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Purple Noon

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637: 469:. First, he leaves evidence of Philippe's philandering for an outraged Marge to find. Finding that Tom has pilfered his banking records, Philippe seeks to draw him out. After Marge goes ashore following a blow-up with Philippe, he confronts Tom, who admits his plan quite casually. Philippe offers Tom a substantial sum to leave him and Marge alone, but Tom rebuffs it, saying he is interested in far more. He fatally stabs Philippe, weights his body with an anchor, and wraps it in canvas, and he is preparing to dump it overboard when he is hit by the ship's 628: 510: 767:
Highsmith's opinion of the film was mixed. She felt that Alain Delon was "excellent" in the role of Tom Ripley and described the film overall as "very beautiful to the eye and interesting for the intellect", but criticized the ending (in which it is implied that Ripley is to be caught by the police):
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behind it, the loose end of the lashing having become wrapped around the sailboat's propeller. A police inspector from Rome who has been watching Tom jumps into action and goes to the cafe, where he has the waitress tell Tom, who is lounging in the sun, that there is a phone call for him. Tom smirks
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Philippe's father arrives in Mongibello to settle the transfer of Philippe's estate and the sale of his yacht. Marge leaves Tom at the beach to go meet Mr. Greenleaf, while Tom goes to a seaside cafe and celebrates the success of his gambit by ordering the best drink in the house. As Philippe's boat
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Tom becomes fixated on Philippe and his fiancée, Marge, and covets the other man's life of luxury and leisure in the beautiful seaside town of Mongibello. Philippe eventually grows bored with Ripley's fawning and becomes cruel and abusive to him. The final straw for Tom is reached during a yachting
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When Philippe's friend Freddy Miles tracks down "Philippe's" hideaway, he is surprised to only find Tom there. Feeling he is beginning to suspect the truth, Tom impulsively murders him. Freddy's body is soon found, and the Italian police become involved. Tom continues his charade, switching like a
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Upon returning to Mongibello alone, Tom informs Marge that Philippe has decided to stay away. He then goes to Rome, skillfully replaces Philippe's picture with his own in Philippe's passport, masters forging Philippe's signature, and successfully takes over the dead man's wealth, identity, and
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on Blu-ray and DVD. Special features include an interview with René Clément scholar and author Denitza Bantcheva, archival interviews with Alain Delon and Patricia Highsmith, the film's original English-language trailer, and a booklet featuring an essay by film critic
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in the film. The film follows Tom Ripley, a young American sent to Italy to convince wealthy playboy Philippe Greenleaf to return home. As Tom becomes obsessed with Philippe's luxurious lifestyle, he devises a plan that will allow him to take over Philippe's life.
715:), writing that "the best thing about the film is the way the plot devises a way for Ripley to create a perfect cover-up", while criticizing the "less than satisfactory ending", about which he wrote: " 737:). Berardinelli praised Delon's acting, writing that "Tom is fascinating because Delon makes him so", and also complimented the film for "expert camerawork and crisp direction." In the entry for 36: 1578: 2182: 760:
Nandini Ramnath, writing for Scroll.in, said: "The definitive portrayal of crime novelist Patricia Highsmith's most enduring creation was as early as 1960. Damon and
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are adaptations of the same source novel. The majority of the film's dialogue is spoken in French, although there are brief sequences in Italian and English.
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on Berardinelli's All-Time Top 100 list, he compared it to the 1999 film, saying: "The remake went back to the source material, Patricia Highsmith's
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that leaves Philippe's entire fortune to Marge, Tom thinks he is finally in the clear. He then seduces Marge, dallying with her in Philippe's home.
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Tom survives a long string of close shaves, throwing the Italian police off his trail and seemingly outwitting everyone. After forging Philippe's
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is being pulled out of the water so a potential buyer can inspect it, Marge is horrified to see Philippe's canvas-wrapped body dragged up the
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chameleon between his own identity and Philippe's to give the illusion that Philippe is still alive and implicate him in Freddy's murder.
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and take over the family business. Philippe has no intention of doing so, and the impoverished Tom falls into sharing in his escapades.
