:
1044:
955:
766:
738:
666:
were painted in the church of the Madonna delle Lacrime in
655:
202:
187:
358:
Perugino was one of the earliest Italian practitioners of
193:
1353:
from S. Maria Assunta, at Fontignano, 254 x 594 cm,
1138:- Oil on panel, 52 x 44 cm, National Gallery, London
1127:- Oil on panel, 52 x 44 cm, Uffizi Gallery, Florence
1098:- Oil on panel, 178x164 cm, Uffizi Gallery, Florence
312:, it is believed that he was born between 1446 and 1452.
1640:
The American Heritage Dictionary of the English Language
581:
told Perugino to his face that he was a bungler in art (
2467:
Madonna and Child with St Herculanus and St Constantius
493:. These works were later destroyed to make a space for
1147:-Oil on panel, 193x165 cm, Pinacoteca Vaticana,
223:
199:
178:
1325:– Oil on panel, 334 x 225 cm (the main panel),
1305:— Tempera on canvas, 160 x 191 cm, painted for
429:
for the church of Santa Maria dei Servi of Perugia (
208:
181:
1450:
The Virgin and Child with Saints Jerome and Francis
1392:– Oil on Panel, 89 x 71 cm, Part of polyptych
749:, Milan), is now questioned, and it is assigned to
214:
190:
2261:Madonna and Child with the Infant John the Baptist
1910:. Vol. 11. New York: Robert Appleton Company.
1472:Virgin and Child between Saints Rosa and Catherine
1109:— Oil and tempera on panel, 53.8 × 39.5 cm,
638:had summoned Perugino to paint the Stanza of the
3090:
1893:. Vol. 21 (11th ed.). p. 279-280.
444:walls. The frescoes he executed there included
2113:Madonna and Child with St Rose and St Catherine
689:, and into it, he introduced a scroll entitled
16:Italian Renaissance painter (c. 1446 1452–1523)
2782:The Fall and Expulsion from the Garden of Eden
1934:Pietro Perugino at the National Gallery of Art
646:; but he soon preferred a younger competitor,
2596:
2582:
1954:
558:of Justice, Prudence, Temperance, Fortitude,
1853:, by Galleria Nazionale dell'Umbria, (1903).
1755:
1753:
1751:
1749:
753:. A vastly finer work of Perugino's was the
719:for the Florentine convent of Santa Chiara (
436:). In about 1480, he was called to Rome by
2483:Madonna and Child with St Peter and St Paul
1633:
2960:Restoration of the Sistine Chapel frescoes
2589:
2575:
1961:
1947:
1897:
1844:
1842:
1840:
1828:
1809:
543:Sala delle Udienze del Collegio del Cambio
36:
3144:16th-century deaths from plague (disease)
2759:The Creation of the Sun, Moon, and Plants
2033:St Sebastian between St Roch and St Peter
1759:
1746:
609:. This was succeeded in 1504–1507 by the
395:Virgin and Child Enthroned between Saints
362:. Some of his early works were extensive
1879:
1760:Garibaldi, Vittoria (2004). "Perugino".
1724:(1897) . "Pietro Perugino, Painter". In
851:
838:
819:
697:
623:
405:
378:. A good specimen of his early style in
277:
1837:
554:; in addition, the Eternal Father, the
3091:
1720:
1080:- Tempera on panel, 174 x 88 cm,
2752:The Separation of Light from Darkness
2570:
2443:Baptism of Christ (Città della Pieve)
1942:
1378:- Oil on panel, 332.5 x 266 cm,
930:Cathedral of Saint Romulus of Fiesole
761:painted ca 1496–98 for the church of
238:
2379:The Battle Between Love and Chastity
1283:— Oil on canvas, 181 × 115 cm,
577:of Perugia in 1501. On one occasion
2645:The Punishment of the Sons of Korah
2315:San Francesco al Prato Resurrection
2149:The Virgin appearing to St. Bernard
1968:
1401:Religious works, details, portraits
1168:San Francesco al Prato Resurrection
1052:The Virgin appearing to St. Bernard
13:
1901:"Perugino (Pietro Vannucci)"
1104:St Sebastian (Perugino, Hermitage)
1064:— Oil on wood, 173 × 170 cm,
998:— Oil on panel, 174 × 88 cm,
617:in Florence, in which he replaced
14:
3170:
2527:Madonna of Graces with Two Saints
2205:Madonna and Child with Two Saints
2165:Portrait of Francesco delle Opere
1915:
1898:Herbermann, Charles, ed. (1911).
