354:
103:
19:
290:
155:
1406:
268:
247:, and then a large phrase is introduced with a very polyphonic texture and a prominent tune. A section then starts with chords played in the manuals and the quavers played in the pedals. This continues for another long period of time until the left hand takes the tune and the right hand plays the quavers.
82:, in 1709 as an organist and member of the court orchestra; he was particularly encouraged to make use of his unique talents with the organ by the duke. Indeed, his fame on the instrument grew and he was visited by many students of the organ to hear him play and to try to learn from his technique. The
235:
pattern between the hands. Another run from the pedals is then followed by a continuation of the quaver pattern from the right-hand. The quaver pattern then repeats one octave lower. The pedals then play arpeggiated patterns which begin a repeated theme and slow down throughout. This lasts for four
275:
The subjects of both the BWV 532a and 532 fugues are identical, as well are the counter-subject introduction in the alto voice, and then also in the tenor voice. The fugue in BWV 532a is identical to the one of BWV 532 until the 28th measure (7 measures after the introduction of the
263:
The subject of this fugue is eight measures long and consists of tight figurations encompassing the interval of a ninth. Bach takes this subject firstly through the relative minor and then the mediant minor, and then to the minor harmony of the leading tone and the major harmony on the supertonic.
86:
was probably composed in 1710, although this is not certain. What we do know is that BWV 532 features a lengthy, complex, self-contained fugue preceded by a multisectional prelude. Thus it must have been written before Bach codified the clear two-section prelude and fugue form used in
69:
The Fugue in D major, BWV 532a, was composed around 1708. It is an earlier version of fugue of BWV 532. Not much is known about this fugue, other than that it was composed around 2 years before the
Prelude and Fugue in D Major, and was written and premiered in
264:
After this progression we enter an episode with a flurry of figures on the dominant and then a full entry of the subject on the tonic that works to resolve the preceding tension so well that the eventual coda almost has the nature of an afterthought.
372:
680:
254:
begins. A new theme then arrives with slow quavers on the lower manual and pedal and ascending scales in the upper manual. The prelude then concludes with a slow theme, on broken arpeggios and some slow, elongated final chords.
120:
74:. Also BWV 532 was written during Bach's tenure in Weimar: it was composed between 1709 and 1717. Many of his greatest and most well known organ works were written during this period, including, for example, the
673:
370:
666:
121:
371:
864:
119:
622:
694:
311:
176:
1200:
1280:
690:
1220:
1343:
877:
1236:
806:
75:
1373:
792:
408:
122:
1378:
753:
363:
549:
1132:
1119:
1085:
1072:
987:
974:
1426:
1383:
1145:
1040:
1027:
1000:
236:
bars. A sustained pedal then accompanies the manuals, which have a dotted quaver, semi-quaver rhythm. This then turns into a repeated
821:
626:
243:
A new phrase then begins with an ascending scale in the manuals leading up to a large D major chord. A new tempo is then introduced:
855:
1431:
1175:
787:
738:
1336:
1158:
1112:
1105:
1098:
1065:
1058:
1020:
1013:
967:
960:
941:
797:
773:
768:
763:
758:
748:
743:
728:
932:
925:
918:
79:
1229:
215:
The piece is in two sections: a prelude and a fugue. Both the sections are in D major but, to begin with, there is no
658:
337:
202:
319:
184:
1441:
1350:
1436:
1213:
847:
778:
1273:
1258:
315:
180:
486:
432:
1180:
1169:
912:
811:
524:
461:
1293:
1396:
1300:
1185:
714:
1253:
816:
112:
88:
897:
300:
165:
1194:
304:
169:
510:
1410:
1358:
553:
950:
902:
869:
826:
699:
647:
643:
32:
22:
1264:
907:
723:
639:
1320:
839:
631:
485:
8:
1206:
1330:
major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
528:
465:
688:
78:. The composer was residing in Weimar after being hired by the ruling duke of Weimar,
412:
379:
431:
404:
383:
831:
597:
44:
575:
653:
1420:
271:
The Fugue's subject, showing a turn-like motif followed by a falling sequence
216:
635:
496:
491:
442:
437:
240:
demi-semi-quaver rhythm. This then slows to a series of repeated cadences.