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and excerpts from a 1981 interview with Clément. The film has also been released on Blu-ray in the UK and Germany (by
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come close to conveying the ruthlessness and ambition of Tom Ripley, but Delon effortlessly captures his mystique."
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and knocked in the sea, taking Philippe's corpse with him. Tom narrowly manages to make it back onto the ship.
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has been sent to Italy by the father of wealthy playboy Philippe Greenleaf to persuade him to return to
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is an understatement. Almost every aspect of Rene Clement's 1960 motion picture is superior to that of
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might make a credible Tom Ripley but only for those who never experienced Alain Delon's portrayal."
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Director Clément has an uncredited cameo appearance in the film as a clumsy waiter, and
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was lauded by critics and made Delon a star. In 1962, Clément and Gégauff won an
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gave the film three stars (compared to the four-star review he gave to 1999's
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Maurice Bessy (1992). Maurice Bessy; Raymond Chirat; André Bernard (eds.).
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ends as it does only because Clement doesn't have Highsmith's iron nerve".
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as an employee of the maritime agency handling the sale of Philippe's boat
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to Delon's career prior to a theatrical re-release in (at least) France.
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and accidentally leaves him to drift for hours in the blazing sun.
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wrote a variation on the same story in 1968 when he worked on
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Marie LaforĂȘt (as Marge Duval) and Alain Delon (as Tom Ripley)
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Nicolas Petrov as Boris, a dancer in Popova's ballet company
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Jacqueline Parey as Ingrid, Popova's assistant (uncredited)
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for Best Foreign Film Screenplay. The film enjoys a loyal
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was an expatriate American actor well-liked in France.
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Back on board, Tom hatches a plan to kill Philippe and
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Lily Romanelli as Philippe's housekeeper in Mongibello
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released the high-definition digital restoration of
