29:
1063:
245:
149:
1072:
768:, où les mottes de terre détachées par la charrue, avec les herbes qui poussaient sur elles, sont rendues avec un soin attendrissant...Rosa Bonheur na pas vraiment créé. Elle a à la fois trop minutieusement et trop incomplètement reproduit. Trop minutieusement, car elle nous donne beaucoup de détails sans signification: trop incomplètement, car elle n'a fait qu'affaiblir la nature en la reproduisant": Paulhan 67.
176:, the first stage of soil preparation in the fall, which opens up the soil to aeration during the winter. Humans play a minor role in the painting—the farmer is almost completely hidden behind his animals. The freshly-ploughed land is prominent in the foreground, and the landscape behind is basking in sunlight. The painting's clarity and light resembles that of the Dutch paintings (esp. by
340:
In 1978 a critic described the work as "entirely forgotten and rarely dragged out from oblivion"; that year it was part of a series of paintings sent to China by the French government for an exhibition titled "The French
Landscape and Peasant, 1820–1905". Mary Blume, in 1997, said "the work is more
1484:
1573:
406:
187:, the painting should be seen as a glorification of peasant life and its ancient traditions; he places it in the context of the revolutionary year 1848, when cities were the scene of chaos and strife.
206:(1846), which features oxen ploughing a landscape with the author's commentary, "a noble subject for a painter". The comparison with Sand is amplified in an article in the July 1899 edition of
325:
does not do so, spoiling it with the execution of the clods of earth. Those clods and the greenery were done, according to
Bonheur, in a "heartwarming" way, according to Paulhan; she did not
168:, which were to play an important role in the agricultural revolution that took place in the area in the nineteenth century. Rosa Bonheur gained a reputation painting animals, and
418:
202:
in 1849, where it won her a First Medal. N. D'Anvers repeats an apparently well-known story, that it was inspired by the opening scene of George Sand's novel
2278:
333:, since on the one hand she was too complete by providing too much insignificant detail, and on the other hand she weakened nature by reproducing it.
1928:
2207:
2843:
2912:
1902:
1278:
1167:
2226:
2183:
2427:
2731:
1999:
2778:
1954:
550:
2647:
2391:
1119:
2421:
2071:
2053:
1238:
455:
233:
1201:
2327:
2177:
1980:
1865:
2641:
2433:
1699:
1364:
2902:
2581:
2409:
2315:
2265:
2121:
2077:
2065:
2707:
2677:
2403:
2171:
2047:
984:
946:
908:
887:
864:
827:
1271:
1752:
1739:
2127:
1720:
1497:
1447:
212:, which referred to the painting as a "pictorial translation of the novel". Initially intended for the museum in
118:
ploughing the land, and expresses deep commitment to the land; it may have been inspired by the opening scene of
998:
2464:
2439:
2005:
1915:
2626:
1075:
172:
features twelve
Charolais oxen, in two groups of six. On a sunny autumn day they plough the land; this is the
2653:
2397:
1642:
1535:
1396:
1390:
221:
2605:
2017:
2352:
1516:
198:
Rosa
Bonheur made the painting by commission of the French government for 3000 francs; it was shown in the
1264:
28:
2501:
2291:
1871:
1822:
1560:
2333:
2201:
2152:
1714:
1629:
1377:
1245:
1112:
2830:
2791:
2458:
2415:
2035:
2023:
1548:
1503:
1351:
1159:
2108:
341:
careful than inspired, affectionate but not sentimental, a doughty celebration of working animals".
1853:
1529:
730:
244:
1033:
1015:
2897:
2557:
2365:
1810:
1668:
1617:
1421:
780:
2252:
1062:
574:
564:
2907:
2632:
2445:
2140:
2059:
1859:
1674:
1655:
819:
292:
2872:
972:
898:
875:
684:
295:, who copied the work in the Luxembourg before beginning a long acquaintance with the artist.
217:
2538:
2195:
2158:
1611:
1465:
1453:
1105:
1023:
994:
963:
934:
838:
597:
504:
314:
148:
2620:
2514:
2309:
2297:
2239:
2095:
2089:
1967:
1896:
1847:
1778:
1791:
1765:
977:
Family and Farm: Agrarian Change and
Household Organization in the Loire Valley, 1500–1900
8:
2488:
2378:
2213:
2083:
1993:
1941:
1841:
1816:
1693:
1408:
602:
569:
Typical of the
Realist interest in rural society manifested in the contemporary works of
208:
1287:
1027:
1009:
925:
414:
256:
229:
133:
73:
2817:
2701:
2551:
2339:
2321:
2189:
1605:
1586:
1183:
1175:
812:
789:
747:
665:
634:
509:
265:
2303:
2011:
1592:
980:
942:
904:
883:
860:
823:
296:
124:
957:
2611:
1804:
1623:
1554:
1485:
Répétition du "Joueur de flûte" et de "La femme de Diomède" chez le prince Napoléon
1459:
1232:
1029:
Women in the fine arts: from the seventh century B.C. to the twentieth century A.D.