61:. BWV 532.1 (previously 532/2a) is an earlier version of the Fugue.
18:
395:
228:
141:
52:
865:
Canonic
Variations on "Vom Himmel hoch da komm' ich her", BWV 769
654:
Video of "Fugue in D major" from BWV 532, performed by
Timothy Coriddi
129:
289:
231:
scale from the pedals, and then the manuals begin with an intricate
154:
128:
Martin
Hruschka plays on the de Graaf organ at the Emmauskirche
232:
71:
48:
267:
219:
marking given on either section. Both sections are in 4/4.
40:
1394:
456:
454:
452:
449:
779:Eight Short Preludes and Fugues, BWV 553–560
403:This work has been transcribed for solo piano by
1418:
1337:Concerto transcriptions, BWV 592–596 and 972–987
754:Fantasia and Fugue in G minor ("Great"), BWV 542
744:Toccata and Fugue in D minor ("Dorian"), BWV 538
487:"Fugue, D (early version) BWV 532/2a; BWV 532.1"
1237:Capriccio on the departure of a beloved brother
807:Prelude (Toccata) and Fugue in E major, BWV 566
774:Prelude and Fugue in E minor ("Wedge"), BWV 548
812:Fantasia ("Pièce d'Orgue") in G major, BWV 572
1374:List of compositions by Johann Sebastian Bach
793:Toccata, Adagio and Fugue in C major, BWV 564
674:
1379:List of fugal works by Johann Sebastian Bach
318:. Unsourced material may be challenged and
250:When this section finishes, a new tempo of
183:. Unsourced material may be challenged and
1384:List of concertos by Johann Sebastian Bach
681:
667:
822:Passacaglia and Fugue in C minor, BWV 582
715:Fugue in G minor, BWV 131a
627:International Music Score Library Project
433:"Prelude and fugue, D BWV 532; BWV 532.2"
338:Learn how and when to remove this message
203:Learn how and when to remove this message
266:
17:
1419:
1176:Fantasia and Fugue in C minor, BWV 906
788:Fantasia and Fugue in C minor, BWV 562
739:Fantasia and Fugue in C minor, BWV 537
942:Overture in the French style, BWV 831
903:English Suites, BWV 806–811
898:Inventions and Sinfonias, BWV 772–801
798:Toccata and Fugue in D minor, BWV 565
769:Prelude and Fugue in C minor, BWV 546
764:Prelude and Fugue in B minor, BWV 544
759:Prelude and Fugue in A minor, BWV 543
749:Toccata and Fugue in F major, BWV 540
734:Prelude and Fugue in D major, BWV 532
729:Prelude and Fugue in C major, BWV 531
662:
623:Prelude and Fugue in D major, BWV 532
364:Prelude and Fugue in D major, BWV 532
113:Prelude and Fugue in D major, BWV 532
76:Prelude and Fugue in E major, BWV 566
908:French Suites, BWV 812–817
817:Fugue in G minor ("Little"), BWV 578
316:adding citations to reliable sources
283:
181:adding citations to reliable sources
148:
880:Wo Gott der Herr nicht bei uns hält
43: 532.2 (previously 532), is a
13:
1230:Aria variata alla maniera italiana
951:Well-Tempered Clavier, BWV 846–893
352:
101:
14:
1453:
1427:Preludes by Johann Sebastian Bach
616:
279:
1404:
394:Problems playing this file? See
368:
288:
153:
140:Problems playing this file? See
117:
1432:Fugues by Johann Sebastian Bach
1281:Prelude, Fugue and Allegro in E
1181:Toccatas, BWV 910–916
913:Partitas, BWV 825–830
849:Great Eighteen Chorale Preludes
590:
568:
542:
517:
503:
479:
425:
91:, which was composed in 1722.