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Pygmalion. 894: 887: 880: 875: 871: 857: 856: 851: 847: 846:Dennis Hopper 842: 838: 830: 828: 824: 819: 815: 810: 808: 804: 794: 790: 780: 778: 774: 769: 765: 763: 758: 756: 752: 748: 744: 740: 736: 732: 728: 724: 720: 718: 714: 713: 708: 704: 702: 698: 694: 690: 686: 677: 675: 671: 670: 665: 662:Screenwriter 660: 658: 654: 653: 638: 633: 629: 624: 621: 620: 619: 617: 608: 605: 602: 599: 596: 593: 590: 587: 584: 581: 578: 575: 572: 569: 566: 563: 560: 557: 554: 551: 550:Maurice Ronet 548: 545: 544:Marie LaforĂȘt 542: 540: 536: 533: 532: 527: 523: 522:Marie LaforĂȘt 519: 515: 511: 502: 499: 493: 491: 487: 482: 478: 474: 472: 468: 463: 461: 455: 453: 452:San Francisco 449: 439: 437: 436: 431: 430: 426:'s 1999 film 425: 421: 417: 416: 411: 408: 404: 400: 395: 392: 388: 384: 383:Maurice Ronet 380: 379:Marie LaforĂȘt 376: 372: 368: 367: 362: 361: 360:Lust for Evil 356: 355: 350: 349: 344: 343: 338: 334: 333: 328: 324: 323: 311: 307: 303: 299: 292: 289: 288: 286: 282: 278: 272: 257: 255: (France) 246: 245: 243: 240:Release dates 237: 230: 228:CCFC (France) 227: 226: 224: 220: 213: 210: 207: 204: 201: 200: 197: 189: 186: 183: 179: 176: 173: 169: 166: 163: 159: 153: 152:Maurice Ronet 150: 148: 147:Marie LaforĂȘt 145: 143: 140: 139: 137: 133: 127: 126:Raymond Hakim 124: 122: 119: 118: 116: 112: 109: 102: 101: 97: 93: 87: 84: 81: 80: 78: 76:Screenplay by 74: 71: 68: 64: 60: 57: 54: 52: 48: 44: 37: 32: 27: 22: 2261: 2253: 2245: 2237: 2229: 2221: 2213: 2205: 2197: 2189: 2181: 2173: 2165: 2157: 2149: 2141: 2133: 2125: 2118: 2117: 2109: 2090: 2082: 2074: 2051: 2043: 2035: 2027: 2019: 2000: 1992: 1984: 1976: 1968: 1960: 1952: 1944: 1936: 1928: 1920: 1912: 1904: 1896: 1888: 1880: 1872: 1855:Bibliography 1784: 1776: 1768: 1760: 1752: 1744: 1736: 1728: 1720: 1712: 1704: 1696: 1688: 1680: 1672: 1664: 1656: 1648: 1640: 1633: 1632: 1624: 1616: 1608: 1595:Paul GĂ©gauff 1549: 1541: 1533: 1525: 1517: 1509: 1501: 1493: 1486: 1485: 1477: 1469: 1461: 1453: 1445: 1437: 1429: 1421: 1413: 1403:RenĂ© ClĂ©ment 1363: 1347: 1336: 1325: 1314: 1303: 1282: 1277: 1266:. Retrieved 1263:Screen Daily 1262: 1253: 1242:. Retrieved 1235: 1226: 1214:. Retrieved 1210: 1200: 1189:. Retrieved 1182: 1163:Gerald Peary 1147: 1135:. Retrieved 1131: 1126:Plein Soleil 1125: 1117: 1109: 1103: 1097: 1088:Plein Soleil 1087: 1083: 1077: 1068: 1062: 1052: 1046: 1040: 1030: 1024: 1018: 1007:. Retrieved 997: 986:. Retrieved 982: 973: 962:. Retrieved 958: 948: 938: 930: 920: 911: 892: 886: 874: 853: 852:' 1977 film 841: 817: 811: 786: 776: 770: 766: 759: 746: 742: 738: 734: 730: 729:higher than 726: 721: 716: 710: 705: 684: 683: 667: 664:Paul GĂ©gauff 661: 657:Billy Kearns 650: 648: 613: 574:Billy Kearns 494: 486:suicide note 483: 479: 475: 464: 456: 445: 434: 427: 413: 399:RenĂ© ClĂ©ment 397:Directed by 396: 369:) is a 1960 365: 364: 359: 358: 353: 352: 347: 346: 341: 332:Plein soleil 331: 321: 320: 319: 275:Running time 266: (Italy) 121:Robert Hakim 98: 86:Paul GĂ©gauff 82:RenĂ© ClĂ©ment 70:RenĂ© ClĂ©ment 56:Plein soleil 55: 2127:Enough Rope 2119:Purple Noon 2103:Adaptations 1730:Les Novices 1634:Purple Noon 1610:Les Cousins 1487:Purple Noon 1337:Purple Noon 1326:Purple Noon 1315:Purple Noon 1304:Purple Noon 1283:Purple Noon 1104:Purple Noon 1084:Purple Noon 1047:Purple Noon 850:Wim Wenders 827:StudioCanal 818:Purple Noon 793:restoration 789:StudioCanal 777:Purple Noon 747:Purple Noon 739:Purple Noon 727:Purple Noon 717:Purple Noon 707:Roger Ebert 689:Edgar Award 685:Purple Noon 604:Paul Muller 535:Alain Delon 514:Alain Delon 477:lifestyle. 