739:
626:
560:
555:
310:
165:
2041:
1309:
1227:
1222:
1217:
854:
570:
350:
288:
248:
91:
1574:
Arab Chiefs
Challenging each other to Single Combat under the Ramparts of a City
919:
778:
Muratova, Xenia (1978). "Current and
Forthcoming Exhibitions: Paris and China".
334:
2804:
1890:
1402:
1151:
451:
301:
275:
1471:
2891:
1708:
1687:
321:(1913) was less impressed; Paulhan argued that good art simplifies, and that
309:
and other works in the
Luxembourg. It is one of the paintings singled out by
273:
as "the most famous woman painter of her time, perhaps of all time". Besides
199:
177:
129:
764:"On peut voir au Luxembourg un grand et célèbre tableau de Rosa Bonheur, le
654:
De Corot à Balthus. Un siècle de grands peintres dans la Nièvre et le Morvan
337:
was also unimpressed, commenting that "it is horribly like the real thing".
2146:
1128:
1088:
850:
184:
111:
39:
65:
133 cm Ă— 260 cm (52 in Ă— 100 in)
1256:
119:
935:"Pilgrims in a Toxic Land: Writing the Trenches of the French Great War"
669:
638:
751:
270:
793:
2029:
1877:
630:
157:
743:
128:. Commissioned by the government and winner of a First Medal at the
2876:
941:. French Literature Series. Vol. 39. Rodopi. pp. 69–86.
1835:
1726:
283:
is one of
Bonheur's best-known paintings, and somewhat resembles
1097:
452:"Rosa Bonheur: French, 1822–1899; Ploughing in Nivernais, 1850"
225:
161:
2849:
939:
The Environment in French and Francophone Literature and Film
137:
77:
213:
728:
Lalande, A. (1915). "Philosophy in France, 1913–1914".
115:
845:. London: Sampson Low, Marston and Co. pp. 90–92.
232:. She made a number of copies, one of which is in the
180:) which Bonheur had studied as part of her education.
2279:
Summary Execution under the Moorish Kings of Granada
811:
1929:The Gallic Women: Episode from the Roman Invasion
882:. Vol. 2. U of Chicago P. pp. 295–342.
548:
313:on her European tour in 1900, though philosopher
255:("Oxen going to work, effect of morning"), 1855,
2889:
2208:The Road in Front of Saint-Simeon Farm in Winter
810:Addison, Margaret (1999). Jean O'Grady (ed.).
691:. Vol. 29, no. 11. 1900. p. 340
617:Spiridion (1857). "Studies among the Leaves".
1272:
1113:
1011:Paris and Her People Under the Third Republic
1168:Pyrenean Shepherd Offering Salt to his Sheep
900:The New Art History: A Critical Introduction
843:Representative Painters of the XIXth Century
836:
652:A. B. (1997). "Rev. of Jean-Louis Balleret,
2428:Resting by a Stream at the Edge of the Wood
581:was inspired by George Sand's rustic novel
220:in Paris and was a featured exhibit at the
2844:Objet décoratif carré avec dieux tahitiens
1903:Reception of the Grand Condé at Versailles
1286:
1279:
1265:
1120:
1106:
973:"Agricultural revolution in the Nivernais"
856:Art in an Age of Civil Struggle, 1848–1871
446:
444:
2732:The Return from Fishing: Hauling the Boat
1007:
616:
565:10.1093/gao/9781884446054.article.T009871
551:"Bonheur, (Marie-)Rosa [Rosalie]"
305:mentions such a scene, of people copying
2000:Berthe Morisot with a Bouquet of Violets
777:
542:
374:
372:
370:
243:
147:
2779:Nature Unveiling Herself Before Science
1955:The Excommunication of Robert the Pious
1032:Houghton, Mifflin and Company. p.
993:
970:
955:
880:Rethinking France: Les Lieux de MĂ©moire
809:
727:
441:
401:
399:
397:
395:
393:
253:Boeufs allant au labour, effet de matin
239:
110:, is an 1849 painting by French artist
2890:
2648:Imperial Fritillaries in a Copper Vase
2392:Avenue of Poplars near Moret-sur-Loing
1022:
896:
873:
2764:
2753:
2422:Regatta at Molesey near Hampton Court
2072:Portrait of Monsieur and Madame Manet
1326:
1298:
1260:
1101:
932:
849:
651:
502:
498:
496:
494:
492:
490:
456:John and Mable Ringling Museum of Art
367:
234:John and Mable Ringling Museum of Art
2328:Portrait of the Painter Claude Monet
2178:A Cart on the Snowy Road at Honfleur
1981:The Quai Saint-Michel and Notre-Dame
1866:Self-Portrait with the Yellow Christ
917:
390:
505:"The Rise and Fall of Rosa Bonheur"
13:
2410:Chemin de la Machine, Louveciennes
2266:The Luxembourg Station in Brussels
2066:Portrait of Marguerite de Conflans
487:
216:, it was instead exhibited in the
14:
2924:
2708:Portrait of Robert de Montesquiou
2048:The Port of Boulogne by Moonlight
1048:
1008:Vizetelly, Ernest Alfred (1919).
132:in 1849, today it is held in the
2642:Doctor Gachet's Garden in Auvers
2434:Rue de la Chaussée in Argenteuil
1753:Arab Horses Fighting in a Stable
1700:Café-Concert at Les Ambassadeurs
1127:
1070:
1061:
1003:(in French). Paris: Felix Algan.
