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Poetry slam

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2182:, Katsunori Kusunoki, a professor of communications at Toyo University, found a way to incorporate slam poetry into his students’ lives; allowing them to showcase their competitiveness and love of poetry by putting together “poetry boxing” matches. Kusunoki created annual “poetry boxing” tournaments in order to provide a medium for expression and social interaction . The rules are “16 boxers face off in pairs in competitions of stand-up verse that last for three minutes. Winners compete in series of challenges such as timed presentation and a round of improvised jousting.” A master of ceremonies adds to the event by providing nicknames for the competitors. Kusunoki's goal was to try to get his students to open up by breaking language barriers and expressing themselves. 2162:. According to al-Misry, having a variety jobs gave him the experience to understand the struggles of Egyptian people in different classes of life. He had good knowledge of Arabic literature, grammar and some commonly used foreign words as well as slang; which he used to form Halamantishi poetry. Muhammad Ragab Bayyoumi in 1986 wrote an article entitled Hussein Shafiq al-Misry: Ustaz la Tilmeeth lah" (Hussein Shafiq al-Misry: A Teacher with No Student of His) in which he introduced al-Misry's poems and explained al-Misry's literary poetry techniques. In Egypt Performance Poetry is new in popularity, the term "Ash-Shi'r al-Mu'adda" was recently introduced as the term for performance poetry. Poets such as   1017: 1215:, or other conceptual limitations. In theme slams, poets can sometimes be allowed to break "traditional" slam rules. For instance, they sometimes allow performance of work by another poet (e.g. the "Dead Poet Slam", in which all work must be by a deceased poet). They can also allow changes on the restrictions on costumes or props (e.g. the Swedish "Triathlon" slams that allow for a poet, musician, and dancer to all take the stage at the same time), changing the judging structure (e.g. having a specific guest judge), or changing the time limits (e.g. a "1-2-3" slam with three rounds of one minute, two minutes, and three minutes, respectively). 1147: 135: 1138:'s Poor Theater by blurring lines between the real person, actor, and speakers in scripted literary art. Other rules for slams enforce a time limit of three minutes (and a grace period of ten seconds), after which a poet's score may be docked according to how long the poem exceeded the limit. Many youth slams, however, allow the poets up to three and a half minutes on stage. The slams at the Individual World Poetry Slam and Women of the World Poetry Slam competitions had a 1-minute round, a 2-minute round, a 3-minute round, and a 4-minute round. 2293: 2329: 928: 2353: 1260: 2317: 1239:, a rhythmic and politicized genre belonging to black and particularly West Indian culture. Others employ an unrhyming narrative formula. Some use traditional theatrical devices including shifting voices and tones, while others may recite an entire poem in ironic monotone. Some poets use nothing but their words to deliver a poem, while others stretch the boundaries of the format, tap-dancing or beatboxing or using highly choreographed movements. 2305: 970: 25: 2341: 1196:, held a world-record poetry slam competition (28 hours of classic slam poetry) and broke the so-far-record of Nuremberg, Germany (25 hours), by Michl Jakob. The winner of the competition (Friedrich Herrmann) scored one point better in the finals than the second ranked (Darryl Kiermeier). The event was organized by Lukas Wagner (Slamlabor) and took place in the SN-Saal of the Salzburger Nachrichten. 1038:. In 1987, the Ann Arbor Poetry Slam was founded by Vince Keuter and eventually made its home at the Heidelberg (moving later 2010, 2013, and 2015 to its new home at Espresso Royale). In August 1988, the first poetry slam held in New York City was hosted by Bob Holman at the Nuyorican Poets Cafe. In 1990, the first 1112:
or host to act as judges for the event. In the national slam, there are five judges, but smaller slams generally have three. After each poet performs, each judge awards a score to that poem. Scores generally range between zero and ten. The highest and lowest score are dropped, giving each performance
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Poetry Slam, Inc., holds several national and international competitions, including the Individual World Poetry Slam, the National Poetry Slam and The Women of the World Poetry Slam. The current (2013) IWPS champion was Ed Mabrey. Ed Mabrey was the only three-time IWPS champion in the history of the
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One of the goals of a poetry slam is to challenge the authority of anyone who claims absolute authority over literary value. No poet is beyond critique, as everyone is dependent upon the goodwill of the audience. Since only the poets with the best cumulative scores advance to the final round of the