375:Alain Delon 354:Blazing Sun 322:Purple Noon 279:115 minutes 165:Henri DecaĂ« 142:Alain Delon 114:Produced by 66:Directed by 29:Purple Noon 2302:1960 films 2296:Categories 2281:Tom Ripley 2274:Characters 2255:Deep Water 1898:Deep Water 1770:Death Rite 1746:Dr. Popaul 1698:Les Biches 1431:The Damned 1423:Mr. Orchid 1268:2013-04-30 1244:2013-05-07 1216:23 January 1191:2010-12-30 1009:2024-03-15 988:2024-03-15 964:2024-03-15 866:References 755:Matt Damon 669:Les biches 645:Production 580:Ave Ninchi 570:as O'Brien 562:Erno Crisa 539:Tom Ripley 518:Tom Ripley 448:Tom Ripley 309:Box office 262:1960-09-02 251:1960-03-10 205:Paris Film 192:Production 104:1955 novel 1778:Ave Maria 1754:La VallĂ©e 1642:Wise Guys 1511:Joy House 1237:Le Figaro 1132:Scroll.in 791:funded a 787:In 2012, 751:Minghella 691:from the 680:Reception 373:starring 312:$ 618,090 284:Countries 208:Paritalia 194:companies 185:Nino Rota 171:Edited by 1471:Gervaise 1331:AllMovie 1187:. London 1155:Archived 655:(1959). 348:Full Sun 301:Language 181:Music by 135:Starring 95:Based on 1797:Related 1666:OphĂ©lia 1318:at the 1137:26 July 498:slipway 407:Italian 337:Italian 260: ( 249: ( 212:Titanus 2266:(2024) 2263:Ripley 2258:(2022) 2250:(2016) 2242:(2015) 2234:(2014) 2226:(2009) 2218:(2005) 2210:(2002) 2202:(1999) 2194:(1996) 2186:(1989) 2178:(1987) 2170:(1978) 2162:(1978) 2154:(1977) 2146:(1977) 2138:(1969) 2130:(1963) 2122:(1960) 2114:(1951) 2095:(1985) 2087:(1981) 2079:(1974) 2056:(1991) 2048:(1980) 2040:(1974) 2032:(1970) 2024:(1955) 2005:(1995) 1997:(1987) 1989:(1983) 1981:(1977) 1973:(1972) 1965:(1969) 1957:(1967) 1949:(1965) 1941:(1964) 1933:(1964) 1925:(1962) 1917:(1960) 1909:(1958) 1901:(1957) 1893:(1954) 1877:(1950) 1862:Novels 1789:(1984) 1781:(1984) 1773:(1976) 1765:(1975) 1757:(1972) 1749:(1972) 1741:(1971) 1733:(1970) 1725:(1969) 1717:(1969) 1709:(1969) 1701:(1968) 1693:(1967) 1685:(1967) 1677:(1964) 1669:(1963) 1661:(1962) 1653:(1962) 1645:(1961) 1637:(1960) 1629:(1960) 1621:(1959) 1613:(1959) 1554:(1975) 1546:(1972) 1538:(1971) 1530:(1969) 1522:(1966) 1514:(1964) 1506:(1963) 1498:(1961) 1490:(1960) 1482:(1958) 1474:(1956) 1466:(1954) 1458:(1952) 1450:(1950) 1442:(1949) 1434:(1947) 1426:(1946) 1418:(1946) 899:  807:homage 775:cited 762:Hopper 725:rated 520:) and 488:and a 460:dinghy 435:Ripley 403:French 401:, the 363:, and 327:French 304:French 290:France 51:French 2239:Carol 1364:Marge 833:Notes 672:with 526:Italy 293:Italy 1706:More 1309:IMDb 1218:2023 1139:2016 897:ISBN 516:(as 505:Cast 490:will 471:boom 442:Plot 381:and 1355:at 1340:at 1329:at 1307:at 1161:by 537:as 418:by 106:by 2298:: 1286:, 1261:. 1234:. 1209:. 1181:. 1169:^ 1130:. 1108:. 1051:. 1029:. 981:. 957:. 937:, 919:. 703:. 676:. 422:. 385:; 357:, 351:, 339:: 335:; 329:: 1838:e 1831:t 1824:v 1587:e 1580:t 1573:v 1394:e 1387:t 1380:v 1271:. 1247:. 1220:. 1194:. 1141:. 1128:" 1106:" 1092:. 1086:( 1082:" 1067:" 1045:" 1023:" 1012:. 991:. 967:. 905:. 858:. 528:. 405:/ 325:( 264:) 253:) 23:.

Index

Purple Noon (album)

French
René Clément
Paul GĂ©gauff
The Talented Mr. Ripley
Patricia Highsmith
Robert Hakim
Raymond Hakim
Alain Delon
Marie LaforĂȘt
Maurice Ronet
Henri Decaë
Françoise Javet
Nino Rota
Titanus
French
Italian
crime thriller film
Alain Delon
Marie LaforĂȘt
Maurice Ronet
Romy Schneider
cameo appearance
René Clément
French
Italian
international co-production
The Talented Mr. Ripley
Patricia Highsmith

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