818:. McGill-Queen's Press. p.
224:. The painting was moved to the
27:
1721:Portraits at the Stock Exchange
1202:Musée de l'atelier Rosa Bonheur
979:. SUNY Press. pp. 129–44.
859:. University of Chicago Press.
803:
771:
758:
721:
712:
703:
685:"Letters and Art: Anna Klumpke"
676:
645:
610:
590:
533:
2913:Paintings in the Musée d'Orsay
2754:
2678:Pasteur's portrait by Edelfelt
2440:View of the Canal Saint-Martin
2172:The Artist's Garden at Giverny
2006:Blonde Woman with Bare Breasts
1916:A Session of the Painting Jury
924:. G. Bell & Sons. p.
814:Diary of a European Tour, 1900
524:
503:Blume, Mary (4 October 1997).
478:
469:
432:
381:
1:
2316:Frédéric Bazille at his Easel
2078:Portrait of Stéphane Mallarmé
1740:Boabdil's Farewell to Granada
1643:The Romans in their Decadence
1536:Vue de toits (Effet de neige)
1397:The Improvised Field Hospital
1327:
1024:Waters, Clara Erskine Clement
606:. 1 July 1899. pp. 9–10.
356:
1299:
263:Rosa Bonheur was claimed by
143:
7:
2627:Starry Night Over the RhĂ´ne
2502:The Resurrection of Lazarus
2292:Bal du moulin de la Galette
1872:Tahitian Women on the Beach
1823:A Studio at Les Batignolles
1561:Portrait of Gustave Geffroy
1087:See an external video from
956:Maurier, George Du (1922).
344:
10:
2929:
2334:Portrait of William Sisley
2202:Resting Under a Lilac Bush
2153:Shepherdess with her Flock
1715:The Orchestra at the Opera
1435:Ploughing in the Nivernais
1246:Rosa Bonheur Memorial Park
1144:Ploughing in the Nivernais
937:. In Persels, Jeff (ed.).
874:Cachin, Francoise (2006).
549:Heather McPherson (2003).
323:Ploughing in the Nivernais
307:Ploughing in the Nivernais
281:Ploughing in the Nivernais
193:
170:Ploughing in the Nivernais
114:. It depicts two teams of
87:Ploughing in the Nivernais
22:Ploughing in the Nivernais
2903:Paintings by Rosa Bonheur
2867:
2792:Woman Bitten by a Serpent
2760:
2749:
2717:
2687:
2663:
2591:
2567:
2524:
2474:
2416:The Forge at Marly-le-Roi
2036:Madame Manet at the Piano
2024:Flowers in a Crystal Vase
1504:Three Women with Parasols
1337:
1333:
1322:
1305:
1294:
1233:Juliette Bonheur (sister)
1228:Isidore Bonheur (brother)
1223:Auguste Bonheur (brother)
1210:
1194:
1160:Haymaking in the Auvergne
1135:
1069:
1060:
1055:
971:Shaffer, John W. (1982).
897:Harris, Jonathan (2002).
876:"The Painter's Landscape"
69:
61:
53:
45:
35:
26:
21:
1854:The Schuffenecker Family
1530:Les raboteurs de parquet
1218:Raymond Bonheur (father)
1078:Plowing in the Nivernais
878:. In Pierre Nora (ed.).
731:The Philosophical Review
361:
101:Oxen ploughing in Nevers
16:Painting by Rosa Bonheur
2558:What is Called Vagrancy
2184:Le DĂ©jeuner sur l'herbe
2018:Le DĂ©jeuner sur l'herbe
1811:The Corner of the Table
1422:Pilgrims going to Mecca
1014:. F.A. Stokes. p.
1000:L'Esthétique du paysage
839:"Marie Rosalie Bonheur"
781:The Burlington Magazine
658:La Revue administrative
319:L'Esthétique du paysage
291:. An early admirer was
2633:Portrait of Dr. Gachet
2446:The Village of Voisins
2404:The Canal Saint-Martin
2109:Luxe, Calme et Volupté
2060:Portrait of Emile Zola
2054:Portrait of Clemenceau
1860:Self-Portrait in a Hat
1549:The Hanged Man's House
933:Keith, Claire (2012).
293:Anna Elizabeth Klumpke
260:
153:
95:
2539:Sailboats and Estuary
2196:Regatta at Argenteuil
2122:French Campaign, 1814
1466:Equality Before Death
837:D'Anvers, N. (1899).
247:
228:and afterward to the
151:
2621:The Church at Auvers
2582:The Wheel of Fortune
2310:Dance in the Country
2253:The Fiancée of Belus
2090:A Sprig of Asparagus
1848:Breton Peasant Women
1618:The Painter's Studio
918:Hird, Frank (1904).