1:
418:
227:The prelude commences with a
55:
1170:Chromatic Fantasia and Fugue
552:. jsbach.org. Archived from
94:
84:Prelude and Fugue in D major
37:Prelude and Fugue in D major
27:Prelude and Fugue in D major
7:
1294:Prelude in C minor, BWV 999
827:Concertos, BWV 592–597
10:
1458:
1344:KlavierbĂĽchlein W. F. Bach
1301:Fugue in G minor, BWV 1000
1201:Harpsichord solo concertos
222:
64:
1369:
1310:
1274:Suite in C minor, BWV 997
1259:Suite in E minor, BWV 996
1254:Suite in G minor, BWV 995
1246:
890:
707:
378:Transcribed for piano by
89:The Well-Tempered Clavier
1324:: Prelude and Fugue in E
858:Sei gegrĂĽĂźet, Jesu gĂĽtig
632:Free download of BWV 532
511:"BWV 532a Fugue D-Major"
276:subject in the pedals).
258:
1442:Compositions in D major
1189:, BWV 933–938
1437:Compositions for organ
1359:Twelve Little Preludes
357:
272:
106:
29:
700:Johann Sebastian Bach
648:Katholische Hofkirche
644:Zacharias Hildebrandt
445:; et al. 14 May 2019.
356:
270:
105:
33:Johann Sebastian Bach
23:Johann Sebastian Bach
21:
873:, BWV 1090–1120
724:Sonatas, BWV 525–530
640:Gottfried Silbermann
525:"Classical Archives"
499:; et al. 9 May 2019.
462:"Classical Archives"
312:improve this section
177:improve this section
1351:Notebook A. M. Bach
1207:Goldberg Variations
1187:Six Little Preludes
871:Neumeister chorales
578:. Baroque music.org
576:"Baroque music.org"
851:, BWV 651–668
843:, BWV 645–650
835:, BWV 599–644
689:Compositions for
650:, Dresden, Germany
529:Classical Archives
466:Classical Archives
358:
273:
107:
30:
25:, the composer of
1392:
1391:
1322:Clavier-Ăśbung III
1267:
1223:
1216:
1161:
1159:No. 24 in B minor
1154:
1141:
1128:
1115:
1113:No. 12 in F minor
1108:
1101:
1094:
1081:
1068:
1061:
1049:
1036:
1023:
1021:No. 16 in G minor
1016:
1014:No. 10 in E minor
1009:
996:
983:
970:
963:
935:
928:
921:
878:Chorale fantasia
841:SchĂĽbler Chorales
803:
784:
720:
695:keyboard and lute
409:BV B 20
373:
348:
347:
340:
213:
212:
205:
123:
1449:
1409:
1408:
1407:
1400:
1362:
1353:
1346:
1339:
1332:
1329:
1328:
1303:
1296:
1289:
1286:
1285:
1276:
1263:
1219:
1212:
1195:Italian Concerto
1157:
1151:
1150:
1144:
1138:
1137:
1131:
1125:
1124:
1118:
1111:
1106:No. 6 in D minor
1104:
1099:No. 5 in D major
1097:
1091:
1090:
1084:
1078:
1077:
1071:
1066:No. 2 in C minor
1064:
1059:No. 1 in C major
1057:
1046:
1045:
1039:
1033:
1032:
1026:
1019:
1012:
1006:
1005:
999:
993:
992:
986:
980:
979:
973:
968:No. 2 in C minor
966:
961:No. 1 in C major
959:
931:
924:
917:
856:Chorale partita
801:
782:
718:
702:
683:
676:
669:
660:
659:
625:: Scores at the
610:
609:
607:
605:
594:
588:
587:
585:
583:
572:
566:
565:
563:
561:
556:on 28 March 2014
546:
540:
539:
537:
535:
521:
515:
514:
507:
501:
500:
483:
477:
476:
474:
472:
458:
447:
446:
429:
411:in 1888, and by
405:Ferruccio Busoni
384:Martha Goldstein
375:
374:
355:
343:
336:
332:
329:
323:
292:
284:
208:
201:
197:
194:
188:
157:
149:
132:(live recording)