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and poetry slam competitions featured four open categories such as Best Erotic Poem in Sexy Underwear or Lingerie, Best Verbal Vogue and Best Love Poem in Fire Engine Red (alternately Best Bitter Break Up Poem in Blue). Winners of each category received a trophy and went on to compete for the Grand
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A single round at a standard slam consists of performances by all eligible poets. Most slams last multiple rounds, and many involve the elimination of lower-scoring poets in successive rounds. An elimination format might run 8-4-2; eight poets in the first round, four in the second, and two in the
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Poetry slams can feature a broad range of voices, styles, cultural traditions, and approaches to writing and performance. The originator of performance poetry, Hedwig Gorski, credits slam poetry for carrying on the poetics of ancient oral poetry designed to grab attention in barrooms and public
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One of the more interesting end products (to me, at least) of this constant shifting is that poets in the slam always worry that something—a style, a project, a poet—will become so dominant that it will kill the scene, but it never does. Ranting hipsters, freestyle rappers, bohemian drifters,
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The performances at a poetry slam are judged as much on enthusiasm and style as content, and poets may compete as individuals or in teams. The judging is often handled by a panel of judges, typically five, who are usually selected from the audience. Sometimes the poets are judged by audience
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Hip-hop filled a tremendous void for me and my friends growing up ... The only thing that prevented all the young boys in the black community from turning into Michael Jackson, from all of us bleaching our skin, from all of us losing it, just losing it, was hip-hop. That was the only
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and elsewhere of these poetry slams, in which various young men and women in various late-spots are declaiming rant and nonsense at each other. The whole thing is judged by an applause meter which is actually not there, but might as well be. This isn't even silly; it is the death of
1050:. This slam included teams from Chicago and San Francisco, and an individual poet from New York. Soon afterward, poetry slam increased popularity allowed some poets to make full-time careers in performance and competition, touring the United States and eventually the world. 2078:
poetry festival since 1998. The youth poetry slam movement was the focus of a documentary film series produced by HBO and released in 2009. It featured poets from Youth Speaks, Urban Word, Louder than a Bomb and other related youth poetry slam organizations.
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night, the structure assures that the audience gets to choose from whom they will hear more poetry. Audience members furthermore become part of each poem's presence, thus breaking down the barriers between poet/performer, critic, and audience.
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event. The current (2013) National Poetry Slam Team champions are Slam New Orleans (SNO), who have won the competition for the second year in a row. The current (2014) Women of the World Poetry Slam Champion was Dominique Christina.
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The Poetry Slam World Cup (Coupe du Monde de Slam, organised in France) also takes place every year. In 2022, Italy won the XVI Poetry Slam World Cup for the second time, represented by performance artist, writer, poet, and actor
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Although theme slams may seem restricting in nature, slam venues frequently use them to advocate participation by particular and perhaps underrepresented demographics (which vary from slam to slam), like younger poets and women.
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Slam poetry has found popularity as a form of self-expression among many teenagers. Young Chicago Authors (YCA) provides workshops, mentoring, and competition opportunities to youth in the Chicago area. Every year YCA presents
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proto-comedians, mystical shamans and gothy punks have all had their time at the top of the slam food chain, but in the end, something different always comes along and challenges the poets to try something new.
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last. Some slams do not eliminate poets at all. The Green Mill usually runs its slams with six poets in the first round. At the end of the slam, the poet with the highest number of points earned is the winner.
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was national slam poetry champion in 2003 and 2004, wrote his dissertation on slam poetry and published an article in text and performance quarterly about black masculinity and sexism in the slam community.
