551:(2010), unfolds as a rich tapestry of emotions, portraying the intricate interconnection of three lives for uniquely compelling reasons. The narrative centers around Piyal, a 23-year-old man haunted by the guilt of his mother's death, who finds unexpected solace in caring for his neighbor, a 32-year-old woman battling cancer. Piyal's journey from curiosity to sexual attraction and, ultimately, to empathy for the woman, serves as a path towards self-redemption. In his efforts to alleviate the guilt of his past actions, he becomes deeply involved in the woman's life. This act of kindness leads her neglectful lover to confront his own feelings of guilt, having learned of Piyal's compassionate care.
567:, (2014) country bumpkins Abasiri and Mani won't say no to a trip to Colombo, even if the occasion is a sad one: they have to bring back the corpse of a woman from their village. When Abasiri learns the identity of the woman, the mood changes—and the problems begin. The standard method of using an undertaker would cost too much, so in the end, it has to be an ice cream van and its unwitting driver that transports the coffin through the breath-taking Sri Lankan landscape. Layer by layer, this melancholic road movie gains depth, uncovering social chasms, but without losing its light touch.
342:. His movies primarily explore the human state of mind, displaying fusions of human emotions, senses and thoughts set against the fractured socio-economic, cultural and religious environments of Sri Lanka. In the global context, Jayakody’s cinema represents the psycho-biological realities of mankind and arbitrariness of human cognition juxtaposed against the larger concept of civilization. Jayakody’s eccentric cinematic world, in the absence of a flowing story, capitalizes on subtle but detailed images and intense characters.
534:, centers around Ananda, a young Buddhist monk tasked with restoring frescoes at a temple. Throughout his journey, Ananda encounters a series of events that lead him to meet a captivating woman, igniting forbidden desires within him that clash with his monastic vows. The narrative unfolds Ananda's internal struggle as he attempts to concentrate on his artistic mission, a task that paradoxically requires both complete focus and a state of inner calm.
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354:, began his artistic career with painting. He received his first international accolade while receiving schooling when he won an art competition sponsored by the government of Japan. Art forms the cornerstone of his visual narrative, and Jayakody holds dear the memories of creating cover page vectors for his late father, Jayasena Jayakody. His father was a renowned and celebrated author, honored with three
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delves into the profound philosophical and psychological examination of human nature's intricacies, showcasing the protagonist's turmoil as he grapples with his suppressed instincts against the backdrop of his spiritual commitments. The film offers a psychological perspective on Ananda's experience,
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365:(Shadows and Men), which dealt with the complexities of the human condition, and realities of life. It won the Best Stage Drama award in the State Drama Festival in Sri Lanka that in 1993.
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delves into the complexities of human emotions and relationships, guiding the audience through a whirlwind of emotional dynamics and exploring the theme of life's inherent dualities.
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Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
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404:, was released in 2007 and garnered several awards at both local and international film festivals. Notably, it received the Silver Pyramid Award at the
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He completed his education from Taxila
Central College in Horana. Following a series of short dramas, Jayakody gained recognition with his debut drama
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in the Best
Sinhala Novel category. This familial legacy of artistic and literary excellence has deeply influenced Jayakody's creative path.
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highlighting the anxiety stemming from the tension between his earthly desires and his monastic duty to remain detached.
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film director and screenwriter, internationally recognized for his cinematic accomplishments in contemporary
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in 2003. These dramas secured several state awards, including the Best Tele Drama of the Year. Jayakody’s
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NETPAC Award (Won) at the
International Film Festival Rotterdam (IFFR) (2014) Rotterdam, Netherlands
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Award for the Best
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also won the Jury
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that same year. Additionally, the film earned accolades for Best Debut
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Cairo
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Special Jury Mention at the Bled Film Festival (2014), Bled, Slovenia
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International Film Festival of Kerala – 2006 – Silver Crow Pheasant
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No. denotes the Number of Sri Lankan film in the Sri Lankan cinema.
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Award for the Best Director (Won) at the SAARC Film Festival 2018
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Award for the Best Film (Won) at the Derana Film Festival 2018
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from the article and its talk page, especially if potentially
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International Film Festival of Kerala – 2006 – NETPAC Award
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Jayakody then turned to Sri Lankan Television Dramas with
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Bildrausch International Film Festival in Switzerland
881:"Let's entice the lost audience - Prasanna Jayakody"
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Isolacinema International Film Festival in Slovenia
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590:Bursa Festival – 2007 – Special Jury Mention
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839:. National Film Corporation of Sri Lanka
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859:"Sankara in Сompetition category 2007"
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704:. LinkedIn
689:References
681:in Morocco
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267:1968-08-25
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