130:Berlin-Kreuzberg
125:
124:
104:
60:
57:
51:written for the
1457:
1456:
1452:
1451:
1450:
1448:
1447:
1446:
1417:
1416:
1415:
1411:Classical Music
1405:
1403:
1395:
1393:
1388:
1365:
1356:
1349:
1342:
1335:
1326:
1325:
1319:
1312:
1306:
1299:
1292:
1283:
1282:
1279:
1272:
1242:
1221:Gould recording
1148:
1147:
1135:
1134:
1122:
1121:
1088:
1087:
1075:
1074:
1043:
1042:
1030:
1029:
1003:
1002:
990:
989:
977:
976:
886:
703:
698:
687:
619:
614:
613:
603:
601:
596:
595:
591:
581:
579:
574:
573:
569:
559:
557:
548:
547:
543:
533:
531:
523:
522:
518:
509:
508:
504:
484:
480:
470:
468:
460:
459:
450:
430:
426:
421:
401:
400:
392:
390:
389:
388:
387:
382:, performed by
376:
369:
366:
359:
353:
344:
333:
327:
324:
309:
293:
282:
261:
225:
209:
198:
192:
189:
174:
158:
147:
146:
138:
136:
135:
134:
133:
126:
118:
115:
108:
102:
97:
67:
58:
12:
11:
5:
1455:
1445:
1444:
1439:
1434:
1429:
1414:
1413:
1390:
1389:
1387:
1386:
1381:
1376:
1370:
1367:
1366:
1364:
1363:
1354:
1347:
1340:
1333:
1316:
1314:
1308:
1307:
1305:
1304:
1297:
1290:
1287:major, BWV 998
1277:
1270:
1269:
1268:
1256:
1250:
1248:
1244:
1243:
1241:
1240:
1233:
1226:
1225:
1224:
1217:
1203:
1198:
1191:
1183:
1178:
1173:
1165:
1164:
1163:
1162:
1155:
1142:
1129:
1116:
1109:
1102:
1095:
1082:
1069:
1062:
1052:
1051:
1050:
1037:
1024:
1017:
1010:
997:
984:
971:
964:
954:
946:
945:
938:
937:
936:
929:
922:
910:
905:
900:
894:
892:
888:
887:
885:
884:
875:
867:
862:
853:
845:
837:
829:
824:
819:
814:
809:
804:
795:
790:
785:
776:
771:
766:
761:
756:
751:
746:
741:
736:
731:
726:
721:
711:
709:
705:
704:
686:
685:
678:
671:
663:
657:
656:
651:
629:
618:
617:External links
615:
612:
611:
589:
567:
541:
516:
502:
478:
448:
423:
422:
420:
417:
413:Eugen d'Albert
391:
380:Eugen d'Albert
377:
367:
362:
361:
360:
351:
350:
349:
346:
345:
296:
294:
287:
281:
280:Transcriptions
278:
260:
257:
224:
221:
211:
210:
161:
159:
152:
137:
127:
116:
111:
110:
109:
100:
99:
98:
96:
93:
66:
63:
9:
6:
4:
3:
2:
1454:
1443:
1440:
1438:
1435:
1433:
1430:
1428:
1425:
1424:
1422:
1412:
1402:
1401:
1398:
1385:
1382:
1380:
1377:
1375:
1372:
1371:
1368:
1361:
1360:
1355:
1352:
1348:
1345:
1341:
1338:
1334:
1331:
1323:
1318:
1317:
1315:
1309:
1302:
1298:
1295:
1291:
1288:
1278:
1275:
1271:
1266:
1262:
1261:
1260:
1257:
1255:
1252:
1251:
1249:
1245:
1239:
1238:
1234:
1232:
1231:
1227:
1222:
1218:
1215:
1211:
1210:
1209:
1208:
1204:
1202:
1199:
1197:
1196:
1192:
1190:
1188:
1184:
1182:
1179:
1177:
1174:
1172:
1171:
1167:
1166:
1160:
1156:
1153:
1143:
1140:
1130:
1127:
1117:
1114:
1110:
1107:
1103:
1100:
1096:
1093:
1083:
1080:
1070:
1067:
1063:
1060:
1056:
1055:
1053:
1048:
1038:
1035:
1025:
1022:
1018:
1015:
1011:
1008:
998:
995:
985:
982:
972:
969:
965:
962:
958:
957:
955:
953:
952:
948:
947:
944:
943:
939:
934:
930:
927:
923:
920:
916:
915:
914:
911:
909:
906:
904:
901:
899:
896:
895:
893:
889:
883:
881:
876:
874:
872:
868:
866:
863:
861:
859:
854:
852:
850:
846:
844:
842:
838:
836:
834:
833:OrgelbĂĽchlein
830:
828:
825:
823:
820:
818:
815:
813:
810:
808:
805:
799:
796:
794:
791:
789:
786:
780:
777:
775:
772:
770:
767:
765:
762:
760:
757:
755:
752:
750:
747:
745:
742:
740:
737:
735:
732:
730:
727:
725:
722:
716:
713:
712:
710:
706:
701:
696:
692:
684:
679:
677:
672:
670:
665:
664:
661:
655:
652:
649:
646:organ in the
645:
641:
637:
633:
630:
628:
624:
621:
620:
599:
593:
577:
571:
555:
551:
545:
530:
526:
520:
512:
506:
498:
494:
493:
488:
482:
467:
463:
457:
455:
453:
444:
440:
439:
434:
428:
424:
416:
414:
410:
406:
399:
397:
385:
381:
365:
342:
339:
331:
321:
317:
313:
307:
306:
302:
297:This section
295:
291:
286:
285:
277:
269:
265:
256:
253:
248:
246:
241:
239:
234:
230:
220:
218:
207:
204:
196:
186:
182:
178:
172:
171:
167:
162:This section
160:
156:
151:
150:
145:
143:
131:
114:
92:
90:
85:
81:
80:Wilhelm Ernst
77:
73:
62:
54:
50:
46:
42:
38:
34:
28:
24:
20:
16:
1357:
1321:
1235:
1228:
1205:
1193:
1186:
1168:
949:
940:
879:
870:
857:
848:
840:
832:
733:
638:on the 1755
636:James Kibbie
634:recorded by
602:. Retrieved
592:
580:. Retrieved
570:
558:. Retrieved
554:the original
550:"JSBach.org"
544:
532:. Retrieved
519:
505:
497:Bach Archive
492:Bach Digital
490:
481:
469:. Retrieved
443:Bach Archive
438:Bach Digital
436:
427:
402:
393:
334:
325:
310:Please help
298:
274:
262:
251:
249:
244:
242:
237:
226:
214:
199:
190:
175:Please help
163:
139:
83:
68:
36:
31:
26:
15:
1313:collections
1214:discography
1146:No. 22 in B
1133:No. 18 in G
1120:No. 13 in F
1041:No. 22 in B
1028:No. 21 in B
604:12 February
600:. qub.ac.uk
598:"qub.ac.uk"
582:12 February
560:12 February
534:12 February
495:. Leipzig:
471:12 February
441:. Leipzig:
229:semi-quaver
59: 1710
1421:Categories
1086:No. 4 in C
1073:No. 3 in C
1001:No. 7 in E
988:No. 4 in C
975:No. 3 in C
882:, BWV 1128
802:(doubtful)
783:(doubtful)
719:(doubtful)
419:References
396:media help
328:April 2021
245:Alla breve
193:April 2021
142:media help
860:, BWV 768
415:in 1893.
299:does not
164:does not
95:Structure
1327:♭
1284:♭
1149:♭
1136:♯
1123:♯
1089:♯
1076:♯
1044:♭
1031:♭
1004:♭
991:♯
978:♯
891:Keyboard
1265:Bourrée
1054:Book 2
956:Book 1
320:removed
305:sources
223:Prelude
185:removed
170:sources
65:History
45:prelude
1397:Portal
800:
781:
717:
252:Adagio
233:quaver
72:Weimar
1311:Mixed
1152:minor
1139:minor
1126:major
1092:minor
1079:major
1047:minor
1034:major
1007:major
994:minor
981:major
933:No. 6
926:No. 4
919:No. 2
708:Organ
691:organ
259:Fugue
238:G♯, B
217:tempo
53:organ
49:fugue
1247:Lute
606:2010
584:2010
562:2010
536:2010
473:2010
303:any
301:cite
168:any
166:cite
47:and
697:by
407:as
314:by
179:by
41:BWV
35:'s
1423::
693:,
527:.
489:.
464:.
451:^
435:.
56:c.
39:,
1399::
682:e
675:t
668:v
642:/
608:.
586:.
564:.
538:.
513:.
475:.
398:.
386:.
341:)
335:(
330:)
326:(
322:.
308:.
206:)
200:(
195:)
191:(
187:.
173:.
144:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