1616:(1475–1529) – a pupil of Perugino
1575:Portrait of Francesco delle Opere
1122:Portrait of Francesco delle Opere
1039:— Oil on wood, 110 × 62 cm,
3071:
3059:
2765:The Separation of Land and Water
2661:
2197:Lamentation over the Dead Christ
1921:
1867:
1595:
1580:
1568:
1551:
1535:
1519:
1503:
1488:
1464:
1442:
1427:
1405:
1244:-Oil on panel, 330x265 cm,
1219:-Oil on panel, 180x158 cm,
1196:-Oil on panel, 415x246 cm,
1180:-Oil on panel, 233x165 cm,
920:-Oil on panel, 168x176 cm,
605:are among the treasures of the
174:
2017:Adoration of the Magi (Perugia)
1271:St. Sebastian Bound to a Column
1246:Pinacoteca Nazionale di Bologna
715:In 1495, he signed and dated a
601:has disappeared; three panels,
531:
440:to paint fresco panels for the
2025:God the Father with Two Saints
1822:
1803:
1778:
1714:
1699:Merriam-Webster.com Dictionary
1686:
1655:
1627:
1221:Galleria Nazionale dell'Umbria
895:— painted for San Domenico at
834:
630:Stanza dell'Incendio del Borgo
370:fathers, destroyed during the
347:is thought to have taught him
273:
270:became his most famous pupil.
1:
3154:16th-century Italian painters
3149:15th-century Italian painters
3139:People from Città della Pieve
2503:Adoration of the Magi (Trevi)
2403:The Martyrdom of St Sebastian
2097:St Sebastian (Nationalmuseum)
1643:(5th ed.). HarperCollins
1620:
1475:
1453:
1416:
1370:
1341:
1275:
1236:
1211:
1172:
1056:
1015:
990:
946:
912:
875:— Fresco, 335 × 600 cm,
860:
824:Monument to Pietro Vannucci,
706:
573:Perugino was made one of the
430:
252:
240:[ˈpjɛːtroperuˈdʒiːno]
55:
3134:Sistine Chapel wall frescoes
3099:Italian Renaissance painters
2696:The Vocation of the Apostles
2652:Testament and Death of Moses
2638:The Descent from Mount Sinai
2347:Madonna in Glory with Saints
2081:Portrait of Lorenzo di Credi
1831:The Complete Work of Raphael
1814:. New York: Reynal and Co.,
1812:The Complete Work of Raphael
1791:(3810): 584. 11 March 1900.
1602:Portrait of Lorenzo di Credi
1355:Victoria & Albert Museum
1232:Madonna in Glory with Saints
1023:— Panel, 176 × 116 cm,
963:Portrait of Lorenzo di Credi
901:National Gallery, Washington
815:
745:painted by Raphael in 1504 (
595:God the Father with cherubim
288:Pietro Vannucci was born in
7:
2631:The Crossing of the Red Sea
2300:Collegio del Cambio frescos
2293:Certosa di Pavia Altarpiece
1607:
1300:Combat of Love and Chastity
1133:Certosa di Pavia Altarpiece
260:Italian Renaissance painter
10:
3175:
2955:Art patronage of Julius II
2475:Transfiguration Altarpiece
2269:Madonna della Consolazione
1860:
1829:Becherucci, Luisa (1969).
1816:William Morrow and Company
1810:Becherucci, Luisa (1969).