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In an "Open Slam", the most common slam type, competition is open to all who wish to compete, given the number of slots available. In an "Invitational Slam", only those invited to do so may compete.
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At the 1993 National Poetry Slam in San Francisco, a participating team from Canada (Kedrick James, Alex Ferguson and John Sobol) wrote, printed and circulated an instant broadside titled
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Helen Gregory, The Quiet Revolution of Poetry Slam: The Sustainability of Cultural Capital in the Light of Changing Artistic Conventions. "Ethnography and Education", Vol. 3 (1): 61-71.
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counter-existence in the mainstream media. That was essential, and in that same way I think poetry fills a very huge void today youth. And I guess I count myself among the youth.
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Similar to the House of Xavier's Glam Slam, a "Theme Slam" was one in which all performances must conform to a specified theme, genre, or formal constraint. Themes may include
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While slam poetry has often been ignored in traditional higher learning institutions, it slowly is finding its way into courses and programs of study. For example, at
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before a live audience and a panel of judges. While formats can vary, slams are often loud and lively, with audience participation, cheering and dramatic delivery.
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Poetry slams began in Chicago in the 1980s, with the first slam competition designed to move poetry recitals from academia to a popular audience. American poet
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The Boston Poetry Slam takes a different approach; it uses the 8-4-2 three-round format, but the poets go head-to-head in separate bouts within the round.
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left a number of performers stranded in cities they had been performing in. After the attacks, a new wave of poetry slam started within San Francisco.
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is Malika Outtara. In 2019 she set up the Slamazone Foundation of which she is President, in order to fund raise for social issues in her country.
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Before the competition begins, the host will often bring up a "sacrificial" poet, whom the judges will score in order to calibrate their judging.
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Slam Poetry vs. Racism: Awakening Awareness and Social Change in FreeQuency's "Dear White People" and "The Gospel of Colonization"
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slammed on several poetry slam teams, and has since published several books and currently teaches at Sarah Lawrence College.
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Chapter 26: What the Heck Is Going On Here; The Bowery Poetry Club Opens (Kinda) for Business. Soft Skull Press, 288.
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Prize title of Glam Slam Champion. The annual competition was first held in New York City and then London until 2010.
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used to sanction three major annual poetry competitions (for poets 18+) on a national and international scale: the
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In 1999, National Poetry Slam, held in major cities each year, was in Chicago. The event was covered nationally by
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At the European level, the European Poetry Slam Championship (or European Slampionship) takes place every year.
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has devoted much attention to the merging of the poetry slam community and the academic community in her works.
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Indiefeed Performance Poetry Channel Nine-Part Podcast Series on the History of the New York City Poetry Slam
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As of 2017, the National Poetry Slam featured 72 certified teams, culminating in five days of competition.
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Props, costumes, and music are forbidden in slams, which differs greatly from its immediate predecessor,
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paved the way after al-Misry with lyrical slam poems that use a melodic rhythm to attract the audience.
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Muhammad, Muhammad Agami Hassan (Spring 2017). "Arabic Performance Poetry: A New Mode of Resistance".
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The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America
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The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America
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Ironically, slam poetry movement founder Marc Smith has been critical of the commercially successful
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founded the Nuyorican Poetry Slam has taught for years at the New School, Bard, Columbia and NYU.
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poetry readings, and then turning them into slams by introducing the element of competition.
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created the House of Xavier and the Glam Slam, an annual downtown arts event staged at the
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Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam.
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Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam.
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Words In Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam
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Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam
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Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam
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Today, there are poetry slam competitions in a number of countries around the globe.
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in November 1984. In July 1986, the original slam moved to its permanent home, the
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In 2012, more than 12,000 young people took part in an England-wide youth slam
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McNeill, David (July 18, 2008). "JAPAN'S POETRY BOXERS GET READY TO GRUMBLE".