575:Jean-François Millet
240:Reception and legacy
164:, was known for its
107:Plowing in Nivernais
2873:Musée des Augustins
2214:Women in the Garden
1842:The Beautiful Angel
1817:Homage to Delacroix
1694:The Bellelli Family
1365:In the Conservatory
1093:Ploughing in Nevers
766:Labourage nivernais
603:The Literary Digest
409:Labourage nivernais
218:Musée du Luxembourg
209:The Literary Digest
96:Labourage nivernais
2871:On display at the
2818:Virgin with a Lily
2702:Madame Charles Max
2398:The Canal du Loing
2322:Girls at the Piano
2128:The Siege of Paris
1612:L'Origine du monde
1606:A Burial at Ornans
1587:The Poor Fisherman
1517:The Birth of Venus
1448:The Birth of Venus
1391:The Family Reunion
1184:Weaning the Calves
1176:King of the Forest
962:. Harper. p.
510:The New York Times
285:Oxen going to work
261:
160:, the area around
154:
2885:
2884:
2863:
2862:
2859:
2858:
2745:
2744:
2741:
2740:
2515:Whistler's Mother
2353:The Snake Charmer
2304:Dance in the City
1766:Homage to CĂ©zanne
1593:The Turtle Seller
1498:The Lady in White
1318:
1317:
1254:
1253:
1084:
1083:
995:Paulhan, Frédéric
583:La Mare au diable
297:George du Maurier
204:La Mare au Diable
125:La Mare au Diable
98:), also known as
83:
82:
2920:
2840:
2827:
2814:
2801:
2788:
2775:
2762:
2761:
2751:
2750:
2728:
2698:
2674:
2638:
2617:
2612:Bedroom in Arles
2602:
2578:
2548:
2535:
2533:van Rysselberghe
2511:
2498:
2485:
2455:
2453:Toulouse-Lautrec
2388:
2375:
2362:
2349:
2288:
2275:
2262:
2249:
2236:
2223:
2168:
2137:
2118:
2105:
1990:
1977:
1964:
1951:
1938:
1925:
1912:
1887:
1832:
1805:Around the Piano
1801:
1788:
1775:
1762:
1749:
1736:
1705:
1684:
1665:
1652:
1639:
1624:Le ruisseau noir
1602:
1583:
1570:
1555:The Card Players
1545:
1526:
1513:
1494:
1481:
1460:Dante and Virgil
1444:
1431:
1418:
1409:Bazille's Studio
1387:
1374:
1361:
1348:
1335:
1334:
1324:
1323:
1296:
1295:
1281:
1274:
1267:
1258:
1257:
1122:
1115:
1108:
1099:
1098:
1074:
1073:
1065:
1053:
1052:
1044:
1042:
1040:
1019:
1004:
990:
967:
952:
929:
914:
893:
870:
846:
833:
817:
798:
797:
775:
769:
762:
756:
755:
725:
719:
716:
710:
707:
701:
700:
698:
696:
680:
674:
673:
649:
643:
642:
631:10.2307/25527539
614:
608:
607:
594:
588:
587:
556:Grove Art Online
546:
540:
537:
531:
528:
522:
521:
519:
517:
500:
485:
482:
476:
473:
467:
466:
464:
462:
448:
439:
436:
430:
429:
427:
426:
417:. Archived from
403:
388:
385:
379:
376:
315:Frédéric Paulhan
311:Margaret Addison
166:Charolais cattle
31:
19:
18:
2928:
2927:
2923:
2922:
2921:
2919:
2918:
2917:
2888:
2887:
2886:
2881:
2855:
2836:
2823:
2810:
2797:
2784:
2771:
2756:
2737:
2724:
2713:
2694:
2683:
2670:
2659:
2636:
2615:
2598:
2587:
2574:
2563:
2544:
2531:
2520:
2507:
2494:
2481:
2470:
2451:
2384:
2371:
2358:
2345:
2284:
2271:
2258:
2245:
2232:
2219:
2164:
2133:
2114:
2101:
1986:
1973:
1960:
1947:
1934:
1921:
1908:
1883:
1828:
1797:
1784:
1771:
1758:
1745:
1732:
1703:
1680:
1661:
1648:
1635:
1630:The Wounded Man
1598:
1579:
1566:
1541:
1522:
1509:
1490:
1477:
1440:
1427:
1414:
1383:
1370:
1357:
1344:
1329:
1314:
1301:
1290:
1285:
1255:
1250:
1242:(1898 painting)
1206:
1190:
1131:
1126:
1071:
1056:External videos
1051:
1038:
1036:
987:
959:Trilby: A Novel
949:
911:
890:
867:
830:
806:
801:
788:(901): 257–60.
776:
772:
763:
759:
744:10.2307/2178332
726:
722:
717:
713:
709:Du Maurier 308.
708:
704:
694:
692:
683:
681:
677:
650:
646:
615:
611:
596:
595:
591:
571:Gustave Courbet
547:
543:
538:
534:
529:
525:
515:
513:
501:
488:
483:
479:
474:
470:
460:
458:
450:
449:
442:
437:
433:
424:
422:
407:"Rosa Bonheur:
405:
404:
391:
387:Shaffer 129-44.
