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which contain some details that differ from the finished statue. These drawings are thought to indicate
Michelangelo's original conception. In them the figure is naked, which was a common preliminary practice, before the costume is added to the sketch. In the drawings the torso turned more to the
194:, the detail of the foot protruding from the base. The sculpture idealizes the features of the character. The duke holds the baton of command in his hand, and two coins: these have been interpreted as a reminder of the offering that the dead had to pay in the kingdom of the
128:
left and the right foot rested on an object which is not repeated in the sculpture. Considering the excessive musculature and the pose of the legs, some scholars think that the drawings may instead be imprecise mid–sixteenth-century copies.
190:. The armor adheres to the body like a sheath, revealing the muscular torso, just as the high shoes disappear along the shin to reveal the bare feet. The reliefs of the armor have been attributed to Montorsoli, as well as, according to
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The work, inserted in a niche, shows the young duke seated, dressed like an ancient Roman general and in an attitude of pride, as noted by
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116:, was complete. The sculpture had to be completed in 1534, the year Michelangelo departed from Florence. In 1533 it was entrusted to
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doctrine, as the personification of vigilance, or of the calm of the dead souls, or of the choleric-sanguine temperament of the
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The statue in context on the Tomb of
Giuliano de' Medici, Duke of Nemours, with the allegories of
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Michelangelo began work on the statue of
Giuliano began about 1526, after his statue of
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171:. Political readings have noted the idea of the strong-willed and violent despot.
163:" Lorenzo. This attitude has been read as a metaphor for the "active life" of the
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http://www.polomuseale.firenze.it/catalogo/scheda.asp?nctn=00281335&value=1
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92:, dating to 1526–1534. It forms part of the decorative scheme of the
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Lives of the Most
Excellent Painters, Sculptors, and Architects
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Florentine
Renaissance art § Michelangelo at San Lorenzo
22:
Portrait of
Giuliano de' Medici, Duke of Nemours
174:Giuliano's posture recalls that of Michelangelo's
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1050:Study of a Kneeling Nude Girl for The Entombment
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85:Portrait of Giuliano de' Medici, Duke of Nemours
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100:. It is the central sculpture of the tomb of
1191:Restoration of the Sistine Chapel frescoes
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243:
27:
832:The Creation of the Sun, Moon, and Plants
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104:, and is an idealised portrait of him.
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1010:Santa Maria degli Angeli e dei Martiri
88:, is a 1.68m–tall marble sculpture by
1030:
931:
726:
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614:Giuliano de' Medici, Duke of Nemours
102:Giuliano de' Medici, Duke of Nemours
120:to complete any finishing touches.
13:
114:Lorenzo de' Medici, Duke of Urbino
14:
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825:Separation of Light from Darkness
223:
1197:The Titan: Story of Michelangelo
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198:according to ancient mythology.
16:Marble sculpture by Michelangelo
903:The Crucifixion of Saint Peter
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1:
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208:List of works by Michelangelo
1064:Studies for the Libyan Sibyl
1032:Works on paper, milieu, etc.
746:The Torment of Saint Anthony
65:168 cm (66 in)
7:
1170:Michelangelo and the Medici
1000:San Giovanni dei Fiorentini
213:Michelangelo and the Medici
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188:vault of the Sistine Chapel
123:There are four drawings by
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1272:Sculptures of men in Italy
1267:Marble sculptures in Italy
1257:Sculptures by Michelangelo
1153:Art patronage of Julius II
1078:PietĂ for Vittoria Colonna
118:Giovanni Angelo Montorsoli
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1205:The Agony and the Ecstasy
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604:Christ Carrying the Cross
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1071:The Punishment of Tityus
1228:Michelangelo quadrangle
958:Basilica of San Lorenzo
76:, San Lorenzo, Florence
979:Piazza del Campidoglio
910:The Conversion of Saul
786:Salone dei Cinquecento
458:Piccolomini Altarpiece
338:Battle of the Centaurs
152:
1223:Michelangelo (crater)
1127:Sebastiano del Piombo
1107:Tommaso dei Cavalieri
1057:Male Back with a Flag
572:The Genius of Victory
331:Madonna of the Stairs
159:, as opposed to the "
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132:Description and style
989:St. Peter's Basilica
839:The Creation of Adam
363:Arca di San Domenico
1102:Cecchino dei Bracci
596:Florence, 1516–1534
436:Florence, 1501–1505
1216:A Season of Giants
1199:(1950 documentary)
974:Capitoline Museums
954:Laurentian Library
753:Manchester Madonna
503:Rothschild Bronzes
355:Bologna, 1494–1495
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96:in San Lorenzo in
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883:The Last Judgment
811:(ceiling gallery)
795:Battle of Cascina
774:Leda and the Swan
718:
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714:
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513:Tomb of Julius II
456:Additions to the
451:Madonna of Bruges
361:Additions to the
192:Charles de Tolnay
80:
79:
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1262:1530s sculptures
1183:Replicas of the
1137:Luigi del Riccio
1112:Vittoria Colonna
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860:Prophet Jeremiah
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697:Palestrina PietĂ
690:Florentine PietĂ
530:Rebellious Slave
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314: 1488–1492
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675:Rome, 1534–1564
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278:List of works
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180:and also the
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1207:(1961 novel,
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1175:Replicas of
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950:New Sacristy
933:Architecture
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867:Prophet Joel
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283:âś» attributed
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266:Michelangelo
183:Prophet Joel
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90:Michelangelo
84:
83:
81:
40:Michelangelo
558:Atlas Slave
544:Young Slave
537:Dying Slave
515:, 1505–1545
483:Pitti Tondo
165:Neoplatonic
161:melancholic
1251:Categories
1210:1965 film)
767:Doni Tondo
309:Florence,
299:Sculptures
196:Underworld
125:Tintoretto
62:Dimensions
1005:Porta Pia
728:Paintings
49:1526–1534
1085:Epifania
943:Florence
345:Crucifix
202:See also
98:Florence
70:Location
1146:Related
956:in the
819:Ceiling
475:Gregory
411:Bacchus
186:on the
108:History
1095:Milieu
683:Brutus
658:Apollo
579:Rachel
57:Marble
54:Medium
36:Artist
1185:PietĂ
1177:David
621:Night
523:Moses
444:David
426:PietĂ
383:Angel
286:†lost
177:Moses
143:Night
967:Rome
952:and
642:Dawn
635:Dusk
586:Leah
473:and
471:Pius
467:Paul
146:and
82:The
46:Year
628:Day
149:Day
1253::
469:,
465:,
311:c.
996:âś»
798:â€
777:â€
700:âś»
421:â€
406:â€
326:â€
258:e
251:t
244:v
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