1668:Collins English Dictionary
1258:— Oil on wood, 234 × 185,
1076:Albani Torlonia Altarpiece
672:Victoria and Albert Museum
613:for the high altar of the
536:In 1499, the guild of the
388:(circular picture) in the
18:
2991:
2981:The Agony and the Ecstasy
2947:
2929:
2911:
2861:
2805:
2741:
2726:
2689:The Temptations of Christ
2670:
2659:
2605:
2545:
2105:Albani Torlonia Polyptych
1976:
1881:Rossetti, William Michael
1726:Blashfield, Edwin Howland
1369:(Sansepolcro Altarpiece;
725:Maria Maddalena de' Pazzi
151:
137:
123:
113:
103:
81:
47:
35:
28:
2710:The Delivery of the Keys
2535:Sant'Agostino Altarpiece
2435:St Sebastian (São Paulo)
2181:St Sebastian (Hermitage)
1762:Pittori del Rinascimento
1544:The Delivery of the Keys
1413:Assumption of the Virgin
1394:Birmingham Museum of Art
1307:Isabella d'Este studiolo
871:The Delivery of the Keys
678:in 1523 when he died of
615:Basilica dell'Annunziata
607:National Gallery, London
412:The Delivery of the Keys
353:Confraternity of St Luke
145:The Delivery of the Keys
42:Self-portrait, 1497–1500
3066:Vatican City portal
2797:The Drunkenness of Noah
2703:The Sermon on the Mount
2617:Moses Leaving for Egypt
2057:Moses Leaving for Egypt
1890:Encyclopædia Britannica
1327:Gallerie dell'Accademia
1285:São Paulo Museum of Art
1198:Galleria dell'Accademia
974:National Gallery of Art
737:) now in the museum of
401:
366:for the convent of the
3078:Catholicism portal
3036:Bartolomeo della Gatta
2451:Sansepolcro Altarpiece
2395:Marriage of the Virgin
2371:Monteripido Altarpiece
2339:Vallombrosa Altarpiece
1985:Nativity of the Virgin
1253:Marriage of the Virgin
1192:Vallombrosa Altarpiece
866:
849:
828:
802:Eusebio da San Giorgio
712:
632:
420:
285:
3109:Italian male painters
3104:Quattrocento painters
2787:The Sacrifice of Noah
2682:The Baptism of Christ
2494:(c. 1505–1521) (with
2387:Adoration of the Magi
2237:St Sebastian (Louvre)
2116:(c. 1490–1492) (with
1907:Catholic Encyclopedia
1380:Sansepolcro Cathedral
1351:transferred to canvas
970:transferred to canvas
855:
842:
823:
775:Adoration of the Magi
765:, (Municipal Museum,
701:
627:
611:Annunziata Altarpiece
456:(often attributed to
426:Adoration of the Magi
409:
345:Piero della Francesca
325:Andrea del Verrocchio
281:
118:Andrea del Verrocchio
3015:Domenico Ghirlandaio
2965:Sistine Chapel Choir
2771:The Creation of Adam
2411:Annunziata Polyptych
2307:San Pietro Polyptych
2245:Decemviri Altarpiece
2089:Annunciation of Fano
2041:Delivery of the Keys
1930:at Wikimedia Commons
1435:Decemviri Altarpiece
1321:Annunziata Polyptych
1260:Musée des Beaux-Arts
1143:Decemviri Altarpiece
942:Annunciation of Fano
763:S. Pietro of Perugia
469:Delivery of the Keys
333:Domenico Ghirlandaio
300:, the chief city of
2777:The Creation of Eve
2459:Corciano Altarpiece
2355:Gonfalon of Justice
2285:Ascension of Christ
2125:Agony in the Garden
2009:Miracle of the Snow
1785:"Pietro Perugino".
1764:. Florence: Scala.