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taped a 20 segment on slam poetry with live poetry scenes at Chopin Theatre.
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What is a dominant/successful style one year may not be passed to the next.
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The poet Tim Clare offers a "for and against" account of the phenomenon in
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estimated that there were only fifteen African women slam poets in total.
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As of 2017, one poet who has competed at National Poetry Slam has won the
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As of 2011, four poets who have competed at National Poetry Slam have won
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Some poets are closely associated with the vocal delivery style found in
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was credited with starting the poetry slam at the Get Me High Lounge in
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Poetry Slam, went viral on YouTube receiving over 1.5 million hits.
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Poetry Slam team in 1993) won an NEA Fellowship in Poetry in 1994
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The Cambridge Companion to Twenty-First-Century American Poetry
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Bloom, Harold (2009) quoted in Somers-Willett, Susan B.A.,
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In a poetry slam, members of the audience are chosen by a
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DU Poetry - performance poetry and Slam Poetry showcase
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Poetry Slam: The Competitive Art of Performance Poetry
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Chivers, Tom, ed. (2010). "Slam: A Poetic Dialogue".
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One of the most notable figures in the slam scene in
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A number of poets belong to both academia and slam:
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television and Broadway live stage shows produced by
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praised the youth poetry slam movement, explaining:
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In a 2005 interview, one of slam's best known poets
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Archived from 1358:International awards and Poetry Slam World Cup 3281: 2376: 950: 3651:ALOUD: Voices from the Nuyorican Poets' Cafe 3509: 2118:featuring Rene Sharanya Verma performing at 3975:International Poetry Slam Portal (European) 3481: 2959: 2950: 2889:Aloud: Voices from the Nuyorican Poets Cafe 2747:"National Poetry Slam Championship winners" 2585:. Cambridge University Press. p. 177. 2577:Johnson, Javon; Blacksher, Anthony (2021). 