386:
382:
377:
368:
364:
359:
351:France profonde
347:
289:Constant Troyon
249:Constant Troyon
242:
222:1889 World Fair
196:
190:
146:
17:
12:
11:
5:
2926:
2916:
2915:
2910:
2905:
2900:
2898:1849 paintings
2883:
2882:
2880:
2879:
2868:
2865:
2864:
2861:
2860:
2857:
2856:
2854:
2853:
2834:
2821:
2808:
2805:The Mature Age
2795:
2782:
2768:
2766:
2758:
2757:
2747:
2746:
2743:
2742:
2739:
2738:
2736:
2735:
2721:
2719:
2715:
2714:
2712:
2711:
2691:
2689:
2685:
2684:
2682:
2681:
2667:
2665:
2661:
2660:
2658:
2657:
2595:
2593:
2589:
2588:
2586:
2585:
2571:
2569:
2565:
2564:
2562:
2561:
2542:
2528:
2526:
2522:
2521:
2519:
2518:
2505:
2492:
2478:
2476:
2472:
2471:
2469:
2468:
2449:
2382:
2369:
2356:
2343:
2282:
2269:
2256:
2243:
2230:
2227:The Apparition
2217:
2162:
2131:
2112:
2099:
1984:
1971:
1958:
1945:
1932:
1919:
1906:
1891:The Cock Fight
1881:
1826:
1795:
1782:
1769:
1756:
1743:
1730:
1678:
1659:
1646:
1633:
1596:
1577:
1564:
1539:
1520:
1507:
1488:
1475:
1438:
1425:
1412:
1403:The Pink Dress
1381:
1372:Bastien-Lepage
1368:
1355:
1341:
1339:
1331:
1330:
1320:
1319:
1316:
1315:
1313:
1312:
1306:
1303:
1302:
1292:
1291:
1284:
1283:
1276:
1269:
1261:
1252:
1251:
1249:
1248:
1243:
1235:
1230:
1225:
1220:
1214:
1212:
1208:
1207:
1205:
1204:
1198:
1196:
1192:
1191:
1189:
1188:
1180:
1172:
1164:
1156:
1152:The Horse Fair
1148:
1139:
1137:
1133:
1132:
1125:
1124:
1117:
1110:
1102:
1096:
1095:
1082:
1081:
1067:
1066:
1058:
1057:
1050:
1049:External links
1047:
1046:
1045:
1020:
1005:
991:
985:
968:
953:
947:
930:
915:
909:
894:
888:
871:
865:
847:
834:
828:
805:
802:
800:
799:
770:
757:
720:
711:
702:
689:Public Opinion
675:
644:
609:
598:"Rosa Bonheur"
589:
541:
539:Vizetelly 237.
532:
523:
486:
477:
468:
440:
431:
389:
380:
365:
363:
360:
358:
355:
354:
353:
346:
343:
299:'s 1894 novel
276:The Horse Fair
266:New York Times
241:
238:
195:
192:
152:Charolais bull
145:
142:
122:'s 1846 novel
81:
80:
71:
67:
66:
63:
59:
58:
55:
51:
50:
47:
43:
42:
37:
33:
32:
24:
23:
15:
9:
6:
4:
3:
2:
2925:
2914:
2911:
2909:
2908:Cattle in art
2906:
2904:
2901:
2899:
2896:
2895:
2893:
2878:
2874:
2870:
2869:
2866:
2852:
2851:
2846:
2845:
2839:
2835:
2833:
2832:
2826:
2822:
2820:
2819:
2813:
2809:
2807:
2806:
2800:
2796:
2794:
2793:
2787:
2783:
2781:
2780:
2774:
2770:
2769:
2767:
2763:
2759:
2752:
2748:
2734:
2733:
2727:
2723:
2722:
2720:
2716:
2710:
2709:
2704:
2703:
2697:
2693:
2692:
2690:
2686:
2680:
2679:
2673:
2669:
2668:
2666:
2662:
2656:
2655:
2654:Self-portrait
2650:
2649:
2644:
2643:
2637:(2nd version)
2635:
2634:
2629:
2628:
2623:
2622:
2616:(3rd version)
2614:
2613:
2608:
2607:
2601:
2597:
2596:
2594:
2590:
2584:
2583:
2577:
2573:
2572:
2570:
2566:
2560:
2559:
2554:
2553:
2547:
2543:
2541:
2540:
2534:
2530:
2529:
2527:
2523:
2517:
2516:
2510:
2506:
2504:
2503:
2497:
2493:
2491:
2490:
2484:
2480:
2479:
2477:
2473:
2467:
2466:
2461:
2460:
2454:
2450:
2448:
2447:
2442:
2441:
2436:
2435:
2430:
2429:
2424:
2423:
2418:
2417:
2412:
2411:
2406:
2405:
2400:
2399:
2394:
2393:
2387:
2383:
2381:
2380:
2374:
2370:
2368:
2367:
2361:
2357:
2355:
2354:
2348:
2344:
2342:
2341:
2336:
2335:
2330:
2329:
2324:
2323:
2318:
2317:
2312:
2311:
2306:
2305:
2300:
2299:
2294:
2293:
2287:
2283:
2281:
2280:
2274:
2270:
2268:
2267:
2261:
2257:
2255:
2254:
2248:
2244:
2242:
2241:
2235:
2231:
2229:
2228:
2222:
2218:
2216:
2215:
2210:
2209:
2204:
2203:
2198:
2197:
2192:
2191:
2186:
2185:
2180:
2179:
2174:
2173:
2167:
2163:
2161:
2160:
2155:
2154:
2149:
2148:
2143:
2142:
2136:
2132:
2130:
2129:
2124:
2123:
2117:
2113:
2111:
2110:
2104:
2100:
2098:
2097:
2092:
2091:
2086:
2085:
2080:
2079:
2074:
2073:
2068:
2067:
2062:
2061:
2056:
2055:
2050:
2049:
2044:
2043:
2038:
2037:
2032:
2031:
2026:
2025:
2020:
2019:
2014:
2013:
2008:
2007:
2002:
2001:
1996:
1995:
1989:
1985:
1983:
1982:
1976:
1972:
1970:
1969:
1963:
1959:
1957:
1956:
1950:
1946:
1944:
1943:
1937:
1933:
1931:
1930:
1924:
1920:
1918:
1917:
1911:
1907:
1905:
1904:
1899:
1898:
1893:
1892:
1886:
1882:
1880:
1879:
1874:
1873:
1868:
1867:
1862:
1861:
1856:
1855:
1850:
1849:
1844:
1843:
1838:
1837:
1831:
1827:
1825:
1824:
1819:
1818:
1813:
1812:
1807:
1806:
1800:
1799:Fantin-Latour
1796:
1794:
1793:
1787:
1783:
1781:
1780:
1774:
1770:
1768:
1767:
1761:
1757:
1755:
1754:
1748:
1744:
1742:
1741:
1735:
1731:
1729:
1728:
1723:
1722:
1717:
1716:
1711:
1710:
1709:Les Choristes
1702:
1701:
1696:
1695:
1690:
1689:
1683:
1679:
1677:
1676:
1671:
1670:
1669:The Laundress
1664:
1660:
1658:
1657:
1651:
1647:
1645:
1644:
1638:
1634:
1632:
1631:
1626:
1625:
1620:
1619:
1614:
1613:
1608:
1607:
1601:
1597:
1595:
1594:
1589:
1588:
1582:
1578:
1576:
1575:
1569:
1565:
1563:
1562:
1557:
1556:
1551:
1550:
1544:
1540:
1538:
1537:
1532:
1531:
1525:
1521:
1519:
1518:
1512:
1508:
1506:
1505:
1500:
1499:
1493:
1489:
1487:
1486:
1480:
1476:
1474:
1473:
1468:
1467:
1462:
1461:
1456:
1455:
1450:
1449:
1443:
1439:
1437:
1436:
1430:
1426:
1424:
1423:
1417:
1413:
1411:
1410:
1405:
1404:
1399:
1398:
1393:
1392:
1386:
1382:
1380:
1379:
1373:
1369:
1367:
1366:
1360:
1356:
1354:
1353:
1347:
1343:
1342:
1340:
1336:
1332:
1325:
1321:
1311:
1308:
1307:
1304:
1297:
1293:
1289:
1288:Musée d'Orsay
1282:
1277:
1275:
1270:
1268:
1263:
1262:
1259:
1247:
1244:
1241:
1240:
1236:
1234:
1231:
1229:
1226:
1224:
1221:
1219:
1216:
1215:
1213:
1209:
1203:
1200:
1199:
1197:
1193:
1186:
1185:
1181:
1178:
1177:
1173:
1170:
1169:
1165:
1162:
1161:
1157:
1154:
1153:
1149:
1146:
1145:
1141:
1140:
1138:
1134:
1130:
1123:
1118:
1116:
1111:
1109:
1104:
1103:
1100:
1094:
1090:
1086:
1085:
1080:
1079:
1068:
1064:
1059:
1054:
1035:
1031:
1030:
1025:
1021:
1017:
1013:
1012:
1006:
1002:
1001:
996:
992:
988:
986:9780873955621
982:
978:
974:
969:
965:
961:
960:
954:
950:
948:9789401208840
944:
940:
936:
931:
927:
923:
922:
916:
912:
910:9781134582501
906:
903:. Routledge.
902:
901:
895:
891:
889:9780226591339
885:
881:
877:
872:
868:
866:9780226063423
862:
858:
857:
852:
851:Boime, Albert
848:
844:
840:
835:
831:
829:9780773568006
825:
821:
816:
815:
808:
807:
795:
791:
787:
783:
782:
774:
767:
761:
753:
749:
745:
741:
738:(3): 245–69.