1528:Prophets and Sibyls
1512:Prophets and Sibyls
1366:Ascension of Christ
1182:Pinacoteca Vaticana
1082:Torlonia Collection
806:Mariano di Eusterio
759:Ascension of Christ
513:(1483–1493) in the
415:fresco, 1481–1482,
321:Fiorenzo di Lorenzo
317:Bartolomeo Caporali
156:Italian Renaissance
97:(now Umbria, Italy)
2624:The Youth of Moses
2519:Fontignano Madonna
2065:Apollo and Daphnis
1589:Madonna with Child
867:
857:Apollo and Marsyas
850:
829:
810:Giovanni di Pietro
713:
674:. He was still at
640:Incendio del Borgo
633:
587:Madonna and Saints
421:
286:
3159:Catholic painters
3086:
3085:
3005:Sandro Botticelli
2920:The Last Judgment
2907:
2906:
2564:
2563:
2554:Madonna and Child
2427:Madonna of Loreto
2363:Madonna and Child
2277:Madonna del Sacco
2229:Portrait of a Boy
2221:Pazzi Crucifixion
2073:Galitzin Triptych
2049:Baptism of Christ
1926:Media related to
1702:. Merriam-Webster
1614:Berto di Giovanni
1560:Portrait of a boy
1396:
1387:Saint Bartholomew
1382:
1361:
1334:
1317:
1295:
1266:
1248:
1227:
1204:
1188:
1163:
1151:
1139:
1128:
1117:
1099:
1088:
1072:
1047:
1041:Galleria Borghese
1031:
1006:
981:
958:
925:
903:
893:triptych, 1480s)
883:
730:Pazzi Crucifixion
463:Baptism of Christ
372:Siege of Florence
329:Leonardo da Vinci
290:Città della Pieve
283:Città della Pieve
231:-noh, -oo-
161:
160:
89:(aged 76–77)
64:Città della Pieve
3166:
3129:Umbrian painters
3076:
3075:
3064:
3063:
3062:
3020:Biagio d'Antonio
2938:Raphael Cartoons
2877:Erythraean Sibyl
2739:
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2419:Chigi Altarpiece
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1176: 1499–1501
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914:
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727:, Florence (the
711:
708:
662:Perugino's last
591:Certosa of Pavia
556:cardinal virtues
435:
432:
337:Lorenzo di Credi
264:High Renaissance
257:
256: 1446/1452
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3124:Fresco painters
3089:
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3031:Luca Signorelli
3026:Piero di Cosimo
3022:
3010:Cosimo Rosselli
3000:Pietro Perugino
2987:
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2722:
2717:The Last Supper
2666:
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2546:Works by studio
2541:
2331:Tezi Altarpiece
2253:Fano Altarpiece
1972:
1970:Pietro Perugino
1967:
1928:Pietro Perugino
1918:
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1373:
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1208:Tezi Altarpiece
1175:
1155:Fano Altarpiece
1066:Alte Pinakothek
1059:
1018:
993:
949:
915:
863:
837:
818:
780:Virgin between
709:
619:Filippino Lippi
583:goffo nell arte
552:Transfiguration
534:
458:Luca Signorelli
433:
404:
390:Musée du Louvre
341:Filippino Lippi
276:
255:
245:Pietro Vannucci
235:
228:
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207:
177:
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164:Pietro Perugino
138:
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95:, Papal States
90:
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52:Pietro Vannucci
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30:Pietro Perugino
24:
17:
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2599:Sistine Chapel
2594:
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2559:
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2557:(c. 1500–1510)
2549:
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2523:
2515:
2514:(c. 1521–1522)
2507:
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2499:
2487:
2486:(c. 1515–1520)
2479:
2471:
2463:
2455:
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2431:
2423:
2422:(c. 1506–1507)
2415:
2407:
2399:
2398:(c. 1500–1504)
2391:
2383:
2375:
2367:
2359:
2351:
2350:(c. 1500–1501)
2343:
2335:
2327:
2323:Mary Magdalene
2319:
2311:
2310:(c. 1496–1500)
2303:
2297:
2296:(c. 1496–1500)
2289:
2288:(c. 1496–1500)
2281:
2280:(c. 1495–1500)
2273:
2272:(c. 1496–1498)
2265:
2257:
2249:
2241:
2233:
2225:
2217:
2209:
2201:
2193:
2192:(c. 1493–1495)
2185:
2177:
2176:(c. 1483–1495)
2169:
2161:
2153:
2152:(c. 1490–1494)
2145:
2137:
2136:(c. 1483–1493)
2129:
2128:(c. 1483–1493)
2121:
2109:
2101:
2093:
2092:(c. 1488–1490)
2085:
2077:
2069:
2061:
2053:
2045:
2044:(c. 1481–1482)
2037:
2029:
2021:
2020:(c. 1470–1476)
2013:
2012:(c. 1472–1474)
2005:
2004:(c. 1472–1473)
1997:
1993:Pietà Gonfalon
1989:
1980:
1978:
1974:
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1916:External links
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968:-Oil on panel
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933:- altarpiece,
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922:Uffizi Gallery
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877:Sistine Chapel
836:
833:
817:
814:
751:Lo Spagna
687:Uffizi Gallery
652:God the Father
636:Pope Julius II
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500:Last Judgement
442:Sistine Chapel
417:Sistine Chapel
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343:, and others.