3048:"European Slampionship | Poetry Slam" 2887:AlgarĂ­n, Miguel & Holman, Bob. (1994) 1315:I can't bear these accounts I read in the 957: 943: 3684:Intoxication: Heathcliff on Powell Street 2902: 2849:Intoxication: Heathcliff on Powell Street 2531: 2440: 1113:a rating between zero and thirty points. 109:Learn how and when to remove this message 3594: 3455: 3263: 3194: 2847:Gorski, Hedwig & Cole, Joy. (2006). 2689: 2607:"Womxn of the World Poetry Slam (WOWPS)" 2013:Yale Series of Younger Poets Competition 1258: 1145: 1015: 968: 3626: 3487: 3306:Gripenstraw, Kelsey (August 30, 2012). 3245: 2988:. London: Penned in the Margins Press. 2983: 2790:"Poetry Slam Weltrekord – Salzburgwiki" 2646:"The Rules of the National Poetry Slam" 1415:Zygimantas Mesijus Kudirka (Lithuania) 4007: 3223: 3221: 3116:(in Italian). Agenzia ANSA. 2021-05-17 2947:. University of Michigan Press. p. 21. 2881: 2841: 2820: 2421: 3711:A Night Without Armor II: The Revenge 3622: 3620: 3618: 3590: 3588: 3515: 3446: 3271:"Olio, by Tyehimba Jess (Wave Books)" 3138:(in Italian). lastampa.it. 2021-05-18 2722:"Workshop: The Three Lives of a Poem" 2494: 2492: 2490: 1235:and draw heavily on the tradition of 3566: 3370:Somers-Willett, Susan B. A. (2009). 3182:(in Italian). Libreriamo. 2022-05-30 2945:The Cultural Politics of Slam Poetry 2871:"The Life Story of the Death of Art" 2814: 2551:Sadie Dingfelder (August 15, 2014). 2534:"National Poetry Slam Guild Complex" 2468: 2415: 2035:The Cultural Politics of Slam Poetry 1370:, member of the artistic collective 1141: 47:adding citations to reliable sources 18: 3465:. Apples and Snakes. Archived from 3421: 3218: 3200:Aptowicz, Cristin O'Keefe. (2008). 2908:Aptowicz, Cristin O'Keefe. (2008). 2862: 2377:Alonso Castro, Laura MarĂ­a (2019). 2256:Results of the National Poetry Slam 13: 3635:(45): A1, A6 – via ProQuest. 3615: 3585: 3535: 3402: 3060: 2986:Stress Fractures: Essays on Poetry 2499:Aptowicz, Cristin O'Keefe (2008). 2487: 1950:(NEA) Fellowships for Literature: 1769:Evelyn Rasmussen Osazuwa (Norway) 14: 4051: 4030:African-American cultural history 3968: 3838:Big Towns, Big Talk : Poems, 3824:Well Defined: Vocabulary in Rhyme 3649:Miguel Algarin & Bob Holman, 3629:The Chronicle of Higher Education 2064: 1381:European Poetry Slam Championship 3779:The Words Don't Fit in My Mouth, 3522:British Broadcasting Corporation 2869:Janice Erlbaum (April 3, 2008). 2351: 2339: 2327: 2315: 2303: 2291: 2193:Canadian Festival of Spoken Word 926: 133: 23: 3776:The Alphabet Verses the Ghetto, 3642: 3609:10.13169/arabstudquar.39.2.0815 3560: 3396: 3378: 3363: 3172: 3150: 3128: 3106: 3080: 3054: 3040: 3010: 2977: 2968: 2937: 2923: 2800: 2782: 2764: 2739: 2714: 2638: 2620: 2599: 2570: 2515:"PSI FAQ: National Poetry Slam" 2137: 34:needs additional citations for 3569:"International Youth Day 2020" 3386:"English Minor | Berklee" 3337:Text and Performance Quarterly 3024:. June 3, 2008. Archived from 2544: 2525: 2507: 2462: 2424:"A Brief Guide to Slam Poetry" 2391: 2370: 1948:National Endowment of the Arts 1482:World Poetry Slam Organisation 1098:Women of the World Poetry Slam 1: 3941:said the shotgun to the head, 3567:Reid, Caroline (2020-08-12). 