737:
733:
732:
724:
715:
706:
690:
686:
679:
671:
667:
663:
659:
655:
648:
640:
636:
632:
628:
624:
620:
613:
605:
604:
599:
593:
586:
584:
580:
576:
572:
566:
562:
558:
557:
552:
545:
536:
527:
512:
511:
506:
499:
497:
495:
493:
491:
481:
472:
457:
453:
447:
445:
435:
421:on 2019-04-04
420:
416:
415:Musée d'Orsay
412:
410:
402:
400:
398:
396:
394:
384:
375:
373:
371:
366:
352:
349:
348:
342:
338:
336:
332:
329:, but merely
328:
324:
320:
316:
312:
308:
304:
303:
298:
294:
290:
286:
282:
278:
277:
272:
268:
267:
258:
257:Musée d'Orsay
254:
250:
246:
237:
235:
231:
230:Musée d'Orsay
227:
223:
219:
215:
211:
210:
205:
201:
191:
188:
186:
183:According to
181:
179:
178:Paulus Potter
175:
171:
167:
163:
159:
150:
141:
139:
135:
134:Musée d'Orsay
131:
127:
126:
121:
117:
113:
109:
108:
103:
102:
97:
93:
89:
88:
79:
75:
74:Musée d'Orsay
72:
68:
64:
60:
57:Oil on canvas
56:
52:
48:
44:
41:
38:
34:
30:
25:
20:
2848:
2842:
2837:
2829:
2824:
2816:
2811:
2803:
2798:
2790:
2785:
2777:
2772:
2730:
2725:
2706:
2700:
2695:
2676:
2671:
2652:
2646:
2640:
2631:
2625:
2619:
2610:
2606:L'Arlésienne
2604:
2599:
2580:
2575:
2556:
2550:
2545:
2537:
2532:
2513:
2508:
2500:
2495:
2487:
2482:
2463:
2457:
2452:
2444:
2438:
2432:
2426:
2420:
2414:
2408:
2402:
2396:
2390:
2385:
2377:
2372:
2366:The Talisman
2364:
2359:
2351:
2346:
2338:
2332:
2326:
2320:
2314:
2308:
2302:
2296:
2290:
2285:
2277:
2272:
2264:
2259:
2251:
2246:
2238:
2233:
2225:
2220:
2212:
2206:
2200:
2194:
2188:
2182:
2176:
2170:
2165:
2159:The Winnower
2157:
2151:
2147:The Gleaners
2145:
2139:
2134:
2126:
2120:
2115:
2107:
2102:
2096:The Waitress
2094:
2088:
2082:
2076:
2070:
2064:
2058:
2052:
2046:
2040:
2034:
2028:
2022:
2016:
2010:
2004:
1998:
1992:
1987:
1979:
1974:
1966:
1961:
1953:
1948:
1940:
1935:
1927:
1922:
1914:
1909:
1901:
1895:
1889:
1884:
1876:
1870:
1864:
1858:
1852:
1846:
1840:
1834:
1829:
1821:
1815:
1809:
1803:
1798:
1790:
1785:
1777:
1772:
1764:
1759:
1751:
1746:
1738:
1733:
1725:
1719:
1713:
1707:
1698:
1692:
1686:
1681:
1675:The Republic
1673:
1667:
1662:
1654:
1649:
1641:
1636:
1628:
1622:
1616:
1610:
1604:
1599:
1591:
1585:
1581:de Chavannes
1580:
1572:
1567:
1559:
1553:
1547:
1542:
1534:
1528:
1523:
1515:
1510:
1502:
1496:
1491:
1483:
1478:
1470:
1464:
1458:
1452:
1446:
1441:
1434:
1433:
1428:
1420:
1415:
1407:
1401:
1395:
1389:
1384:
1376:
1371:
1363:
1358:
1350:
1345:
1310:Gare d'Orsay
1239:Rosa Bonheur
1237:
1182:
1174:
1166:
1158:
1150:
1143:
1142:
1129:Rosa Bonheur
1092:
1089:Smarthistory
1077:
1037:. Retrieved
1028:
1010:
999:
976:
958:
938:
921:Rosa Bonheur
920:
899:
879:
855:
842:
813:
804:Bibliography
785:
779:
773:
765:
760:
735:
729:
723:
714:
705:
693:. Retrieved
688:
682:Waters 197;
678:
664:(300): 721.
661:
657:
653:
647:
625:(2): 59–64.
622:
618:
612:
601:
592:
582:
578:
568:
554:
544:
535:
526:
514:. Retrieved
508:
480:
471:
459:. Retrieved
434:
423:. Retrieved
419:the original
408:
383:
378:D'Anvers 91.
339:
335:Paul CĂ©zanne
330:
326:
322:
318:
306:
300:
284:
280:
274:
264:
262:
252:
207:
203:
197:
189:
185:Albert Boime
182:
173:
169:
155:
123:
112:Rosa Bonheur
106:
105:
100:
99:
86:
85:
84:
40:Rosa Bonheur
2812:Delaplanche
2576:Burne-Jones
2465:La Toilette
2298:The Bathers
2141:The Angelus
2084:The Reading
1994:The Balcony
1656:The Harvest
1524:Caillebotte
1492:Bracquemond
1472:Les Oréades
1155:(1852–1855)
718:Addison 23.
484:Cachin 331.
438:Harris 198.
120:George Sand
2892:Categories
2831:Rhinocéros
2825:Jacquemart
2755:Sculptures
2379:The Circus
2240:The Cradle
2190:The Magpie
2116:Meissonier
1942:The Source
1792:The Enigma
1688:L'Absinthe
1568:Chassériau
1442:Bouguereau
1359:Bartholomé
1076:Bonheur's
1039:26 January
695:26 January
619:The Crayon
516:26 January
475:Boime 622.