310:Giovanni Santi
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249:Pietro Vanucci
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1818:. p. 12.
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1788:The Athenaeum
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1035:St. Sebastian
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3119:1523 deaths
3114:1446 births
2984:(1965 film)
2742:Scenes from
2597:Art of the
2538:(1502–1523)
2414:(1504–1507)
2302:(1496–1500)
2248:(1495–1496)
2189:Last Supper
2184:(1493–1494)
2173:Crucifixion
2028:(1477–1478)
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1420: 1506
1374: 1510
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887:Crucifixion
864: 1490
835:Major works
710: 1490
692:Timete Deum
434: 1476
349:perspective
274:Early years
104:Nationality
59: 1446
3093:Categories
2930:Tapestries
2912:Altar wall
2001:Visitation
1694:"Perugino"
1663:"Perugino"
1635:"Perugino"
1621:References
1333:, Florence
1331:Annunziata
978:Washington
924:, Florence
743:Sposalizio
735:Sposalizio
717:Deposition
680:the plague
676:Fontignano
479:Assumption
327:alongside
93:Fontignano
2839:Zechariah
2792:The Flood
2454:(c. 1510)
2446:(c. 1510)
2438:(c. 1507)
2430:(c. 1507)
2366:(c. 1501)
2358:(c. 1501)
2342:(c. 1500)
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2076:(c. 1485)
2068:(c. 1483)
2060:(c. 1482)
2052:(c. 1482)
2036:(c. 1478)
1996:(c. 1472)
1988:(c. 1472)
1977:Paintings
1883:(1911). "
1797:1747-3594
1546:, fresco
1349:— Fresco
1289:São Paulo
1004:Stockholm
816:Monuments
755:polyptych
491:Bulrushes
438:Sixtus IV
368:Ingessati
114:Education
21:Trebbiano
2821:Jeremiah
2806:Prophets
2671:Life of
2606:Life of
1738:14 March
1608:See also
1587:Detail,
1542:Detail,
1530:, fresco
1526:Detail,
1514:, fresco
1510:Detail,
1495:Detail,
1202:Florence
891:Galitzin
664:frescoes
589:for the
483:Nativity
453:Zipporah
364:frescoes
236:Italian:
152:Movement
128:Painting
75:, Italy)
3046:Raphael
2948:Related
2827:Ezekiel
2744:Genesis
2733:Gallery
2728:Ceiling
2496:Raphael
1878::
1861:Sources
1706:23 June
1678:23 June
1647:23 June
1497:Madonna
1303:(1503)
1225:Perugia
1194:(1500)
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460:), the
419:, Rome
392:of the
382:is the
380:tempera
298:Perugia
268:Raphael
243:; born
108:Italian
2862:Sibyls
2852:Daniel
2845:Isaiah
2673:Christ
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575:priors
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548:zodiac
538:cambio
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515:Uffizi
485:, and
481:, the
466:, and
306:Vasari
302:Umbria
294:Umbria
132:fresco
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2814:Jonah
2608:Moses
2133:Pietà
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1766:ISBN
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