3488:Lakhani, Somya (2015-02-04). 2532:Sid Smith (August 16, 1999). 2503:. New York: Soft Skull Press. 2364: 2109:An Open Letter to Honey Singh 3962:A Little Truth On Your Shirt 3841:Close to Death : Poems, 3349:10.1080/10462937.2010.511252 3234:. March 2006. Archived from 2428:A Brief Guide to Slam Poetry 2125: 1285: 1188:From 10 to 11 December 2016 1094:individual World Poetry Slam 7: 3516:Yadav, Shalu (2015-02-02). 3308:"Up Close with Kip Fulbeck" 2678:Introduction. CreateSpace. 2469:Baig, Mehroz (2014-03-12). 2185: 2173: 1941: 1921:Filippo Capobianco (Italy) 1905:Xabiso Vili (South Africa) 1719:Clotilde de Brito (France) 10: 4056: 3910:Top Secret Slam Strategies 3739:In the Time of Assignments 3092:Italy24 News Entertainment 2808:"Austria holds new record" 2015:and has competed at slams. 1932:Lady Laprofeta (Colombia) 1694:Ikenna Onyegbula (Canada) 1569:Joaquin Zihuatanejo (USA) 1437:Carmien Michels (Belgium) 1246:, slam poet and author of 1164:In 1998, spoken word poet 1011: 2875:Best American Poetry Blog 2221:List of performance poets 2052:Pulitzer Prize for Poetry 1894:Lorenzo Maragoni (Italy) 1477: 1469: 1379: 1292:Like Lambs to the Slammer 1103: 4035:African-American culture 3848:Teahouse Of The Almighty 3844:Life According to Motown 3698:Cristin O'Keefe Aptowicz 3452:Aptowicz (2008), P. 233. 2965:Aptowicz (2008), p. 297. 2956:Aptowicz (2008), p. 290. 2581:. In Yu, Timothy (ed.). 2471:"Slam Poetry: A History" 2154:Slam Poetry has been in 2149: 2059:Berklee College of Music 1971:Cristin O'Keefe Aptowicz 1744:AmĂ©lie PrĂ©vost (QuĂ©bec) 1619:David Goudreau (QuĂ©bec) 1426:Nuno Piteira (Portugal) 1324:Poet and lead singer of 1244:Cristin O'Keefe Aptowicz 4025:Contemporary literature 3879:Storms Beneath the Skin 3763:The Forgiveness Parade, 3549:(in French). 2017-12-15 3374:. Ann Arbor: U of MI P. 2674:Gorski, Hedwig. (2015) 2160:Hussain Shafiq al-Misry 1869:Giuliano Logos (Italy) 1669:Simon Roberts (QuĂ©bec) 1479:Poetry Slam World Cup - 1471:Poetry Slam World Cup - 1372:WOW - Incendi Spontanei 1341:Slam: A Poetic Dialogue 1301:In an interview in the 1222: 3945:The Dead Emcee Scrolls 3926:Tarnish and Masquerade 3783:God Is Not an American 3597:Arab Studies Quarterly 2628:"8x8 rules and format" 2385:University of Zaragoza 2093: 1819:JĂ©rome Pinel (France) 1644:Harry Baker (England) 1474:Coupe du Monde de Slam 1448:Marie Darah (Belgium) 1322: 1264: 1257: 1158: 1023: 980: 16:Competition arts event 3906:What Learning Leaves, 3730:15 Ways to Stay Alive 3490:"Don't Mess with Her" 2458:on February 16, 2009. 2422:aapone (2014-02-04). 2236:Postmodern literature 2088: 2050:, winner of the 1985 1794:Sam Small (Scotland) 1544:Danny Sherrard (USA) 1313: 1262: 1252: 1149: 1019: 972: 933:Literature portal 3767:The Splinter Factory 3689:Susan Somers-Willett 2105:London 2012 Festival 2031:Susan Somers-Willett 1959:Nuyorican Poets Cafe 1594:Ian Keteku (Canada) 1334:Nuyorican Poets CafĂ© 1276:Nuyorican Poets Cafe 1170:Nuyorican Poets Cafe 1110:master of ceremonies 1090:National Poetry Slam 1074:September 11 attacks 1040:National Poetry Slam 1036:Green Mill Jazz Club 974:Nuyorican Poets Cafe 707:Groups and movements 43:improve this article 3935:The Seventh Octave, 3469:on 29 November 2014 3390:college.berklee.edu 3295:. 