461:27 January
425:2015-01-26
357:References
331:reproduced
271:Mary Blume
62:Dimensions
2786:Clésinger
2340:The Swing
2030:The Fifer
2012:Bullfight
1968:The Truth
1897:Jerusalem
1878:Vairumati
1779:The Dream
1747:Delacroix
1734:Dehodencq
1479:Boulanger
1378:Haymaking
1328:Paintings
1136:Paintings
579:Ploughing
158:Nivernais
144:Depiction
2877:Toulouse
2672:Edelfelt
2600:van Gogh
2552:The Bath
2509:Whistler
2489:Solitude
2483:Harrison
2475:American
2360:SĂ©rusier
2347:Rousseau
2273:Regnault
1962:Lefebvre
1773:Detaille
1650:Daubigny
1454:La Danse
1300:Building
1026:(1904).
997:(1913).
853:(2008).
670:40771052
639:25527539
530:Hird 67.
345:See also
174:sombrage
70:Location
2841::
2838:Gauguin
2828::
2815::
2802::
2799:Claudel
2789::
2776::
2773:Barrias
2729::
2726:Sorolla
2718:Spanish
2699::
2696:Boldini
2688:Italian
2675::
2664:Finnish
2603::
2579::
2568:British
2549::
2546:Stevens
2536::
2525:Belgian
2512::
2499::
2486::
2456::
2389::
2376::
2363::
2350::
2289::
2276::
2263::
2260:Ottmann
2250::
2237::
2234:Morisot
2224::
2169::
2138::
2119::
2106::
2103:Matisse
2042:Olympia
1991::
1978::
1965::
1952::
1949:Laurens
1939::
1926::
1913::
1888::
1836:Arearea
1833::
1830:Gauguin
1802::
1789::
1776::
1763::
1750::
1737::
1727:The Tub
1685::
1666::
1663:Daumier
1653::
1640::
1637:Couture
1603::
1600:Courbet
1584::
1571::
1546::
1543:CĂ©zanne
1527::
1514::
1511:Cabanel
1495::
1482::
1445::
1432::
1429:Bonheur
1419::
1388::
1385:Bazille
1375::
1362::
1352:Remorse
1349::
1211:Related
1195:Museums
752:2178332
585:(1846).
269:critic
194:History
2765:French
2496:Tanner
2459:Le Lit
2386:Sisley
2373:Seurat
2286:Renoir
2221:Moreau
2135:Millet
1936:Ingres
1923:Glaize
1910:Gervex
1885:GĂ©rĂ´me
1704:(1885)
1346:Baader
1338:French
1187:(1879)
1179:(1878)
1171:(1864)
1163:(1855)
1147:(1849)
1091:about
983:
945:
907:
886:
863:
826:
794:879183
792:
750:
668:
637:
327:create
302:Trilby
226:Louvre
162:Nevers
92:French
54:Medium
36:Artist
2850:Oviri
2592:Dutch
2247:Motte
2166:Monet
1988:Manet
1760:Denis
1682:Degas
1416:Belly
790:JSTOR
748:JSTOR
666:JSTOR
635:JSTOR
362:Notes
200:Salon
138:Paris
130:Salon
78:Paris
1975:Luce
1786:Doré
1041:2015
981:ISBN
943:ISBN
905:ISBN
884:ISBN
861:ISBN
824:ISBN
697:2015
573:and
518:2015
463:2015
214:Lyon
156:The
116:oxen
49:1849
46:Year
2875:in
1034:197
1016:237
964:308
786:120
740:doi
656:".
627:doi
561:doi
317:in
287:by
136:in
104:or
2894::
2847:–
2705:–
2651:–
2645:–
2639:–
2630:–
2624:–
2618:–
2609:–
2555:–
2462:–
2443:–
2437:–
2431:–
2425:–
2419:–
2413:–
2407:–
2401:–
2395:–
2337:–
2331:–
2325:–
2319:–
2313:–
2307:–
2301:–
2295:–
2211:–
2205:–
2199:–
2193:–
2187:–
2181:–
2175:–
2156:–
2150:–
2144:–
2125:–
2093:–
2087:–
2081:–
2075:–
2069:–
2063:–
2057:–
2051:–
2045:–
2039:–
2033:–
2027:–
2021:–
2015:–
2009:–
2003:–
1997:–
1900:–
1894:–
1875:–
1869:–
1863:–
1857:–
1851:–
1845:–
1839:–
1820:–
1814:–
1808:–
1724:–
1718:–
1712:–
1706:–
1697:–
1691:–
1672:–
1627:–
1621:–
1615:–
1609:–
1590:–
1558:–
1552:–
1533:–
1501:–
1469:–
1463:–
1457:–
1451:–
1406:–
1400:–
1394:–
975:.
926:67
841:.
822:.
820:23
784:.
746:.
736:24
734:.
687:.
662:50
660:.
633:.
621:.
600:.
577:,
567:.
559:.
553:.
507:.
489:^
454:.
443:^
413:.
392:^
369:^
279:,
251:,
236:.
140:.
94::
76:,
1280:e
1273:t
1266:v
1121:e
1114:t
1107:v
1043:.
1018:.
989:.
966:.
951:.
928:.
913:.
892:.
869:.
832:.
796:.
754:.
742::
699:.
672:.
641:.
629::
623:4
563::
520:.
465:.
428:.
411:"
259:.
90:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