12 November 2017. 3241:on August 11, 2006. 3028:on October 11, 2008 2829:on December 8, 2008 2656:on February 7, 2012 2403:www.powerpoetry.org 1844:Dani Orviz (Spain) 1519:Anis Mojgani (USA) 1404:Dani Orviz (Spain) 326:Short prose fiction 229:Major written forms 4040:Culture of Chicago 3959:Sonya Renee Taylor 3918:Roger Bonair-Agard 3795:Harmless Medicine, 3772:Jessica Care Moore 3495:The Indian Express 3160:. TGR. 17 May 2021 3018:"The Fall of Slam" 2776:www.poetryslam.com 2650:my.poetryslam.com 2632:Boston Poetry Slam 2448:"Sex Dating Sites" 2261:Nuyorican Movement 2203:English literature 2168:Kamel Ash-Shennawy 2166:, Ahmad Rami, and 2072:Louder Than a Bomb 1459:Pablowsky (Spain) 1307:, literary critic 1265: 1174:Bowery Poetry Club 1172:(and later at the 1159: 1128:performance poetry 1056:The New York Times 1024: 991:spoken word poetry 981: 820:Lists and outlines 296:Long prose fiction 3735:Douglas A. Martin 3293:Poetry Foundation 2995:978-0-9565-4671-5 2931:"The Perspective" 2592:978-1-108-48209-7 2101:Apples and Snakes 1939: 1938: 1463: 1462: 1176:). The fusion of 1142:Competition types 1086:Poetry Slam, Inc. 967: 966: 719: 718: 574: 573: 381: 380: 119: 118: 111: 93: 4047: 3857:Rachel McKibbens 3813:Michael Salinger 3804:M. Ayodele Heath 3756:Jeffrey McDaniel 3726:Why Things Burn, 3665:Gary Mex Glazner 3637: 3636: 3624: 3613: 3612: 3592: 3583: 3582: 3580: 3579: 3564: 3558: 3557: 3555: 3554: 3547:JeuneAfrique.com 3539: 3533: 3532: 3530: 3528: 3513: 3507: 3506: 3504: 3502: 3485: 3479: 3478: 3476: 3474: 3459: 3453: 3450: 3444: 3443: 3441: 3440: 3431:. Archived from 3425: 3419: 3418: 3416: 3415: 3400: 3394: 3393: 3382: 3376: 3375: 3367: 3361: 3360: 3329: 3323: 3322: 3320: 3318: 3303: 3297: 3296: 3285: 3279: 3278: 3275:www.pulitzer.org 3267: 3261: 3260: 3255:. Archived from 3249: 3243: 3242: 3240: 3233: 3225: 3216: 3198: 3192: 3191: 3189: 3187: 3176: 3170: 3169: 3167: 3165: 3154: 3148: 3147: 3145: 3143: 3132: 3126: 3125: 3123: 3121: 3110: 3104: 3103: 3101: 3099: 3084: 3078: 3077: 3075: 3073: 3058: 3052: 3051: 3044: 3038: 3037: 3035: 3033: 3014: 3008: 3007: 2981: 2975: 2972: 2966: 2963: 2957: 2954: 2948: 2941: 2935: 2934: 2927: 2921: 2906: 2900: 2885: 2879: 2878: 2866: 2860: 2845: 2839: 2838: 2836: 2834: 2825:. Archived from 2818: 2812: 2811: 2804: 2798: 2797: 2786: 2780: 2779: 2772:"Poetryslam.com" 2768: 2762: 2761: 2759: 2758: 2749:. Archived from 2743: 2737: 2736: 2734: 2733: 2724:. Archived from 2718: 2712: 2711: 2709: 2708: 2699:. Archived from 2693: 2687: 2672: 2666: 2665: 2663: 2661: 2642: 2636: 2635: 2624: 2618: 2617: 2615: 2613: 2603: 2597: 2596: 2574: 2568: 2567: 2565: 2563: 2548: 2542: 2541: 2529: 2523: 2522: 2517:. Archived from 2511: 2505: 2504: 2496: 2485: 2484: 2482: 2481: 2466: 2460: 2459: 2454:. Archived from 2444: 2438: 2437: 2435: 2434: 2419: 2413: 2412: 2410: 2409: 2395: 2389: 2388: 2374: 2356: 2355: 2344: 2343: 2332: 2331: 2330: 2320: 2319: 2308: 2307: 2296: 2295: 2287: 2164:Bayram At-Tunisi 2076:Brave New Voices 1993:Jeffrey McDaniel 1965:Jeffrey McDaniel 1957:(who was on the 1465: 1464: 1445:Brussel, Belgium 1401:Antwerp, Belgium 1377: 1376: 1368:Lorenzo Maragoni 1096:(iWPS), and the 959: 952: 945: 931: 930: 929: 585: 584: 392: 391: 293: 292: 137: 123: 122: 114: 107: 103: 100: 94: 92: 51: 27: 19: 4055: 4054: 4050: 4049: 4048: 4046: 4045: 4044: 4020:Performing arts 4005: 4004: 3971: 3966: 3716:Daphne Gottlieb 3645: 3640: 3625: 3616: 3593: 3586: 3577: 3575: 3565: 3561: 3552: 3550: 3541: 3540: 3536: 3526: 3524: 3514: 3510: 3500: 3498: 3486: 3482: 3472: 3470: 3461: 3460: 3456: 3451: 3447: 3438: 3436: 3427: 3426: 3422: 3413: 3411: 3403:Speaks, Youth. 3401: 3397: 3384: 3383: 3379: 3368: 3364: 3330: 3326: 3316: 3314: 3312:The Independent 3304: 3300: 3289:"Tyehimba Jess" 3287: 3286: 3282: 3269: 3268: 3264: 3251: 3250: 3246: 3238: 3231: 3227: 3226: 3219: 3199: 3195: 3185: 3183: 3178: 3177: 3173: 3163: 3161: 3156: 3155: 3151: 3141: 3139: 3134: 3133: 3129: 3119: 3117: 3112: 3111: 3107: 3097: 3095: 3086: 3085: 3081: 3071: 3069: 3059: 3055: 3046: 3045: 3041: 3031: 3029: 3016: 3015: 3011: 2996: 2982: 2978: 2974:Aptowicz (2008) 2973: 2969: 2964: 2960: 2955: 2951: 2942: 2938: 2933:. 4 April 2022. 2929: 2928: 2924: 2907: 2903: 2886: 2882: 2867: 2863: 2846: 2842: 2832: 2830: 2819: 2815: 2806: 2805: 2801: 2788: 2787: 2783: 2770: 2769: 2765: 2756: 2754: 2745: 2744: 2740: 2731: 2729: 2720: 2719: 2715: 2706: 2704: 2695: 2694: 2690: 2673: 2669: 2659: 2657: 2644: 2643: 2639: 2626: 2625: 2621: 2611: 2609: 2605: 2604: 2600: 2593: 2575: 2571: 2561: 2559: 2557:Washington Post 2549: 2545: 2538:Chicago Tribune 2530: 2526: 2513: 2512: 2508: 2497: 2488: 2479: 2477: 2475:Huffington Post 2467: 2463: 2446: 2445: 2441: 2432: 2430: 2420: 2416: 2407: 2405: 2397: 2396: 2392: 2375: 2371: 2367: 2362: 2350: 2338: 2328: 2326: 2314: 2302: 2290: 2282: 2280: 2188: 2176: 2152: 2140: 2128: 2103:as part of the 2099:, organized by 2067: 2048:Henry S. Taylor 2033:wrote the book 1944: 1434:Leuven, Belgium 1360: 1352:Russell Simmons 1288: 1225: 1150:Poetry slam in 1144: 1136:Jerzy Grotowski 1106: 1014: 1002:open-microphone 983: 982: 963: 927: 925: 858:Literary awards 724:Dramatic genres 465:science fiction 143:Oral literature 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 4053: 4043: 4042: 4037: 4032: 4027: 4022: 4017: 4003: 4002: 3997: 3992: 3987: 3982: 3977: 3970: 3969:External links 3967: 3965: 3964: 3956: 3947: 3928: 3915: 3912: 3899: 3890: 3888:Visiting Hours 3881: 3872: 3863: 3854: 3834:Patricia Smith 3831: 3810: 3801: 3785: 3769: 3753: 3751:Under the Sun, 3744:Glenis Redmond 3741: 3732: 3713: 3704: 3695: 3686: 3677: 3673:Lisa Buscani, 3671: 3662: 3653: 3646: 3644: 3641: 3639: 3638: 3614: 3603:(2): 815–841. 3584: 3559: 3534: 3508: 3480: 3454: 3445: 3420: 3405:"Youth Speaks" 3395: 3377: 3362: 3343:(4): 396–419. 3333:Johnson, Javon 3324: 3298: 3280: 3262: 3259:on 2010-11-27. 3244: 3217: 3193: 3171: 3149: 3127: 3105: 3079: 3053: 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